Chainsaw Man – The Movie: Reze Arc Review: Country Mouse or City Mouse?

There was a rather strange disconnect between English speaking and Japanese viewers in regard to their opinions on the first season of Chainsaw Man. 
Many English speakers, myself included, loved the first season, especially with how it paid homage to various aspects of film, which the mangaka Tatsuki Fujimoto is a big fan of.
However, the Japanese viewers’ reactions were mostly the complete opposite.
There was a lot of hate directed towards the first season, due to the style being seen as different from the manga, and a few other reasons I do not quite understand.
Therefore, for the movie continuing Chainsaw Man’s story, it was decided a different director would take on the job with a different animation style.
To be honest, I was a bit concerned with what I would think about the new art style, since I really liked the old one.
Today, I got the chance to sit down in a theatre and watch Chainsaw Man – The Movie: Reze Arc and see this change for myself. 

Kind of fitting that the arc chosen for a film has a scene where Denji and Makima go to see multiple movies.

You can imagine my relief when I absolutely loved the new style and actually think it is better than Season One’s.
That is not to sell the old art style short, but the new one has so many unique moments, with many shots looking like a manga panel brought to life.
Along with this, the animation quality is incredible.
Whether the scene was a slow, thoughtful one, a comedic one, or an action extravaganza, I am sure you could pause the movie at any point and end up with a great shot. 

See?

Likewise, the music and sound design are top notch, with the sound of explosions being particularly gripping to hear in the theatre.
And then there is the voice acting.
Everyone from the First Season does a great job, as expected. 
Kikunosuke Toya brings the perfect mixture of emotion and comedy to his portrayal of Denji.
Tomori Kusunoki makes Makima sound creepy as ever.
Then there is the new voice on the block for Chainsaw Man, Reina Ueda as Reze.
Talk about perfect casting for the character.
Because of her and Toya’s performance, Reze and Denji have great romantic chemistry, making the events that play out later in the film both tragic and epic to witness. 

It was a joy to see Reze finally animated.

All in all, The Reze Arc is a fantastic adaptation of the storyline from the manga. 
The portrayal of its two leads is excellent, and the animation style, its quality, the music and sound design are all peak.
I am honestly so glad that they chose to adapt the Reze Arc as a film instead of in an episodic format. 
Watching Chainsaw Man on the big screen really reminded me of my love for Part One of the story.
I cannot wait to see the rest of this adaptation, whether that be with more movies, or another season.
Unfortunately, we will probably have to wait years to find out which format it will be.
Oh, well, at least Chainsaw Man is still going strong with Part Two, so us fans of Tatsuki Fujimoto’s work are not starved for content. 

Attack on Titan, Final Episode Review: An Improved and Beautiful, yet Messy Ending.

Attack on Titan has taken us all on quite the journey.
Over the span of ten years, and with four seasons, Wit Studio and Mappa have animated Hajime Isayama’s story brilliantly.
Now, it’s over.
Going into the final episode of Attack on Titan, I was curious to see how I would feel about the ending compared to the manga.
When I first read the final chapter, I honestly went back and forth on whether I liked it or not.
Then, I sat down and read through it while thinking about what Isayama was trying to say, and I came to the conclusion that the ending was a mixed bag, with plenty of good and bad things about it.
It was for this reason that I was hoping the updated ending, which released months later, would fix some of my problems.
Unfortunately, the opposite happened, with the extra pages pushing my opinion on that final chapter into a negative direction.
I have re-read the series a couple times since then and, while I still love it, my opinion of the ending has only become worse with each read through.
All of this made me hope that there would be some changes to the anime’s ending.
I knew we would not be getting an anime original ending, but I had my fingers crossed that there would be extra scenes or dialogue to explain some things better.
After all, Mappa added an extra scene showing what happened to Grisha’s parents in the previous special episode, which I unfortunately did not get around to reviewing. 
Seeing that added scene gave me some hope that there would be new additions to the conclusion.

I was glad to see the fate of Eren’s grandparents confirmed in the anime, even if it was tragic.

So, having now seen the final episode of Attack on Titan, do I think the anime improved on the manga’s ending?
Yes!
Do I like it now?
Not exactly, no.
In my opinion, the ending still has a lot of problems.
However, most of these big issues only appear in the last half hour.
The rest of the final episode is mostly great, with incredible animation from Mappa and a fantastic score. 
This is going to be my largest review by a wide margin, so buckle up.
The episode begins where the previous special episode left off, with the Alliance landing on Eren’s gigantic Titan to confront him and stop the Rumbling.
Armin quickly realizes he has to transform into the Colossal Titan to try and locate Eren and Zeke but, before he can, he is kidnapped by an okapi Titan created by Ymir.
The panels of the okapi sticking its tongue down Armin’s throat to prevent him transforming were already disgusting in the manga, but it’s a million times grosser here.
As the okapi takes Armin away, the rest of the Alliance are surrounded by countless Titans, whom Pieck correctly speculates are copies of all the previous Titan Shifters.
Back when this happened in the manga, I criticized it for feeling out of nowhere, but in retrospect I think this was actually a pretty cool writing decision on Isayama’s part.
Realizing the danger they now face, Pieck goes to kill Eren quickly by attempting to detonate the explosives at his head, but she is stopped by a copy of the Warhammer Titan.
Following this, the Alliance are attacked by the copies, including ones of Porco, Marcel and Bertolt, in a thrilling action scene, expertly animated by Mappa.
This ends with everyone in the Alliance cornered, about to be killed, when who should show up to save the day but Annie, riding Falco’s flying Titan with Gabi.

It was cool to see Falco flying after the previous episode foreshaodwed it.

Now safe on Falco’s back, the Alliance discusses their next move, and all regretfully agree that their only option is to kill Eren, much to Mikasa’s horror.
Circling back to Eren, the Alliance splits up, with Jean and Reiner going to detonate the explosives Pieck wrapped around Eren’s neck; Mikasa, Annie and Connie going to rescue Armin; and Falco, Levi and Gabi continuing to fly above.
More amazing animation follows, with the best parts of this section being Pieck’s jet-pack Titan skills, and Mikasa and Annie humorously arguing over which Titan it was that took Armin.
This second match goes about as well as first, however, with the Alliance on the ropes again.
Armin is watching all of this happen and, standing over his own unconscious body, screams at himself about how useless he often feels.
This is probably my favourite voice acting from the final episode, with Marina Inoue giving a fantastic and emotional performance.
Although, despite how emotional this scene is, it has nothing on the cliff scene that follows. 
When I watched the previous special episode, I was disappointed to see this moment was not adapted, and I was desperately hoping that it would be in the final episode.
Well, I was not disappointed because this scene is next and it is even more powerful that I imagined it being.
The scene shows a group of thousands of people trapped between two kinds of certain death.
They can either be crushed by the Rumbling, or they can fall off a cliff to their deaths.
As the Rumbling closes in, people are eventually forced off the cliff, one of these people being a mother.
With one last, courageous act, the mother passes off her baby before she falls to her death.
As the next person holding the baby falls, they also pass the baby on, and on, and on, and on.
Countless people all facing their inevitable deaths pass this baby on in what they know will most likely be a futile attempt to save its life.
It is one of the most beautiful and horrifying moments in the entire series, and seeing it in the anime made me tear up.
The visuals for this scene only add to the emotion, with everything being in black and white with the exception of the mother and her baby.
I am almost certain that the way this scene was animated was inspired by the little girl in the red coat from Schindler’s List.
This scene is, without a doubt, my favourite in the entire episode.

This is one of the most powerfully emotional scenes in Attack on Titan.

Back with Armin, after some perseverance, he realizes he is in the Paths Dimension and this leads to his meeting with Zeke, who has been trapped ever since Ymir chose to support Eren over him.
Zeke has completely lost all motivation to keep going, now believing life to be more pointless than he already did.
Armin, however, speaks against this, remembering a time when he, Eren and Mikasa ran to a tree on a hill, comparing it all the wonderful little moments in his life which made it worth living.
As a leaf Armin picks from the sand turns into a baseball before Zeke’s eyes, the Beast Titan remembers playing catch with Mr Ksaver and how this was also one of those little moments which made life worth living.
This somehow motivates the ghosts of past Titan Shifters to appear and help the two. 
Armin says this was Zeke’s doing but how Zeke achieved this is never really explained.
Unfortunately, there are quite a few things in this final battle which are never explained but I will get to those in a bit.
In any case, the past Titans, who knew the Alliance, come back from the dead temporarily to help stop the Rumbling.
Among these Titans are Grisha and Kruger, and some fans have questioned their reasons for doing so.
For Kruger, I think it makes sense.
Yes, he would want to free the Eldians of Paradis, but a full Rumbling would also kill all of the Eldians outside Paradis, which he would be against since he wanted to free them too. 
As for Grisha, I still find myself confused about his motives.
Yes, he did tell Zeke to stop Eren but Zeke later says that Eren showed Grisha something which made him hand over his Titan powers.
We never see what this was, and the reason for Grisha giving Eren the Attack and Founding Titans and then later helping the Alliance are a mystery.
I just wish there was more of an explanation for Grisha’s actions.
As for his son, Zeke decides that, even though he does not believe his euthanization plan was wrong, he would not mind being reborn again.
With this fitting decision, Zeke reveals himself to Levi, giving the Scout the chance to cut off his head and stop the Rumbling.
While I would have liked it if Zeke had more time to shine in this final episode, his ending is satisfying to me. 

