So, I’d been wanting to watch Vinland Saga for a long time but had a hard time finding it online. Then, when I got Amazon Prime to watch the adaptation for Wheel of Time, I was delighted to see that the anime was there, so I could finally watch it. And it did not disappoint. Adapted from the manga by Makoto Yukimura, directed by Shūhei Yabuta, and developed by the great Wit Studio, Vinland Saga tells the tale of Thorfinn (Yūto Uemura), a young man from Iceland, looking to avenge the murder of his father, the former Jomsvikings warrior, Thors (Kenichiro Matsuda).
However, this is not your typical revenge story because, while most stories of this nature would have the main character tracking down the antagonist to get their revenge, Thorfinn does not do this. No, instead Vinland Saga goes in a completley different direction from any revenge story I have seen, with Thorfinn actually accompanying the man who killed his father, Askeladd (Naoya Uchida), in the hopes of dueling him to the death one day. This makes none of our central characters good people, as they’re all the type to do the raiding and murdering commonly associated with the Vikings of history. Speaking of that history, it’s interesting to note how many of these characters are interpretations of real people, with creative liberties taken. The best example of this is Askeladd, who is based off a folk tale character, and is also by far the best character in the show.
He is whitty and charming, despite being an absolutley terrible person, and how his backstory is woven in and expanded upon is excellent, especially with how it ties into his actions at the beginning of the story. Even the conclusion of his character for this season is amazing, making his overall character seem like both an antagonist and an anti-hero, while being neither at the same time. Make no mistake, though, Askeladd still regularly commits atrocities, despite him being the best character in the show. Thankfully, his horrific actions and those of the other characters are never glorified. This leads to some pretty bleak episodes, like Episode 14, “The Light of Dawn.”
I am going to remember many scenes from Vinland Saga, both the uplifting and the bleak, with many of the stories’ characters developing from these scenes, not just Thorfinn and Askeladd. Most notably we have Canute (Kensho Ono) and Thorkell (Akio Ōtsuka), both historical figures who have great importance to the story, especially Canute, who goes on to serve as a fantastic parallel to Thorfinn in the manga.
Speaking of the manga, the section that the anime adapts is actually a prologue to the true story of Vinland Saga, with the final episode literally being titled “End of the Prologue.” The manga then goes in a direction that I honestly was not expecting, yet still quite enjoyed. I do perfer the story telling of the first season, though, primarily because of Askeladd’s excellent development as a character. The entire story of Season One is also aided with some fantastic animation and music from Wit Studio and composer Yutaka Yamada, tying everything together into an excellent adaptation of the manga. Vinland Saga is an amazing anime, and I will soon be reviewing the manga and then Season Two, whenever that releases.
I can still remember reading Chapter 118 of Attack on Titan for the first time and being quite impressed with all of the standout character moments. Well, I am pleased to say that Mappa adapted this chapter amazingly, for the most part. Directed by Jun Shishido, “Sneak Attack” begins by recapping the last few minutes of the previous episode, again showing us Armin tell everyone that Eren was probably lying about Mikasa, and that he is most likely just using Zeke and Yelena. Last episode had a recap beginning as well and, honestly, I’m finding them to be a bit annoying. It’s clear they’re just doing it to pad for time so they can adapt one chapter per episode. Once the recap of the previous episode is over, the other characters quickly come to the conclusion that they have to help Eren, with Jean even admitting that he envied Eren because he found him to be “cool,” a great moment of growth for him. Afterwards, the 104th go to suit up so they can help Eren fight off Marley and, while running, Mikasa questions Armin’s reasoning for Eren lying. This causes Armin to remember Eren’s final line in the Season Three finale about destroying their enemies beyond the sea. He realizes something because of this but chooses to stay quiet, instead focusing on how he and Eren both knew about Mikasa’s headaches so Eren used it to make his lie more convincing. We then get another recap of Eren and Reiner’s fight, followed up by a kind of underwhelming moment when Porco attacks Eren, only for him to be punched away. This, and Eren’s glare at Reiner when he is being held down, just had a lot more impact in the manga. However, this worrying start then turns amazing when Eren begins to rip Reiner’s jaw apart. Eren’s scream mixed with his Titan roar gave me goosebumps, as did Zeke arriving to save his little brother. The Beast Titan was completely CGI in Part One of the Final Season but he appears to be mostly 2D in this episode and looks absolutely fantastic. This animation only gets better when Zeke throws his crunched up boulders at Marley’s airships, causing them to crash into each other and explode. As this is happening, Eren begins making his way towards Zeke, limping as he does so, which is a great showcase of the brain damage his Titan received from the constant heads shots from Pieck’s Anti-Titan Canon. The Marleyan forces struggle to combat this, with Pieck and Magath forced to go on the defensive against Floch and the Jeagerists, and Colt and Gabi going to rescue Falco. They don’t really have to though because the 104th set out to free everyone the Jeagerists are holding captive, including Falco and Nile. Nile tries to comfort Falco before they are freed, saying this may be his chance to get home, while he may sadly never see his daughters again, even though there is so much he wants to tell them. Along with Falco and Nile, Shadis and Pyxis are also freed, the latter of which prepares to lead his men who have drunk Zeke’s contaminated wine in the last ditch stand. Mikasa also prepares for battle, Louise with her, and at that moment she decides to leave her scarf behind, something she has never done before. Now, surely I am including this as one of the many great character growth moments in this episode, right? Well, unfortunately, no, I’m not. The reason for why though is manga spoilers so I’ll detail the reasons why I found this scene off putting in the manga section below. Once the 104th are all geared up, they go outside, where we see two iconic Yelena panels adapted. The first of these is her basking in the glory of Zeke’s destruction of the airships which is, again, fantastically animated. The second of these is her troll face, when Armin tells everyone they don’t have time to focus on Levi and Hange’s status, as they should instead focus on helping Eren and Zeke. Yelena’s threatening troll face that follows is great and a moment that I’m sure gave a lot of anime only viewers a few nervous chuckles. As if these Yelena moments weren’t standout enough, we then get Nile, Floch and Gabi’s development in what is the best scene of the entire episode. Colt and Gabi come across Nile, Falco and the other wine poisoned military police. Falco sees Colt and tells Nile who, instead of attacking, takes Falco to his brother, freeing him. Nile might not have much of a hope of seeing his daughters again but he made sure to help a little boy alone on the battlefield. It is interesting how Isayama actually started Nile off like an antagonist, having him trying to get Eren taken in by the Military Police, where he probably would have been given to Rod Reiss to pass on his Titan. Then, Isayama pulled back the layers to reveal Nile as a sympathetic character also fighting for humanity, all leading to this moment where he helps Falco. Next, comes Gabi’s big moment of character development, as she stops Colt from attacking Nile and then, after overhearing Kya talk about how she wants to kill Gabi for killing Sasha, finally admits to herself that she was wrong about the people of Paradis being devils. Her tearfully announcing this is her biggest moment and it is made better in the anime, through the new shots of open bird cages, showing how Gabi has just begun to free herself from the cycle of violence. Falco also frees himself in a sense by finally confessing not just his involvement in the attack on Liberio, leading to Udo and Zofia’s deaths, but also his feelings for Gabi. His awkward confession is genuinely sweet and leads to another excellent moment of growth for Gabi, as she tears off Falco’s black armband, just like he tore off her Eldian one before they meet Kya. The three then go to warn Zeke about Falco ingesting the spinal fluid, in the hope that this will convince him not to scream. They almost did not need to worry, though, because it is then we get the titular “Sneak Attack,” with Pieck and Magath showing off their intelligence by launching a near fatal attack on Zeke. First, they have Pieck emerge from her Titan, causing it to disintegrate, making the Jeagerists think the have defeated her. Then, the Marleyans ambush Floch and the other Jeagerists. Finally, Magath fires the Anti-Titan Canon at Zeke in the hopes of killing Zeke. Unfortunately for them, and Falco, Zeke is still alive so there is still a chance that he could scream if he is given the chance to recover on the ground wher he has fallen, ending the episode. Overall, “Sneak Attack” is a fantastic adaptation of Chapter 118. My only criticisms are that the recaps are slightly annoying and the Mikasa scarf scene loses a lot of impact for me with hindsight. Otherwise, it’s a great episode, and I am even more excited for the next one because it will be adapting one of my favourite chapters of the entire series, Chapter 119, “Two Brothers.”
Now, I will talk about the issue I have with the Mikasa leaving her scarf behind scene. This scene had me excited when I first read it in the manga because I thought it would be a turning point for her character. Yes, I did think the scarf would work its way back to her through Louise based off her looking at it, but I at least thought this would all result in Mikasa potentially distancing herself from Eren. Instead, Mikasa ends up doubling down on her Eren obsession, despite her ending up killing him in Chapter 138. This whole thing of her leaving the scarf behind just seems pointless in retrospect. Mikasa is a character who my opinion on really suffered when I reread the series for my Top Ten Chapters list. I am not saying that she never develops, but she is a character with so many missed opportunities. She could have developed so much through her Ackerman and Hizuru heritage, along with leaving the scarf behind and her connection to Louise but these chances for further development are never taken. It makes me wonder how I will view future Mikasa scenes in the anime. Is the hindsight of how her story ends also going to make those less impactful for me? I certainly hope not.
The Ghostbusters franchise has an interesting history, with the first one being considered a classic by many and its sequel also being enjoyed, although thought to be not as good. Personally, it’s been a while since I saw the second one, but I do remember quite liking the first one. Unfortunately this was not the case for the 2016 reboot, which I found to be quite bad and unfunny, apart from a few moments that made me chuckle. Coming into the latest film in the franchise, Ghostbusters: Afterlife, I was actually pretty optimistic since it’s directed by Jason Reitman, the son of the director of the first two film’s, Ivan Reitman. Sure enough, Afterlife is a charming movie which I am sure a lot of fans of the first two Ghostbusters films will enjoy.
