Watchmen Episode Nine, See How They Fly Review. Satisfying, Yet Disappointing.

4 stars
And that’s a wrap.
HBO’s Watchmen has concluded with its final episode, “See How They Fly” directed by Frederick E.O Toye, and, honestly, I’m a little disappointed.
That is not to say that I did not enjoy the finale because I did.
However, compared to the incredible episodes that came before “See How They Fly” is more on par with the first few episodes of the series.
Not only this, but there are multiple things that are set up throughout the season but many of them do not pay off here.
A prime example of this is Laurie Blake, who has such a minor role in this finale, despite being hyped up in the third episode.
In that episode, Laurie’s relationship with Dr Manhattan is shown to be very important to her character, and we are reminded of this in the seventh episode when Cal is revealed to be Manhattan.
So, how do these two characters interact in the finale?
Well, they don’t.
Laurie and Manhattan were shown to be intrinsically tied together in this story and yet there is no moment where they talk.
Laurie barely even reacts when she learns of his death.
And then there is Looking Glass, who is also pushed to the side.
The only role he and Laurie have is arresting Ozymandias at the end but they do nothing to progress the overall plot.

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Despite both characters having an entire episode focused around them, Laurie and Looking Glass serve almost no role in the finale.

And what the hell was the point of Lube Man anyway?
I know the Peteypedia hints at Petey being Lube Man but you don’t just put a scene into an episode that looks to be important only for it to be relegated to internet content.
Speaking of setup things not having importance, remember when that guy showed up on Angela’s doorstep wanting to see her and Cal’s kids?
He is never seen again so who was he and what was his point?
I know I am hating on this finale a lot but I do want to say that, even though I was disappointed, there are still a lot of great things about it.
My favourite part of “See How They Fly” has to be the Ozymandias scenes.
I loved his opening escape from Europa with Trieu being revealed as his daughter, like many had predicted.
By far the best scene, though, is the callback to the Watchmen graphic novel where Ozymandias catches a bullet fired by the Game Warden.
As he kills the Game Warden, we learn that Ozymandias made him wear a mask to make him cruel as his entire conflict with him was created by Ozymandias to have a worthy adversary to keep him sane, even if he does not consider the Game Warden worthy.
This is certainly not the last mask metaphor in the episode either.

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Fabricating an entire mortal enemy storyline to keep himself entertained is classic Ozymandias.

Upon returning to earth, Ozymandias is dragged along by Trieu, who plans to transfer Dr Manhattan’s powers to her like the Seventh Kalvary do, but she hopes to use his powers to create world peace.
However, being Ozymandias’ daughter, she is, of course, a narcissistic megalomaniac, so cannot be trusted with such power.
Hong Chau does an amazing job portraying Trieu’s crazy side as she reveals that Joe Keene Jr. has deservedly been reduced to a puddle of gore.
I also really enjoyed her nonchalant reply to Jane Crawford saying she’s going to kill them of, “Oh, yeah. Of course I am.”
But then, Dr Manhattan transports Ozymandias, Laurie and Looking Glass to Ozymandias’ Antarctic base to “save the day.”
There, they turn the squids Ozymandias had been using to simulate an alien invasion into deadly projectiles to stop Trieu from achieving her goal.
Before this, though, we get the death of Dr Manhattan as Trieu transfers his power.
This was a genuinely sad moment but it was  a little tacky, considering how off Dr Manhattan still looks.
After his death, Trieu is stopped by Ozymandias’ plan as the squids rain down and, just before Trieu is killed, a Jesus on the Cross stand falls just as Trieu’s illusions of godhood fall.
She is crushed by her Millennium Clock or, more appropriately, her own hubris.
Taking refuge in the same theater where Will Reeves sat as a child as the Tulsa Massacre took place, Angela finds her grandfather caring over her children.
Will reveals how this was all part of Manhattan’s plan and, in my second favourite moment of the episode, he explains to Angela that what he felt when he became Hooded Justice was fear and hurt, not anger, and that “you can’t heal under a mask, Angela. Wounds need air.”

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Will’s line about masks during this scene is instantly iconic.

