When Gentle and La Brava were first introduced in My Hero Academia, some anime fans worried that they would be impossible to take seriously because of their goofy nature, especially after the intensity Overhaul brought as the villain, last arc.
However, the 22nd episode of My Hero Academia‘s fourth season, “School Festival”, hopefully showed those who were concerned just how fantastic the two are, not just as villains but as characters.
The Gentle and La Brava vs Deku fight did go by a lot quicker than I thought it would in the anime, lasting only two episodes, however this does not change how fantastic the conclusion of their fight is.
By far the best aspect of it is definitely the backstory and character growth for the two wannabe villains, resulting in a tragic love story ending.
Let’s start with La Brava.
Her backstory shows how the current hero society is unequipped to deal with unusual Quirks.
In La Brava’s case, her Quirk is highly reliant on the love she feels for another person and, because of this, her love was thought to be creepy and she was considered a stalker by the boy she loved.
This caused her to close herself off, clinging only to the internet, and contemplating suicide.
It was then, in her darkest moment, that her “light” appeared.
She stumbled across one of Gentle Criminal’s videos and fell in love with him, vowing to help him carve his name into history.
And Gentle accepted her wholeheartedly, to the point that he even drew dark circles under his eyes so La Brava wouldn’t feel self-conscious about hers.
This flashback expertly brings across many different tones, from dark, like when La Brava considers suicide, to sweet, when Gentle accepts her, and humorous, when the two are shown comedically sneaking away from a police officer.
Their love story then blooms into the reveal of La Brava’s Quirk, Love.
This ability allows her to temporarily power up those she loves by declaring her feelings for them.
The reveal of this, with Present Mic narrating it in a calm voice, as opposed to his over the top loudness, highlights its impact.
And what an impact it has, because it temporarily allows Gentle to overpower Deku.
Only temporarily though, as Deku is back on his feet in seconds, ready to take on a now overpowered Gentle.
From here, the episode transitions into Gentle’s backstory, which is as equally tragic as La Brava’s.
Once hoping to become a hero, Gentle failed every entrance exam he tried at.
One day, he saw someone about to fall to their death and used his Quirk to try and save them, only for this to result in him impeding a hero attempting to save them, resulting in the person being seriously injured.
Treated like trash and kicked out by his own family because of this, Gentle was alone for years, until he came across one of his old school friends who had become a successful Pro-Hero.
Gentle was happy for him, when his old friend revealed he didn’t remember him at all.
Wanting to be remembered, Gentle decided to become a villain instead of a hero.
It is apparent that Gentle has a lot in common with Deku, as both wanted to become heroes and are now fighting for someone’s bright future, Deku for Eri, and Gentle for La Brava.
Deku himself points this out before defeating Gentle Criminal as a sobbing La Brava ineffectively hits him.
Realizing that UA teachers are closing in, and wanting to protect La Brava, Gentle uses the last of his strength to push Deku away to make it look like the fight never happened to make La Brava’s role seem less serious.
Embracing her as the teachers approach, Gentle declares to them he wants to turn himself in, bringing a tragic end to the episode.
I say tragic because, if this episode tells us anything, it is that Gentle and La Brava are not villains.
They are just people who were dealt a bad hand by the society they live in and are trying to change their fates.
Granted, they’re not doing it in a good way but, even so, that does not make them villainous.
They are truly tragic characters and we will learn more about their fate next episode.
The build up to this end was great as well, with not only a fantastic backstory for Gentle and La Brava, but great action sequences as well.
It was not quite as spectacular as it was in the manga but, admittedly, the anime does have a budget to maintain, and it looks like they are actually going to be adapting part of the Pro-Hero Arc this season, which will need great animation, so that’s a reasonable excuse.
As for the beginning of the episode, it just shows the various students and teachers preparing for the festival, which we will also see next episode, along with a scene that I have been anticipating for a while.
“School Festival Start” is another great episode of My Hero Academia, which proves that, while Gentle and La Brava are a little hard to take seriously initially, they are some of the best villains of the series.
In the sixteenth episode of My Hero Academia’s fourth season, Todoroki, Bakugo, Inasa and Cammie began their provisional licence course and came up against the most dangerous, manipulative and evil foe they have had to face yet… children!
In all seriousness though, “Win Those Kid’s Hearts” is an average episode of My Hero Academia because it serves as a clear example of when the manga is better than the anime.
This is evident through a lot of the humor, which were much funnier in the manga, like when Gang Orca throws Todoroki, Bakugo and Inasa away while screaming, “disciplinary action!”