The movie follows a struggling family who move to the small remote town of Summerville to live in their dead grandfather’s rundown farm. However, after strange happenings, the daughter of the family, Phoebe, begins to realize that something paranormal is going on in Summerville, something which their grandfather had been trying to stop, as he may have been a Ghostbuster. Phoebe is without a doubt the heart and soul of this movie, with McKenna Grace delivering an excellent performance as the quirky and courageous kid.
Phoebe’s mother Callie (Carrie Coon), and her new science teacher Gary Grooberson are also interesting characters, and I actually wish Gary got more screen time, since I enjoyed Paul Rudd’s performance. The one exception to all this is the son of the family, Trevor (Finn Wolfhard), whose story I quickly became disinterested in and felt that it was kind of out of place with the rest of the narrative. Said narrative is also entirely predictable and full of fan service. However, I am not saying that either of those things are bad things. Sure, I guessed where the story was going pretty easily as I was watching, but the story was so charming that I was just along for the ride. As for the fanservice, we already know from Spiderman: No Way Home that it can be used excellently, and Ghostbusters: Afterlife is another example of this. I remember grinning from ear to ear during one exciting chase sequence in the film. It made me feel the same level of enjoyment that I remember feeling when watching the original Ghostbusters all those years ago.
This all culminates in a heartfelt ending that really pays respect to the old cast, both those still with us and one who has tragically passed. Ghostbusters: Afterlife is a perfectly enjoyable movie with a lot of charm and I would recommend it to any fan of the franchise who has somehow not seen it yet.
Attack on Titan is back for the second part of its final season and, boy, am I excited to see some of my favourite chapters of the story animated.
Directed by Yūichirō Hayashi, Episode 17, “Judgement” is not an adaptation of one of my favourite chapters but it is still a pretty great episode nonetheless, starting off this series of episodes quite well.
“Judgement” begins by showing the scene I was disappointed not to see in the first half of the final season.
However, this scene’s adaptation certainly did not disappoint, presenting some excellent animation right off the bat.
The episode begins with the captive Hange and the Jeagerists discovering the aftermath of the explosion Zeke caused, after which both his and Levi’s fates were left uncertain.
Well, Levi’s status is still unknown, even after this episode, because it is not entirely clear if he is alive or dead.
That said, I was quite impressed with the amount of detail that went into the gore for what happened to Levi.
Heck, I was surprised with how uncensored this episode was in general.
Back to the scene at hand, Floch and the Jeagerists want to put a bullet in Levi’s head, to which Hange responds that he is already dead, only for her to flee with him when Zeke is revived.
The animation during Zeke’s revival is fantastic and it raises a great mystery with the question of who the girl who revived him in the “paths” was.
Then, we get the opening, “The Rumbling” by SiM, which is another banger, with some great symbolism for future events.
From here, the episode continues with Marley’s attack on Shiganshina, beginning the battle with an unexpectedly comedic moment, when Porco cuts off Pieck’s hand, so she can escape with Gabi.
The hand falls right into Gabi’s hands and the two scream as Pieck throws herself off the building to transform, leaving me chuckling.
In the end, both Titan Shifters escape, Pieck taking Gabi with her, later allowing Gabi to disclose her newfound theory to Magath that Zeke has royal blood, meaning they cannot allow the Jaeger brothers to come into contact.
As for Eren himself, he disregards Yelena’s advice to use the power of the Warhammer Titan to escape.
Instead, Eren goes to face Reiner, who lifts his bloody hand up to Eren before transforming, much like Eren did when he confronted Reiner in Marley.
This was a great callback.
It’s just a shame for Reiner that his fight with Eren goes as well as all of his previous fights with him.
Eren pummels him pretty easy, and Reiner only stands a chance with Porco’s help.
This is also when Eren is not using the Warhammer Titan’s powers.
When he does use them, the battle goes back to being incredibly one sided again.
But then, the Titan that is always exactly right enters the battlefield, as Magath uses Pieck’s Anti-Titan Gun to blow multiple holes in Eren’s Titan head.
This gives Marley plenty of time to deal with many of the Jeagerists, gunning them down with ease.
In Marley, the Scouts had the advantage, yet here it is clearly the reverse.
Much like many scenes in the first half of the Final Season, Mappa added a lot of combat scenes, like when the Jeagerist is chocking the Marley soldier, only to be stabbed with a bayonet from behind.
These are great additions that show off the brutality of war.
As well as Marley gaining the upper hand on the Jeagerists, Reiner also does on Eren, impaling him with one of his own Titan crystals.
While this is happening, Onyankopon rushes to free the 104th from their cell, not having been able to do so earlier out of fear of what Yelena would do to him.
However, he receives a less than warm welcome, with Connie outraged at his perceieved betrayal, revealing how the betrayals or Reiner, Bertholdt, Annie, and now Eren hurt him.
Armin wants to hear Onyankopon out, though, and the volunteer expresses how he is against Yelena and Zeke’s plan to sterilize the Eldians because he believes Paradis has a future and children are that future.
This causes Armin to remember Onyankopon’s comment about how an interesting mix of people makes the world more interesting, realizing he truly is on their side.
Armin also goes on to say he thinks Eren was lying about Mikasa only protecting Eren because she is an Ackerman and being on Zeke’s side, because him carrying out the Euthanization Plan would go directly against his character, beleiving he is only playing along with Zeke and Yelena.
The voice acting of this scene is really great, with Connie, Armin and Onyankopon’s voice actors doing a really good job.
Once this scene is done, we get the cliffhanger, which is Eren still being impaled with his crystal by Reiner, leaving him in a rather precarious position at the end of the episode.
We then get the ED, “Akuma no Ko” by Ai Higuchi, which I think is just as good as the OP.
It reminds me a lot of the OP from the first season and I think this is clearly intentional.
So, overall the second half of the Final Season is off to a good start with “Judgement.”
I am quite excited to see my favourite chapter, 121, get adapted eventually as well.
Manga Spoilers: Since I’m a manga reader, I decided to leave a little section at the end of every review where I can talk about spoilers.
The main thing I want to talk about here is the OP, “The Rumbling.”
Along with it having some great symbolism, like the trampled butterfly at the end representing Ramzi, I was quite surprised by how many spoilers were packed in, like the actual Rumbling happening and Eren’s Founding Titan form.
I think some of these things probably should have been kept vague for anime only viewers.
Another interesting part of not just the OP but the ED as well is how they both refrence the final chapter.
In the OP we see Eren, Mikasa and Armin running towards the tree on the hill, which is important to the ending as it is where Eren is buried when he dies, and in the ED we see Paradis destroyed and overtaken by nature, much like how it is in the updated ending.
Because of this, it’s pretty obvious that we aren’t getting an anime original ending.
Not that I thought we would, but I have been seeing some insane conspiracy theories out there about how an anime original ending was always part of the plan.
People have literally been saying that a supposedly different coloured scarf means the ending will be completley changed.
With the OP and ED putting these anime ending theories to rest, I think the best we can hope for is maybe a couple of changes, rather than a completley different ending.
Personally, I’m just hoping the a few of the last minute twists of the ending will be reworked to make them more digestible.
Hopefully, some dialogue will be changed as well.
For example, please change Armin saying “thank you for becoming a mass muderer,” to, “I’m sorry you became a mass murderer.”
The “thank you” part really sends a bad message, although I know that is unintentional.
But, whatever ending we do get, we probably won’t be getting it for a while if the leaks about a movie turn out to be true.
Either way, I’m just looking forward to seeing fantastic chapters like 119, 121, 122, 123, 129, 130 and 131 adapted with the rest of Part Two.
From 2009 to 2021, mangaka Hajime Isayama gifted us with Attack on Titan, delivering a chapter every single month, except for one due to the COVID-19 Pandemic. After all these years of dedication, he brought his series to a close at 139 chapters. Now, the second half of the final season for The Attack on Titan anime is set to begin airing soon. To honour this occasion, I decided to give the manga a reread and then do a top ten list ranking my favourite chapters. And you know what? I’m glad I decided to do the reread. I made it clear in my review for the final chapter’s updated version that I do not like Attack on Titan‘s ending, and when it comes to a long running series, the ending is usually the first thing that comes to my mind. So, in the months since the story ended, I have been left with a feeling of bitterness over how it all concluded. Giving the story another read really reminded of how incredible of a writer Isayama is. He delivered so many fantastic chapters that I honestly struggled narrowing them all down to a top ten list. Naturally, this left me with some honourable mentions, so I will get into those before I begin the list. The chapters that just missed the cut were Chapters 122, “From You, 2,000 Years Ago”, and 123, “Island Devils”. I really wanted to put these chapters on the list, but they didn’t get in because of how the ending recontextualized them in negative ways for me. This was especially the case for Chapter 122, which pained me not to include because it used to be my favourite chapter, before the final one changed my interpretation of “From You, 2,000 Years Ago” so drastically that it shot it right out of my top ten. With these honourable mentions now listed, here are what I consider to be the top ten best chapters of Attack on Titan, starting with…
10. Chapter 80: Nameless Soldiers.
Beginning with a chapter from the Return to Shiganshina Arc, “Nameless Soldiers” is the chapter that is the culmination of Erwin Smith’s character arc. Erwin is my favourite character in Attack on Titan and this chapter really exemplifies why. “Nameless Soldiers” centers around the conclusion for his arc as, stuck between choosing to die for humanity or be selfish and flee to the basement to find out the truth his father sought, Erwin cannot make that decision. So, in a powerful moment, Levi makes the choice for him, telling his friend to give up on his dream and die for humanity. And so, Erwin speaks to his recruits, informing them that they will begin a mounted suicide charge against the Beast Titan, distracting their enemy long enough so Levi can kill him. Erwin told Levi earlier than in order to convince the recruits to take part in this plan, they would need, “the skills of a first-rate conman”, meaning himself. However, the impassioned words he speaks to the recruits to convince them to ride to their deaths with him rings entirely true, as he speaks of how they give meaning to the lives of their fallen comrades, and whoever follows them will give meaning to theirs. Thus, in his final moments, Erwin becomes what he always pretended to be: a soldier dedicated to saving humanity, no matter the cost. And with Erwin’s fall we begin to see the rise of other characters, although some of them in a negative way, like Floch. His breakdown in this chapter is the perfect prelude for how his trauma will lead to him becoming a dangerous extremist. There is also the continuation of the fight between Bertholdt and the Scouts of the 104th, the bad situation getting much worse with the reappearance of Reiner. This serves as a prelude for Armin’s big sacrifice, two chapters from then in “Hero” but we’ll get to that later. As for “Nameless Soldiers”, it is a fantastic chapter that begins the end of Erwin Smith’s tragic character arc.
