As many people have already pointed out, Hajime Isayama has so immaculately timed the events of Attack on Titan that we now have different fights between Eren and Reiner in the manga and the anime happening at the same time.
It really goes to show how good Isayama is at structuring the series and has me excited about how he will continue to do so.
As for the Chapter 117 itself, it is a non-stop thrill ride of a chapter that feels over way too soon.
That is the sad thing about Attack on Titan though.
It’s action packed chapters can be read through so quickly, and then you have to wait another moth as you are dying to read the next one.
This Chapter, “Judgement”, definitely has me feeling this way, with almost the entirety of it being action oriented as Eren faces off against the warriors and Marley’s military.
However, my favourite part of “Judgement” is not the bombastic action sequences, but rather the small character moments we get from Gabi and Magath.
Isayama really surprised me with how well he develops these two this chapter.
After escaping with Pieck, Gabi is brought to the Marleyan troops, led by Magath, and she is very surprised when he hugs her, showing relief that she is safe.
I love this moment because it not only shows that Magath does care about the Eldians under his command, but it also serves as a nice callback to chapter 91, where both characters were introduced.
In that chapter, Gabi came up with a dangerous plan that put herself at risk and, at first, Magath forbade her from following through on that plan.
This led to Gabi jokingly saying that this meant Magath really cared about her… only for this to now be proven true with Magath embracing her.
Then there is the cool story moment we got from Gabi in this scene, which saw her remember what Zeke said about him having royal blood, causing the others to realise that Zeke and Eren coming into contact could activate the Founding Titan.
It is a good explanation for how the Marleyans would figure out Eren and Zeke’s plan and also goes to show how smart Gabi is.
Speaking of the Marleyans and their warriors though, reading the chapter I was not entirely sure who I should be routing for.
One the one hand, I wanted Eren to succeed and defeat Reiner, but on the other hand I wanted Reiner to beat him.
This shows how complex Attack on Titan has become, with every character’s motivations being understandable to us now, to the point that we route for them all.
So, in the end, there is a bunch of characters I all like that are fighting to the death, making me unsure of who to route for.
I loved every second of this uncertainty.
It added much more weight to the battle, which has a lot of highlights, from Pieck’s cannon wielded by Magath, to Zeke showing up at the end to save Eren.
One of the big highlights of this fight though is obviously Eren using his War Hammer Titan abilities in battle for the first time.
It was very exciting to see all the different ways Eren can use the power.
He is clearly not as skilled as the previous War Hammer Titan but, if he is given time, he could become even more overpowered, which could be either a good and bad thing, depending on how Isayama handles it.
There are even some morbidly funny moments to go along with all of this action.
The best of this is scene when Porco cuts off Pieck’s hand so she can transform without hurting Gabi.
When this happens, Pieck screams in pain before jumping off the building to transform.
This is humorous in a pretty morbid way because we have never seen a Titan Shifter express pain at their injuries before, despite hurting themselves in ways that would leave most people in complete agony.
There are also, what I feel to be, hints at future events in the manga, the most obvious being Magath talking about the Marleyan hero Helos, who Willy Tyber mentioned.
This historical figure has constantly been used in reference to Magath and, if the theory that the story of Ymir was actually transported to the past by Titan memories is true, this could mean Magath is actually Helos.
This has dire implications because it has been stated that Helos killed the Devil of all earth, and many people believe Eren is an allusion to this devil.
So, if Magath, or any other character, turns out to be Helos, then it may be likely that Eren will be killed by them.
Along with this, Zeke looks set to transform all of the people who ingested his spinal fluid in the next few chapters.
This will undoubtedly turn the fight in their favor because Zeke will have complete control over all 300 of the Titans he will create.
However, Zeke showing up here does add further weight to this being the final battle, which I am currently unsure how I feel about because so many characters are absent from it.
Also, I did have a few minor problems with the chapter, the biggest of which being suspension of disbelief when it came to Titan injuries.
Is it just me, or does anyone else think Eren and Reiner’s Titans should have been unusable by the end of the chapter?
Eren got shot in the head twice and Reiner got his face ripped open and was hit by Zeke’s boulders, and yet, both are somehow still standing by the end.
It just felt like a contradiction of what we already know about what Titan’s can withstand.
Speaking of contradictions, there is a weird continuity error when, for some reason, Eren is shown without a shirt in one panel and then with one in another.
It kind of felt like Isayama was placed fan-service over continuity there.
Overall though, “Conviction” is another solid chapter of Attack on Titan that has me excited for the series’ endgame… that is if Isayama does not spoil it himself first, but I will talk about that situation in another post
Hello everybody, The Review Monster (also known as Kieran Richards) here. Welcome to my blog where I will review movies, books and video games to let you know my opinion on them. I hope you enjoy.
I loved the first season of Mindhunter.
Created by Joe Penhall, and with many episodes directed by David Fincher, The Netflix series hooked me right off with its disturbingly realistic portrayal of actual serial killers.
I was eagerly anticipating the second season, and we finally got it now, two years later.
The second season picks up with Holden Ford (Jonathon Groff) recovering from his encounter with Ed Kemper (Cameron Britton) at the end of the first season.
After getting released from a mental hospital by Bill Tench (Holt McCallany), Holden meets back up with the team, consisting of Tench, Wendy Carr (Anna Torv) and Gregg Smith (Joe Tuttle), in their studies of serial killers.
What follows is a season that sees the characters interviewing a wide ranger of terrifying murderers, like David Berkowitz (Oliver Cooper), and those who manipulate others to kill, like Charles Manson (Damon Herriman).
Most terrifying of all are the investigations into the BTK killer, Dennis Rader (Sonny Valicenti), and the Atlanta child murders, which eventually becomes the main focus of the season.
Just like the first season, what makes Mindhunter season two so scary is its horrifying realism.
Again, no murders are shown but the aftermath of these crimes, and the way they are explained by both the killers and surviving victims is horrifying.
This leads to one particularly disturbing scene when Tench is interviewing Kevin Bright (Andrew Yackel) a survivor of the BTK killer.
The way this scene is shot is so particular, the acting from Yackel so tragic, and the sound design so unnerving, that is makes the scene horrifying to watch, even though no violence is taking place.
It is particularly disheartening to hear Tench make assumptions about BTK, only for us to know he is completely wrong, meaning they are further away from stopping him.
Speaking of Tench, he has the best story this season, with a tragic family event that makes his interactions with the killers even more personal.
A scene where a confrontation takes place between Tench and Manson is particularly illuminating to Tench’s character.
It is not all great, though, because compared to last season Mindhunter season two does fall short.