It is fitting for Zeke to realize the beauty the world has to offer moments before his death.

Following Zeke’s death, we get another moment which does not make much sense, which is the stopping of the Rumbling.
The reasoning for this is that Zeke’s royal blood was key to the Rumbling continuing so killing him stops it, but the only reason royal blood was needed was because Ymir valued it.
However, Ymir disobeyed Zeke and sided with Eren so royal blood should not be a factor, anymore.
Yet, the Rumbling still stops?
Whatever the explanation for this, Armin is freed and Jean blows up the explosives, freeing the source of the Titan powers from Eren’s body, which seeks to reconnect with him.
To stop this, Reiner holds the creature down while Armin transforms into the Colossal Titan, blowing Eren’s gigantic Titan form away.
In the aftermath of the explosion, the Alliance lands at the fort and the Warriors reunite with their families, only for the creature to still be alive, and for Eren to transform into a Colossal Titan.
The creature then sends Titan smoke up to the fort to transform all the Eldians there so they can help it reach Eren.
And so, Mikasa, Levi, and the rest of the immune Alliance go to fight Eren, leaving Jean and Connie to their fates.
If this had been Jean and Connie’s final scene then it would have been a pretty tragic one, as would Annie reuniting with her father only for him to be immediately transformed.
This transformation also crushes a lot of the rapport Mr Leonhart was building with Secretary Muller, which could have had a lot of hope for the future.
As Reiner, Annie and Pieck hold the creature back from reaching Eren, Armin fights his old friend off, while Mikasa and Levi rush to them.
While they are doing so, Mikasa experiences another headache and seemingly remembers an alternate version of the future Eren showed her, where they ran away together.
Honestly, I do not believe Eren would have run away.
Sure, I think some part of him may have desired to, but he has always been the kind of guy to stand and fight so I don’t think him running away with Mikasa would have happened, even if she had offered.
Still, the scene is pretty emotional, with Eren using this as his goodbye to Mikasa.
After this goodbye, Mikasa somehow knows Eren is in the mouth of his Colossal Titan, which is something else I wish was explained but is not.
Levi blows a hole through Eren’s mouth and Mikasa leaps through to decapitate Eren and finally end the nightmare of the Rumbling once and for all.
Eren’s death is very emotional but I wish the following kiss with Mikasa had occurred in the alternate version of the future he showed her, and not when Eren is dead.

Seriously, the shot of Mikasa kissing Eren’s decapitated head is pretty uncomfortable.

Also, Mikasa remembering the alternate realtiy Eren showed her raises yet another plot hole.
In the manga, I was fine with this moment because I thought Eren was showing it to her in the present, but the anime seems to confirm that Eren showed her this alternate future and then erased her memory of it.
This should be impossible because Ackermans are immune to Titan powers.
As I have shown, there are quite a few plot holes with Attack on Titan’s final battle.
However, despite this, I would still say that the final episode has, up until this point, been very good.
The animation, soundtrack and action have all been spectacular, and there have been some emotionally powerful moments, most obvious of which is the baby scene.
Unfortunately, the episode then gets into adapting Chapter 139 and this is where I think the writing goes downhill.
This is mostly because I believe the following scene is the worst in all of Attack on Titan.
The scene is a flashback, revealing that Eren brought Armin into the Paths when he was on the boat.
The reason I consider this scene to be the worst is because it is full of so many last minute plot twists that are either poorly foreshadowed, problematically written, or recontextualize prior amazing scenes to make them worse.
The first of these twists is the reveal of Eren’s motivations.
Eren reveals that his plan this entire time was to commit the Rumbling so that the Alliance would kill him and become heroes to the world, allowing them to potentially save Paradis.
Was there foreshadowing for this?
Yes and no.
On the one hand, if you look at Eren’s actions from the previous special episode onwards, it makes sense.
Eren allowed the Alliance to come and fight him, rather than stripping them of their Titan powers, and there were multiple points in the final battle where the only explanation for why none of the Alliance died is that Eren deliberately let them live.
However, before the first special episode, there are many moments that seemingly contradict Eren’s supposed motives.
The most notable of these is at the end of Episode 87, where Eren states in his own inner monlogue that he will “wipe out every last one of ‘em.”
Along with these seemingly conflicting motives, Eren’s plan is just too similar to Lelouch from Code Geass for me.
In regards to Eren himself, personally, I think it would have been better if his main goal had been a full Rumbling all along.
I am not saying that Eren winning should have been the ending.
I do believe that the Alliance stopping him was the right call for the story.
But I think Eren would have been a much more compelling character if he had stayed true to what we all thought was his original plan.
Still, at least this twist had some foreshadowing, which is more than I can say for the next few ones.
Following the reveal of Eren’s motives, the next big twist is that the reason Ymir did all of this is because she was in love with her abuser.
I hate this reveal.
When I read it in the manga, it took what used to be my favourite chapter, Ymir’s backstory, and threw it far away from my top ten chapters.
Ymir loving Fritz makes absolutely zero sense.
He killed her parents, cut out her tongue, raped her, used her as a weapon in war and then, when she died, fed her corpse to their children.
And you are telling me Ymir loved this monster?
If we saw Fritz pretending to be kind to Ymir to manipulate her, maybe I could believe it, but we don’t seeing anything like that.
He is just completely horrible to her for all of their time together.
It really ruins a lot of scenes from Ymir’s backstory for me, like the moment when Fritz says he will “reward” Ymir with his “seed,” while she looks absolutely miserable.         
This moment made me feel so sorry for Ymir when I first read it, but now I just feel dirty watching it because it makes me wonder if Isayama is trying to say she was secretly happy about it. 

The reveal of Ymir’s love for the king is probably my most hated of the twists because of how it pretty much ruined my appreciation for Chapter 122.

In my opinion, there was another, perfectly good explanation which should have been used to explain why Ymir stayed in the Paths for 2,000 years.
She loved her children.
We see this later on in the episode when she imagines living on with them.
This should have been the explanation for Ymir’s actions, not this extremely problematic love for her abuser, which was probably only a twist to justify Mikasa’s abrupt connection with her.
This brings me to the next bad twist, which is that Ymir was waiting for Mikasa the entire time.
With the exception of Ymir smiling at Mikasa kissing Eren’s decapitated head, there was zero foreshadowing for this.
Not only is there no foreshadowing, but we also get no explanation.
What we get instead is Eren saying “only Ymir knows” which is a complete cop-out.
This was the anime’s chance to give us an answer for something which was missing in the manga and they blew it.
Not to mention that mirroring Eren and Mikasa’s relationship with Ymir and King Fritz’s abusive one is very problematic, since Eren and Mikasa are supposed to be the main ship here.
The final terrible twist in this scene is the reveal that Eren caused his mother’s death by making Dina walk past Bertolt.
There are so many things wrong with this twist.
For starters, it’s a retcon.
We already had an explanation for why Dina killed Carla.
Dina’s final words to Grisha before she was transformed into a Titan were, “No matter what form I take, I promise I’ll come find you.”
So, when we saw Dina walk past Bertolt, we were not wondering why she did so because we already knew.
Dina sensed Grisha in Shiganshina, went to his house, only to find Carla, and that is when her Titan instincts took over and she ate her.
It was a perfect explanation, and to change the meaning of it removes all emotional impact from Dina’s final words, all for the sake of a such a short twist.
This leads into my second big issue with the reveal, which is how brief it is.
Out of curiosity, I timed how long this twist is focused on before it is forgotten about forever.
Do you want to know how long it was?
Fourteen seconds.
Fourteen seconds spent on a twist which recontextualizes the entire beginning of the story and, as a result, it makes absolutely no sense.
Has Eren manipulated the past before?
Yes, but there was a very specific set of circumstances which allowed that to happen.
Zeke brought Eren into Grisha’s memories using the Founding Titan.
Both Eren and Grisha had the Attack Titan, whose ability is to see into the memories of its future successors.
This allowed Grisha to see Eren’s memories of visiting his own.
And so the two could communicate across timelines through memories.
There was no actual physical time travel.
Dina did not have the Attack Titan, she was just a regular Titan, so Eren should not be able to order her through memories.
Therefore, in order to control her, Eren would have had to physically gone into the past and used the Founding Titan to command her to walk past Bertolt, which is a power that has never been established.
Thus, the twist should be impossible, providing probably the biggest plot hole with the ending.

The reveal of Eren causing his mother’s death was just really unnecessary. If you remove it nothing else changes.

