Watchmen Episode Three, She Was Killed by Space Junk Review: Everybody Goes to Hell!

4 and a half stars
Watchmen
‘s third episode, “She Was Killed By Space Junk” is the best episode of the series so far with the role of main character temporarily switching from Angela Abar to Jean Smart’s Laurie Blake.
Directed by Stephen Williams, the story of the episode centers on Laurie being brought into the Seventh Calvary Case while flashing forward to her sending a message to Dr Manhattan through a phone to mars.
This message is a joke about three heroes, Dr Manhattan, Ozymandius and Night Owl, who appear before god to receive judgement.
All three go to hell until god sees a woman standing behind them who identifies herself as the girl who a threw a brick from the joke Laurie appeared to screw up earlier.
The brick falls from the sky and kills god, sending him straight to hell.
The flash forwards to Laurie’s joke are the best part of the episode because I was very intrigued by what the joke ended up being.
Personally, I think it has great thematic purpose with the girl who threw the brick clearly being representative of Laurie, and the joke itself being similar to Rorschach’s Pagliacci joke from the original graphic novel.
Dr Manhattan also seems to appreciate the gag because Angela’s car, which Will escaped in last episode, descends from the heavens, nearly crushing Laurie like god’s head got crushed by the brick.
In all likelihood, though, the car was most likely dropped by the people who rescued Will who want Laurie to become a part of the case for as an unknown reason.
But, for the moment at least, Laurie seems to believe it is Dr Manhattan, bursting out into laughter, being very reminiscent of her father The Comedian.

snap.png
Laurie’s phone booth scenes are the best of the episode with Jean Smart delivering a great performance.

With this, and the fact that she has taken on his last name, it is apparent that Laurie has started to feel some kinship with her destructive father over the years.
As for the rest of the episode, it is also great with Laurie being revealed as part of a vigilante capture task force of the FBI.
Night Owl is also revealed to be in prison.
Laurie actually drives quite a few comedic interactions as well, like with Looking Glass, Red Scare (Andrew Howard), and Pirate Jenny (Jessica Camacho).
Then there is her Dr Manhattan dildo, which is a real “wait, what!?” moment.
Laurie also has a few action moments as well, shooting the Seventh Calvary member with the suicide vest who tries to kidnap Senator Joe Keene JR (James Wolk).
Speaking of him, I think it is pretty apparent that he will most likely be involved somehow in the conspiracy Will mentioned.
The fact that he was at Judd’s house where Angela found the Ku Klux Klan robe last episode also supports this.
Aside from these individual moments, however, one of my favourite things about the episode is its soundtrack with Laurie having a killer theme.
This soundtrack accompanies her pretty much through the entire episode, apart from the Ozymandias scenes and, unfortunately, it is these ones that keep the episode from being perfect.
While the scenes are great I do have a few flaws with them, like the CGI Buffalo, which look completely fake.
Then there is the official reveal that Ozymandias is… well, Ozymandias.
This was presented as some kind of shocking twist but I am pretty sure we all knew it was him going in so they did not need to act like it was some big moment.

Ozymandias outift.jpg
While I did like Ozymandias’ scenes, there are things about them that hold the episode back, like his obvious identity reveal.

Other than this, though, Ozymandias’ scenes are still intriguing, with us learning he is the captive of “the game warden.”
There are multiple theories about who this game warden could be but the most likely seems to be Dr Manhattan.
We will just have to wait and see as Ozymandias’ escape plan slowly comes to fruition.
Overall, “She Was Killed by Space Junk” is the best episode of Watchmen so far with just a few scenes holding it back from being a truly fantastic episode.

Watchmen Episode Two, Martial Feats of Comanche Horsemanship, Review: “Friends in High Places” Indeed.

4 stars
The mystery deepens in the second episode of Watchmen “Martial Feats of Comanche Horsemanship”, with Angela beginning her investigation into the death of Chief Crawford.
Her prime suspect is the 105-year-old Will who claims to have “strung up your police chief”, despite looking physically incapable of doing so.
Directed again by Nicole Kassel, episode two dives head first into the interactions between Angela and Will as the costumed detective tries to learn the truth from him.
An interesting point to note is that, as far as I can remember, Will never outright says he murdered Crawford.
Again, he merely states that he “strung up your police chief.”
So, while he may have had a hand in hand in hanging Crawford, he may not be behind his murder.
Although, Looking Glass later says Crawford did die of asphyxiation, likely from being hung, so I may be wrong about that.
Or maybe he was killed elsewhere before being hung.
Either way, Crawford’s murder is not the only mystery surrounding Will because it is revealed that he is Angela’s grandfather at the end of the episode.
One thing I did find interesting was that it was mentioned that Will has two descendants.
This means, along with Angela, there is one other character who is descended from him.
Following the realization that Will is her grandfather and realizing he will not cooperate, she decides to take him in, ignoring his claim of having “friends in high places.”
This comes back to bite her when, after putting Will in her car, a magnet descends from the sky and picks up the car with Will in it, flying off.
“Friends in high places” indeed.

Will leaves.jpg
Will disappears with a smile as he is rescued from Angela’s custody. 

The scenes between Angela and Will are great as they continue to build in suspense and anticipation for the reveal of the conspiracy Will claims is currently happening in Tulsa.
The only weak moment came in the aftermath of Crawford’s murder, where Angela lets out a cry of anguish that seemed kind of artificial to me.
Aside from this small moment, though, their interactions are very good.
There are already multiple theories surrounding Will, including one that he was Hooded Justice who appears on a TV show called “American Hero Story”in a brief yet interesting scene that speaks to Angela’s character.
Supporting this theory, is the opening scene where Will’s father is fighting in World War One and sees a German pamphlet that urges black soldiers to come over to their side where they will be treated fairly, and Hooded Justice was thought to be German.
Speaking of theories, I also like the one that Crawford was the Seventh Calvary member who shot Angela.
In a flashback of the White Night, Angela is shot and about to be killed by one of their members but then it cuts to her waking up in the hospital with Crawford beside her.
However, none of these scenes are my favourite of the episode.
That award goes to the scene where we get to see Ozymandias’ play.
This moment proves to be the most confusing yet interesting scene in the show so far, with his production of Dr Manhattan’s transformation being particularly disturbing and also somewhat comical.
We watch as he literally burns his assistant Mr Phillips to death to simulate Dr Manhattan’s transformation, upon which it is revealed that all of his assistants are clones.

Ozymandias.jpg
Watching Ozymandias burn one of his clone servants to death, only for the next clone to eagerly take their place, is both disturbing and oddly comedic.

Why Ozymandias has all these clones and what exactly he intends to achieve by making this play for himself is uncertain.
One thing is clear, though, and that is that he has been deeply affected by his last meeting with Dr Manhattan, remembering his last words to him before he departed, “nothing ever ends.”
I am probably looking forwards to Ozymandias’ scenes the most in future episodes as Jeremy Irons is doing a great job.
Other notable scenes in this episode include the discovery that Crawford may have been in the Ku Klux Klan, and the touching moment where Looking Glass reveals that, despite seeming completely cold, he is actually crying under his mask.
Overall, I would say that “Martial Feats of Comanche Horsemanship” is another great episode of Watchmen that, while not as enjoyable as the first episode, deepens the mystery and creates more interesting questions for the show to answer.
Let’s just hope those answers will be satisfying.