9. Chapter 119: Two Brothers.
I read this chapter in public and when I got to the end my jaw was on the floor… I got a lot of strange looks from people. Chapter 119, “Two Brothers” is one of the chapters I am most excited to see adapted in part two of the final season. Centering on the battle of Shiganshina the first part of the anime left off on, “Two Brothers” is an action packed chapter with the core theme of the connection between brothers, and the tragedies this connection can recreate. We see this tragedy replicated through three different sets of brothers. First, there is Falco and Colt. Colt storms onto the battlefield, dragging Falco along, begging Zeke not to scream and transform his brother into a Titan. However, Zeke too has a little brother who he wants to protect: Eren, and so is not deterred, although he does show sympathy. When Zeke screams Colt could have simply abandoned Falco but he sticks with his brother to the end, holding him close and declaring that he will always be with him, before Falco transforms, killing him. It is then we get the second brotherly tragedy with Porco and Marcel. Earlier in the chapter, Porco finally got to see his brother’s memories, learning how Marcel made sure he did not get the Armoured Titan to protect him. This knowledge, along with seeing Colt give his life for his own brother (and also never giving up the chance to one up Reiner) motivates Porco to sacrifice himself to Falco so he can return as a human. The deaths of Porco and Falco are quite emotional, which surprised me the first time I read the chapter. To be honest, I never really cared about either of them before their deaths, but Isayama did such a great job writing their endings that I came to care about the both of them because of this. It’s not just them either because we also get the Titanization of Pyxis, Nile, Roeg (although who really cares about him?), and hundreds of other soldiers. And then we get the big cliffhanger of Eren’s head being shot off by Gabi, finishing off the tragic theme of brotherly connection with Zeke’s horrified face at seeing his brother decapitated. This was the part of the chapter that made my jaw drop and earned me the odd look from the people sitting next to me when I read it. “Two Brothers” is easily one of Attack on Titan‘s most tragic chapters, with the compelling theme of the bonds of brotherhood ending in disaster.
8. Chapter 82: Hero.
The Return to Shiganshina Arc was a storyline full of sacrificies. First there was Erwin in Chapter 80, and then Armin in Chapter 82, “Hero.” This is definitley Armin’s best chapter, with him giving up on his dream to see the ocean for humanity, much like how Erwin gave up on his dream for the same thing, aligning Armin as Erwin’s future successor. The chapter begins with Armin finishing the explanation of his plan to Eren over panels of Historia, Hitch and other military personel to show what they will lose if they don’t defeat Bertholdt here and now. Armin tries to reassure Eren by telling him he has never been much of a hero but before Eren can in turn reassure him that this is not true, Bertholdt approaches and they begin to enact their plan… only for it to seemingly fail immediately when Eren falls off the wall. This leaves Armin to fight Bertholdt alone, holding onto the Colossal Titan’s teeth with his vertical manuvering gear, so he will not get blown away by the intense heat. As this is happening, Mikasa, Jean, Connie and Sasha face off against Reiner, to stop him from interfering with Armin’s plan. Unfortunately, their plan of attack initially goes as smoothly as Armin’s seemed to, with Sasha being injured and Reiner’s jaw not being shot open, meaning Mikasa cannot blow Reiner out of his Titan from the inside with her remaining Thunder Spear. This creates the perfect oppurtunity for Hange to come flying in, missing one eye and using her Thunder Spear to force Reiner’s mouth open, allowing Mikasa to deal the finishing blow. More exciting and horrifying, though, is Armin’s struggles, as he quickly finds himself burning alive under the intense heat created from Bertholdt’s steam attack. As the heat overwhelms him, Armin thinks of how he will pass on his dream of seeing the ocean to Eren, again much like how Erwin passed on his dream to see the basement to those who followed him. With Armin down, Bertholdt suddenly notices that Eren has hardened his Titan, realizing this was all a part of Armin’s plan far too late, as Eren flies up behind him in a glorious full page spread to cut him out of the Colossal Titan. Eren then descends to Armin’s resting place on the roof, telling him what he was about to when Armin said he was never much of a hero, that he was the bravest of them all, bringing a crushing end to the chapter. “Hero” is an action packed chapter that follows on from “Nameless Soldiers” with the Return to Shiganshina Arc’s constant theme of sacrifice. The anime adaptation of this episode is often ranked as one of the series’ best, and it is easy to see why, with “Hero” providing some fantastic, logically planned fights, with sacrifice being a key motif, leading perfectly into the choice between Erwin and Armin, which we will also get to later.
7: Chapter 66: Wish.
The best chapter of the Uprising Arc, “Wish” centers around the fantastic character development of Historia and Eren in the Reiss cave. Despite Eren being the main character of the story, this is definitley Historia’s chapter though. Her character arc in this storyline is one of my favourites and, much like how “Hero” is Armin’s best chapter, “Wish” is Historia’s, being the moment she finally decides to follow Ymir’s advice and live for herself. The build up to this moment is excellent as well, focusing on the dilemma going on in her head perfectly as her father, Rod, attempts to manipulate her into eating Eren and becoming the next Founding Titan. We see her memories of Ymir and Frieda, leading her to confront Rod, who tells her the truth about the Founder: that whoever from their family inherits it comes under the influence of the first king’s ideology. We can clearly see that Rod believes this is the right thing, even though he is still manipulating his daughter. Historia, however, is not having it because, when Rod tries to force the transformation upon her, she remembers what Ymir told her back in the Clash of the Titans Arc. “Live your life with pride,” Ymir tells her in a great full page spread, and, boy, does Historia live her life with pride in this moment, slapping the injection out of Rod’s hands and then throwing him over her shoulder to the floor, possibly breaking his back. She then declares that she will not allow her father to kill her, dashing up the stairs to free Eren, only to berate him as well when he insists that she eat him to save humanity. In the heat of the moment, she declares that she thinks humanity should be wiped out by the Titans and she does not care if that makes her humanity’s enemy. This is a character literally saying she wants humanity to be destroyed and we’re cheering her on. Even Kenny of all people is cheering her on. It is one of Attack on Titan’s most inspirational scenes, and the anime completley did it justice when it was adapted with the fantastic song “Zero Eclipse” by Hiroyuki Sawano. Eren’s arc in this chapter is also great, as he finally breaks down after learning of how his father murdered Historia’s family and potentially doomed humanity. However, when Rod licks the Titan serumn, causing him to transform into the second largest Titan of the series, and Eren’s friends are in danger, he is again left with a choice by Levi, and chooses to fight. Lunging forward, Eren grabs a vile of Titan sermun labelled “armour” and bites down on it, hoping to believe in himself one more time, bringing an end to the chapter as he transforms. These two arcs of Eren and Historia are amazing, especially Historia’s, with hers being one of the most inspirational of the entire story, as I already stated. This is why it was such a let down to read the final arc and see her character assassinated and sidelined with a degrading pregancy subplot. Isayama really dropped the ball with her more than any other character in the final arc. That said, this does not change how incredible her character development is in “Wish.”
6. Chapter 42: Warrior.
“I’m the Armoured Titan and he’s the Colossal Titan.” With just a single sentence, Isayama made the entire fandom go, “wait, what!?” Sure, some did see the twist of Reiner and Bertholdt being the Armoured and Colossal Titans coming but Isayama still managed to subvert expectations by having the biggest twist of the story, at that point, revealed in the most casual of ways. It is honestly one of the most creative twist reveals I have ever seen, and the buildup to it and its fallout are absolutley excellent. First, we get some subtle hints of what is about to happen, like Bertholdt bringing up going back to their home town and Reiner responding enthusiastically. We even see some signs that Eren and the others are onto the two, as Eren seems to purposely bring up their home town first and he, Mikasa and Armin seem reluctant to tell Hannes why they are really there. Then we get the reveal which, along with being creatively casual, also does a great job at showcasing how far gone Reiner is mentally, suffering from a split identity, with his soldier and warrior personality in constant confliction. Reiner’s admittance to his and Bertholdt’s true identities is the moment that these two personalities intertwine into a full breakdown, where Reiner is not able to understand how confessing to Eren would be bad for his mission. It’s some great character writing, however one that also ends up saving Reiner since it is revealed that Eren and the others already knew, with a flashback to this discovery uncovering all of the foreshadowing in prior chapters that lead up to the reveal. After Reiner’s confession, Eren is smart enough to play it off to try and lead Reiner and Bertholdt into a trap but this causes Reiner to snap completley in the moment, his dialogue hinting at his tragic past, which would be revealed in the Marley Arc. Before he and Bertholdt can attack though, Mikasa strikes first but she hesitates, resulting in the two warriors transforming before Eren’s eyes, forcing him to transform as well, while shedding tears over the betrayal of two close friends. “Warrior” was the moment when everything in Attack on Titan clicked for me. Before this moment, I had been enjoying the story, but it was the genius casualness of this twist that made me realize Attack on Titan was something special. This was the beginning of Eren and Reiner’s rivalry and it only got better from here.