So, as I have shown, this scene has a lot of bad twists, but it’s not just the twists that I take issue with because, up next, is without a doubt the most memed scene in Attack on Titan.  
After Armin punches Eren for how he treated Mikasa and jokes about her finding another man, Eren cries about it, saying he wants her to pine only after him for at least ten years.
I knew this scene was coming, and I still cringed into the back of my seat when I watched it.
I think a big part of the reason this moment does not land with me is because of how Eren and Mikasa’s relationship has been handled.
Sure, there have been a few romantic moments between them.
Their final scene togethor in this episode, Eren saying he would wrap Mikasa’s scarf around her at the end of Season Two, and Eren asking Mikasa what he was to her while they were in Marley.
However, these three moments are the only times Eren ever showed romantic interest in Mikasa.
Otherwise, he’s either treating her like family or treating her badly.
Isayama once said in an interview that he wanted to have them kiss in Chapter 50 but he backed out because he was shy to draw it.
Well, I think he should have just bit the bullet and drawn it.
Have Eren and Mikasa be a couple up until the end of Season Three, then have Eren go off on his own in Season Four, pushing Mikasa away, and then reveal it was to protect her in the final episode.
It would have made Eren say how he really feels about Mikasa a lot less jarring.
What also would have helped is a change in dialogue because, to be honest, I just do not think I can take lines like this seriously. 
Another thing I could not take seriously was what happened after Eren’s outburst in the manga. 
Back in the original Chapter 139, one of the last things Armin said to Eren was, “Thank you. You became a mass murderer for our sake. I promise I won’t let this terrible mistake you’re making be in vain.”
This is, without question, one of the most problematic lines in Attack on Titan, since it makes it seem like Armin is condoning Eren’s genocide.
I know this is not what Isayama intended but it is what it comes across as, which is why I was overjoyed to find that this scene has been rewritten entirely by Isayama for the anime.   
Now, Armin actually accepts his role in the Rumbling through how he showed Eren his book, telling his friend that when they die they will both be in hell togethor.
It both managed to be moving and did not skirt around the horror of Eren’s actions, like the manga did.
So, despite this being the worst scene in
Attack on Titan for me, I think it actually ends pretty well in the anime. 

No matter your opinion on the ending, I think we can all agree that this line being removed was for the best.

Back in the present, Armin wakes up, remembering everything and learning of Eren’s death.
It is following this that we get my second favourite moment of the episode, which is Levi’s final salute.
He sees the ghosts of his former comrades and salutes them, a tear sliding down his cheek.
Out of all the characters’ endings, this is probably my favourite.
Levi is the last man standing of the old guard, living on to carry on the memory and sacrifices of his comrades.
More moving moments follow as Jean and Connie see Sasha’s ghost, and Reiner reconciles with his mother.
These happy moments do not last long, however, because, as Mikasa begins her journey back to Paradis to bury Eren’s remains, Muller arrives to hold the Eldians at gunpoint, now scared of them again thanks to their prior transformation.
It is in this moment that Armin steps up in his role as humanity’s saviour, proclaiming that the Titan powers have vanished and that he is the man who killed Eren Jeager.
As for Mikasa, while she is making her way back, she is confronted by the ghost of Ymir, and realizes that she is the one who has been causing her headaches.
To me, this is another blotch on Ymir’s character.
Not only was there no foreshadowing for Ymir causing Mikasa’s headaches, but it also makes her look bad because if she knew Mikasa would free her eventually then there was no need to subject the world to such hardship.  
With that, the story then skips to three years in the future, where we see Historia narrating what is happening on Paradis Island in a letter to the Alliance.
We see that Historia has married the farmer and had their child, a girl that I personally like to think she named after Freckled Ymir.
It is also revealed that Paradis’ army is led by the Jaegerists.
Over time, this was something I extremely disliked in the manga because it made Eren look like an idiot.
He trusts his friends to convince the rest of the world to make peace with Paradis and yet he left literal facists in charge of the island.
However, the anime makes a point to note that Eren was an idiot with too much power so I can let it slide.
What I cannot let slide is Historia’s treatment as a character.
She had so much potential in the final arc, and I hate how she was paired off with a nobody and then sidelined with a pregancy subplot which amounted to nothing.
In my opinion, the writing for Historia’s character post time skip spat in the face of her character development in the Uprising Arc.
Think about this, not only does Historia have less screen time than the Warriors’ families in the final arc, but she also has no scenes in the present timeline.
All of her scenes are flashbacks.
That is how little she mattered in the end.
I hated Historia’s role in the final arc back when I first read it, and I am pretty sure I will hate it forever.

Historia deserved so much better than the horrible role she was given in the Final Season.

As for the letter Historia wrote to the Alliance, Reiner is clearly enjoying it, since he sniffs it like a creep.
Reiner liking Historia is not unusal for him, but did the final scene of a character who has had an emotionally powerful struggle with PTSD really need to be a joke?
Still, I am glad that he lived, along with the rest of the Alliance, who are now going to Paradis as peace envoys, fulfilling the role Eren gave them.
We then get what was, originally, the final scene of Attack on Titan, until the extra pages.
Mikasa is resting at Eren’s grave on Paradis, at the tree where the story started.
Her presence on Paradis is a bit confusing to me, I will admit.  
I mean, the Jeagerists know Mikasa killed a lot of them, right?
Plus, Mikasa is the only Asian person living on Paradis so she would be pretty recognizable.
Wouldn’t she be in constant danger?
Well, Mikasa clearly feels safe beneath the tree, where she weeps for the loss of Eren.
It is at that moment when a bird appears from nowhere and wraps Mikasa’s scarf around her before departing.
So did Eren reincarnate into a bird, or this is just a random bird doing it for no reason?
Whatever the reason, it does look a bit goofy to me.
In regards to Mikasa, as someone who once thought she was one of the best characters in the series, I have slowly found myself disillusioned with her.
I still like her, but there are so many missed opportunities to develop her.
From her Ackerman lineage, to her relationship with Louise, to her connection with Hizuru, these were all chances to give Mikasa character development.
Instead, she just constantly focuses on Eren, right to the very end, even bringing her new family with her to his grave as the years pass.
Speaking of this, I now have to get into the adaptation of the extra pages, which is another area I feel like the anime improved upon.
In the manga, I hated the reveal that Paradis was destroyed because it looked like it was only about 50 years since the Rumbling, making all of the characters sacrifices pretty pointless.
However, the anime updated it to so that the destruction of Paradis happens at least hundreds of years later.
This makes me feel a bit better about the whole thing.
What makes me feel less better is that the anime kept the implication that Titan powers were coming back, by showing a boy and his dog heading towards Eren’s tree, which has now grown to resemble the same tree where Ymir got her powers 2000 years ago.
While this does tie into the themes of the cycle of violence continuing, I personally don’t like that it removes the victory of Titan powers vanishing forever.
The cycle of violence continuing is fitting for the story, but I wish Titan powers stayed gone at the end.

In my opinion, hinting that the Titan powers will return takes away from the Alliance’s victory.

So, since my final impression of the ending is a negative one, I surely think the final episode of Attack on Titan is bad, right?
Well, no.
While there are a lot of things I dislike, the first 50 minutes of the episode are really good, plotholes aside, and there are quite a few improvements from the manga.
I even teared up twice, once during the baby scene, and a second time during Levi’s salute.
And, of course, the animation, score, and voice acting are all incredible.
Overall, I would still say that this final episode is good, despite its many, many short comings.
And, despite not liking how Attack on Titan ends, I would still recommend the series.
The themes, twists and characters are things I will remember fondly for years to come.
Also, having seen the reactions for the final episode from many anime only fans, I know my criticisms of the ending are in the minority. 
The vast majority of fans seem to have loved this ending, and I am happy that they do.
So, as fans of Attack on Titan, no matter our thoughts on the ending, I think we all owe a big thank you to Hajime Isayama, Wit Studio and Mappa for bringing us this amazing anime.
Truly, thank you.    

Hell’s Paradise: Jigokuraku Review: The Yin and Yang of Embracing Strengths and Weaknesses.

I remember seeing the first trailer for the Hell’s Paradise anime months ago.
It was a fantastic trailer, perfectly highlighting the mysteries of the story, without a line of dialogue from the characters.
Despite being interested, I still held off from reading the manga, until watching the first three episodes of the anime, developed by Mappa.
After loving those episodes, I binged the entire manga in three days and was rewarded with a great story that presented a compelling mystery, charismatic characters, some of the most well thought out action I have read, and brilliant artwork from the writer, Yuji Kaku. 

Hell’s Paradise‘s artwork provides both a lot of beauty and a lot of darkness.

Hell’s Paradise: Jigokuraku is set in Edo Period Japan, and follows the story of Gabimaru, a ninja who has been captured and set for execution, yet longs to reunite with his wife. 
A chance to reunite with her comes with the arrival of Yamada Asaemon Sagiri, an executioner who arrives with the offer of a pardon from the Shogun himself.
The only catch is that, in order to obtain this pardon, Gabimaru will have to travel to a mystical island, from which none have returned alive, to obtain the Elixar of Life for the Shogun.

To reunite with his wife, Gabimaru travels to this dangerous island.

Gabimaru and Sagiri will not be going alone, however, with ten other death row prisoners being sent, with the pardon being available to only the one criminal who retrieves the Elixar.
As for the rest of them, they face death from the executioners sent with them to the island, to monitor them.
However, the criminals and executioners soon find they have much bigger problems to worry about than each other, as the island’s mysterious inhabitants begin picking them off, forcing them to band together and learn the ability known as Tao to survive together. 

The executioners and prisoners having to work togethor creates a lot of great bonds between them.

Tao is Hell’s Paradise’s main fighting mechanic and I was constantly marveling at how well Yuji Kaku incorporated it into his fight scenes, with many characters learning the technique quickly, while others learned slower in various triumphant moments.
Speaking of the characters, the ones in Hell’s Paradise have to be some of the most charismatic I have read in a while.
There is, of course, Gabimaru and Sagiri who, as the main leads of this story, grow a lot over the course of it, with numerous relizations they have about themselves creating plenty of development. 
Side characters such as Yuzuriha, the brothers Chobe and Toma, Nurugai, Shion, Fuchi, Tenza and Senta are also all fantastic but I don’t have time to discuss all of them, so I will focus on my favourite side character, Tamiya Gantetsusai.
He starts off as a warrior valuing only his own glory and legacy, yet slowly changes until, by the end of his story, he becomes much more humble due to the influence of his assigned executioner turned friend Fuchi.
This results in an ending for him that is probably the most emotionally impactful, alongside Gabimaru’s. 