There are quite a few plot lines that are dropped like Ford’s panic attacks, which are quickly forgotten about, and the cat Carr was feeding last season, which is oddly left out of entirely.
As for Carr, herself, she does not have much of a role in the back-half of the season, and a romance storyline she has feels a bit too similar to Ford’s relationship from the previous season as well.
However, these problems do not diminish how great Mindhunter is.
It is still a creepy show, with great fictional characters and terrifying real killers.
I am already looking forward to season three.
Coming into Quentin Tarintino’s Once Upon a Time in Hollywood, I had no idea what the runtime was.
After watching the film, and enjoying it immeasurably, I checked my watch to see how much time had past and was shocked to see that Once Upon a Time in Hollywood had gone for two hours and forty minutes.
When you watch a long film but it feels like its over in minutes, that is when you know you have just seen a great movie.
It happened when I watched Avengers: Endgame earlier this year and it happened again with Once Upon a Time in Hollywood.
The film stars Leonardo DiCaprio and Brad Pitt as struggling actor Rick Dalton and his stuntman Cliff Booth respectively, as Dalton dwells on his failing career in the 60s with Booth for support.
Parallel to their story, we get Sharon Tate’s (Margot Robbie) as well in the build up to the infamous murders committed by the followers of Charles Manson (Damon Herriman).
Once Upon a Time in Hollywood has been described as a “love letter to ’60’s L.A” by the Hollywood Reporter, and this is certainly the case.
You can tell just from watching the film that Tarintino is someone who loves movies.
My favourite scenes of the film are the ones where aspects of cinema come into play.
The scenes where we are presented with Dalton acting as a villain on a show with a young costar Trudi (Julia Butters), and one where Tate goes to watch one of her own movies, The Wrecking Crew, are particular highlights.
The film also has a lot of tension as well, due to the creepy nature of the Manson family, resulting in an almost nail biting scene about half way through.
It is the friendship between Dalton and Booth that is the true heart of the film, though.
Both DiCaprio and Pitt give incredible performances as these characters, allowing us to relate to them despite their less than admirable qualities.
And they are a part of a very large ensemble cast that includes Kurt Russel, Dakota Fanning, Bruce Dern, and Al Pacino.
With such a large cast and runtime it will make some wonder where the film is going… until the ending.
Honestly, I did not expect this kind of ending but, given that this is Tarintino we are talking about, I definitely should have.
All I can say about it is that it was a blast to watch.
I was laughing so hard at what was happening and, after a few minutes, I really began to question my mental state in doing so.
One thing I especially loved about the ending is its final seconds.
The final moments of the film really highlight the message that Tarantino is trying to sell, not just about Hollywood and the fate of Dalton and Booth but also the, sadly, very real life Tate murders as well.
It feels like a reflective ending that made me feel incredibly sad.
Overall, I absolutely loved Once Upon a Time in Hollywood.
It has fantastic acting and amazing direction with all its movie homages, and a story that builds towards a darkly humorous, yet reflective, ending.
If you love movies then you should definitely see this in theaters.
When I reviewed A Silent Voice a few weeks ago, I said that it was probably my favourite anime.
Well, after seeing Makoto Shinkai’s Your Name, I can now say it has some serious competition for that title.
Like A Silent Voice, I had heard a lot about Your Name before I finally watched it.
I knew it was a body swap anime with romance but that is all I knew about it.
And you know what?
I am so glad that I did not know anything else about it because Your Name absolutely blew me away with its brilliant story twists.
This was surprising to me because, from what I heard of the plot, I thought I would find the anime a little too sappy and cliche for my tastes.
Thankfully, this was far from the case.
The anime follows two high schoolers, Mitsuha Miyamizu (Mone Kamishiraishi) who lives in the small town of Itomori, and Taki Tachibana (Ryunosuke Kamiki) who loves in Tokyo.
Both lead normal lives until the two begin to mysteriously switch bodies every so often.
As they struggle to deal with this strange situation, they gradually learn more about one another and start to develop feelings for each other.
And that is all I will say about the film because, as I said, I love the direction the story takes and I do not want to spoil it for you.
The twists are engaging and add so much tension to the story, which is supported by the buildup of Mitsuha and Taki’s relationship.
I do not often enjoy romance films but this one was so moving I just could not help but get invested.
There were quite a few times towards the anime’s ending that I ended up crying.
I also laughed a lot too, and I do not think there is a single joke that does not land.
One of the things I find interesting about Your Name is the Japanese elements that I missed on the first viewing, like the Red String of Fate.
When I researched this it made the themes of the film even more engaging.
Along with this, and the engaging story and romance, one of the big things that stuck out about Your Name to me was its absolutely gorgeous animation.
My jaw dropped multiple times in the first few minutes because I was astonished at how beautiful it all looked.
From viewing this film, and looking up his prior works, it is clear that Shinkai is an artist when it comes to animating his films.
With its beautiful animation, great story telling, and investing romance, Your Name is another anime film that should have been nominated for an Oscar, however, (aggravatingly but predictably) it was denied this.
One interesting thing to note, though, is that Shinkai did not want Your Name to win an Oscar and actually advised people to stop watching it.
This is because the film is “incomplete” according to him since they ran out of money.
But, I think Shinkai is being too hard on himself.
From what I hear about what was supposed to be in the finished product, I actually think Your Name works better without these scenes, for the most part.
The one thing about the film that I think could have been done better is the relationship between Mitsuha and her father, which does not get a resolution.
However, the rest of the movie is so engaging and moving that it overshadows this one issue by a wide margin.
Want to know how much I loved Your Name?
I loved it so much that, after finishing it, I immediately bought a ticket to see Shinkai’s next film Weathering With You, which I will be seeing on August 22.
Your Name is a fantastic anime film.
It has jaw dropping animation, a thrilling story, and a romance that will make you tear up by the end.
The only explanation I can think of for what I just saw watching The End of Evangelion movie is that someone spiked my food halfway through, resulting in me having a weird, hallucinogenic drug trip.
Seriously, this movie seems like normal Neon Genesis Evangelion at the beggining, only for the third act to evolve into one of the craziest endings I have ever seen that needs to be seen to be believed.
Hideaki Anno made this film after many were left unsatisfied with the ending of his anime, to the point that some of them even sent him death threats.
However, rather than The End of Evangelion appeasing many of these cruel people it only made them angrier.
Having watched the film I can see why this would result in such anger, although sending death threats is never acceptable.
And, personally, I actually enjoyed The End of Evangelion, even though it left me thoroughly confused.
It is certainly a better ending that what we got in Neon Genesis Evangelion because it actually has a narrative.