5. Chapter 100: Declaration of War.
The 100th chapter of Attack on Titan, “Declaration of War” was one hell of a way for Isayama to celebrate reaching that milestone, starting the war between Marley and Paradis with Eren’s confrontation of Reiner. Before this point, the Marley Arc had been building up Reiner’s character, turning him from an antagonist to a sympathetic victim of the cycle of violence. As such, Eren represents the reader in a way this chapter. Just like we as the readers have come to understand and sympathize with Reiner’s motivations and trauma, Eren has also come to feel the same way about his rival, now understanding that not just Reiner but the entire conflict between Paradis and the rest of the world is far more complex. This is such fantastic character development for Eren who, at the beginning of the story, saw everything in black and white: a battle of good vs evil. Yet, while he has changed in his beliefs on the nature of the conflict, one thing that has not changed about Eren is his resolve to keep moving forward. I feel that even the smallest of expressions on Eren’s face in these panels hold a lot of meaning, like when he hears Willy say he does not wish to die, “because I was born into this world”, the same phrase Eren’s mother used to speak of him. So, even though he now understands Reiner and the rest of the world, Eren has to act, committing his own declaration of war just like Willy Tyber at the end of the chapter, only with the instant action of killing Willy and many innocent civilians in front of hundreds of spectators. Speaking of Willy, he was in the manga for a short amount of time, only four chapters, yet his character is quite compelling, with his own self hatred and sacrificial mission being perfectly explored across the chapter, especially in his opening scene with Magath. “I’m certain that Eldians are the descendants of devils. And I’m certain that we too are devils,” Magath states in an excellent assessment of the conflict in Attack on Titan. The war that starts right at the end of Chapter 100 may be based off years of hatred, yet both sides are completley capable of being devils. My only issue with this chapter is that the impact of Eren asking Reiner why his mother had to die is lost after it is revealed Eren played a hand in her death in the final chapter. Other than this, “Declaration of War” is amazing with its focus on Reiner’s guilt, Willy’s self hatred, and Eren’s understanding of both of them, yet unflinching resolve. What a fantastic way for the story to reach its 100th chapter milestone.
4. Chapter 131: Rumbling.
I’ll admit it, when I finished Chapter 130 I did not think we needed any more of a showcase of how horrifying Eren’s Rumbling was. Then I read Chapter 131 and I realized just how naive I was. We needed to see this and it is by far the most horrific part of the entire series. When I reviewed this chapter for the first time, I described it as “Attack on Titan’s Third Impact” and I still think of this as an apt description, since I still got the same feeling rereading this as I did when watching The End of Evangellion: Shock, horror, awe, and a wonder if what I was seeing was even really happening. The chapter picks up with Ramzi, the young boy whose family Eren and the others partied with in Chapter 123, their last moment of happiness togethor. Since leaving Ramzi, the young boy has had his hand cut off for stealing, showing just how cruel the world of Attack on Titan is. It gets even crueler when the Rumbling arrives, as the chapter constantly cuts between Ramzi attempting to flee from hiz oncoming death, and Eren’s first meeting with Ramzi where he saved him, despite knowing he would end up killing him eventually. This crushing dilemma is clear for Eren, as we see him wandering Marley’s streets in the flashback, knowing that if he did nothing then much less people would die, however it would end with the deaths of his people and that is not something he can accept. He then comes across Ramzi being attacked and berates himself for thinking about the justice of saving him when he knows he is going to kill the boy, yet his conscience still gets the better of him and he saves him, only to break down upon returning Ramzi to his family. As he apologises, he admits to himself a horrifying truth: that the Rumbling is not just to protect Paradis and his friends but also because he was disappointed that humanity existed outside the walls and wanted to wipe it all away. This terrifying admittance is interspliced with the brutal death of Ramzi and his brother, who die alone and scared, crushed under the feet of Titans. Yet the most horrifying moment of “Rumbling” comes not in these bloody displays, but in the full page spread of a child Eren basking in the freedom he is experiencing during this moment of brutal mass murder on a global scale, telling Armin in Paths that he has finally reached that sight. We then get the final scene of the chapter between Annie and Armin, a nice moment after all the horror that builds up their relationship, and ends on the cliffhanger of Eren’s head only connected to his Titan through his exposed spinal column. “Rumbling” is easily Attack on Titan‘s most horrifying chapter, portraying the massive loss of life because of Eren perfectly and in gruesome fashion. It is a chapter that I am eager to see adapted in the anime, so I can be horrified all over again.
3. Chapter 84: Midnight Sun.
Before this chapter, we had the “deaths” of Erwin and Armin, two characters who both set aside their dreams to sacrifice their lives for humanity. Yet, Chapter 83 reveals that not only are both still barely clinging to life but also only one of them can be revived by eating Bertholdt. Chapter 84, “Midnight Sun”, begins with the conflict over who should be revived officially starting, with Eren and Mikasa fighting for Armin, and Levi and Floch fighting for Erwin. What follows is one of the most emotional chapters of the entire series as all four characters likewise let their emotions dictate who should get the Titan serum, with violent results, Levi punching Eren and Mikasa attacking Levi in retaliation, attempting to take the serum from him. What makes the tension even more heightened is how each of these characters has a good point about who should be revived. Eren brings up all of the times Armin’s genius has saved them, from his plan to save Trost District, to him discovering Annie’s identity as the Female Titan, declaring that Armin will be the one to save humanity (something that actually comes true in the final battle). Floch hits back with the story of how Erwin lead them all against the Beast Titan to their deaths, saying he deserves to spend more time in this hell because the only one who can save humanity is the devil himself. Floch then goes on to say that him bringing Erwin back is the only reason he survived while others died which, much like Chapter 80, is great setup for him becoming a follower of Eren, coming to see him as the Devil who will save the Eldians. Floch’s comments even seem to strike a cord with Levi, although not the one he intends, as Levi looks devestated at the thought of his leader and long time friend having to spend more time in their hell. Then, when Hange and the others arrive, dragging Mikasa and Eren away from their dying friend, Levi has to make the choice. He is about to inject Erwin when he remembers Kenny’s words, “They were all slaves to something… even him.” Erwin then slaps Levi’s hand away in a dazed state, hallucinating about the question he asked his father, starting his dream. Levi realizes that Erwin is a slave to his dream and believes it would be cruel to consign him to more time in hell, as Floch described it, so he injects Armin. This was not Levi choosing Armin over Erwin, this was Levi choosing to allow his friend to rest and die the man who sacrificied everything for humanity in the end. We also say goodbye to Bertholdt in this chapter, as he is eaten by Armin to bring him back, screaming at the 104th to save him despite everything he’s done, still thinking of them as his friends. Even the death of Moblit, a minor character, carries plenty of emotional weight. It is Erwin’s death that hits the hardest though, with this being the perfect sendoff for him, in my opinion, solidifying him as my favourite character. “Midnight Sun” is an incredibly emotional chapter, with a storyline that still has the fans debating over whether the characters made the right choice to this day.
2. Chapter 86: That Day.
The mystery of what was in Grisha’s basement had been built up right from the beginning of the story. There were 84 chapters of buildup before we got the answer in Chapter 85, so the answer had to be satisfying. And, boy, was it. Chapter 85 may answer the question of what is in the basement, but it is the following one, “That Day”, which goes all out on the epic reveal of the outside world. This twist that our main cast is part of a race of people known as Eldians who can turn into Titans, making most of the world hate them, and the history behind all this was the biggest gamechanger in the entire story. I remember reading this chapter for the first time and just sitting in silence for a couple of minutes, as I took in the enormity of this reveal. It’s also not just the twist itself which makes “That Day” so great but the characterization of Grisha as well. Grisha is easily one of Attack on Titan’s most tragic characters and this chapter perfectly illustrates this, as his sister is murdered by a Marleyan military officer, who feeds her to his son’s dogs, while she is still alive. This horrifying event causes Grisha to blame himself and, like most traumatic events for other characters, leads him to extreme ends, joining a resistance organization known as the Eldia Restorationists, before marrying a woman of royal blood, named Dina. The two go on to have a son, Zeke, the Beast Titan, with Grisha’s trauma driving him to treat his son terribly for Eldia, leading Zeke to turn in his parents, bringing an end to the chapter. I got spoiled about Zeke’s identity before he was officially revealed to be Eren’s half-brother but it made the twist no less impactful, with the tragic showcase of his terrible relationship with his father and what it lead him to do. “That Day” was the chapter that turned Attack on Titan from a story where its characters’ main goal was to save humanity, to a story where the goal was to somehow survive a world that unjustly hates them for what they are and actions taken by their ancestors centuries before. The series was all the better for this reveal too, eventually leading to the fantastic chapters that appeared earlier on in this list and the incredible chapter at the number one spot.