Gantetsusai’s ending is subtle yet moving.

All of these characters I have mentioned are compelling and I find it to be a testament to how good Hell’s Paradise is that their camaraderie is so believeable, despite the main conflict of the story really only taking place over a few days at least.
What helps these characters and their fight sequences shine is also the combination of great themes and artwork.
The theme of Hell’s Paradise is the acceptance of strengths and weaknesses, yin and yang, with this theme being key to many of the events and imagery in the manga.
This imagery is especially great, with Yuji Kuko delivering many breath taking panels showing off both the beauty and horror of the island. 

The artwork of warped buddist statues and monsters highlight this yin and yang conflict quite well.

However, despite having plenty of positive things to say about Hell’s Paradise, I will not act like it is perfect, since there were a few issues I had.
The first of these is in regards to character deaths.
There are a few times in this manga where characters have emotional deaths that affected me, only for those feelings I had to vanish when the character is revealed to have survived.
Granted, I did like these characters so was pleased to see that they lived but, at the same time, some part of me wished that they had stayed dead so that the emotional weight of their deaths could be kept.
That being said, this was not a constant issue, as Yuji Kaku still followed through on many other tragic deaths across the series.
Although, there are a couple characters that were clearly introduced as canon fodder for the final battle.

While some characters introduced later in the story shine, others were probably introduced just to die.

Another minor issue I have is that there were a few plot points introduced that did not amount to much.
In particular, there is one moment where Jikka makes a pretty shady offer to two characters, only for this to amount to pretty much nothing.
While these were issues I had with the manga, they were nowhere near significant enough to dull my enjoyment of this otherwise fantastic story.
Hell’s Paradise is a manga with an interesting story, and great characters and fight scenes, supported by brilliant art work and compelling themes of ying and yang.
It is already among my favourite manga and I will continue watching the anime, hoping Mappa can keep up with the quality of their adaptation so far.    

Chainsaw Man Episode Twelve, Katana vs Chainsaw Review: The Contest to End All Contests.

Episode Twelve, “Katana vs Chainsaw” is the final episode of the Chainsaw Man adaptation’s first season, and what a fantastic point to end it on.
Directed by the series’ overall director Ryū Nakayama, “Katana vs Chainsaw” picks up with the fight between Aki and the Ghost Devil the previous episode ended on.
Aki is currently being strangled by the Ghost Devil and passes out, only to hallucinate a prior exchange with Himeno, where she offered him a cigarette, only to take it back when she learned he was underage, promising to hold onto it for him.
When Aki opens his eyes, the Ghost Devil is holding out a cigarette with “EASY REVENGE” written on it.
Some part of Himeno seems to have survived inside the Ghost Devil and, remembering what she told him about the Ghost Devil only being able to see through fear, Aki uses this to climb the Devil and decaptitate it, leaving only Sawatari to deal with.
Before Sawatari can call on the Snake Devil, however; Kobeni sneaks up behind her and puts a knife under her throat.
Aki asks why she stayed with Public Saftey, causing Kobeni to humorously respond that it was because their bonuses are coming up.
While this is happening, Denji and Power are riding up in an elevator to confront Katana Man, only to stop on a floor full of zombies.
Rather than take the elevator up away from them, Power instead launches herself into the zombies, crying out for Denji to watch her slaughter them.
Instead, Denji takes the elevator up, while an oblivious Power continues to obliterate the zombies
Eventually, Denji reaches Katana Man, who explains that he is prepared to give up so long as Denji allows himself to be killed by him.
Denji refuses and Katana Man attempts to manipulate him, again bringing up Denji not feeling empathy because he apparently lacks a human heart.
Denji may not be smart but he is clever enough to see through this and he cheerfully refuses again, leading to the final fight between him and Katana Man.
The two crash out of the building, eventually taking the fight atop a train with some truly excellent CGI.
They eventually crash inside the train, with Katana Man using his speed ability to cut both of Denji’s arms off before demanding he apologise for his grandfathr’s death.
This was Katana Man’s mistake, however, because Denji uses this to lure him into another attack, drawing his attention to his head while Denji uses a chainsaw in his foot to cut Katana Man in half.
“Didn’t the geezer teach you that beasts shouldn’t trust anything a hunter says?” Denji shouts, showing exactly what he learned from Kishibe and how much his training paid off.
When Katana Man regenerates, Deni ties him up to the train tracks.
However, much like Katana Man wanted satisfaction by killing Deni to avenge his grandfather, Denji too wants satisfaction for Himeno’s death so he decides to hold the contest to end all contest.
Aki then arrives and Denji gives the rules of the contest.
He and Aki will kick Katana Man in the nuts until the police show up and whoever gets the loudest scream wins his family jewels.
Aki is reluctant, until he again looks at the “EASY REVENGE!” cigarette and decides to compete.
Watching Deni and Aki kick Katana Man in the nuts over and over again to wholesome music was absolutley hilarious.
I like to think that Aki got the loudest scream as Katana Man’s screams serve as a reqiuem for Himeno.
The credits then begin to roll, with Makima reporting on the events of the raid and what they learned, primarily that Sawatari’s deal with the Gun Devil was to obtain Denji’s heart.
However, before they could find out why, Sawatari was killed by the Snake Devil in an apparent suicide part of her contract with the Gun Devil.
Makima then tells her superior that the Gun Devil parts they recovered have begun to move towards the main body, although the ED, “Fight Song” by Eve, begins before we can learn which direction it has started to move.
The ED shows Denji, Power and Aki going about their daily life after the Katana Man raid and it was a good final ED to end on.
Pretty much all of the ED’s are high quality, with them having great music and visuals, showing just how much care went into this anime.
After the ED, we get another anime original scene of Aki, as we see him go outside and smoke the “EASY REVENGE!” cigarette in what is probably his final goodbye to Himeno.
As this is happening, Denji is having a nightmare about the mysterious door, just like he did in Episode One, tying the opening of Season One up with its ending.
Just as Denji approaches the door, he hears Pochita on the other side, ordering Denji not to open it.
The episode then ends with a teaser, as an unseen female character walks through an alleywar towards a cafe, stating, “Tell me Denji, between the country mouse and the city mouse, which would you rather be?”
To anime only watchers, this tease will not mean much but, as a manga reader, it makes me incredibly excited for whatever follows, whether that be a Chainsaw Man Season Two or a movie to cover the next arc.
Overall, “Katana vs Chainsaw” was a fantastic final episode, delivering incredibly well animated fight and nut kicking scenes, alongside excellent music.
It is absolutley apparent that the people who made this anime love Chainsaw Man, as this is easily one of the best adaptations of a manga out there.
Hats off to you and your team Mappa.
I cannot wait to see what comes next for the Chainsaw Man anime.


Manga Spoilers:

As a manga reader, it was exciting to see Reze get teased at the end of the episode.
She is one of the best antagonists in Part One and brings up one of the big themes of the story, which is the whole country mouse vs city mouse argument.
I am curious to see if the Bomb Girl Arc that centers on her will be adapted as a movie or in a Season Two.
After all, the Bomb Girl Arc is short enough to be contained in a movie.
Although, it might be better for the pacing of the series overall for it to be kept for a Season Two.
Season Two could be the Bomb Girl and International Assassins Arc, and then Season Three could be the Gun Devil Arc and the Control Devil Arc, before moving onto Part Two.
Whichever it turns out to be, though, either a movie or Season Two, I will eagerly anticipate the return of the  Chainsaw Man anime because of how amazing this adaptation was.

Chainsaw Man Episode Eleven, Mission Start Review: The Future Rules!

