Six years after his Best Picture Winner, Parasite, Bong Joon Ho has returned with his latest film, Mickey 17.
Based on the book Mickey7 by Edward Ashton, the film stars Robert Pattinson as Mickey, a man living in the future who unintentionally volunteers for the worst job in existence, that of an Expendable.
Mickey must take on consistently fatal jobs and, every time he dies, he is cloned and has his memories replanted.

Given that Mickey is on a colonization mission lead by morally bankrupt politician Kenneth Marshall (Mark Ruffalo) and his wife Ylfa (Toni Collette), his deaths are often brutal.
Thankfully, Mickey has the support of his girlfriend Nasha (Naomi Ackie) to help him through the constantly traumatising process.
However, Mickey’s situation worsens when, on his seventeenth life, it is wrongly assumed that he died and an eighteenth clone is printed out.
Now, Mickey 17 must find a way to cohabitat with Mickey 18, or they will both be killed for being Multiples.

Mickey 17 is not doing so well financially at the moment, which is a shame because it is quite a good time.
Certainly not Bong Joon Ho’s best work but is still worth the price of admission.
For starters, the performances are all really good, especially Robert Pattinson as Mickeys 17 and 18.
Despite being clones of the same person, they have two completely distinct personalities, and Pattinson is able to pull off both masterfully.
Due to his efforts, you really feel for Mickey, as you watch him constantly be exploited by those around him.

Along with the performances, the themes are also pulled off well, with Bong Joon Ho’s focus on the exploitation of the working class by the so-called elite.
He even brings in themes of animal and nature conservation, which has been present in many of his previous films, like Okja.
The special effects for the film are also top notch.
There was not a moment where I was drawn out of the film due to bad CGI, as everything looked great.
If I had to name any criticisms, it would be that I feel the film is a little overly long, and there is a subplot with Anamaria Vartolomei’s character which does not really go anywhere.

Other than these two issues, Mickey 17 is a solid film, improved further by a terrific performance from Robert Pattinson.
I would recommend seeing it, especially in light of its financial disappointment.