1. Chapter 121: Memories of the Future.
My favourite chapter of the entire series is Chapter 121 “Memories of the Future.” It is the one where Isayama showed off the best of his writing skills, creating the greatest use of time travel that I have ever seen in fiction, if it can truly be called time travel rather than memory travel. “Memories of the Future” picks up from the previous chapter, with Eren and Zeke exploring their father’s memories, as Zeke slowly comes to realize that Grisha did not brainwash Eren and really did change, while Eren commits one of his most shocking acts. This all begins through Eren insisting to Zeke that he has always been himself and it is Zeke that misunderstood him this entire time, proving this by showing him Grisha’s memories of the time Eren killed Mikasa’s kidnappers to save her life. Following this, we get the big hint of the memory travel twist, as we see the beginning of Chapter One from a different perspective. Through Eren exploring his father’s memories, we see that Grisha was actually aware that Eren and Zeke were there in the first chapter, completley recontextualizing the beginning of the story in the best of ways. So, did Isayama really plan this development from the start, or did he just write it to look like he did? Either way, it’s genius, and what comes next is even better, as Grisha finally goes to the Reiss family cavern to attempt to talk Frieda into using her powers to save humanity. When this fails, Grisha reveals the secret power of the Attack Titan: that it is able to see the memories of its future successors. This is where the brilliant time/memory travel element comes into play since, because Grisha can see Eren’s future memories, he can see his two sons exploring his own, allowing a conflict between timelines. In the past, Grisha was influenced by the future memories of Eren talking to him, and in the present, Eren enters Grisha’s past memories to manipulate him. Into doing what? Well, murderering the Reiss family. That’s right, Eren broke down in Chapter 66 because of what his father had done, completley unaware that he would go on to be the cause of the massacre. Seeing Eren commit this monstrous act left me speechless when I first read it, and this reaction quickly changed to an emotional one when we got the next scene. As Grisha emerges from his Titan outside the Reiss chapel, he screams out to Eren in anguish, before revealing he knows Zeke is there, warning him with a hint about the Rumbling Eren will go on to commit. Grisha then looks up and sees Zeke is there through Eren’s future memories, allowing for the two to finally reconcile thanks to the time/memory travel. This was a genius use of the power by Isayama, creating a panel that made me cry when Grisha embraces Zeke and tells him that he loves him, something I thought Grisha had always been unable to do before his death. The fact that I teared up for both Zeke and Grisha, when both have done terrible things, shows how excellent Isayama’s writing of their characters is. The weaving of the reveal that Eren saw his own future memories of what he would do when he kissed Historia’s hand in Chapter 90 during this is just the icing on the cake. Not to mention it leads to one of Eren’s most unnerving moments, as when he and Zeke leave Grisha’s memories, Eren implies to his half-brother that he liked the horrible event he saw when he kissed Historia’s hand, stating, “what a sight it was.” This eventually leads into the “freedom” panel in Chapter 131, but even not knowing what Eren is hinting at in Chapter 121 makes it terrifying, to the point that I was actually temporarily rooting for Zeke to stop Eren as Grisha asked. Again, I thought this when Zeke had done plenty of terrible things and was currently planning to do terrible things, even though in his mind his Euthanization Plan was right. Zeke is unable to stop Eren, however, as his drive for freedom allows him to break from his chains, minus his thumbs, and run to catch Ymir, ending what I consider to be the best chapter in Attack on Titan. “Memories of the Future” has everything. A brilliant twist with genius writing that recontexualizes the beginning of the story, and fantastic character writing that made me tear up for characters who are honestly pretty bad people. I am incredibly excited to see this chapter finally adapted in the anime and cannot wait to see how the anime only fans will react to how amazing it is. Whenever someone brings up fantastic uses of time travel in fiction, Attack on Titan Chapter 121 “Memories of the Future” should be right up there with the best of them.
So, that’s my top ten favourite Attack on Titan chapters. All that’s left for me to do now is wait for part two of the final season to begin airing, where I will review an episode every week. There are also rumors of the ending being adapted into a movie from Chapters 132 to 139 so it will be intriguing to see if that happens. If it does, I will be sure to review that movie as well, whenever it comes out.
Although I have had some issues with Amazon Prime’s adaptation of The Wheel of Time, mostly to do with the premiere episode, I overall enjoyed the show up to Episode Seven… then I watched Episode Eight. Directed by Ciarian Donnely again, this episode, titled “The Eye of the World”, is without question the weakest of the season, so far. This is especially bad considering this is the first season’s finale, and I am really hoping it is not an indication of the quality of future seasons. Admittedly, when “The Eye of the World” first started, I was pretty excited for it. The reason for this is that the cold open for the episode is our first introduction to Rand’s prior life, Lews Therin Talamon (Alexander Karim), the Dragon Reborn… wait “reborn?” Yeah, that was the first sign of trouble in the episode because there are quite a few inaccuracies to the most simple parts of the lore in this opening scene, like Lews Therin’s title, and Latra (Katie Brayben) somehow knowing the Dark One would taint the male half of the One Power. Seriously, how the heck did she predict that? Although, I was able to look past these issues during my first watch of the episode because I liked how the scene was performed in old tongue. It really showed a commitment to the world building of the lore, even if some parts of it were contradicted. We even get a good look at the futuristic setting of the Third Age, which looks oddly good for a time when the Dark One threatened the world. However, I guess they did need to show how far the world had fallen since the Breaking of the World, so it’s not too much of an issue.
We then pick up with our two sets of characters, as Rand and Moiraine make their way through the Blight, towards the Eye of the World, and Lan and the Emond’s Fielders reel from the revelation that Rand is the Dragon Reborn. Lan’s top priority, though, is locating Moiraine, and Nynaeve informs him of how to do so because of a “tell” she has. What this tell is and how Lan has not noticed it after decades of being Moiraine’s Warder is never explained. Another issue is a line Lan says that is translated right from the books. As he is saying goodbye to Nynaeve, he tells her, “I will hate the man you choose. Because he is not me. And I will love him if he makes you smile. You are as beautiful as the sunrise. You are as fierce as a warrior. You are a lioness, Wisdom.” Now, while this is a book accurate line, for the most part, I just don’t think it works here because it feels entirely different from the context of what is happening in this scene. In the books, Lan has quite a different personality, so the reasons for him telling Nynaeve this are for meant to mean something else and thus the line does not match up with the show conversation. Sure, the quote has been changed slightly to try and make more sense for the show but it still does not quite work right. Then there’s the dialogue. Again, it’s true to the book, however the issue is that the dialogue for this adaptation has been more modern so to hear this old fashioned love declaration feels rather strange. Speaking of strange, we then get our first look at the Dark One, who visits Rand in a dream and, honestly, I personally did not find him to be that intimidating. To be fair, I think it’s an issue with the costuming, rather than the acting of Fares Fares. The way his shirt goes down below his jacket makes him look like he got out of bed late, realized he had to go terrorize Rand, and haphazardly put on whatever was there to make it in time.
Also, I’m pretty sure there are some things about this dream scene that contradict key aspects of the series’ lore. This, and the Moiraine fake out death was obvious and annyoing. Unfortunately, this is not the last we’ll see of one in the episode, as can be seen with one of Min’s visions of Nynaeve “dying.” Upon waking, Rand is informed by Moiraine about her plan for him to use a sa’angreal to seal the Dark One away again. Again, though, that’s not how it works in the books but whatever. They do not have a lot of time, though, because the Dark One is sending his most terrifying force against Fal Dara. No, not Trollocs, no, not Mydraals, but terrible CGI! Seriously, what in the light was up with the Trolloc CGI in this episode? Sure, some of the Trollocs did look pretty iffy in previous episodes but the ones here looked so abysmal that it broke all my immersion. It looked like Sharknado quality, I’m not kidding.
To be fair, though, this could have been an issue because of COVID, so it is understandable if that’s the case. Rushing to meet the terrible CGI Trollocs is the show’s unlikeable version of Lord Agelmar, who has left his sister, Lady Amilisa, to defend the city if he falls, which in hindsight is a really stupid decision, but I’ll explain why later. As this is happening, Rand and Moiraine descend into the Eye, only for Rand to be drawn into a dream world where the Dark One shows him his ideal life with Egwene, offering it in return for serving him. The Dark One also confronts Moiraine out in the real world but easily cuts her off from the One Power, seemingly permanently. Meanwhile, at Fal Dara, Egwene and Nynaeve join Lady Amilisa and two others to protect Fal Dara, while Perrin despairs over not knowing how to help. Loial inspires him with a pretty good inspiring line, “if you want to help but don’t know how, all you need to do is ask.”
Loial’s advice leads to him and Perrin helping uncover the Horn of Valere from under Lord Agelmar’s throne, however, this is not exactly a good thing because Padan Fain arrives with two Mydraal to steal the horn. I quite enjoyed the brutal way he enters the scene, resulting in the death of two woman, since it shows how big of a threat he is. Although, the scene of him actually stealing the horn and then talking to Perrin is a little clumsy. Fain pretty much stabs Loial, monologues to Perrin, and then leaves with Perrin having nothing to do other than stand there and listen. The scene with Nynaeve and Egwene is not much better, unfortunately. After Lord Agelmar is seemingly killed and the Trollocs break through, rushing to attack Fal Dara, Lady Amilisa links with the five other channelers, completely obliterating the Trolloc army. This is why I said it was stupid for Agelmar to leave the city’s defences to his sister. If five untrained women who can channel can generate enough power to destroy an entire Trolloc army then why in the blood and ashes would you not put them on the front lines? Not doing so just wastes lives. Also, again, these women are untrained, so it leaves a whole lot of plot holes, like why the trained Aes Sedai did not easily destroy Logain’s army in Episode Four? And then there’s the already mentioned second fake out death. After Amilisa and the other two women who can channel are killed from using too much power, Nynaeve appears to die as well before she and Egwene can break free from their hold on the One Power. Egwene then magically heals Nynaeve pretty much instantly. What was the point of this? It just feels like unnecessary drama.