Episode Eleven of Chainsaw Man, “Mission Start” picks up from the cliffhanger of Aki going in to make a contract with the Future Devil.
The cliffhanger made the Future Devil out to be an incredibly scary devil so there is a lot of comedic catharsis to see it is a hip Devil who constantly screams “The future rules!”
Directed by Masato Nakazono and Takeshi Satō the episode opening follows this comedic reveal, and then continues to detail Aki’s coversation with the Future Devil, who demands Aki say “The future rules” as well.
Instead, Aki tells the Future Devil he has come to make a contract, deflating the Future Devil’s excitement.
In all honesty, though, it was probably not a smart idea for Aki to refuse to play along with the Future Devil after learning it has such a hefty price for its contracts.
If it were me, I would have been screaming “The future rules!” right along with the Devil.
Aki’s lucky that the Future Devil decided the terms of his contract by reading his future, and his terms are quite generous at that.
The Future Devil will allow Aki to see a few seconds into the future when fighting, and, in return, Aki will allow it to live inside his right eye.
Aki is understandablly suspicious of the generous contract but the Future Devil explains that it saw Aki’s death will be the “f***ing worst,” and it wants a front row seat.
There was originally a mistranslation of this line, as the Future Devil said Aki’s death would “f***ing rule” so it is good that they changed it to be closer to the original meaning.
As for Aki himself, he is not bothered by the Future Devil’s prophecy, instead demanding it get in his eye to complete the contract.
Meanwhile, Kishibe has finished killing Denji and Power for what is probably the hundreth times by now.
Only, this time, they appear to have landed a blow on him, as Kishibe wipes away the blood from a cut on his cheek.
Impressed with their efforts, he decides to only train them once a week, before telling them that tomorrow they are going after Sawatari and Katana Man.
However, he does warn Denji and Power that if the mission goes bad then he will have to kill the both of them.
Unperturbed by this, Denji explains that if he fights Kishibe then he will spare him because his training increased his chances of hooking up with Makima.
Speak of the devil, the next scene is between Makima and Kishibe, who meet up for drinks.
Makima thanks Kishibe for training Denji and Power but Kishibe says he is sick of them already because he has come to care about them, and every time someone he trains and then cares about dies he ends up drinking more.
Kishibe then accuses Makima of knowing the attack against the Special Divisions would happen and not doing anything to stop it.
However, he says he will let such actions slide as long as her actions benefit humanity.
Makima then goes on a speech about how her actions will achieve just that, only for Kishibe to call her a liar, to which Makima’s small smile returns.
This is one of my favourite Kishibe scenes because it tells us plenty about his character.
His incessant drinking is caused by the guilt he feels for lost pupils, yet, despite this guilt, he is willing to let them die so long as it benefits humanity as a whole.
He is also one of the few to actually call Makima out on her manipulative actions.
The next morning, we see what the Yakuza is up to, with Katana Man and Sawatari preparing for Division Four’s attack.
The boss of the Yakuza has been moved but Katana Man and Sawatari plan to stay, and use their zombie army left over from Katana Man’s grandfather’s contract with the Zombie Devil to deal with Division Four.
At the same time, Aki is returning with Tendo and Kurose, the later of whom berates him for his unrealistic mission to kill the Gun Devil.
Aki counters this by stating that he knows it is unrealistic but he could not go on without that mission, telling Kurose he is free to laugh at him if he loses and dies against the Gun Devil.
This seems to earn Kurose’s respect, as he tells Aki he is routing for him, delivering the same advice he was given, “Everyone who works in the Special Division is crazy, so watch yourself.”
He and Tendo then leave, presumably for Kyoto.
As for Makima, she is meeting with the yakuza boss that was spoken of earlier, along with his men.
The boss explains that it was Sawatari who roped Katana Man and the others into dealing with the Gun Devil and is cooperative until Makima requests the names of those contracted with the Gun Devil in other crime families.
This causes the boss to go on a familiar rant about “necessary evils,” which Katana Man spoke of in his introduction in refrence to his grandfather.
The boss compares himself to a Devil Hunter, protecting Japan from other Mafia families, like how the Devil Hunters protect people from the Devils.
Makima, however, rightly points out that this is just to justify the boss’ own evil actions.
She goes on to state her belief that the only true necessary evil is one where “the nation itself is holding the lesh and maintaining control.”
This is why she is so horrifying calm when she presents the yakuza boss and his underlings with the eyes of their loved ones, using their return as blackmail to get what she wants.
While this exchange is happening, Division Four finally begins their raid on Katana Man and Sawatari’s base of operations.
Outside, Kishibe debriefs the police, explaining they need to be on the lookout, not for escaping yakuza but escaping fiends and Devils who work for Division Four, just in case they get loose.
We then get a showcase of these creatures in an action sequence, meeting the Shark Fiend (Natsuki Hanae), the Violence Fiend (Yuya Uchida) , the Spider Devil (Saori Goto) and the Angel Devil (Maaya Uchida), all of whom take on the zombies in well directed and bloody action.
Denji, Aki and Power fight alongside them, resulting in Aki and the Angel Devil interacting, where Aki is brave enough to get closer to the Angel Devil, despite the fact that physical contact will drain his already short life span, and the Angel Devil then saves Aki’s life from gunfire.
Aki decides to leave the zombies to the fiends, while he, Denji and Power split up to search for Sawatari and Katana Man.
While searching, Aki is able to incapcitate one yakuza member, probably thanks to his new future sight power, but quickly finds himself overwhelmed, only for Makima’s help to come in key again, as the men all slump to the floor dead with bloody noses, just as the yakuza who threatened Makima earlier did.
Makima emerges from the yakuza boss’ base, the fate of the boss and his underlings unknown.
We then get the final scene of the episode, as Aki locates Sawatari, only for her to have the Snake Devil spit out the Ghost Devil, which Aki is forced to fight using his future sight in more extremely well animated action.
There are too many limbs for Aki to keep track of, however, and he eventually ends up getting caught, with Sawatari ordering the Ghost Devil to strangle him to death.
The episode then ends with things looking pretty grim for Aki, closing off with the ED “Violence” by Queen Bee.
All in all, “Mission Start” is another great Chainsaw Man episode.
Going into it, I was actually wondering if it would adapt enough content so the next episode could end with finishing the Katana Man Arc.
This concern was unfounded since the next episode did end with the conclusion of that arc, along with some hints for future arcs, which I am excited for.

Manga Spoilers:
While I was glad to see that the mistranslation of Aki’s death got cleared up, I still think the manga translation of Aki dying “in the worst possible way” is better.
It later ties in with the Future Devil saying Aki died “in the worst possible way… for the chainsaw boy.”
Although this line could still be made to work.
Maybe the Future Devil will say, “Your death was the f***ing worst… for the chainsaw boy.”
Speaking of allusions to the future, though, the scene where the yakuza boss says that the Gun Devil required money for a contract is interesting, considering that it is later revealed that the Gun Devil has already been defeated and parts of its are held by different countries.
So, rather than the Gun Devil requring money for the contract, its whatever shady government organization which required money to sell the guns through Sawatari.
The last spoiler detail I would like to talk about is Aki’s character development, or rather the setup for it.
He tells Kurose in this episode that without his unrealisitic desire for revenge against the Gun Devil, he would have nothing.
This makes Aki’s character arc one of the best in the story, given where he ends up as, by his conclusion, he is willing to throw away his mission to kill the Gun Devil entirely so he can keep Denji and Power safe.

Chainsaw Man Episode 10, Bruised & Battered Review: A Brutal Training Arc.

After the two chaotic battle episodes, Episode 10 of Chainsaw Man, “Bruised & Battered” picks up in the aftermath.
Directed by Tatsuya Yoshihara, “Bruised & Battered” begins with Aki waking up in the hostpital to see Denji and Power fighting over an apple at his bedside, with Denji refusing to give her one because she skedaddled during their fight with Katana Man.
Aki interrupts this humorous fight with the somber question of how many others in Division 4 are still alive.
Denji tells him that only Kobeni and Madoka are, although Madoka quit.
After telling him this, Denji and Power leave to meet with Makima but Denji decides to leave Aki an apple, in a parallel to an earlier scene where Aki too gave Denji an apple in the hostpital.
Now alone, Aki takes out his nail sword and asked the Curse Devil how long he has left.
In the manga we only see the Curse’s mouth as it tells Aki he has two years left to live.
This was updated in the anime to have the Curse Devil actually appear over Aki’s shoulder, which was a nice and creepy change.
Having recieved this terrible news, Aki decides to have a cigarette, only for this to remind him of Himeno, which finally causes him to break down crying, something which Himeno admired him for and wanted him to do for her.
Denji is outside Aki’s room when this happens, since he planned to go back to get his dropped manga, but feels awkward about entering.
This leads to him realizing that he does not really feel all that sad about Himeno dying, even though they became friends right before it happened.
Realizing he would not feel bad for long even if Makima died, Denji begins to question his own humanity, only to comedically brush it off and go with Power to meet Makima at the Devil Hunter graveyard.
Upon arriving, she introduces them to Kishibe, Himeno’s mentor and the strongest Devil Hunter there is.
Kishibe asks them three questions, what did they feel when their comrades died, do they want revenge, and are they on the side of the humans or the devils?
Denji and Power’s following answers are both comedic and would raise serious questions for other Devil Hunters about their loyalty.
Not Kishibe.
No, instead he sees two trainees with a couple of screws loose, the perfect quality for a Devil Hunter according to him.
And since they are Devils themselves, this means he can go all out on them, which he proceeds to do when he sends Makima away, before breaking both Denji and Power’s necks.
He then revives them using blood and explains how their training will work.
Since they are mostly immortal, and he is the best Devil Hunter there is, he will continue to hunt both of them down until they can defeat him, eventually turning them into “serious badasses.”
Well, it will probably take a long time for that last step to happen because Denji and Power get absolutley destroyed by Kishibe in their first fight, in a bloody and well-animated fashion.
Since this was a smaller fight in the manga, I did not expect it to be so great to look at in the anime.
Yet, it was.
I think I just need to expect everything in the Chainsaw Man adaptation is going to have amazing animation at this rate.
Mappa just seem to be that dedicated to getting it right.
While Denji and Power’s brutal tortu-I mean training is happening, Aki is recieving coaching from Kurose and Tendo, who reveal to him that the Fox Devil will no longer work with him because he angered it by trying to feed it Katana Man.
They give him two options.
Either quit and enjoy the time he has left or stay and sacrifice more of his life with Devil contracts.
Aki decides to stay, still determined to avenge his family and now Himeno as well.
Speaking of Himeno, Aki is then visited by her little sister.
Thankfully, this meeting goes much better than Himeno’s with the families of her dead partners.
Himeno’s sister simply gives Aki a letter which gives both him and us as the audience insight into her life.
It also reveals to Aki that she was hoping to convince him to quit so he would live.
Unfortunately, Himeno’s death has only pushed Aki further down the path he is on.
Later that night, Kishibe calls an end to the days training with Denji and Power, leaving the two to recover.
And by recover, I mean Power bashing Denji’s head in until he comes back to himself.
Once restored, the two begin to walk home, dismayed over how much worse Kishibe’s extreme training will make their lives.
Suddenly, Power comes up with a genius plan to defeat Kishibe.
They will just use their brains!
Yep, with all two of their shared brain cells.
Impressive right?
We see this plan come to fruition the next day, as Denji and Power put on glasses to become smart and then initiate their attack on Kishibe when he arrives at their apartment.
It goes as well as you would expect.
First, Kishibe dodges and destroys Power’s blood spears with no effort, making her anemic from using too much blood.
Second, he kicks Denji to the ground after he sees his shadow when he leaps down to strike him a hatchet.
Regardless, Kishibe is impressed by their effort so he gives them the day off training.
Or that is what he tells them at least because, after Denji joyfully tells Power they have the day off, Kishibe throws a knife into his skull declaring, “Beasts shouldn’t trust anything a hunter says.”
All of Kishibe’s scenes in this episode were great, being perfectly animated.
And, I will say it again, Kenjiro Tsudya is just fantastic as Kishibe.
I honestly don’t think anyone better could have been cast.
After Kishibe’s final scene, the episode then ends on one of Aki’s as Kurose and Tendo take him to make a contract with the Future Devil.
Two other people have contracts with it.
One gave up half of their lifespan, the other his eyes, sense of smell and taste.
So things are not looking good for Aki with this contract.
The dread deepens as Aki enters the cell with the Future Devil and sees its eye peering out at him from the darkness, ending the episode on another cliffhanger, before transitioning to the tenth ED, “Dogland” by People 1.
“Bruised and Battered” is a solid Chainsaw Man episode.
While not as exciting as the previous two episodes, it is a good set up episode, and does a fantastic job of adapting Kishibe.