On top of this, the character development is not as good as the manga because a minor flashback that helps Bakugo grow is left out entirely.
And then, there are the kids whose hearts they are trying to win over.
While their oddly very good psychological manipulation is very funny, the episode acting like they are some kind of big threat with intimidating music is very cringey.
The saving grace of “Win Those Kid’s Hearts” is definitely the humor and Endeavor.
Now, while I did say that the humor is a downgrade from the manga, a lot of it is still pretty funny and will honestly be hilarious for anime only viewers.
And then there is Endeavor, who has excitingly begun the character arc that has made him one of the manga’s best characters.
When I made my Top 10 My Hero Academia Characters list, Endeavor barely missed out but, with all that’s happened in the manga since then and looking back on prior chapters, he is clearly a better character than I gave him credit for and should have been on the list.
If you are an anime only, you may be confused about this since Endeavor is an abuser and are probably wondering how any character arc could make him likeable.
Well, to you, I say wait until the end of the season and then you will understand.
As for the current episode, Endeavor’s scenes are definitely the best because we get insight into his character, and already see how he has started to grow through seeking All Might’s help by asking him what it means to be the symbol of peace.
Endeavor asking All Might for advice is something he would never have done when he was first introduced, showing the pressure he is now under now with his new title as the number one hero.
This growth makes him the most interesting character of the episode.
Also, him constantly shouting “SSSSHHHOOOOOTTTOOOO!!!!!” is just really funny.
Overall, “With Those Kid’s Hearts” is an average episode of My Hero Academia.
It is definitely down there with “The Scoop on UA Class 1-A” as one of the weakest episodes of the season.
Still, it is a good episode what with the humor and Endeavor’s character development.
For an episode titled “Unforeseen Hope”, My Hero Academia’s twelfth episode of the fourth season is almost anything but hopeful.
The heroes just seem to get kicked down every time they get up this episode, with Overhaul utilizing his quirk in the most unique and disturbing of ways.
He actually destroys his and Nemoto’s bodies and then fuses them together to create an even more powerful form.
This goes to show not only how powerful Overhaul is but also how cruel he is, especially in comparison to the League of Villains.
Despite not being good people, the League actually do care about one another.
Overhaul, on the other hand, appears to not be capable of empathy at all, throwing his allies away like pawns and using them for his own gain.
This is taken even further with his treatment of Eri, as a flashback shows he cruelly dissembled and reassembled her every time her body got too tired to handle the experimentation.
Honestly, Overhaul is giving All For One a run for his money in terms of evilness.
Still, you cannot deny his intelligence in using his quirk the way he did, which even allows him to defeat Nighteye’s foresight, mortally wounding him.
Nighteye, a character who can literally see into the future, being defeated by Overhaul shows how much of a threat he is.
Not only this, but Nighteye’s foresight also predicts a dark future, as the hero says he saw that Overhaul would kill him and Deku before escaping with Eri.
Along with this, we also got more of an insight into Nighteye’s reasoning for not using his quirk, as he believes that by using it on All Might he has condemned his friend to a horrible death.
However, despite all this misery, I do suppose the episode title is right in one way as Deku promises to change the future and save Eri.
It will be hard for him to do so, though, because he will have to contend both with Overhaul’s over powered strength and his emotional manipulation of Eri, as shown when he uses Nemoto’s quirk to guilt trip her into coming back to him.
I just want to wrap her up in Lemillion’s cape and never let her go (epic foreshadowing).
In any case, alongside the great fight with Overhaul, we also got more insight into Rock Lock and the League.
Rock Lock’s development shows us why he was so tough on Deku and Mirio because he has a kid of his own and was just looking out for them.
As for the League, it appears they have made a new plan to make Overhaul “cry like a baby”, as Toga put it; something I will be very interested to see.
The episode ends with the party literally being crashed as Ryuko, Ochako, Tsuyu, and Nejire smash through the ceiling using the Eight Bullets member Rikiya Katsukame.
Overall, “Unforeseen Hope ” is another great episode of My Hero Academia.
My only big criticism is that I feel some of the shots of Overhaul’s new form look a bit off animation wise because of how static he is, which really drew me out of the action and drama.
Other than this, though, “Unforeseen Hope” is a crazy episode that is sure to lead to an even crazier one.
I have been anticipating the ninth episode of My Hero Academia’s fourth season “Red Riot” for a while because it was this moment in the manga that propelled Kirishima to one of my favourite characters.