The music during this moment is also exceptional.
I have to say that I really liked how this show expanded on Hooded Justice and made him a much more interesting character than the original did.
Will and Ozymandias have the best moments of the series by far.
Speaking of Ozymandias, like I said, he is arrested by Laurie and Looking Glass near the end of the episode.
Looking Glass doing this does bring an end to his arc but it was a small part given what came before.
Hopefully, if we get another season then we can see more of him.
If we do get a continuation, though, I have no idea how they are going to follow up the big cliffhanger, which leaves it up to the audience to decide if Angela inherited Dr Manhattan’s powers when she ate the egg he left her.
The final shot of Angela about to attempt to walk on water but cutting away before it can be revealed if she can reminded me a lot of the open ending to Christopher Nolan’s Inception.
As soon as I saw her foot descending to the water, I knew it was not going to show us.
Still, it is a great shot to finish the finale on, whether this is the last we see of the show or not.
Overall, I found “See How They Fly” to be a satisfying conclusion, although somewhat disappointing with its usage of characters like Laurie and Looking Glass.
However, for characters like Angela, Will, and Ozymandias the end was more than worth the wait.
That is if this is the end because, in the words of Dr Manhattan himself, “nothing ever ends.”

Watchmen Episode Eight Review: A God Walks Into Abar… Oh, I Get It!

4 and a half stars
After Watchmen‘s biggest twist yet in Episode Seven, Episode Eight “A God Walks Into Abar” sets about explaining that twist, starting off with the great pun of a title.
This pun comes from the beginning of the episode when Dr Manhattan both walks into a bar and walks into Abar with the intention of starting a relationship with her, which he already knows will happen because of his ability to see the past, present and future simultaneously.
Nicole Kassel returns to direct “A God Walks Into Abar”, which is almost entirely from Dr Manhattan’s point of view across time.
Yahya Abdul-Mateen II does a fantastic job as the character, portraying a perfect mixture of uncaring and caring that creates that enigma that is Dr Manhattan.
Although, I will say the effects and makeup do make him look a little cheesy, which did draw me out of the scene on a few occasions.
These moments are relatively minor, though, and the scenes with Dr Manhattan’ first meeting with Angela are amazingly shot through how it avoids showing his face.
Mateen II and Regina King have great chemistry throughout the episode and it was very investing to watch Angela go from skeptical but interested in Dr Manhattan to in love with him as time passed.

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Angela and Dr Manhattan’s relationship is done very well with both actors doing a fantastic job.

Dr Manhattan’s love for Angela is also brilliantly portrayed through how he experiences time.
The moment he falls in love with her is when she tries to save him from the Seventh Kalvary many years after the get together.
However, because Dr Manhattan experiences time simultaneously, he was already in love with Angela when he met her because he knew of this moment.
Sadly, Dr Manhattan also seems to know of his imminent capture, which he allows to happen, either because he is a victim to time or because he has some other plan.
I guess we will just have to wait and see which one it is.
He did say that Angela had to remember he could walk on water so that has to be important.

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There are numerous theories about other characters obtaining Dr Manhattan’s powers like Angela and Will.

“A God Walks Into Abar” also goes about explaining many of the mysteries surrounding both Dr Manhattan and Ozymandias and Will.
We see how Angela chose Cal’s body for Dr Manhattan to impersonate, hence why he appears as he does, and Will learns of Crawford’s involvement with Cyclops and the Klan robe in his closet because of Dr Manhattan conveying a question to him from Angela in the present.
This creates a time loop that raises the interesting question of if Crawford was as bad as he seemed?
Will’s information about Crawford was not gained first hand and Crawford did later tell him he was trying to help.
Although, again, this did come with some racist undertones when he said it so maybe I am looking too deep into it.
As for Ozymandias, we finally got an answer to why he is on Europa and who created the clones that served and arrested him.
They were made by Dr Manhattan, who he based off a couple he met as a child that asked him to build something beautiful when he grew up.
And, when Dr Manhattan obtained a Tachyon device from Ozymandias that allowed him to live as Cal by losing his memories, he rewarded Ozymandias by sending him to Europa to be served by the clones.

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Ozymandias thinks he is entering his own personal heaven when he gets sent to Europa when, in reality, it is his hell

The reason the clones served Ozymandias to the point of death is because they were created to always put others before themselves, which is why Manhattan left and why Ozymandias now wants to.
Initially happy in this paradise, he grew bored of it all and now wants to return to his millions of children on earth like the delusional maniac he is.
However, because the clones’ one rule is that no one is allowed to leave, he is imprisoned.
This is when Ozymandias is confronted in a post credits scene by the Game Warden who reveals he was the first to be created by Dr Manhattan, essentially making him the Adam of Europa.
But this raises the question that if he is Adam then what happened to Eve?
Perhaps we will find out next episode?
In any case, the episode then ends with Ozymandias discovering a clone has mistakenly put a horse shoe in his cake, which allows him to initiate a plan to begin his escape back to earth.
Considering that next episode is the last one, I am not sure how this will happen.
In fact, I would say that I am slightly concerned about how all the different plot points like Ozymandias, Dr Manhattan’s capture, Trieu and Will’s plan, Laurie, Looking Glass, and of course Lube Man, are going to come together for the final episode.
Still, Watchmen has been fantastic so far so I have to put faith in that they can pull it off.
“A God Walks Into Abar” is another fantastic episode of the series and it will be interesting to see how it all ends in the finale.