Manga Spoilers:
The episode ends right before we see the Future Devils form and personality so I am interested to see how many anime only viewers will react to that, along with it prophecising Aki dying in “the worst way imagineable.”
Along with this, I am also curious about where exactly the adaptation will end.
There is only supposed to be twelve episodes after all.
I originally thought it would end with Denji’s nightmare about the door after defeating Katana Man, bookending this part the way it began.
However, there may not be enough content for this, unless some scenes get cut.
No matter what gets adapted and what does not, though, I have full faith in Mappa to adapt the following chapters as excellently as they have the previous ones.
The future rules indeed.

Chainsaw Man Episode Eight, Gunfire Review: Let the Insanity Begin.

Directed by Shōta Goshozono and Takeshi Satō, Episode Eight of Chainsaw Man, “Gunfire” begins with an anime orginal moment that is very reminiscant of the scene where we followed Aki on his morning routine in Episode Four.
Just like that scene, “Gunfire” begins with us seeing Himeno’s nightly routine, before she makes a sexual advance on Denji.
The shots of her preparing a shower for herself and then later grabbing a beer are all just as well animated.
The episode then picks up from the last one, with Himeno propositioning Denji.
Again, the shots are well animated here, although with one exception.
There is a bird’s eye view shot looking down on the both of them which did look quite off to me.
However, this shot only lasts about five seconds or so, so it’s fine.
For a little while, it looks like Denji is actually going to sleep with Himeno, until she finds a chupa chup in his pocket.
This was given to Denji by Makima in the form of an indirect kiss, making Denji realize that he wants his first time to be with Makima, so he refuses to sleep with Himeno, instead taking the floor while Himeno passes out drunk on the bed.
The next morning, she and Denji have breakfast togethor.
Not remembering what happened last night, Himeno asks Denji if they had sex and is relieved to learn that they did not stating, “They toss you in jail for doing that kind of thing with minors.”
Yeah, not gonna lie, the whole Himeno making moves on Denji while she’s drunk is pretty creepy.
At least with Makima it was treated more sinister, since she was clearly manipulating him.
With Himeno its treated more like a joke.
This unintentionally creepy moment is thankfully moved on from quickly, as Himeno now offers to form an alliance with Denji.
He will help her get togethor with Aki, and Himeno, in turn, will help Denji get togethor with Makima.
Well, someone had better tell the assassins planning Makima’s murder to hold off then… oh, wait.
As a manga reader, it was pretty funny to watch the reaction of anime only viewers when Makima gets unexpectedly assassinated on a train to Kyoto.
Now they have a better idea of Chainsaw Man’s crazy pacing.
Often times, scenes will seem like slow build up, only to flip on a dime to absolute insanity.
In other stories this eratic pacing would be a problem but Tatsuki Fujimoto is such a good writer that he makes it work and the adaptation follows through on this.
After Makima is killed, the episode then shows that her assassination was not a one off, as other attempts are made on the lives of Devil Hunters across Tokyo.
Among the potential victims are Kobeni and Arai, who are unexpectedly targeted by an old lady but we do not see if they make it or not.
We do, however, see what happens to Denji, Himeno, Aki and Power, when they meet togethor for food.
They are confronted by a mysterious man, who just randomly inserts himself into their conversation, going on about his murderous yakuza grandpa.
The pieces slowly start coming togethor until the man pulls out a picture of him with his grandfather and we that it was the yakuza boss who had pretty much enslaved Denji in the first episode, until he was turned into a zombie by the Zombie Devil and then finished off by Denji.
Now supposedly working for the Gun Devil and out for revenge, the man takes out a gun and fires at the group, hitting Denji, Himeno and Aki.
Only Power manages to dodge and punch the man back, more than earning her noble prize.
Power’s attack gives Aki enough time to unleash the Fox Devil, which eats the man, only for him to reveal himself to be a hybrid devil like Denji, named Katana Man (Daiko Hamano).
With Denji out of comission and Himeno mortally wounded, Aki is left with no choice but to use the sword which drains some of his life to defeat Katana Man.
What follows is a fantastic fight sequence, as Aki stabs Katana Man with his nail blade three times, resulting in the Curse Devil intervening and supposedly killing him.
As Aki prepares to have Himeno taken to a hostpital, he is shocked to realize Katana Man used a gun, which should be impossible to get.
However, while Aki is talking about this, there is a piece of rubble in the way of his mouth, so we cannot see his lips move.
Rather than a stylistic choice, this came off to me as if they did not have the budget or time to animate his mouth moving after the fight scene so put this in the way until they could fix it later.
I may be wrong about this though but, if I’m not, then I do hope it is changed later because it is a little weird.
This is a minor moment though and it is easily forgotten when an unknown woman (Yō Taichi)shows up to help Katana Man to his feet, since he can revive just like Denji.
The mysterious girl orders Katana Man to kill Aki, which he certainly makes a good attempt at with an attack that causes quite the jump scare with the delayed blood splatter from Aki.
The girl then tells Katana to finish Aki off.
Desperate to save him, and with no other option, Himeno makes a final contract with the Ghost Devil.
She will give the Devil all of herself in exchange for using its full power.
The Ghost Devil’s true form then appears and Himeno directs it to attack Katana Man, all the while thinking about how Aki still cries for Devil Hunters who die.
Himeno’s last words to Aki are that she wants him to live so he can cry for her.
The Ghost Devil is then eaten by the mysterious girl’s Snake Devil and we see that Himeno has completley vanished, only her clothes remaining.
And so “Gunfire” comes to an end with Himeno’s sacrifice.
We then get the ED, “First Death” by TK.
Given TK’s reputation, like with his brilliant Tokyo Ghoul OP, I knew this was going to be a fantastic ED and he did not disappoint.
“Gunfire” was yet another fantastic Chainsaw Man episode.
Katana Man and the yakuza’s ambush was handled excellently and, aside from a few weird animation moments, I would not have had it any other way.


Manga Spoilers:

If I was excited for anime only viewers’ reactions to this episode then I am doubly so for the next one.
I cannot wait to see how they will react to Makima’s revival, her supernatural attack on the yakuza and Kobeni rescuing Denji.
Will they think Makima is the Gun Devil because of this, like I did, and will this be the start of them warming up to Kobeni, like it was for me?
Only time will tell.
Either way, the next episode will be another action packed one that I am very excited to see.

Chainsaw Man Episode Seven, The Taste of a Kiss Review: Worst. First Kiss. Ever.