Thankfully, the episode did not disappoint, adapting both Kirishima’s backstory and his and Fat Gum’s fight with Kendo Rappa and Hekiji Tengai perfectly.
“Red Riot” picks up from Tamaki’s battle with three of the eight bullets of the Hissaikai and sees Mimic send Fat Gum and Kirishima into a dark room where they are meet by Rappa and Tengai for a battle of spear and shield vs shield and shield.
In this case, Rappa and Tengai make for the perfect combination, with Rappa dealing out devastating blows as the spear and Tengai providing an almost impenetrable shield for them.
As for Kirishima and Fat Gum, their status as shields puts them at an instant disadvantage from Rappa’s punches, especially Kirishima who is hit so hard that his hardening starts to come undone.
Que, emotional backstory to inspire him to save the day.
In all seriousness, Kirishima’s backstory is one of the best in the series so far.
Kirishima always tried to help people but he lacked something to dive in head first.
In comparison, fellow student Mina Ashido had all the qualities of a hero in the making, protecting her friends from a gigantic villain (who will be important later) by giving him the wrong directions to a hero agency.
Kirishima witnesses this but is unable to act and this causes a massive blow to his confidence.
It is then that, as if by fate, he happens to see an interview from his favourite hero, Crimson Riot, who tells the story of how someone died because he did not act and now his biggest fear is being unable to act, which drives him forward.
Inspired by this, Kirishima set out to completely remake himself into a chivalrous hero, apologizing to the girls he did not help, (even though they have no idea who he is but that is not important) and even dyes his hair red, prompting playful teasing from Mina.
The scene between the two is very sweet and is what made me start to ship them when I read the manga.
Back to the situation at hand, upon remembering why he set out to become a chivalrous hero in the first place, Kirishima leaps in front of Fat Gum to protect him with a burst of inspirational music.
This allows Fat Gum enough time to transfer his quirk from a shield to a spear as he stores the power of the blows Rappa is unloading on him into pure energy, which he releases, along with all of his fat.
It is here that we get our first look at him without this fat and I am sure a number of Squidward “oh no! He’s hot!” memes will be generated from this.
In any case, it is with this release of energy that Fat Gum defeats Rappa and Tengai with the help of Kirishima.
Kirishima’s growth during this episode is fantastic, with his self doubt transitioning perfectly into his backstory, which then leads to his heroic return to the fight at the end of the episode.
Likewise, Fat Gum also gets his moment with the reveal of his spear attack.
It is not just Kirishima and Fat Gum that shines in “Red Riot”, though, as Rappa instantly stands out as the only member of eight bullets who does not follow Overhaul blindly.
The reasons for this will most likely be unveiled in the next episode and make him the most interesting member of the Hissaikai, with the exception of Overhaul himself.
Overall, “Red Riot” is the best episode of My Hero Academia‘s fourth season so far with Kirishima’s character arc being particularly exceptional.
After episode seven of My Hero Academia‘s fourth season “GO!” promised a followup, action filled episode with its cliffhanger, that episode “Suneater of the Big Three” delivers on this.
As the title suggests, the main character of this episode is Tamaki Amajiki, AKA Suneater, who goes on an emotional journey in his fight this episode, with plenty of parallels between him and the villains he fights.
These three villains are members of the eight expendable bullets, Toya Setsuno, Yu Hojo, and Soramitsu Tabe.
Thrown out and left for dead by society, these three were eventually taken in and brainwashed by Overhaul to fight for him to the bitter end.
“Even trash has its pride,” Yu states at one point, showing the extent that they have been influenced by their boss.
And, just as these villains are influenced by Overhaul, Tamaki is influenced by Mirio in a clear parallel.
As a child Tamaki had no self confidence until Mirio came along and inspired him to believe in himself, just like the villains were lifted out of their situation by Overhaul’s brainwashing.
This presents a two sides of the same coin parallel, where Tamaki has been correctly influenced and the villains negatively, leading to to conflict.
Tamaki’s battle with the villains is absolutely fantastic with both sides utilizing their quirks with ingenious tactics.
Toya and Yu make a great combination, until Tamaki uses his Chimera Kraken technique, forcing them to call in Tabe to even the odds again, only for Tamaki to outwit them and finally take them down.
The constant back and forth on who was winning this fight made for an intense battle where the viewer would have been unsure of who would win right to the very end.
As for other moments in the episode, they are also very well done, with another great display of Sir Nighteye’s quirk and plenty of heart warming flashbacks to Tamaki’s friendship with Mirio.
All in all, “Suneater of the Big Three” is the best episode of season four so far.