Watchmen Episode Seven An Almost Religious Awe Review: Another Fan Theory Confirmed.

4 and a half stars
I really need to start paying more attention to the Watchmen fan theories.
First, I rejected the Will is Hooded Justice theory because it did not make sense for everyone to think he was white but then it turned out to be true.
And then, I rejected the theory that Angela’s husband Cal is Dr Manhattan in disguise because he was supposed to be on Mars.
Well, David Semel’s episode seven of Watchmen, “An Almost Religious Awe” proved me wrong again because, you guessed it, Cal is secretly Dr Manhattan.
Although, I guess it is not so much of a secret now because the Seventh Kalvary know and are planning on capturing him and giving his powers to Senator Joe Keene Jr.
This actually explains how Angela survived the White Night.
Dr Manhattan saved her from the Seventh Kalvary but someone probably saw this and reported back, leading to the plan to turn Keene into the new racist Dr Manhattan.
Speaking of Keene, after episode five, I speculated that he might just be using the Seventh Kalvary and may not actually be a full on racist.
Well, I was wrong again because Keene is definitely that, complaining that it is difficult to be a white man in America… while he is a senator.
Hypocrisy at its finest.

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Sure, some of the white citizens of Nixonville are not well off, but Keene is a senator, Crawford was the chief of police and the president of the United States is Robert Redford, a white man. Is it really so hard to be one in the Watchmen universe?

In any case, Keene explains his plan to Laurie Blake who is captured by Chief Crawford’s wife in a scene that felt kind of stupid with how easily she was trapped.
Didn’t she used to be a superhero?
And I know in Watchmen the superheroes don’t have powers, except Dr Manhattan, but I would have thought Laurie would at least be skilled enough as an FBI agent and former hero.
On another note, it will be interesting to see how Laurie reacts to learning Cal is her ex Dr Manhattan.
It should create drama between her and Angela but they will probably be too occupied dealing with the Seventh Kalvary to worry about it.
It just remains to be seen who will rescue Laurie.
Will it be Looking Glass or the greatest hero of them all Lube Man?
Jokes aside, we get more hints to future reveals, mostly through Lady Trieu who reveals that Bian is a clone of her mother, as expected, and that her father will be joining them soon.
This has caused many to speculate that Ozymandias is her father and the message he sent was “SAVE ME DAUGHTER.”
I dismissed the Hooded Justice and Dr Manhattan theories and I was wrong about those so I am not dismissing this one.
As for Ozymandias, he appears is a farcical and flatulent scene where he is put on trial by the clones, headed by the Game Warden.
His only defense is a massive fart he lets out before he is judged as guilty through a jury of peers, a pen of pigs.

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The Ozymandias scenes only continue to get weirder and weirder as the series progresses.

Ozymandias will probably not be executed, though, because he has to link up with the main storyline somehow.
I have heard a theory that the meteorite strike in the fourth episode was actually him landing on earth and he is now trapped in the statue of himself and this seems pretty likely to me.
After all, I certainly have to start paying more attention to fan theories after I dismissed two of them, only for both of them to be right.
I remember the exact moment Lady Trieu started talking about how Dr Manhattan was disguised as a human on earth and I knew instantly it was Cal.
Honestly, I should have realised it was true earlier with how many hints there were.
Will said that Dr Manhattan could appear as any race, subtly telling Angela that he knew her secret.
And then there was the moment I mentioned when Cal told his kids that there is no heaven, and that when you die there is nothing, which was very apathetic and classic Dr Manhattan.
After realizing that the theory was right, I sat back and watched as Angela hit Cal in the head with a hammer to release Dr Manhattan.
I remember praying that she had not just lost her mind and murdered her husband in a fit of insanity but, thankfully, he really was Dr Manhattan, leading to a great cliffhanger for the next episode.