But I do not just enjoy it because it is better than the original anime’s ending.
I also enjoy it because of the obvious thematic weight it has, with a lot of complex and often disturbing symbolism that left me quite creeped out.
Even before the shocking third act, the film had plenty of jaw dropping moments.
One moment came with one of my favourite parts of the movie, which is a brilliantly animated fight sequence involving Asuka (Yuko Miyamura).
This fight was thrilling, horrifying, and brought a conclusion to Asuka’s character arc, which I felt was left unfinished in the original anime.
However, not every character is done well compared to Neon Genesis Evangelion.
A prime example of this is Shinji (Megumi Otaga) who I found to be quite unlikable compared to the original anime’s version of him.
This is because of his refusal to act, despite people dying around him, but also mostly because of something he does at the start of the film involving Asuka.
He is shown to regret his actions later on in the movie but this does not excuse that what he did is pretty deplorable.
Despite Shinji’s unlikability, though, I still found many of the characters to be well done and have fitting conclusions to their arcs this time around.
But the main thing that will come to mind whenever I think of The End of Evangelion will be that absolutely insane third act and ending that left me speechless and unsure of what to think.
It is bold, symbolic, and can only have been thought up by somebody in the middle of a mental breakdown, which I have heard Anno was when writing this.
Whether he was having problems or not, Anno’s The End of Evangelion provides a better ending to the original ending, although not one that is particularly happy.
The insane nature of this third act makes it worth a watch.
The End of Evangelion is a movie that got me thinking, although I am not exactly sure what about.
Neon Genesis Evangelion is one of the big classic anime.
Not only do a lot of people love the series but it also helped shape anime into what it is today.
So, with the anime being released on Netflix, I knew I had to check out.
And what did I think of it?
Well… its complicated.
After watching Evangelion, I had honestly no idea what I thought about it.
There were things I liked about the show and things I did not, and my mixture of feelings was blended into an anime with great symbolism, well done and problematic animation, along with a downright bizarre ending.
You probably all know the plot by now but, for those who do not, Neon Genesis Evangelion is set in a world where giant monsters known as Angels pose a threat to all of humanity.
In order to combat them and stop a world ending event known as the Third Impact, a group of children are chosen to pilot robots known as Evas to combat them.
Our main character is Shinji Ikari (Casey Mongillo), a 14-year-old boy whose father, Gendo (Ray Chase), leads Nerv, the organisation that runs the Eva program.
Shinji is called in by his estranged father to pilot Unit 2 and help save the world.
From there the story unfolds into an in depth character study of Shinji and his allies, along with plenty of Eva vs Angel fights spread out.
Speaking of these characters, I found them to be a bit of a mixed bag.
Shinji is a relatable protagonist, and I found his growing bond with his guardian Misato Katsuragi (Carrie Keranen) to be very well done.
But then there is the emotionless Rei Ayanami (Ryan Bartley) who was difficult to connect with a lot of the time, and Gendo, who both deserves the terrible father award and has pretty much no resolution with Shinji by the end.
And finally there are the characters who my opinion changed of over time.
A prime example of this is Asuka Langley Soryu (Stephanie McKeon), who I could not stand at first, until her backstory was revealed in an episode that sent her spiraling into a deep depression that I found very sympathetic.
However, while the characters were a bit hit or miss for me, I found that the symbolism and themes of Evangelion were usually spot on.
The director, Hideaki Anno has talked about how the anime expresses his experiences dealing with depression and this can clearly be seen with many of the characters.
Then there is the Christian symbolism, which is everywhere and incredibly well handled.
I have no idea what it means but I do not think we are supposed to.
Despite these themes, though, I honestly was not able to become fully immersed in Evangelion’s story until episode sixteen but, from that point on, I was fully on board.
Some really great episodes came after this point, my favourite of which is definitely episode nineteen, “A Man’s Battle”, which had plenty of amazing character development and the best action of the anime.
This is helped by the great animation of the episode, which details all of the epic battle moments.
The animation is far from perfect throughout, unfortunately, as there are constant still shots that go on for long periods of time with nothing moving.
The worst of these comes in the first few episodes when there is a shot of Shiji and Misato staring at each other at a train station that feels like it goes on forever.
Sadly, the still images are not the only problem with Evangelion’s animation because it becomes quite obvious that they had almost no budget left by the final two episodes, with literal drawings being used.
Speaking of the ending, I had heard that it was not very good but I was not expecting the confusing, absurd, drug trip that I got.
I literally laughed out loud at the ending because of how nonsensical it felt.
The ending is not completely terrible because it does do justice to the characters’ inner psychology, especially with Shinji, however, there is no narrative cohesion whatsoever in these final two episodes.
I understand that the movie End of Evangelion (which I will be watching and reviewing soon) explains the ending but that is not good enough in my mind.
When watching a finale you need to understand what is happening without needing a follow up movie to get it.
Still, I will not say that the ending ruined what came before.
Overall, I found Neon Genesis Evangelion to be a good anime.
I cannot say that it affected me on the level that it obviously did countless other people but I can recognize its significance in the anime world.
Without Evangelion anime would be in a very different place to where it is now and for that it should be recognized.
Coming into Attack on Titan Chapter 120, “Instant”, I was incredibly nervous.
After the shocking cliffhanger of Chapter 119, I was concerned that Eren would not survive.
Even though I was pretty sure he would, there was this lingering feeling of doubt in my mind.
Thankfully, the meme part of Attack on Titan‘s fan base was right because, as they predicted, Zeke catches Eren’s head when it falls towards him, showing that his baseball skills have more than paid off.
This allows Zeke to send him and Eren to the Path dimension for Eren to recover.
It is here that we get what I already consider to be some of the most glorious panels in the manga.
The one of Eren standing, illuminated by the light of where the Paths meet the Coordinate, is beautiful, and shows just how far Hajime Isayama has come as an artist.
Along with the great artwork, the character development of this scene is also stellar, with Eren and Zeke attempting to top one another with their betrayals.
Eren’s line here about how he betrayed his brother “because I was born into this world” is amazing and probably my favourite usage of that recurring line.
Before this, however, we get official conformation that the girl who saved Zeke in Chapter 115 is Ymir Fritz, the first Titan Shifter.
One thing I did not expect, though, was that Ymir apparently has no mind of her own.
She just serves the royal blooded Titan Shifters, which is why she saved Zeke, essentially making her a slave.
This seems to carry through with the themes of freedom Attack on Titan is known for, and has me wondering if Eren will attempt to free Ymir from her enslavement.
He looks like he wants to help her when he realizes her position.