After Episode Six, I was greatly anticipating Episode Seven of Chainsaw Man, “The Taste of a Kiss.”
Oh, it was not because I was excited to see the end of the fight between Denji and the Eternity Devil, although I was looking forward to seeing that.
No, what I was most excited about was finally seeing Himeno vomit in Denji’s mouth while kissing him… wow, that’s a sentence I never expected to be writing down.
Directed by Masato Nakazono, “The Taste of a Kiss” delivers this hilarious yet incredibly disgusting moment well, showing anime only Chainsaw Man viewers just what type of humor they can expect in this anime.
The episode begins where the previous one ended, with Denji jumping into the Eternity Devil’s mouth.
Kobeni thinks it is finally over, only for Denji to bust through with his chainsaws and begin attacking the Devil, accompanied by the music of the third Ending, “Hawatari 2 Oku-senchi” by Maximum the Hormone.
It seems like the makers of this episode realized how good of a song it was so decided to play it when Denji was decimating the Eternity Devil.
This decimation does not last long, however, because, as Power points out, Denji is losing too much blood so soon his chainsaws will retract.
We see that this is very much the case after the OP, as Denji is caught in a bloody hold by the Eternity Devil and the chainsaws in his arms do end up retracting.
However, Denji is able to bring the chainsaws back and free himself after drinking the Eternity Devil’s blood, before declaring that its scream makes its horrible blood taste like strawberry jam.
He then breaks off into a fit of maniacle laughter, sounding like a lunatic, which naturally cuts into Himeno’s following flashback of her master, Kishibe, saying that the Devil Hunters Devils fear the most are the ones with a few screws loose.
The two are at the Devil Hunter graveyard visiting the graves of Himeno’s partners, while Kishibe rants and drinks.
He says that Himeno’s partners were afraid, which made the Devils stronger, but there is no telling what a crazy person thinks, which is why the Devils fear them.
Himeno knows this does not match with her and Aki, so she is afraid for her partner’s life as he pursues the Gun Devil.
This leads to her suggesting that they take a safer job in the private sector but Aki turns her down, still determined in his mission of revenge.
Not wanting to lose Aki, Himeno decides to stay with him, but believes that if Aki manages to track down the Gun Devil then he will die because he is normal like everyone else.
We then see who exactly is not normal, as the flashback ends and we see Denji fall, supposedly defeated by the Eternity Devil, only to be revived by Himeno’s Ghost Devil, which pulls his ripcord.
Denji then has a erueka moment, realizing all he has to do is keep drinking the Eternity Devil’s blood and he can keep fighting, declaring that he has created a “perpetual motion machine.”
With this creation, he dubs the nobel prize to be his, beating Power’s idea outright.
Denji’s insane declaration causes Himeno to realize just how crazy he is, fitting into Kishibe’s explanation of a great Devil Hunter perfectly, and she beleives that Denji may actually have what it takes to eventually kill the Gun Devil.
Three days of gore later, Denji finally manages to defeat the Eternity Devil who, just as planned, offers its heart up to be destroyed by Denji, since it is in too much pain to resist anymore.
Denji destroys the heart, killing the Eternity Devil, freeing everyone from the eighth floor, and retrieving a piece of the Gun Devil’s flesh.
Some time later, Himeno suggests to Aki that they go out for drinks with everyone, partially to convince Kobeni and Arai to stay with Public Saftey, since they are thinking about leaving due to the trauma of what happened and their guilt over trying to kill Denji.
A comedic moment follows, when Aki points out that Himeno tried to kill Denji too and Himeno declares that kids these days are “so sensitive.”
Aki insists that the party will need to be this week so they can invite Makima, since she is going on a buisness trip to Kyoto soon.
This causes Himeno to bring up how suspicious it is that the Eternity Devil wanted Denji’s heart, wondering if Makima knows why.
Himeno sees the party as the perfect oppotunity to get Makima drunk so they can convince her to tell them the truth.
The scene then cuts to this party, where various humorous moments occur, such as Denji instantly forgiving a drunk Himeno for the promise of a kiss, Power boastfully exagerrating her intellgience, and Makima outdrinking everyone.
The second funniest moment of the scene is when Makima questions Denji about the kiss Himeno promised and he denies it, only to loudly confirm it when Himeno drunkily questions if the kiss is no longer happening.
It is this kiss that is the funniest moment of the scene and the entire episode.
Although, as I said, it is also its most disgusting.
As Himeno makes out with Denji, in quite a bit of animated detail by the way, Denji tastes something odd in his mouth.
At first, he thinks it is her tounge, only to realize, much to his horror, that its her vomit.
This moment becomes even more disgusting when Denji swallows the vomit because his hard life has taught him to swallow anything of nutrional value.
The disgusting nature of this infamous joke aside, I do find it kind of funny how the vomit was censored, given that the episode had absolutley no problem depciting Denji brutally tearing apart the Eternity Devil at the beginning.
As for Denji, he understandably has to do some puking of his own after his odreal, with Arai unexpectedly helping him.
Afterwards, the party ends and Denji is dragged away by a still wasted Himeno.
It would seem that the alcahol in Himeno’s vomit made Denji blackout drunk as well so he is pretty disorientated when he wakes up in Himeno’s apartment.
Himeno then stumbles into the bedroom in another moment that is exceptionally animated, for just being a character walking.
She then kisses Denji and offers to have sex with him, ending the episode and making this the second cliffhanger where a character offers Denji a sexual favour.
Overall, “The Taste of a Kiss” is another solid episode for the Chainsaw Man adaptation.
Its opening fight with the Eternity Devil is intense, the drinking scene has plenty of funny moments, and the puke scene is just as disgustingly hilarious as I remember it being in the manga, actually making me feel sick watching it.
“The Taste of a Kiss” shows anime only viewers just what kind of humor to expect going forward.
As for the next episode, well, that one shows the anime only viewers just what to expect for the story’s pacing, and in the most insane way possible.


Manga Spoilers:
There were plenty of good hints to future reveals in this episode, the first of being the Eternity Devil’s own words.
I enjoyed the foreshadowing of Pochita’s true strength when the Eternity Devil declares that Denji is weaker than before, meaning Chainsaw Man before he was turned into Pochita.
Another, more sinister hint, is Makima staring daggers at Denji being kissed by Himeno, right before the vomit reveal.
This could understandable be misinterpreted by an anime only viewer to mean that she is jealous.
However, us manga readers know that she is most likely adding Himeno to her kill list so she can destroy Denji emotionally and release Chainsaw Man.
Finally, there is Kobeni, who says she is contracted with a Devil but refuses to name it.
We still do not know what Kobeni’s devil is in the manga and I wonder if we will ever know.
The most prominant theory I have heard is that it is something akin to a Bad Luck Devil, where she brings bad luck to everyone around her while she miraculously survives everything.
If Kobeni does make a return in Part Two then I expect we might find out.
Although, given how Fujimoto just loves to destroy us all emotionally by killing off characters, maybe it’s better that Kobeni stays away and safe.

Chainsaw Man Episode Six, Kill Denji Review: A Nobel Prize Deserving Episode.

Episode Six of Chainsaw Man, “Kill Denji” is the best episode in the history of anime and one could even call it a nobel prize contender.
No, this review is not written by Power.
In all seriousness, the Shun Enokido directed episode is another great one, delivering a fantastic adaptation of the manga with as usual stellar animation.
“Kill Denji” picks up from the cliffhanger of “Gun Devil”, where Division 4 found themselves stuck in a loop on the eighth floor of an apartment building.
The opening of “Kill Denji” follows this up by showing how this loop works, using Kobeni.
First, Himeno has the terrified woman make a peace sign and then runs down the stairs of the eighth floor, emerging at the top.
She sees Kobeni still pulling the peace sign, meaning that there is no illusion going on.
Aki then invesitgates the rooms and learns that the windows connect to the rooms on the opposite side of the apartment, leading back into the eighth floor hallway.
They are well and truly trapped.
Following the opening, the squad debriefs in one of the rooms, establishing that even trying to go through the ceiling leads back to the eighth floor.
The situation is grim and Kobeni is certainly not helping matters, being on the verge of hysterics.
Arai tries to motivate her by mentioning how she joined the Devil Hunters to put her brother through college.
This does the exact opposite of calm Kobeni down because she revealed her parents forced her to get a job to put her brother through college, when she wanted to go too, giving her the choice to either become a Devil Hunter or a sex worker.
A tragic backstory, which Power finds to be utterly hilarious, as she breaks into laughter at Kobeni’s terrified face.
Denji and Power are the only ones in the group not alarmed by their situation as, when Aki says time may be frozen so help is probably not coming, Denji is happy about this because it gives him plenty of time to get some sleep.
He actually manages to do so before being awoken by Himeno.
In the time that Denji has been asleep, Aki has been constantly searching for the Devil, Arai has since locked himself in his room in a panic, and Kobeni tried to drink out of a toilet so Himeno knocked her out.
Most disturbing of all is Power who, in a fit of madness, reveals her plan to win a Nobel Prize so that she can raise sales taxes by 100%, just to see humans suffer!
Oh, wait, no, that’s just how Power always is.
My bad.
True to form, Power is disappointed that Himeno is so calm, and Himeno explains this is because Aki is working hard, revealing that she was the one who introduced him to cigarettes.
Bad Himeno.
We then flash back to Himeno and Aki working togethor as partners, where Himeno tried to convince Aki to start smoking so they could get along better.
Aki refused because “it’s bad for your bones.”
Good Aki.
Himeno explains that most Devil Hunters take up smoking because, with the death rate being what it is, most do not have to worry about living long enough to be affected.
Aki says he plans to live a long time and Himeno says he should because “it’s a pain in the ass when your partner dies.”
This serves as a perfect transition to Himeno being assaulted by the girlfriend of her deceased partner.
Himeno reveals to Aki that this happens regularly, as her partners’ families cannot take their pain out on the devils so they do so on her.
Offended, Aki sneaks before the woman who slapped Himeno and puts gum on her back as revenge.
This juvinile kind of humor is classic Chainsaw Man, and it cheers up Himeno immediately, as she later tells Aki that her master told her that the Devil Hunters the Devils fear most are the ones with a few screws loose.
So, Denji and Power should be fine then.
Himeno then finally convinces Aki to smoke, who swears it will be his only one.
Cue a comedic cut to the present, where Aki enters the room and demands a cigarette from Himeno.
Bad Aki.
Aki reveals that the Devil Power killed has returned and become larger.
Now a giant mass of squirming faces and limbs, the Devil offers a contract to the group: kill Denji and feed it to the Devil and they will be allowed to leave.
A terrified Kobeni jumps at this offer immediately, running to stab Denji, only to be knocked out by Himeno and Aki.
Afterwards, the two attempt to kill the Devil with their own Devil contracts but they have no effect.
Himeno then reveals that if they actually do kill Denji then they will be allowed to leave because the Devil offered a contract and contracts are life binding to a Devil.
Like Kobeni, Arai also wants to kill Denji to ensure their escape but Aki knows this will benefit the Devil so refuses.
Himeno is team agree with Aki and Power is team murder Denji for her nobel prize.
As time goes on, Aki contemplates using his sword to kill the Devil but since this will take many years off his life Himeno refuses, and tells Denji that if it really comes to that then they will have to kill him after all.
Unfortunately, at that exact time, Aki discovers that Power has eaten all their food.
Kobeni loses it, believing Power is somehow behind everything.
Arai speaks up for Power, only for Kobeni to declare that he is a spy too.
“He’s spicy!” Power says in a show of humorous support.
Kobeni runs towards Arai in a threatening manner and their combined fear and screams give power to the Devil, which begins to expand further, revealing itself to be the Eternity Devil.
The Eternity Devil grows so large that it causes the hallway to tilt up, forcing everyone to hide in their rooms.
Aki resolves to use the sword, causing Himeno to suddenly switch to team kill Denji, and she, Kobeni and Arai rush to complete the contract.
Kobeni lunges at Denji with her knife, only for Aki to take the stab.
As the group look on in shock, and Power works to stop the bleeding, Aki explains that he needs all the help he can get to kill the Gun Devil so will not allow anyone to kill Denji.
This causes Himeno to panic and Kobeni to selfishly blame Denji for her stabbing Aki.
The latter action, along with pretty much everything Kobeni does this episode, has caused her a lot of backlash in the fandom.
This is entirely understandable, if you ask me, because I disliked her here too when I read the manga.
Her blaming Denji does motivate him to attack the Eternity Devil, though, with his new plan being to torture it to death using his chainsaws.
Denji jumps down into the mouth of the Eternity Devil and falls through an endless abyss in a great shot that brings an end to the episode.
Overall, “Kill Denji” is yet another great Chainsaw Man episode that adapts the manga excellently.
It is has plenty of laughs and plenty of character development.
Someone give “Kill Denji” the nobel prize.