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Imagine if Angela had actually gone nuts and killed her husband because she believed he was Dr Manhattan. That would have been traumatizing.

It will be interesting to see how his relationship with Angela began and what led them to this point, especially with Angela’s tragic backstory that was revealed this episode, with her parents being killed by a suicide bomber and then her grandmother dying of a heart attack before she could be adopted.
Overall, “An Almost Religious Awe” is another great episode of Watchmen that has me excited for how the final two episodes are going to play out.
I have no idea how the Seventh Kalvary plan to take down Dr Manhattan since he is a literal god but it will be interesting to see.

Watchmen Episode 6 This Extraordinary Being Review: The Beginning of Justice.

5 stars
Every episode of Watchmen just gets better and better and the sixth episode, “This Extraordinary Being” is no exception, being the best episode of the series so far.
Directed by Stephen Williams, the story follows a young Will Reeves (Jovan Adepo) as Angela experiences many of his memories due to the large amount of Nostalgia drugs she consumed in “Little Fear of Lightning.”
It is though her experiencing her grandfather’s memories that the fan theory of Will being Hooded Justice, the very first superhero in the Watchmen universe, is confirmed.
I was on the fence about this theory before it was finally revealed.
Although, I knew that it would make sense for the story thematically and that Hooded Justice’s costume could be representative of a black man surviving a lynching, I was skeptical because it would make no sense for everyone to think Hooded Justice was white if he was Will.
Thankfully, this did not turn out to be a plot hole because Will is shown to be applying makeup to make himself appear to be white, knowing that if the white public knew he was black he would be labelled a criminal.

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Everyone believing Hooded Justice was white was the one thing that kept me from believing the theory that Will was him so I’m glad they explained it with the makeup. 

This racist ideology of the community is proven time and time again by Will’s experiences, leading up to him becoming Hooded Justice.
We are given a front row seat at how corrupt and racially charged the police force is.
However, the truth of the matter is even darker because many of the police are revealed to be part of a secret KKK society known as the Cyclops.
This is slowly revealed through a member of the group named Fred (Glen Fleshler), who was arrested by Will for burning down a Jewish shop, being released without charge.
It is Will’s arrest of Fred that leads to the Cyclops targeting him, with him nearly being lynched by the racist cops.
Stumbling home, he then comes across a couple being attacked and, driven by his trauma both old and new, dons the hood and hangman’s noose and charges in to help, becoming Hooded Justice.
While in most stories this would be the start of an inspirational story of Will triumphing over evil, this is not how it works in Watchmen‘s world.
With the exception of his wife, June (Danielle Deadwyler), who was the baby Will rescued after the Tulsa Massacre, he is very much alone in his fight.
Even his fellow heroes will not help, with Will’s lover, and leader of the Minute Men, Captain Metropolis (Jake McDorman) caring more about publicity than actually helping people.
As the years go by, the situation with Cyclops gets worse as no one listening to Will eventually leads to the organisation carrying out an attack by brainwashing a black audience watching a movie to riot.
Metropolis once again brushes Will off about the threat the group poses and this, combined with more racist taunts from Fred, causes Will to take matters into his own hands, killing Fred and many members of the group.
He even steals one of their brainwashing devices to fight back, only to find that he has alienated June and his son, with them going back to Tulsa because of his anger.
From here, the episode cuts to many years in the future to reveal that Will really was the one who killed Judd, using his brainwashing device to have him kill himself.
This is one of the most interesting scenes of the episode because it shows a lot about both characters.

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The scene between Will and Judd was probably my favourite of the episode.

For one thing, it raises a whole lot of questions about Judd and his involvement with the Kalvary, which appears to be descendant from Cyclops.
Judd tells Will he is trying to “help you people” but the “you people” part does seem to have some kind of racist implications.
Still, I think there may be more to Judd than him just being a completely evil Kalvary member.
As for Will, I love the moment when Judd asks who he is and Will replies “justice.”
In the years since we last saw him, Will has thrown away the hood, no longer hiding, and this line perfectly portrays that.
Now, as to what happened between the time Will killed the members of Cyclops and his killing of Crawford is a complete mystery.
There is a lot of years between these two points so it will be interesting to see how he became involved with Trieu.
Speaking of her, Angela wakes up in her care but how she got there is unclear right now as well.
From the promo for next episode, I can guess we will learn more about Angela’s past in Vietnam, which could also lead to us learning more about Will and Trieu.
Back to “This Extraordinary Being” I have got to say that the direction of the episode is incredible.
The representation of the trauma Will has with the constant colored in hallucinations of the Tulsa Massacre is very disturbing, especially when Will hallucinates that the car driven by Cyclops police members is dragging dead bodies.
Along with this, the passing of time is also portrayed brilliantly, as are the transitions between Will and Angela as she experiences his memories.
Probably the best example of this comes when the memory literally freezes in place as Laurie and Cal try to get Angela out of there but fail to do so.