At least the fight at the Eye of the World has a somewhat satisfying conclusion, with Rand breaking free from the Dark One’s manipulations because of his love for the real Egwene, and blasting him away. With this battle now done, Rand decides to leave, saying he can feel the madness that all male channelers suffer from. It would have been nice if we could have seen this madness but Rafe Judkins apparently decided to just have Rand say he could feel it. Moiraine promises to tell everyone Rand has died as he leaves and Lan then arrives after having done pretty much nothing in this final episode. She tells Lan that Rand is “gone” and confirms that she can no longer channel, before proclaiming that this was not the last battle but the first of many to come. The final scene of the episode then sees a little girl playing on a beach, only to witness an invading army approaching. This army uses their channelers to send out a tsunami onto the beach, killing the girl. Such a show of force is honestly kind of dumb though because, unless I’m mistaken, that beach looked pretty barren. So, were they just trying to kill one girl? Clearly not but that’s the way it appeared. It seems that Judkins wanted this new culture to be scary yet he did not think of a logical reason for their actions beyond this.
And so this awkward feeling scene brings an end to what is undoubtedly the weakest episode of Season One by a large margin. This episode is just full of issues. To be fair, there are good things, like the score and acting for the most part. It’s just that the decisions made for this episode’s story really baffle me, especially as a reader of the books. Overall though, I would say this adaptation was decent. If I were to rank all the episodes from weakest to best it would go Episode Eight, Episode One, Episode Five, Episode Three, Episode Two, Episode Seven, Episode Six, and best of all Episode Four.
I said that, as a book reader, a lot of the changes this episode baffled me, and this bafflement started right from the opening scene. Why is Lews Therin known as the Dragon Reborn and not just the Dragon? The Dragon Reborn is Rand’s title. It’s a small inconsistency from the books but a weird one. It gets even weirder when both Moiraine and Rand die in Rand’s dream. If this is Tel’aran’rhiod, then both of them should be dead since they died in their dreams. Although maybe this is somehow just a regular dream that Ishamael is invading. Speaking of, I wish they had just revealed that the one Rand fought was not the Dark One but Ishamael. As I said, the costuming made it difficult for me to take him seriously, and this would have been worse if I was a show only viewer, since I would find him unthreatening as the Dark One. So, is the show just going to temporarily kill him off whenever the Dragon Reborn is adapted, and then reveal he wasn’t the Dark One t00? That felt cheap on my first read through of the books and I hope it is changed. This said, I did like the change of it being Ishamael that Rand fought at the Eye, instead of Aginor and Bathamel. As for the other changes of the episode, another significant one was how much less of a deal the Eye of the World and the battle of Tarwin’s Gap were. I think they’re substituting the Eye for a seal for the Dark One’s prison here, which is fine, but the battle of Tarwin’s Gap was not handled well because Rand did not have a part in it. That battle in the book, confusing as it was, showed off Rand’s power as the Dragon Reborn and why he was such a big deal. Overall, the show does not really show why the Dragon Reborn is so revered and feared at the same time because Rand seems just like a normal male channeler at this point.
All of the prophecies have clearly been thrown out the window as well, since Moiraine went through with this plan to bring just Rand to the Eye of the World, thinking it was the Last Battle. So, what happened to all the other prophecies that Rand and the others spent multiple books fullfiling? Is Rand going to go grab Callandor just because he feels like it now? Coming back to the Eye, though, the Horn of Valere is no longer there but under Agelmar’s throne. What? Another strange change, and it leads to another one with Loial being stabbed by Padan Fain. Which reminds me, they never explained why Loial went with Rand and the others in the first place, so his actions don’t really make sense in the show because he has no motivation. Also, him being stabbed by Fain with the Shadar Logoth Dagger seems to suggest that he will take on Mat’s role in the Great Hunt, since Barney Harris left. As for Mat himself, Fain again implies that Mat could turn to the shadow, another instance of the show seeming to misunderstand Mat as a character. Sure, Mat is a trouble maker, but he never had an inherent darkness in the books that drew him to the Shadow.
Then there’s Moiraine being stilled, which is another controversial divergance. However, I’m not sure if she was stilled or just kept from touching the One Power, like Moghidien did to Liandrin in the books. Either way, it’s a massive departure from her character, one which I hope turns out for the better in season two but, after the quality of this episode’s changes from the source material, I’m concerned. I have liked some of the chages in previous episodes, like the extension of Logain’s storyline and Moiraine and Suian’s relationship, but the changes in Episode Eight really dropped the ball. “The Eye of the World” is a weak ending for an otherwise alright adaptation of the first book in Robert Jordan’s The Wheel of Time series.
I was pretty excited for Episode 7 of The Wheel of Time, “The Dark Along the Ways,” because the teasers showed that this would be the episode where we finally got to see the Blood Snow, and it certainly did not disappoint. Directed by Ciaran Donnely, the Blood Snow is the cold open for the episode, and it is the best of the series, showing an Aeilwoman fighting on the slopes of Dragonmount while going through labour. This whole action scene is probably the best shot scene of the entire series so far. I was on the edge of my seat the entire time, and the actress playing the Aeil, Magdalena Sittova, does a fantastic job. Although, it is a little immersion breaking that the Aeil is able to kill so many trained soldiers while in labour. It kind of reminded me of Mel from The Last of Us Part 2 who was also ridiculously doing death defying stunts while pregnant. Still, I think it makes a lot more sense here because, again, the woman is Aeil, probably the best fighters in the Wheel of Time. Also, the fight sequence is riveting and the action is great so my suspension of disbelief was ultimately maintained.
The epic fight finally ends with the Aeilwoman preparing to give birth, only to be confronted by yet another soldier, before cutting to the opening credits. Following this cliffhanger and the credits, we go back to our main characters traveling in the Ways, with the exception of Mat, whose actor Barney Harris left so they had to write him out. One thing that impressed me about this episode was actually how well they did so. They did not just forget about Mat, he is brought up throughout, and there are quite a few teases for what will happen to him next season, when he is played by Donal Finn, like with Moiraine sending the Red Ajah after him. The only thing I found questionable about it is Moiraine’s perception of Mat, believing he would “turn to the shadow” if he were the Dragon. When I first saw this moment I chuckled thinking, oh, Moiraine, you don’t understand Mat at all. However, then I pondered whether this was not Moiraine misinterpreting Mat’s character but the writers and I became a bit concerned for where his character could go. I will explain why further down in the spoiler section. In any case, the characters continue moving on through the Ways, with Perrin eventually spotting a guiding that has been damaged by something. This means Loial will need time to dechiper it, asking for the other’s patience, resulting in the best joke of the episode when Rand says, “if he’s asking for patience, then we’re gonna die.” It does feel like this joke was meant for Mat, as it seems more in character for him to say it than Rand, but I do understand why he had to be the one because of Barney Harris’ departure. Moiraine ignores Rand’s concerns and the group decide to rest in the Ways, only for them to be attacked by a Trolloc, which is blasted off the path by Rand channeling. Rand doing this was done in such a subtle way that show only viewers would think it was Egwene but book readers like myself would understand it as a hint for Rand being the Dragon Reborn.
However, this does not end the trouble, because Rand channeling summons Machin Shin, the Black Wind. The group rush to the Waygate door to Fal Dara to escape Machin Shin, but it catches up to them before they can get out, whispering things they don’t want to accept about themselves to them. It’s not as creepy as it was in the books but it was serviceable for what comes. Anyway, the group is able to escape, thanks again to Nynaeve, and they arrive at Fal Dara, entering the city where they are “welcomed” by Lord Agelmar (Thomas Chaanhing), who is not happy to see Moiraine, thinking his sister Lady Amalisa (Sandra Yi Sencindiver) summoned her. Although he does calm down when Moiraine warns him about the Trollocs in the ways. Too late though because we see the figure who was following them in the Ways come through, and Perrin later thinks he sees Padan Fain in the city. After this, Moiraine goes to see Min, another character I have been excited to see. I will admit that I am not quite sure how to feel about the actress who plays her, Kae Alexander, at this point. Her performance does feel a bit different from what I expected as a book reader, but I don’t hate it.
Although I am unsure of Alexander as Min, I think the show did a really good job of showing her visions, even if the editing of this scene did become a bit weird at one point. Her scene also ends rather ominously, as Min tells Moiraine that she saw the Amyrlin Seat will be her downfall. From here, we move on to what is undoubtedly the worst scene of the episode. It begins well enough, with Moiraine warning them that whoever goes to the Eye of the World and is not the Dragon Reborn will die. However, once she and Lan leave we get the dreaded love triangle. Why, oh, why did the writers have to resort to Perrin also having feelings for Egwene? It just was not needed and it made the scene feel so contrived. Thankfully, it seems this is just a single episode plotline and I really hope that it stays that way.
At least after the worst scene of the episode we get one of the best, with Nynaeve following Lan, watching through a window as he meets up with some close friends who call him “Dai Shan.” The music during this moment is fantastic and I love Nynaeve and Lan’s chemistry in the show, as seen when Lan ambushes her like a ninja and invites her inside. This eventually leads to the two of them sleeping together for the first time and Lan telling her how he is the king of a long gone kingdom, Malkier. Their relationship has definitely progressed a lot faster and differently than it did in the books but I enjoyed it and am looking forward to seeing where it goes. Then, we get the big moment of the episode: the reveal of the Dragon Reborn. After reconciling with Egwene and sleeping with her, Rand returns outside and begins to accept that he is the one destined to fight the Dark One. We see that he really did channel when he broke down the ironwood door in episode three, and when he saved Egwene earlier in the Ways. It also revealed that Machin Shin spoke to him about being the Dragon Reborn, which made a lot of sense because I thought it was weird that he was so torn up, when all it seemed to talk to him about in the beginning was Egwene. Rand visits Min for further confirmation and we then see how she saw a vision of his birth in the past, with Tam stumbling across Rand’s mother giving birth and helping her. When she died, Tam took the baby to raise in the Two Rivers. This episode really reminded me of why I loved Tam so much in the books.