Manga Spoilers:

While I do understand why people hate Kobeni after this episode, considering I disliked her at this point in the manga too, I am curious to see what their opinions will be of her later in the story.
I came around to her character after she saved Denji from Katana Man and only felt more sorry for her as she went through so much hilarious misery throughout the rest of the manga.
It will be interesting to see if anime only viewers will come to feel the same way about her character or if they will just keep hating her.
We will not get Kobeni’s big redemption moment until a couple of episodes, though, and we have a lot to look forward to before that, especially with the next episode and Denji’s infamous first kiss, one of the funniest and most disgusting moments in the entire manga.
I am curious if the next episode will end with Makima being shot because that seems like a good cliffhanger but it might make the episode too long so it will most likely end with Denji at Himeno’s house.
Whatever ending for the next episode they decide to go with, I am still excited to see it tomorrow.

Chainsaw Man Episode Five, Gun Devil Review: Manipulative Makima.

Mappa’s adaptation of Chainsaw Man is still going strong with its fifth episode, “Gun Devil.”
Directed by Yōsuke Takada, “Gun Devil” begins by immediately following up the cliffhanger from Episode Four, where Power confronted Denji in the bathroom to follow through on her promise to let him fondle her breasts three times.
From Denji’s thoughts declaring Power “an angel”, you would think that this would satisfy him completley.
Unfortunately, this is not the case for Denji.
First, Power is humourously revealed to be wearing breast pads after the first squeeze and then the other two squeezes produce nothing special for Denji, leaving him to wonder “that’s it?”
Denji’s emotionally stunted reaction continues into the next day, leaving him in the perfect state to be manipulated by Makima.
She all but seduces him, biting his finger and allowing him to touch her own breast.
Denji’s reaction to this is particularly hilarious, as he falls to the ground with a hand over his heart, gasping as he looks up at the hand Makima had allowed him to touch her with.
If you showed this short clip to anyone out of context, they would believe Denji was having a heart attack.
Instead, he is freaking out because he touched Makima’s breast.
Now having gained Denji’s full attention, Makima moves in for the kill, offering him any one wish he wants if he kills the Gun Devil for her.
Makima is pretty devious in her manipulation of Denji, using sexual attraction to manipulate him into taking on a dangerous Devil.
We then see just how dangerous this Devil is in a flashback.
After a terrorist attack in America involving guns (because of course it would be in America), guns became feared, making the Gun Devil incredibly powerful.
It then struck around the world, killing 1.2 million people.
Among these victims were Aki’s family.
We see the flashback from his point of view, as he has a snowball fight with his little brother, before sending him back to get a baseball glove.
Aki’s house is then struck by the Gun Devil, killing his parents and little brother.
This creates immense guilt for Aki, since he sent his little brother into the house, and also creates his drive to kill the Gun Devil, which we see when he and Himeno take down a Devil to retrieve flesh of the Gun Devil.
Makima explains to Denji that these flesh parts make other Devils stronger and can help lead to the Gun Devil.
So, Denji’s goal is to kill the Devils that have consumed pieces of the Gun Devil, which will eventually lead him to it and, upon killing it, will allow him to ask any wish of Makima.
If he survives fighting the Gun Devil, that is.
Still, Denji is determined to win his wish from Makima, completley ignorant to how he is being used by her.
It is not long before Denji gets his first chance to take on a Devil which has consumed flesh of the Gun, as he, Power, Aki, Himeno, Kobeni and Arai are sent to a hotel to take out such a Devil.
Following some comedic beats between Denji, Power and Aki, Himeno starts joking around, offering a kiss to anyone who kills the Devil.
Denji, however, remembers his wish for Makima so refuses, saying he has to kill the Gun Devil for her, drawing Aki’s attention.
Himeno is prodded further by Denji’s refusal, offering to kiss him with tounge,
This promise causes Denji to forget all about his Makima wish, as he runs down the hotel hallway to fight the Devil and earn his kiss, with Arai running behind to stop him.
Aki and Himeno use this time to discuss their new recruits, with Himeno commenting that Arai is not very competant yet is motivated, while Kobeni is timid but talented.
This causes Aki to remember his first meeting with Himeno and we see a very different person from the seemingly upbeat woman Himeno was previously.
The man who trained Aki introduces them at a Devil Hunter graveyard, where Himeno reveals that Aki will be her sixth partner, telling him not to die like the others.
The shot composition for this moment is great, as Himeno’s position and posture in the flashback when she tells Aki not to die is the exact same as in the present.
Going back to that present, the group finally locate the Devil they were hunting, which is just a head with two feet attatched.
It lunges at Kobeni but is stopped in the air by Himeno and then taken out in bloody fashion by Power.
As expected, Power’s narcissism drives her to believe the Devil froze in midair because it was afraid of her, so Himeno explains that it stopped because Himeno used the Ghost Devil’s power.
In exchange for this power, Himeno gave the Ghost Devil her right eye.
Power questions the logic of Himeno telling her all about her power, threatening Kobeni, only for Himeno to reveal this as a non-issue by threatening to strangle Power with the Ghost Devil’s hand.
Due to the dead Devil not creating any reaction from the Gun Devil flesh, the group decide this is not the Devil they were hunting, so they go up the stairs to search the ninth floor… only to emerge onto the eighth floor.
Arai notices this and runs back down the stairs, quickly emerging at the top of the eighth floor stairs, confirming to everyone that they are in a loop, as Kobeni timidly stammers in horror, bringing an end to the episode with the next ED, “In the Back Room” by Syoudo.
Overall, “Gun Devil” is another solid Chainsaw Man episode, with plenty of funny moments and excellent animation throughout.
Some of the shot composition was also great and, as for the story, Chainsaw Man seems to have finally introduced its main big bad of the Gun Devil.
I am looking forward to Episode Six, where we will see the explanation for why our characters are stuck on the eighth floor.

Manga Spoilers:
Okay, now that I am in the spoiler section, I can stop acting like the Gun Devil is the big bad.
The story does a great job with the misdirect, however, as it is introduced through Makima, the true antagonist of Chainsaw Man Part One.
It was also nice to get out introduction to Kishibe this episode, though he is not named.
Kishibe is one of my favourites from the manga so I am looking forward to seeing more of him, and Kenjiro Tsuda was definitley a great choice to voice him.
Another interesting detail in the episode is the first instance of the town and country mouse story.
We see Aki’s parents read this story to his brother before their deaths and this story is important because of how it relates to Denji.
Denji was a “country mouse”, living a life in squalor, wishing for bigger things.
So, he became the “town mouse” moving to the city and becoming a Devil Hunter for a better life, despite the extreme danger of the job.
The symbolism of this story will be further explored when we eventually get to the Bomb Girl Arc, which will introduce Reze.
We will probably have to wait for the next season to see this, though, since I think this one is only supposed to have twelve episodes.
If the high quality of animation continues, however, you certainly will not hear me complaining.