I have actually already heard a pretty good theory that the Attack Titan was created to eventually save Ymir since it stands for freedom.
But, whatever happens, I do hope Ymir has more of a role in the story because it would be disappointing if the most important character in the series’ lore was reduced to an emotionless slave.
Anyway, after her introduction we get the betrayal topping scene, where Eren betrays Zeke, only for Zeke to betray Eren.
I expected Eren to turn on Zeke because I knew there was no way he would be in favor of the euthanasia plan but I had no idea Zeke was suspicious of Eren’s true motives.
I thought he was blinded by the love he has for his brother.
It was great to see that Zeke had actually outsmarted Eren here because, in earlier chapters, I thought Zeke was getting stupider.
These last few chapters Isayama has really hammered home how intelligent Zeke is again.
Just how intelligent?
Well, after spending so long in the Path dimension with Ymir, waiting for Eren to wake up, Zeke has found a way to remove the Fritz King’s renunciation of war.
This not only allows him to have control over the Founding Titan but, supposedly, should allow any royal blooded person who inherits the power to use it.
So, for example, if Historia or her child inherited the Founding Titan in the future they may be able to use it fully, without being influenced by the first king’s ideology.
Speaking of Historia, I would like to go back to the moment just when Zeke catches Eren’s head.
After this moment, we get a full page panel of Eren’s memories, along with Kruger’s and potentially Uri’s.
Here we get an image of Historia who we can see is wearing the clothes she wore in the flashback panels of Chapter 108, where she was seen talking to her child’s supposed father while a mysterious figure looked on.
This figure is thought to have been Eren by a lot of readers and this image of Historia from his perspective seems to support that.
If this is Eren talking to Historia at that moment then it could be when he convinced her she needed to get pregnant so she could save herself.
Whether this means Eren is the father remains to be seen but, with this image being shown, I do not think conformation is far off.
In fact, we may get a bunch of reveals going forward as Eren and Zeke look over Grisha’s memories.
In “Instant” Zeke is showing Eren their father’s memories to prove to him how Grisha has brainwashed him, only for the reverse to happen.
Instead of Zeke proving to Eren that Grisha never felt sorry for his actions, Zeke learns that he actually did.
The two brothers see their father quickly track down the location of the Founding Titan, only to abandon his mission to stay with his family.
This means Grisha took the Founding Titan when he was left with no other choice after the Colossal and Armoured Titan attacked.
Oddly enough, he even seems to see Zeke and apologies to him for how he was treated as a child.
Zeke is clearly very affected by this and that fact has me wondering if Eren could actually sway him into changing his mindset.
As for what would push him in this direction, I think maybe seeing that his father figure Tom Xaver was working with Eren Kruger could do the trick.
Again, this is just a theory of mine but with images of Kruger’s life being seen in that big memory panel it stands to reason we could get some memories from him next chapter.
And what memory could be better to get Zeke to help Eren than one of Xaver helping Kruger?
However, Zeke working with Eren may not be a good thing since I currently think Eren is planning to destroy the world with the Rumbling.
Still, we do not know Eren’s goal but this seems to be the most likely scenario.
Setting aside this grim topic, I have to say I found the scenes in Grisha’s memories to be rather funny at times.
There is a great moment of sarcasm from Eren and we even see a moment that confirms Grisha meet Kenny.
The reason I found that last one funny is because as Grisha is walking away from him he is sweating like a mad man, probably realizing how demented Kenny was.
It will be interesting to see what memories Eren and Zeke will uncover next chapter.
Maybe they will go even further and see the origins of the Titans?
No matter how much they see, though, almost no time will have passed in the present, as shown perfectly by the title of the chapter “Instant”.
This title speaks to how all that is happening in the Path dimension will be over in an instant once Eren and Zeke return to the real world.
Overall, I thought Chapter 120 was another great one of Attack on Titan.
It once again went in a direction I did not expect, and looks to be laying the foundation for future reveals and the end of the manga.
At the very least, I think we have ten chapters left before we finally reach the story’s conclusion.
In an unexpected twist, Robert Kirkman recently brought his epic zombie comic, The Walking Dead, to an end.
With 193 issues under its belt, the series has an expansive list of characters, many of which are incredibly investing.
And I am going to count down who I believe are the top 10 best characters of the series.
Honorable mentions go out to Dale, Tyreese and Abraham who just missed out on making the list.
Now, let’s kick this list off with number 10.
10. The Governor.
I cannot remember a time when I have hated a character more than the Governor.
I know this may be a strange thing to say, considering this is a top 10 best characters list, but the Governor is a character you are supposed to hate.
And, I have got to admit, Kirkman did an amazing job at making him one of the most detestable characters I have ever seen.
He is one of The Walking Dead‘s best villains and it all comes down to how vile he is and how he covers this up.
Name any crime under the sun and this disgusting human being has probably done it.
Rape, torture, murder, the list is endless.
This is where my one criticism of him comes in as it does get quite uncomfortable when Kirkman goes full on snuff film with what he does and what happens to him.
One of the big criticisms I have heard about his character is that he is too evil to the point of being one dimensional.
Well, to those who say that I would recommend they read The Rise of the Governor and its follow ups, a series of novels by Kirkman and Jay Bonansinga that detail the origins of the Governor, and the events of the prison attacks from his perspective.
There we learn that his name is actually not Phillip Blake but Brian Blake, and he is suffering from some kind of split personality because he comes to believe he is his brother after Phillip’s death.
These books add layers to the Governor and make him more interesting to look at in the comics.
The Governor makes the list both for this reason and how he is easily one of the most memorably hateable characters in fiction for me.
9. Glenn Rhee.
One of the original survivors in the series, Glenn quickly stood out as one of the more likeable characters with his resourcefulness.
A former pizza delivery boy, it was he who would go out into the zombie infested city of Atlanta to search for supplies to keep everyone alive.
It was here that he rescued Rick and their long friendship began.
One of the big standouts of Glenn is his relationship with Maggie.
For the first 40 or so issues where their relationship was shown they were more like those horny couples you see in horror movies only, you know, they did not die (at least not yet).
It was only after the prison arc where Glenn’s relationship with Maggie grew into something special for me, with them having to raise Sophia after Carol’s death.
Here, we saw Glenn become a father and how he had to try and help Maggie through her depression, which even led to an attempted suicide.
Glenn pushed forward though, providing for his new family in this harsh world.
Eventually, he and Maggie finally succeeded in getting pregnant and it looked like a new chapter would be opening in Glenn’s life.
And then Issue 100 happened.
Glenn’s death in this issue is definitely one of The Walking Dead‘s most shocking moments.