Rand then goes to Moiraine and admits that he is the Dragon Reborn and the two leave for the Blight, leaving the others behind as they realize what has happened, bringing an end to the episode. Overall, I would say that “The Dark Along the Ways” is my third favourite episode in The Wheel of Time, right behind “The Flame of Tar Valon” and the “The Dragon Reborn.” I know I said that I considered it better than Episode Six in my previous review but a rewatch of this episode put it down lower. It just had a few too many issues, most notably the awful love triangle scene. This said, most of the episode was great, especially the Blood Snow and Rand coming to accept himself as the Dragon Reborn.
So, for the book spoilers section, I will start small with Moiraine’s comment about Mat. As I said in my previous review of Episode Six, Mat is described as someone who would run into a fire for his friends in the books, so I find the idea that he would willingly join the Dark One to be a bit absurd. Still, he had been under the influence of the Dagger from Shadar Logoth so maybe that would explain it. But the show has been saying there is an inherit darkness to Mat for a while, which I am not quite sure how to feel about since this was not a thing in the books. Could Mat be a jerk at times? Yes, especially in the first couple of books, but he quickly proves himself as a loyal friend and hero, even if he is not accepting of either of those titles. Another character who is different from the books is Lord Agelmar, who is way more unlikeable in the show. Still, Agelmar is not a character I really cared for in the books, he was just okay, so I’m not too bothered by the change. I feel the same way about the Machin Shin change, with the Black Wind just speaking to the characters rather than doing anything truly threatening. This is a small part of the books so I can let it slide. It also leads to Rand realizing he is the Dragon Reborn, which is great. Speaking of that, Rand accepting this is probably the biggest change in the entire episode. Rand goes on an entire soul searching arc for the first three books and it is only at the end of that third book that he completely accepts his destiny as the Dragon Reborn. Here, he does it much sooner, however, I think it was done in a way that is actually true to Rand’s character from the books. Here, Rand is told that whoever goes to the Eye of the World and is not the Dragon Reborn will die. This makes him accepting his destiny sooner make plenty of sense because he obviously does not want Egwene, Nynaeve, or Perrin to die. It is an interesting change, which is justified well by the story telling in the episode, and I am intrigued to see where it will go in Season Two, with a Rand who fully accepts himself as the Dragon Reborn.
The show also clearly intends to keep some of his future storylines the same, as seen when Min prophecises three beautiful women, herself, Elayne and Aviendha. Real humble, aren’t you, Min? However, this positive change of Rand accepting his destiny sooner could not save Episode Eight, “The Eye of the World,” which is easily the worst episode of this entire first season. As for “The Dark Along the Ways” though, it is still one of the best episodes of the show so far, with some intriguing changes.
I remember when I first watched the trailer for Netflix’s Arcane and was instantly intrigued by the quality of the animation I was seeing. However, then I noticed the show was based off League of Legends. I have never played this game but I know of it because of its reputation as having one of the most toxic fandoms out there. This was not what me hesitant to watch it though because you can’t judge a product off the actions of its fans alone. No, the reason for my hesitation was that, since I had never played League, I would have no idea what was happening in Arcane‘s story. So, despite liking what I saw in the trailer, I decided to give it a skip. But then, I kept hearing the nonstop praise about Arcane being a masterpiece and I finally caved, deciding to give it a chance. After all, I watched Squid Game because of the acclaim it was receiving and I had no regrets about that. Although, after finishing Arcane, I did have one regret… that I did not watch this absolute masterpiece of show sooner. All of the praise this series has received since it was released in three acts on Netflix is accurate.
Created by Christian Linke and Alex Yee, Arcane tells the story of many different characters in the city of Piltover and its undercity of Zaun. Zaun is a gang ridden, posion aired place, where sisters Vi (Hailee Steinfeld) and Powder (Ella Purnell) struggle to find their place in the world while under the guardianship of their father figure Vander (JB Blanc). Meanwhile, in the rich and ever technologically progressing city of Piltover, scientist Jace (Kevin Alejandro) and his newfound friend Viktor (Harry Loyd) begin to experiment with creating magic through science. The story then follows these different groups of characters, their paths occasionally intersecting, as tragic events push Piltover and Zaun to the edge of outright war. What makes the potential for this conflict so suspenceful is how amazingly well written each character in this show is. The way the relationship between Vi and Powder plays out, and what they go on to become by the end of the season, is highly engaging.
Another thing that really struck me was how even the minor characters felt like real people. Take the corrupt enforcer Marcus (Remy Hill), for example. It would have been incredibly easy for the writers to just make him a stereotypically evil corrupt cop but they didn’t. They gave Marcus a lot of depth and characterization to the point that I actually sympathized with him, while knowing he was a terrible person. Speaking of someone being a terrible person but a fantastic character, my favourite character in this entire show is definitely the main antagonist, Silco (Jason Spisak). Much like Marcus, I thought he was going to turn out to be a stereotypical villain, when we were first introduced to him, but, as the show went on, he became incredibly complex. I remember watching Episode Three, “The Base Violence Necessary for Change” and seeing him display some emotion and wondering if it was genuine. The show then goes on to expand on this emotion for his character, making a part of himself so sympathetic to the point that the way his storyline for the season concluded during the final episode “The Monster You Created” actually made me tear up.
Notice how I mentioned both Episodes Three and Nine there? These two are the best episodes of Arcane, both being masterpieces in their own right, with so much tragedy in them. The tragedy of this story is backed up by the fantastic voice acting, score and animation. It was this animation that made me initially interested in the show in the first place, as I said when talking about the trailer, and seeing this animation actually play out in the series did not disappoint. It reminded me a lot of the animation from Spider-Man: Into the Spiderverse, creating absolutely amazing action set pieces, the best of which comes in Episode Seven “The Boy Saviour.”
As for the score, I have already put multiple songs from this show on my Spotify, including the opening by Imagine Dragons and JID, “Enemy,” so that alone should tell you how much I loved Arcane’s music. As for the voice acting, there was not a weak member of the cast. I was especially impressed with the voice acting of Mia Sinclair Jenessa who plays the young Powder, showing off some excellent range in Episode Three. All of this combines with the amazing writing from Linke and Yee, creating fascinating lines like “in the pursuit of great, we failed to do good,” and “is there anything so undoing as a daughter.”
How certain lines and events from the beginning are paralleled right up to the final episode also quite impressed me, with the story of Arcane essentially boiling down to one tragic cycle. This is a cycle that I look forward to seeing continue when we eventually get Season Two, which has been announced. We do not know when this season will be released but it has been confirmed that we will not be getting it in 2022, to which I say, “good.” Arcane is clearly a labour of love from its creators and they deserve to continue this labour with all the care and attention they used to craft the masterpiece that is this first season: one of the greatest opening seasons I have ever seen. Season one of Arcane is a masterpiece and, if Season Two is at the very least just as good, then it may end up being one of my favourite shows of all time. If you have not watched this show yet because of League of Legend’s reputation, or because you fear you won’t understand what’s happening like I feared, then take my advice and watch it. You will understand what’s happening and it will most likely blow your mind.
I quite enjoyed the first two MCU Spider-Man films. Homecoming was a great example of a more grounded MCU film, with a fantastic antagonist, and while I did not like Far From Home as much as the first, I still thought it did a great job continuing the story of Tom Holland’s Peter Parker. Well, after seeing the third film, No Way Home, I can say that this one is easily the best movie of the three.
Directed again by Jon Watts, No Way Home follows the events of Far From Home where Peter’s identity as Spider-Man was revealed to the world in a final act of vengeance by Mysterio. With a conspiracy theory based witch hunt now invading every part of his life, spearheaded by J. Jonah Jameson (J.K Simmons), Peters goes to Dr. Strange (Benedict Cumberbatch) to request that he erase everyone’s memories of him being Spider-Man. However, when Peter begins to add conditions to the spell, wanting M.J (Zendaya), Ned (Jacob Batalon), and his Aunt May (Marisa Tomei) to remember, it causes the spell to go haywire and draw in any villain who knows Spider-Man’s secret identity from other universes. Peter quickly finds himself under attack from these villains, most notably Norman Osborn’s Green Goblin (Willem Dafoe) and Otto Octavius’ Dr Octopus (Alfred Molina).
And so Peter and Dr Strange must capture these numerous villains and send them back to their own universes before they cause too much chaos in their own, only for conflict between the two heroes to quickly follow. With so many villains from previous Spider-Man films being in this movie, it would have been extremely easy for this film to just devolve into mindless nostalgia with no intelligence. However, I think that No Way Home is a perfect example of a nostalgia film done right. There are numerous quotes from the earlier films, including memes created from them, and these somehow work entirely. What works even better is Tom Holland’s fantastic performance as Peter. I have liked him in the role in the previous MCU movies but his performance in No Way Home is definitley his best so far.
This film is essentially the end of the Spider-Man origin we did not know this trilogy was. I would even call it one of the best MCU films, with it definitely being in my top ten, if not my top five. No Way Home is the perfect example of how to do a film with nostalgia as a major focus. December was a great release date for it because the movie’s numerous great callbacks and easter eggs make it feel like a Christmas present for Spider-Man fans. Speaking of which, be sure to have a Merry Christmas.