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This moment when the memory freezes as Laurie and Cal try to pull Angela out of it is a great shot.

I was also pleasantly surprised to find just how many historical elements have been thrown into this episode, like the first black police officer of New York, Samuel J. Battle (Philly Plowden), who makes a brief appearance.
“This Extraordinary Being” is easily Watchmen‘s best episode so far.
The only issue I have with it is that it doesn’t really make sense for Will to be kidnapped by three Cyclops members so easily, only to be beating them to a pulp with relative ease not long after.
Other than this minor problem, though, “This Extraordinary Being” is a fantastic episode that manages to be dark, depressing, and full of many great character and historical moments, supported by the top notch direction.

Watchmen Episode Two, Martial Feats of Comanche Horsemanship, Review: “Friends in High Places” Indeed.

4 stars
The mystery deepens in the second episode of Watchmen “Martial Feats of Comanche Horsemanship”, with Angela beginning her investigation into the death of Chief Crawford.
Her prime suspect is the 105-year-old Will who claims to have “strung up your police chief”, despite looking physically incapable of doing so.
Directed again by Nicole Kassel, episode two dives head first into the interactions between Angela and Will as the costumed detective tries to learn the truth from him.
An interesting point to note is that, as far as I can remember, Will never outright says he murdered Crawford.
Again, he merely states that he “strung up your police chief.”
So, while he may have had a hand in hand in hanging Crawford, he may not be behind his murder.
Although, Looking Glass later says Crawford did die of asphyxiation, likely from being hung, so I may be wrong about that.
Or maybe he was killed elsewhere before being hung.
Either way, Crawford’s murder is not the only mystery surrounding Will because it is revealed that he is Angela’s grandfather at the end of the episode.
One thing I did find interesting was that it was mentioned that Will has two descendants.
This means, along with Angela, there is one other character who is descended from him.
Following the realization that Will is her grandfather and realizing he will not cooperate, she decides to take him in, ignoring his claim of having “friends in high places.”
This comes back to bite her when, after putting Will in her car, a magnet descends from the sky and picks up the car with Will in it, flying off.
“Friends in high places” indeed.

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Will disappears with a smile as he is rescued from Angela’s custody. 

The scenes between Angela and Will are great as they continue to build in suspense and anticipation for the reveal of the conspiracy Will claims is currently happening in Tulsa.
The only weak moment came in the aftermath of Crawford’s murder, where Angela lets out a cry of anguish that seemed kind of artificial to me.
Aside from this small moment, though, their interactions are very good.
There are already multiple theories surrounding Will, including one that he was Hooded Justice who appears on a TV show called “American Hero Story”in a brief yet interesting scene that speaks to Angela’s character.
Supporting this theory, is the opening scene where Will’s father is fighting in World War One and sees a German pamphlet that urges black soldiers to come over to their side where they will be treated fairly, and Hooded Justice was thought to be German.
Speaking of theories, I also like the one that Crawford was the Seventh Calvary member who shot Angela.
In a flashback of the White Night, Angela is shot and about to be killed by one of their members but then it cuts to her waking up in the hospital with Crawford beside her.
However, none of these scenes are my favourite of the episode.
That award goes to the scene where we get to see Ozymandias’ play.
This moment proves to be the most confusing yet interesting scene in the show so far, with his production of Dr Manhattan’s transformation being particularly disturbing and also somewhat comical.
We watch as he literally burns his assistant Mr Phillips to death to simulate Dr Manhattan’s transformation, upon which it is revealed that all of his assistants are clones.

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Watching Ozymandias burn one of his clone servants to death, only for the next clone to eagerly take their place, is both disturbing and oddly comedic.