Not only is it horrifying to see one of the comics most likeable characters get beaten to death with a baseball bat but it also opened up a whole new story and line of development for characters like Maggie.
The death is made even more tragic by the fact that Glenn was one of the few characters in The Walking Dead who had not been corrupted by the violence in the world.
Glenn was a likeable character throughout his time in the comic, and very important to the narrative, and for that he takes the ninth spot.
No, not that Jesus.
The Jesus I am talking about is Paul Monroe, who goes by that nickname because, well, he looks like Jesus Christ.
Arriving some time after the No Way Out Arc, Jesus serves as the character who brings The Walking Dead story into a brand new direction.
The volume he first appears in is called “A Larger World” for a reason.
Through Jesus, Rick’s group are introduced to various communities including the Hilltop, the Kingdom, and even the villainous Saviors.
Along with introducing this new angle to the story, Jesus is also a great character with a lot of likability.
He is also the series’ best fighter by a wide margin, even beating Negan in combat during the All Out War arc.
I like to think he was some kind of martial arts instructor before the apocalypse hit, which would make a lot of sense.
Sadly, we do not know anything at all about his past but, despite this, he still remains an interesting character throughout.
His relationship with Aaron after the Whisperer War Arc is also well done, with a significant amount of buildup.
Jesus is a character we did not know much about but was amazing, all the same.
Every time he showed up in a fight you knew something epic was about to go down.
7. Eugene Porter.
Eugene is one of The Walking Dead‘s most surprising characters for me.
This is because after his introduction and the first few arcs he was featured in, I honestly never expected to like him and, yet, here he is at number seven on my favourite characters list.
When Eugene is introduced he is instantly setup as one of the series’ most important characters because he knows how to cure the zombie plague… only for this to turn out to be a complete lie.
After rightfully getting the hell beaten out of him by Abraham, Eugene admits he lied because he was scared and had no other talent to protect himself.
While this is understandable, it framed Eugene in quite an unlikable light considering so many had died for him.
This changed in the All Out War Arc when, after the death of Abraham, Eugene began to work tirelessly to stop the Saviours by producing bullets for the communities to use in their fight.
Then, when he was kidnapped by Negan, who threatened to castrate him if he did not produce bullets for him, Eugene refused in a moment that showed true bravery and just how much he had changed.
His character development continued into the subsequent arcs, as he became a vital member in, not just the communities’ survival, but civilization’s survival in general.
With all of this growth in terms of his worth and character growth, Eugene went from one of the most unlikable characters to one of the most important and interesting.
6. Maggie Rhee.
Maggie is a character whose development does not get discussed very much compared to other characters and I think this is a shame.
Upon comparing how she started out in the series to where she ends up, it can clearly be seen how she is a completely changed person by the story’s conclusion.
When we first meet Maggie she is, to quote Glenn, a “sex machine.”
Many of her scenes in the first few arcs focus on the intimacy between her and Glenn with a lot of eye candy.
However, this changes after the prison attack where Maggie loses all of her remaining family.
This loss, and the pressure of the orphaned Sophia now viewing Maggie as her mother, causes Maggie to spiral into depression, resulting in a shocking suicide attempt.
After recovering from this, Maggie comes to accept becoming Sophia’s mother and enters a new stage in her relationship with Glenn.
From this point on, they are one of the clear examples of a family unit created in this apocalypse.
However, this unit is shattered when, shortly after learning she is pregnant, Maggie is forced to watch as Glenn is beaten to death in front of her.
After this traumatic event, a more hardened Maggie arises.
And with the triumphant words of “I believe in Rick Grimes” she becomes the leader of the Hilltop and by the story’s end is even the president.
This growth from lovesick girl, to caring mother, to hardened leader is one of The Walking Dead‘s most emotional character growths.
5. Michonne Hawthorne.
Michonne is an instantly recognizable character from The Walking Dead.
The image of her walking with her two pet zombies, katana in hand, is one of the most recognizable in the series.
However, it did take a bit of time for me to warm up to her character.
This was probably because she first appeared and was a central character in of the comics’ weakest volumes, “The Heart’s Desire”, which basically turned The Walking Dead into a soap opera for a time.
Then there was her storyline with the Governor, which turned her into a victim pretty soon after we had met her and to very uncomfortable levels.
The fact that it later went full on snuff, rape revenge definitely did not help.
It felt like Kirkman was just trying to shock the reader with what she experienced.
After this, though, Michonne got a lot better as a character with Kirkman delving deeper into her mentality and even the guilt she holds for some of the things she has done.
Her final confrontation with the Governor is an epic moment for her, even if she does not succeed in killing him, and the moment she saves Carl’s life after the prison massacre is a highlight.
From here, she continued to be a strong, reliable figure who grew a close bond with Rick.
This eventually resulted in my favourite scene of hers where Rick calls her his best friend, only for her to cheekily reply, “what are you, ten?”
Then there is the discovery that her daughter Elodie is alive in the final arc and, even though I felt like what came of it was a bit of a missed opportunity, their reunion is incredibly touching.
Michonne is one of the series’ most memorable and coolest characters, emerging from the initial slump I felt she had in the best of ways.
If the Governor is a character I love to hate, then Negan is a character I hate to love.
Arriving on the scene in The Walking Dead‘s 100th Issue, Negan made a bloody splash when he brutally beat Glenn to death in front of everyone, including Maggie who was pregnant.
This instantly set Negan up, both as the new big threat for the group to face and also as someone for the reader to hate.
However, this last thing did not happen for me.
Because, while I did hate Negan initially, her very quickly grew on me as a character.
He was not only darkly humorous but also had a moral code, with him hating rape so much that he kills a man in his group when he tries to commit it.
This made Negan very different from the Governor because, while he was someone who simply did twisted things because he wanted to, Negan did them because he believed they were the right thing to do.
And it was this sentiment of Negan’s that allowed him to have a redemption arc in the aftermath of All Out War, becoming a changed man and helping Rick and the communities in the war against the Whisperers.
Although he never shakes his violent tendencies, as seen by him beheading the Whisper leader Alpha to prove his loyalty to Rick.
This unpredictable personality made for some great interactions with other characters, especially Carl who would go on to form a kind of friendship(?) with the monstrous man.
Then there was the resolution to his story in Issue 174, where Maggie finally confronts him for killing Glenn.
Rather than doing so, though, she instead leaves him to live the life of loneliness he deserves.
This act seems to give the both of them closure, and Negan departs from the story with his redemption arc fully complete.
Negan is the best villain in The Walking Dead.
They made a character who committed a horrific act of violence the first time we meet him somehow likeable, and made me hate myself for liking him.