Directed by Salli Richardson-Whitefield, Episode Six of The Wheel of Time, “The Flame of Tar Valon,” was an episode many fans were interested to see. This was because it is supposedly Brandon Sanderson’s favourite episode of the season. After seeing it, I can see why because it definitely is one of the best episodes, but I would personally put it behind Episode Four, “The Dragon Reborn,” and Episode Seven, “The Dark Along the Ways,” which I will review later. “The Flame of Tar Valon” kicks off with the backstory of Siuan Saunche, the Amyrlin Seat, who lived in a small fishing hut with her father in Tear. The young Siuan (Kiera Chasna) has begun to Chanel and her father warns her to be careful no one sees but this warning comes too late, as the two return to find their hut burned to the ground and a Dragon’s Fang signed into the remains. This causes Siuan’s father to reluctantly send her to the White Tower, where she goes on to become the Amyrlin Seat many years later. On that note, I will say that the acting for this initial scene was fantastic. This is especially the case for Peter de Jersey, who plays Siuan’s father. In a single scene he actually almost made me tear up during the emotional goodbye to his daughter.
After this opening, the episode cuts to the present with the Amyrlin’s trial of Logain and following interrogation of Moiraine, Liandrin, and Alanna. The introduction of Siuan (Sophie Okonedo) is well handled, with a great transition from a panning shot to a high angle looking down, as the shot also incorporates CGI to show the grandness of the Hall of the Tower. We then get a pretty intimidating first impression of Siuan, as Logain is brought in for his trial. The False Dragon appears to be pointlessly trying to show strength by gloating about killing Kerene, however Siuan quickly deduces that he is trying to anger her so she will kill him. Knowing this is what he wants because of the loss created by Logain’s gentling, the effects of which were explained by Thom in Episode Four, Siuan decides to give Logain the most fitting of punishments. Logain will be forced to live so he can serve as an example to other False Dragons, and he is dragged off screaming out of the Hall, begging for death. This done, Siuan turns to Moiraine, Liandrin and Alanna, berating them for violating tower law by gentling Logain without a trial. In the end, Liandrin and Alanna are able to avoid trouble, however Moiraine is not becsause Liandrin turns the attention onto her. Siuan demands to know where Moiraine has been all this time but she has to say nothing because, since she cannot lie, she would have to reveal she has been searching for the Dragon Reborn, which would create chaos and likely not end well for her. So, she tells Siuan she cannot say, and the enraged Amyrlin berates her before delcaring she will decide her punishment tomorrow. This allows Moiraine some time to track down the missing Emonds’ Fielders, the first two of which she tracks down is Rand and Mat by having Lan follow Nynaeve. Rand leaps to Mat’s defence, afraid Moiraine will gentle him because he can channel, however it is as this point that it is revealed that the reason for Mat’s sickness is not channeling but the cursed dagger he stole from Shadar Logoth. This was a great scene, providing more examples of the actors’ prowess. Barney Harris’ “bless his heart, he tries,” was charmingly funny and Rosamund Pike’s “you stupid boy” was excellently delivered.
Moiraine saving Mat from the sickness of the cursed dagger makes Rand trust her more, whle Moiraine tells him that if Mat was ordinary then the dagger would have consumed him long ago, saying that if he touches it again he might be lost forever. It is that this moment that Nynaeve comes in, ready to berate Moiraine, only to have this turned on her instead, as Moiraine condemns her for not informing her about the boys, especially since she knew of Mat’s condition. Moiraine then takes it even further by stating, “if wisdom is the title you claim, I suggest you start using some.” What a fantastic line and an epic burn for Nynaeve. Yet Moiraine still faces trouble, even when relaxing, as she meets one of the Blue Ajah Sitters, Maigan, who tells her that she will convince Siuan to allow Moiraine to stay at the tower. Moiraine has no intention of staying, however, since it will be dangerous for whoever the Dragon Reborn turns out to be, especially if its Rand, Mat or Perrin. Speaking of Perrin, though, Moiraine tracks him and Egwene down next, and Egwene gives her the rings taken by Valda, while Moiraine tells them to prepare to leave soon. Then, we get the big twist of the episode, as Moiraine uses a Ter’angreal in the portrait seen in her room during the previous episode to transport herself to meet with Siuan. The two are revealed to be lovers, just acting like they are at odds to avoid suspicion while they search for the Dragon Reborn. I quite liked how this facade was slowly unveiled compared to the books where its just spoken of rather than shown. Their romantic relationship is also something new since, in the books, they were described as once being “pillow friends” but that was the extent of it, really.
After the reveal of their true relationship, Siuan reveals she has been dreaming about the Dark One at the Eye of the World, so Moiraine decides that Siuan must banish her so she can take whoever the Dragon turns out to be to stop him. This plan has a slight hitch, however, because Liandrin’s own agents have uncovered the Emond’s Fielders Moiraine is hiding. She is quick to deal with this problem, though, shutting Liandrin up by blackmailing her with the information that she is seeing a man in Northharbour. With this done, Moiraine continues to initiate her plan, recruiting Loial’s aid, and reuniting Egwene with Nynaeve. This also had a moment that cracked me up when Nynaeve is grumpily telling Lan as they walk into the room, “If you can’t lead the world from a room built of wood and dirt, how can you call yourself a leader?” That is classic, stubborn Nynaeve right there. The scene somehow only gets funnier with Moiraine’s “Siuan Saunche waits for only one woman and it’s not you,” comment, and Egwene looking prideful when Siuan says one of them is the most powerful chaneller in a thousand years, only for her to visibly deflate when Siuan says it’s Nynaeve. I did not expect this episode to have some of the funniest moments of the series so far going in, so that was a pleasant surprise.
After these great jokes, the scene turns serious as Siuan informs Nynaeve and Egwene of the coming of the Last Battle, telling them the only thing that matters is what they do. It is interesting how she only gives this conversation to Egwene and Nynaeve, potentially because she hopes the Dragon Reborn is one of them and not Rand, Mat or Perrin, since a male channeler would go insane eventually. Once this is done, we get the most emotional scene of the episode, where Siuan is forced to banish Moiraine to protect their mission of helping the Dragon Reborn. It is here that Moiraine repeats the exact same words to Siuan that her father did at the beginning of the episode, showing how much she loves her. Probably the only thing that kept me from tearing up here was the funny idea of the other Aes Sedai overhearing this and realising the two have been in cahoots this whole time. Although, I guess Moiraine whispered that part so it does make sense that no one was suspicious. There is one part of this scene that I am not too sure of, though, but that is book spoilers so I will leave it for that section of the post. Once Moiraine’s banishment is done, she, Lan, Loial, and the five Emond’s Fielders head for the Waygate, which Loial will use to guide them to the Eye of the World. However, as they’re going through, Mat refuses to follow and the episode ends with him being left behind as the Waygate closes on everyone else. If this seemed like a weird scene to you, it’s probably because Barney Harris actually left the show at this point, most likely for personal reasons, so he will not be in the rest of the series. Donal Finn has been cast as Mat from Season Two onwards and I hope he can do just as great as job as Harris. I would also like to praise Harris for his performance. He was a fantastic Mat Cauthon and I am quite sad to see him go, since his performance was one of my favourites. I hope that for whatever reasons he left the show he is able to get back on his feet and continue acting because he is quite talented.
Overall, “The Flame of Tar Valon” is definitely one of the best episodes of The Wheel of Time so far. And the next one is even better.
So, let’s talk about the expansion of Moiraine and Siuan’s relationship, compared to the books. The way I read the description of their relationship in the novels is that by being pillow friends they were in a friends with benefits agreement that stopped some time before the present story began. In the show, however, they are going all the way with the romantic relationship and I actually quite like this change because it adds a new dynamic to both their characters. It will also be interesting to see how this progresses, considering that Moiraine ends up with Thom in the books and Siuan ends up with Gareth Bryne. Although, I don’t think I am alone in saying that Moiraine’s relationship with Thom came out of nowhere in the books, so I am glad she has a romantic relationship in the show that actually feels earned. As for the thing I was unsure of during the banishment scene between Moiraine and Siuan, it was Siuan using the Oath Rod to make sure Moiraine stays banished until she calls her back. I may be wrong about this, but making her swear on the Oath Rod would meet quite a lot of backlash in the Tower, considering how something similar happened with Elaida in the Gathering Storm, when she tried to add a new oath that everyone had to obey the Amyrlin. So, wouldn’t Siuan ordering Moiraine away using the Oath Rod cause similar backlash from the Aahs? Or maybe I am mistaking this and it is just the addition to the Three Oaths that they would take issue with. Moving on, the next member of the cast I want to talk about for the book spoilers section is Mat, specifically how he is described as having a darkness in him. This is certainly a change from the books, considering that Siuan describes him as someone who would run into the fire for his friends and Mat proves this multiple times. I hope this part of his character is intact when he comes back played by Donal Flinn in Season Two. Now, I would like to talk about Liandrin again, specifically the scene where Moiraine blackmails her with her knowledge of the man she has in Northharbour. What if this man is a Darkfriend contact of hers? It could be Padan Fain, or someone else. We’ll probably get a better idea of who this Darkfriend is, if he is one, next season.
About that next season, though, one specific hint gave me a feeling of dread for what is about to happen in that season. When meeting with Moiraine, Maigan says she might be going to track ship disappearances in the west. This is almost certainly hinting at the Seanchan, one of the best detestible people in The Wheel of Time story. The thought of seeing them gives me both a feeling of excitement and dread for the pain and suffering they will inflict. I would say that I quite liked a few of the changes to the books in this episode. The only one I had a massive issue with was Mat staying behind but I’m forgiving of that because it’s understandable, considering Barney Harris had to leave. I can definitely see why this might be Brandon Sanderson’s favourite episode of the season.