Why Ozymandias has all these clones and what exactly he intends to achieve by making this play for himself is uncertain.
One thing is clear, though, and that is that he has been deeply affected by his last meeting with Dr Manhattan, remembering his last words to him before he departed, “nothing ever ends.”
I am probably looking forwards to Ozymandias’ scenes the most in future episodes as Jeremy Irons is doing a great job.
Other notable scenes in this episode include the discovery that Crawford may have been in the Ku Klux Klan, and the touching moment where Looking Glass reveals that, despite seeming completely cold, he is actually crying under his mask.
Overall, I would say that “Martial Feats of Comanche Horsemanship” is another great episode of Watchmen that, while not as enjoyable as the first episode, deepens the mystery and creates more interesting questions for the show to answer.
Let’s just hope those answers will be satisfying.

Watchmen, Episode One, It’s Summer and We’re Running Out of Ice Review: A Solid Start.

4 stars
Alan Moore’s Watchmen is one of the greatest graphic novels of all time, and while a lot of people did not like its 2009 adaptation, directed by Zack Snyder, I enjoyed it for what it was.
So, when it was announced that HBO would be creating a follow up series to graphic novel, under Damon Lindelof, I was pretty excited.
And, after watching the first episode, “It’s Summer and We’re Running Out of Ice”, directed by Nicole Kassel, I can say that this new show looks to be just as layered and complex as Moore’s original graphic novel, even if Moore has disowned the series just like the 2009 film.
The series takes place 34 years after the story of Watchmen in Tulsa, Oklahoma, where police now wear masks to protect themselves from a white supremacist terrorist organization, inspired by Rorschach, known as the Seventh Calvary.
Before this is revealed, though, the first episode picks up in 1921 with the Tulsa massacre, one of the worst incidents of racial violence in American history where potentially hundreds of black people were brutally murdered.
I found the inclusion of this disturbing scene to be very interesting because not only does it highlight the issues the series will be dealing with but also because it is made clear that this tragedy is somehow influencing the plot of the story.
In fact, one of the child survivors of the massacres appears in the present story as an old man (Louis Gosset Jr.) who goes on to hang the chief of police, Judd Crawford (Don Johnson), at the end of the episode, or at least he claims he did.
What exactly a massacre that happened nearly 100 years ago has to do with the current conspiracy in Watchmen is an interesting question and one I am anticipating to be explored in the future.

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I wonder what the Tulsa massacre could have to do with a conspiracy happening close to a hundred years later?

As for the present events of the episode, it all does a solid job of building up the story and characters.
Our lead character is Angela Abar, or Sister Night, (Regina King), a police detective who joins in on the manhunt of the Seventh Calvary after they gun down one of her fellow officers.
She already seems to be a very good protagonist, with her looking to eventually be caught up in whatever conspiracy is going on.
Another interesting character is Looking Glass (Tim Blake Nelson), a costumed detective who has learned how to tell when someone is lying.
Along with these interesting characters and the so far compelling story, the episode also raises a lot of questions.
There are the tiny alien squids that fall from the sky, which are smaller versions of the one Ozymandias sent to destroy New York in the graphic novel.
Then there is Ozymandias’ play about “the watchmaker’s son”, and his incredibly creepy servants.
Finally, there is the question of who really killed Chief Crawford.
This last one looks to be the big question of the season, with Crawford’s death being built up as a mystery just like the Comedian’s was in Watchmen. 
The final shot of the episode sees a drop of blood drip onto Crawford’s badge in a clear homage to the blood that dripped onto the Comedian’s badge in the graphic novel.
“It’s Summer and We’re Running Out of Ice” certainly does raise a lot of interesting questions and, with its good story and characters, this provides a solid start.

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It’s raining squids! Hallelujah!

My one big issue with the episode is how the Seventh Calvary are inspired by Rorschach.
As far as I can recall, Rorschach was not a white supremacist in the graphic novel.
Sure, he was far from a moral character and was bigoted in other ways but he interacted with black characters, like his prison psychologist, who he did not seem to hold prejudices against.
If anything, I think the Seventh Calvary is a group that Rorschach would be fighting if he was still alive.
So, the series acting like he was a white supremacist is actually problematic because anyone watching this show, without reading the graphic novel, would just assume he was one.
Because of this, I do hope the show makes it clear that the Seventh Calvary has warped Rorschach’s ideals to suit their own ends.

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The Seventh Calvary warp Rorschach’s quote from “all the whores and politicians will look up and shout save us, and I will look down and whisper, no”, to “all the whores and race traitors will shoout out, save us, and we will whisper, no.” I hope this appropriation and warping is addressed.

Other than this problem, though, I found “It’s Summer and We’re Running Out of Ice” to be a solid first entry in the Watchmen TV series and I am interested to see where it goes from here.