3. Andrea Grimes.
Andrea was one of my most hated characters in The Walking Dead show.
So, you can imagine my surprise when I started reading the comics and found Andrea to be one of the most likeable characters.
The TV series really screwed up her storyline and it was incredibly sad to read the comics and see what a missed opportunity she was in that show.
Andrea starts out in the comics as just an ordinary woman who becomes hardened by the world, after the death of her sister.
Becoming a sharpshooter, she is quickly established as one of the groups most reliable and useful members.
Then there is her relationship with the elderly Dale, which is surprisingly emotional and well done.
The two’s arcs are both great and make their relationships one of the highlights of the comic.
However, her relationship with Dale is not the best of the series.
No, that goes to Andrea’s relationship with Rick long after Dale’s death.
Initially, I felt that this relationship came out of left field but, as it developed and we got to see these two grow from it, it quickly became the best relationship.
Andrea has so many amazing moments from the comics, like her taking out the Governor’s men when he attacks the prison and, most notably, her fight with Connor in the bell tower.
Her death in Issue 167 from a roamer bite is one of the most emotional deaths in the entire comic series.
It is quite the gut punch seeing everyone whose lives she affected saying their final goodbyes to her, and then even seeing Rick nearly give up and allow Andrea to kill him when she turns.
Thankfully, he pulls himself together and puts her down, remembering her final words at the end of the issue.
Andrea is an amazing character with so many standout moments and an emotional sendoff.
2. Carl Grimes.
Carl is another character that was screwed over in the show, although not to the extent that Andrea was.
His show version just never went down the dark descent that the comic Carl did.
This Carl started off as a lot more useful than the TV adaptation, with him learning to use a gun way sooner.
Still, he was not really important until after the prison massacre where he lost his mother Lori and newborn sister Judith.
After this point, Carl went down a very dark storyline, with him having to take care of his injured father and later killing another boy named Ben who had gone crazy and murdered his own brother.
Carl doing this showed just how brutal the world of The Walking Dead was for a child, with him being forced to commit acts to keep himself and the group safe.
This worsened after he was shockingly shot during the No Way Out arc because he became harsher as a result.
His crueler temperament even led him to try and assassinate Negan.
Luckily, the swearing leader took a liking to Carl so did not hurt him.
The two even formed some kind of bond, continuing to have talks after Negan was locked up.
It was at this point that Carl began to take a lot after both Rick and Negan, almost killing two bullies when they attacked him and Sophia, like Negan would, and going after Lydia in the Whisperer Arc after he learned she was being abused, like Rick would.
This created a complex personality for Carl where he embodied traits of not just the main character of the series but also one of the series’ biggest villains as well.
One of the big themes of The Walking Dead is about raising children in a cruel world and what this causes the child to become.
Carl embodies this perfectly and the series could not have ended any better than with him sitting in a rocking chair with his daughter Andrea, who is named after his step-mother, telling her the story of the series.
1. Rick Grimes.
The man, the myth, the legend, the main character, Rick Grimes is, without a doubt, the best character in The Walking Dead.
He was the one we followed all the way up until the ending, and during that time we got to see him grow from the leader of a small group of survivors to a heroic figure sure to be remembered in the history books.
His journey to get to this point is inspirational, with him enduring many sacrifices and hardships.
We, as the readers, instantly related to his search to find his wife, Lori, and son, Carl, after waking up in the apocalypse.
When he finally found them and his goals switched to protecting the group, we followed him in this.
And it was not long before Rick had to start doing morally grey things to protect those he loved.
Shooting Dexter in the prison arc was the beginning of this, and the act culminated in him shouting “we are the walking dead!”
With this statement, Rick’s hardships continued as he shockingly losing his hand to the Governor and then saw Lori and their baby Judith die in the prison massacre.
He did countless horrible things to protect his people after this, from ripping a man’s throat out with his teeth to save Carl from being raped, to torturing a group of cannibals to death after they had already been beaten.
All of this resulted in Rick and his group, including Carl, starting to lose their humanity to survive.
Then they arrived at the Alexandria Safe Zone and we got to see our battle hardened main character struggle to live in society again, only for things to predictably go wrong in the worst of ways, resulting in him needing to take charge.
It was here that Rick emerged as the true inspirational leader, giving numerous memorable speeches to inspire his people.
His relationship with Andrea also started here as the best of the series.
He then began to take steps towards building a humane society, as seen by him sparing Negan, even after all the horrible things he had done, and later freeing him when he had been rehabilitated.
Rick even began to rebuild a society that was better than our own one, with everyone being equal.
His inspirational journey to build this society reached its pinnacle in the Commonwealth Arc, where his new system conflicted with the flawed old one.
The end result was Rick’s society winning with his story coming full circle when he said the great line of “we are NOT the walking dead!”
Sadly, this also resulted in Rick’s death at the hands of Sebastian Milton, which is my one big problems with Rick’s story.
I like the idea behind his death but I felt the execution left a bit to be desired.
Still, this does not change the fact that Rick is a fantastic main character, and the best character of the comic.
Watching him rebuild a new and better society in an apocalyptic world was amazing, and a highlight of the series.
I remember hearing a lot about A Silent Voice when it was released.
The film got a lot of praise as one of the best animated films of 2016 and there was much controversy (entirely warranted in my opinion) that films like the Boss Baby were nominated at the Oscars over it.
However, despite the praise, I never got around to watching it.
In fact, prior to a few days ago I had never watched anything Kyoto Animation had made, as far as I am aware.
This changed when news of the horrific arson attack at their studio, which has currently claimed 35 lives, hit me.
Along with this news, I heard countless statements about what a wonderful studio it was and how it not only put out amazing anime but also provided progressive working conditions for its staff, which is unfortunately a rarity in the anime industry today.
This motivated me to watch A Silent Voice and experience the emotional roller coaster the film is.
And, after seeing it, I can say that I regret not watching the movie when it first came out.
A Silent Voice is an incredibly thoughtful and tear jerking movie that can only be described as an experience.
Directed by Naoko Yamada, and based off the manga by Yoshitoki Ōima, our main character is Shoya Ishida (Miyu Irino), a student riddled with guilt over his relentless bullying of a deaf girl named Shoko Nishimiya (Saori Hayami) years ago.
Struggling through depression and isolation because of his actions, Ishida sets out to makes amends and pursues a friendship with Nishimiya.
And so the emotional tale unfolds.
I have to say that choosing Ishida for the main character was a risky move since showing the perspective of a bully could have failed miserably.
Had A Silent Voice gone the cliche route with Ishida simply being misunderstood and acting out because of a bad home life, it would have done so.
