Directed by Andrij Parekh, episode four of Watchmen, “If You Don’t Like My Story, Write Your Own,” certainly seems to be the episode that begins to connect the plot lines together.
And this all starts with the appearance of the mysterious Lady Trieu (Hong Chau) in the opening scene.
“If You Don’t Like My Story, Write Your Own” begins with the Clark family receiving a visit from Trieu who knows of their struggles to have a child.
So, she decides to gift them with one, essentially cloning a baby with their DNA.
This gift does not come without a price, though, because Trieu wants to buy their land, apparently because of some kind of object that crash lands there after the Clarks give the rights to her for the baby.
With this baby being delivered to them, the object that appears to be from space crashing in their back yard, and the fact that the couple’s last name is Clark, it is obvious that this first scene is allegorical to Superman.
Given that Dr Manhattan is essentially Watchmen‘s Superman, this speaks to the possible connection between him and Trieu.
The signs are everywhere both through this scene and Ozymandias’, who we see again testing the limits of his prison by launching his murdered servant clones out of it with a catapult.
However, before this, we get a disturbing explanation of these servant clones who Ozymandias fishes out of the water as babies, using traps, and then transforms them into adults through some kind of machine.
The sounds of his transformation are particularly gruesome but the implications of these clones are very clear.
Ozymandias says that he did not create the clones, highly implying that Dr Manhattan or Lady Trieu, or possibly both of them, have something to do with it.
Dr Manhattan did say he was going to create some life when he left earth in the Watchmen graphic novel, and Trieu has been shown capable of creating life in the opening scene.
Along with this, Tieu’s daughter Bian (Jolie Hoang-Rappaport) also seems to be some kind of clone, having nightmares about the war in Vietnam when she is way too young to have been alive then.
Then there is the statue of Ozymandias Trieu has, which looks exactly like the man himself does in his captivity.
All these signs speak to the links between Trieu, Dr Manhattan and Ozymandias, and these should hopefully become clearer in future episodes.
Either way, Trieu somehow manages to top Ozymandias as the most interesting character this episode with various hints to her connections with other characters.
She is also confirmed to be working with Will Reeves for some, as yet, unknown goal.
Them working together is first revealed by Trieu subtly telling Sister Night in Vietnamese that her grandfather wondered if she had the pills.
Then there is the final scene, which shows the two are planning something big in three days that Sister Night will hate Will for.
If I had to guess, I would say that Will and Trieu’s plan was probably generated by the racism they have suffered.
Will’s parents were killed in the Tulsa Massacre and it is highly implied that Trieu and her family were severely impacted by the Vietnam War so it makes sense that the trauma caused by these events would lead them down the path they are now on.
Will also appears to be in perfect health now, walking normally, despite being 105-years-old, which does make it possible for him to have been the one to kill Judd Crawford.
He also repeats the catch phrase of the Seventh Kalvary, “tick, tock”, showing the importance of Trieu’s Millennium Clock, which is clearly representative of the Doomsday Clock in the graphic novel.
With so much emphasis on Trieu, Ozymandias and Will, it was a little hard for Sister Night to stand out, although there is one scene of her that has stuck in my mind.
However, this is not because of her but because of the weird vigilante figure watching her who has been dubbed Lube Man.
This weirdo, who in all likelihood is probably Petey (Dustin Ingram), sees Sister Night dispose of Will’s wheelchair before running off and using his lube to escape into a sewer.
Sister Night’s following exclamation of “the f$#*!” basically voices what the viewers were thinking at this moment.
Speaking of Sister Night, though, there is something off about her husband Cal (Yahya Abdul-Mateen II).
He tells their adopted children that there is no heaven and when you die you don’t exist anymore.
Now, Cal could just simply be an atheist, but this seems a little too much of an apathetic thing to say to children who have just lost their uncle and also lost their biological parents.
There are some theories out there that Cal is a form of Dr Manhattan and there is some evidence that seems to support this.
However, I have no idea why Dr Manhattan would return to earth to live out life as a family man when he did not seem to care about such things so the theory is probably wrong.
Either way, “If You Don’t Like My Story, Write Your Own” is another solid episode of Watchmen that seems to be connecting the plot lines together, building towards whatever the finale will be.
The next episode looks to be centered around Looking Glass who appears to be going undercover to investigate the Seventh Kalvary.
He knows about Crawford’s possible Kalvary connections from Sister Night and he has Will’s pills so this could lead to him discovering the conspiracy.
Let’s just hope he doesn’t die as soon as he discovers it.