Thankfully, Ishida’s actions are portrayed naturally with reasons given for why he treated Nishimiya so horribly.
But, this does not excuse Ishida of what he did and he knows this.
His guilt manifests in such a harmful way that he can no longer look anyone in the eye, ingeniously shown by a blue X over his classmates’ faces.
The journey he goes through to make amends with those he has hurt and to forgive himself is moving.
Along with him, we are also given the struggles of Nishimiya as she deals with her hearing impairment in a world that struggles to understand and often lashes out.
The growing friendship of her and Ishida, and both of them moving towards self acceptance, is the emotional core of the film, resulting in many tear jerking moments.
I am not ashamed to admit I cried at the film’s ending.
However, A Silent Voice is also an anime that deals with harsh material like suicide so it is not for the faint of heart.
Even if you think you will be alright watching it I still suggest preparing the tissues before doing so.
A Silent Voice may be my favourite anime film.
I know I have just seen it but I cannot remember the last time an anime affected me on such an emotional level.
I am just sad that it took the tragedy at Kyoto Animation for me to finally watch it.
I will leave the link to the GoFundMe page for Kyoto Animation down below.
Over two million dollars has already been raised and it would be great to see this number rise.
I hope the money goes to helping the victims and their families, and I hope this is not the end for Kyoto Animation.
I could say a number of things to sum up A Silent Voice and what an emotional experience it is but, after thinking it over, there is really only one thing that needs to be said.
Thank you, Kyoto Animation.
To help Kyoto Animation you can donate at https://www.gofundme.com/f/help-kyoani-heal
Chapter 119 of Attack on Titan was one of the manga’s most shocking with an incredible cliffhanger that left my jaw on the floor.
I never expected Eren to get his head blown off, and the impact this has on the series will be massive, even though I am pretty sure that Eren will survive.
There are a lot of directions Chapter 120 could go but, no matter what happens, I am sure it will be a big chapter because of Hajime Isayama’s apparent rule of five.
Ever since Chapter 100 something big has happened every five chapters.
In Chapter 100 there was Eren’s declaration of war, in Chapter 105 Sasha died, in Chapter 110 Darius Zachary died, and in Chapter 115 Zeke died but was resurrected by a mysterious girl in the Path dimension.
So, it is safe to assume that something huge will happen Chapter 120, especially when considering the massive events of Chapter 119.
Here are my predictions for what will happen.
How will Eren survive?
I am 99% sure that Eren will survive having his head blown off by Gabi.
We have seen Titans survive crazier things, like when Zeke was literally brought back from the dead.
Therefore it is highly likely that Eren will make it.
This opinion is clearly shared by a lot of the fandom because there are multiple theories about how Eren will live.
One of the most prevalent theories is that Eren has already touched Zeke and is using the Founding Titan to alter people’s memories, making them believe he got decapitated when, in reality, he did not.
This theory comes from the multiple inconsistencies in Chapter 119.
However, after looking these over, I have found that most of these are explainable, and even the ones that are not are probably there because Isayama drew 21 pages in a few days because he was so busy.
On top of this, the theory does not make sense when you realise that Mikasa, Magath and the Marleyan soldiers would not be affected by any memory alterations because they are not Eldians.
So, this pretty much debunks that theory.
Another theory I do not think holds much weight is the one that the Eren who got decapitated was actually a clone created using Eren’s War Hammer Titan ability.
The reason I do not think this theory is legitimate is because there has never been any indication that the War Hammer Titan can create clones of its user.
Not only this, but the idea that any such clone could be so real down to the clothes Eren wears is a little too ridiculous.
What I do not find ridiculous is the theory that Eren will survive by transferring his consciousness throughout his body, like Reiner did in the Return to Shiganshina Arc.
Eren saw Gabi before she shot him so he would have had time to do this.
The second theory that I think is highly likely is that the mysterious girl in the Path dimension, who is probably Ymir Fritz, will revive Eren.
I am more in favor of this theory because it would allow Eren to have a conversation with Ymir and we could not only learn his motives but also the origins of the Titans from Ymir and see what role she has to play in the current story.
Honestly, I think it will be a combination of these two theories.
I see Eren transferring his consciousness and, while regenerating, ends up in the Path dimension where he will meet Ymir.
If this happens then it will probably be the cliffhanger of Chapter 120.
But If I am wrong and Eren is actually dead I will most likely hate it.
I have faith in Isayama, though.
Now that Falco is the Jaw Titan what will he do?
One of the great subversive moments of Chapter 119 was when Falco ate Porco instead of Reiner.
Isayama brilliantly misled us to believe that Falco would inherit the Armoured Titan, only for him to inherit the Jaw Titan.
It was a brilliant way to subvert expectations and it will be interesting to see what happens with Falco in the future.
I think we can expect to see his new Titan form at least once but what he does with this power depends on how much time the story has left.
Because of Eren’s current state, I believe there could be a possibility for a bit of a break in the fighting.
This could allow Falco to flee the battlefield with Reiner and Gabi and locate Annie, and he would use his bite to free her from the crystal.
However, if there is no break in the fighting then I do not see him doing this.
There is also the possibility of Falco encountering Historia.
While I do like how Porco died, I think it was a missed opportunity to not have him meet Historia and share Ymir’s memories with her.
Porco could have grown from this as a character so it was disappointing to see this did not happen.
On the other hand, Falco could now fill this role, meeting Historia and giving her closure about Ymir, possibly leading to Historia naming her baby after her.
Again, this does depend on how much of the story is left.
I do hope that Isayama did not just give Falco the Jaw Titan as a way to save him with no plans for him to use the power.
I want to see Falco actually contribute with the Jaw Titan power.
A lot of characters bit the dust in Chapter 119.
Porco and Colt died, and Pyxis, Nile, Rouge, and all the other people who ingested Zeke’s spinal fluid were turned into Titans.
Then there is Eren, who got decapitated.
If Eren is really dead then Chapter 120 will definitely serve as confirmation of that, although I would be heavily against this.
But, like I said, I think Eren will survive or be resurrected because of Titan magic or Ymir Fritz.
Personally, I am more concerned for Magath and Pieck.
Magath was on Pieck’s Anti-Titan Gun when Armin shot it with the thunder spear.
We saw him get blown back by this but got no conformation on if he was killed or not.
Personally, I would be disappointed if he died because I feel like Isayama has been setting him up for something big, with all of his references to Helos.
I am also scared for Pieck, since she is going up against Mikasa and Armin at the end of Chapter 119.
Pieck is the weakest of the Titan Shifters, while Mikasa is humanity’s second strongest soldier and Armin is the Colossal Titan.
On top of this, Pieck looks scared out of her mind when fighting them.
The odds are clearly not in her favor in this fight.
I hope she does not die because I really like her character.
As for the other characters, I am not sure if any others will be dying this chapter because of the mass of them that died last chapter.
I do have a few ideas about how characters could die in the future, like Yelena potentially being eaten by a Titan Pyxis.
However, I do not think we will be getting any more major deaths next chapter, apart from possibly Pieck or Magath.
Who knows though?
Isayama is definitely a writer who likes to shock us so anything could happen.
Will Levi, Hange, Historia or Annie return?
One of my big concerns about Attack on Titan‘s final arc is that many characters could be absent from its final battle.
Levi, Hange, Historia and Annie are all elsewhere while this big fight is taking place.
If Isayama leaves them out, I will be disappointed because I believe that every important character should play a role in the ending, with the exception of those who are already dead.
So, how could these characters possibly return?
Well, I believe that Levi, Hange and Historia could return all at once.
There has been a theory that the river Hange jumped into with Levi would take them to Historia’s location.
With so little time left in the manga, I am in favor of this happening because then we could both see Levi get patched up and learn if there is any twist to Historia’s pregnancy.
As for Annie, as I have stated, Falco could free her but I have heard another theory about how she could return that I find much more interesting.
This theory states that because Annie has been in crystal so long, her consciousness has been transported to the Path dimension where she has been hanging out with Ymir.
So, if Eren meets Ymir next chapter he should also meet Annie.
However, I need to make it clear that this theory has absolutely no evidence behind it.
I just think it would be a highly interesting way for Annie to return to the story, without everything that has happened needing to be explained to her because Ymir would have already done so.
Whatever happens, I hope Isayama can find a way to make all four of these characters important to the story’s ending.
Did Tom Xaver know Eren Kruger?
Another theory that has been floating around is that Tom Xaver was working with Eren Kruger.
After reading Zeke’s flashback in Chapter 114 though, I dismissed this theory because Xaver seemed to believe, like Zeke, that the Eldian race should be euthanized.
This is completely different from Kruger, who wanted to free Eldia.
However, after reading Chapter 88 again, I have begun to buy into this theory because of what Kruger tells Grisha.
He says he was able to avoid detection because of a Dr who was posing as a Marleyan and had “the knowhow to study Titan biology.”
This description matches Xaver to a T.
Because of this, I now believe Xaver at the very least knew Kruger and at the most was working with him to achieve some kind of goal.
Granted, in the scenes we see them in, their ideologies are completely different.
Given this, it does not make sense for Xaver to encourage Zeke’s euthanasia plan if he bought into Kruger’s mindset.
There is always the possibility that Isayama planned to reveal the two were working together but then decided against it though.
We will just have to wait and see if this theory has any substance.
When will Attack on Titan end?
Attack on Titan is in its final arc and what looks like the final battle.
So, the question is when will the manga end?
I have heard Isayama has estimated a year so that makes me think it will end somewhere around Chapter 130.
This number would match in terms of volume numbers as well, so this is further evidence.
Some people have been saying the story will end in a few chapters but I highly doubt that.
If it does then Attack on Titan will probably have one of the most rushed endings ever.
There is still so much left to unpack in this story.
How did the Titans come to be, who really was Ymir Fritz, what is the deal with the Ackerman family, what is Eren’s true plan, what is Kyomi going to do, and what will happen with the rumbling?
These are just a few of the many unanswered questions that cannot be answered in two chapters.
In my opinion, there needs to be at least ten or eleven more to wrap up everything clearly.
Although, this is Isayama and I am sure he could surprise us by ending the story quickly, while somehow making it satisfying as well.
As for how Attack on Titan will end, I am not so sure.
One thing I am certain about is that the ending will involve the Rumbling and the explanation of Titan memories in some way.
The Rumbling is basically the Chekov’s Gun of Attack on Titan.
It needs to be fired before the series ends but how it will be used remains to be seen.
Will Eren use it to destroy the world or find another way?
Then there is the whole Kruger plot twist of him remembering Mikasa and Armin when they have not been born yet.
The reason for this probably relates to the title of the first chapter, “To you in 2000 Years.”
Whatever happens, I just hope Isayama can end this story in a satisfying way that will ensure Attack on Titan is considered a modern classic by many.
My least favourite episode of My Hero Academia season three is definitely “Save the World with Love!”
This episode is complete filler that breaks the built up tension of the arc, and the only point it serves is to advertise a movie.
However, I will admit that, even though I disliked it, the episode did succeed in its goal of getting me to watch the movie, My Hero Academia: Two Heroes.
And I am glad I watched it because the film is so enjoyable that it makes watching the bad “Save the World with Love” episode worth it.
Directed by Kenji Nagasaki, Two Heroes follows Deku (Daiki Yamishita) and All Might (Kenta Miyake) on a trip to I-Island, a place where quirks are studied.
There, All Might reunites with his good friend David Shield (Katsuhisa Namasae) and his daughter Melissa (Mirai Shida).
After befriending Melissa, and then coincidentally meeting up with most of his other friends from U.A, things go wrong for Deku when a group of villains attack the island and capture All Might and Dave.
With the odds against them, Deku and his hero friends have to work together to rescue them and defeat the villains.
One thing I want to praise Two Heroes for right off the bat is its amazing animation.
I was in awe over how amazing it is right from the first minute.
The fantastic animation, along with the typically great music, adds to the tension of scenes, with the story becoming more exciting because of this.
Speaking of the story, learning more about All Might’s rise to become the world’s number one hero and seeing his friendship with Dave was interesting.
Dave and Melissa themselves are great characters but, given that this is a standalone movie, I doubt we will see them in the anime any time soon, if at all.
This does raise a few issues, considering that Melissa designs some equipment for Deku that will probably never be used again, despite their evident usefulness, but that is a minor problem which can be overlooked by all the film’s great features.
One of these features is the hilarious comedy.
I usually find Mineta (Ryo Hirohashi) to more of a creep rather than funny in the anime, but in the film he had me clutching my sides with laughter.
He is not the only character that shines though because all of the other U.A students are given moments that highlight their strengths.
Even some of the villain characters are good, with one having a sympathetic motive that makes you understand them.
However, while the main villain of the film is interesting in terms of his quirk and power level, as a character he is one of My Hero Academia‘s most boring villains yet.
Still, at least his battle with Deku and All Might results in some cheer worthy moments for the two of them.
In the end, Two Heroes is a great addition to the My Hero Academia series.
The direction it takes makes it stand out from other anime movies, in my eyes.