However, it will almost certainly be overtaken next episode, which will see an even more intense fight with Kirishima, along with revealing his backstory, which I am very excited to see animated.
The sixth episode of My Hero Academia‘s fourth season, “An Unpleasant Talk” sees the beginning of the formation of the plan to take down Overhaul, along with the reveal of the dark truth behind Eri.
It is a exposition heavy episode, which may not please some, but is necessary to pushing the story forward and also gives us insight into many of the characters, specifically Deku, Mirio, Nighteye and Overhaul.
Starting with the villain of this arc, the reveal of Overhaul’s cruel nature is adapted perfectly with the great image of him symbolically looming above a captured Eri, with the viles containing her blood floating around them.
This symbolic image is undoubtedly one of the series’ darkest visuals with its reveal that Overhaul is experimenting on Eri to create a drug that will remove people’s quirks.
Along with this, it really goes to show how cruel and uncaring of a person Overhaul is, as he is willing to hurt anyone, even children, if it furthers his goals.
The affect this has on Deku and Mirio is immediate as they are both instantly full of guilt upon realizing what is happening to Eri because they failed to rescue her.
The weight of the guilt they now have on their shoulders will now drive their story throughout this arc, as proven by Deku being so distracted that he cannot continue his school work properly.
Along with him and Mirio, Nighteye also has a heavy burden, refusing to use his foresight on any of the task force members he has assembled to take down Overhaul and rescue Eri.
The reasons for this are clear, based off episode four’s flashback to his fight with All Might.
Nighteye predicted his eventual gruesome death and he does not want to risk predicting any similar fate for his fellow heroes.
However, such a fate will need to be risked by these heroes if they want to save Eri.
Her situation is made abundantly clear in the post-credits scene with one of Overhaul’s minions trying to win her trust with gifts and fake affection.
However, Eri can only think of Deku, having never experienced the kind of warm embrace that he gave her.
Thankfully, the rest of the episode is not as depressing as this because there are some light hearted moments towards the beginning.
Moments such as Tsuyu and Ochako saying how cute Fat Gum is, only for him to offer them candy, brought a smile to my face.
One bit that also made me laugh was the Beatles reference where Deku, Ochako, Tsuyu, and Kirishima are shown walking across the street just like the band did on Abbey Road.
I wonder what brought on that reference?
In any case, “An Unpleasant Talk” is a solid episode of My Hero Academia that, while mostly exposition, sets up the goals and fears of its characters very well.
I said in my Top 10 My Hero Academia Characters post that Kirishima became one of my favourite characters because of the Overhaul arc and the fifth episode of season four “Let’s Go, Gutsy Red Riot” is the start of that.
This really was Kirishima’s episode, building up his development for this arc nicely with a great starting point as we see him begin his work study with the hero Fat Gum and Tamaki.
Speaking of these two, they are also two characters who I am excited to see more of as they grow as characters and use their quirks.
Fat Gum’s quirk is absorption, which allows him to entrap enemies, and Tamaki’s quirk is manifest, which allows him to take on the qualities of whatever he eats.
It is Kirishima’s quirk that takes center stage this episode though, with him developing a new technique Unbreakable to fight a minor villain (which may be a reference to the M. Night Shyamalan film, or maybe I’m reaching).
This villain takes quirk enhancing drugs, forcing Kirishima to use his new move to protect civilians in an epic moment that was perfectly adapted from the manga.
The music and animation here are stellar and the only problem is that it is a bit distracting at how stupid the civilians are by not getting out of the way.
Although, this does not take away from Kirishima’s achievements, thankfully, with him beginning his development for the season upon remembering some advice from Bakugo.
This also goes to show just how much Bakugo has changed because he most likely would have yelled at Kirishima when they first met rather than give his friend the advise he needed.
Back to Kirishima, after Fat Gum manages to successfully capture the villain we get brief flashes to Kirishima’s backstory, which will play out in a future episode.
I also like how vague these flashes are because they will probably leave many anime only viewers wondering what they are seeing until it is officially revealed.
Along with Kirishima’s development, we also get our first look at the quirk removing bullets developed by Overhaul, which the minor villain uses to temporarily remove Tamaki’s quirk.
This bullet is revealed by Shigaraki in his meeting with Overhaul, which leads to Shigaraki agreeing to a form of partnership, though under very tense circumstances.
Less tense is the opening fight sequence where we see Ochako and Tsuyu on their work study with Nejire and the pro hero Ryukyo.
Their scene was mainly used to show what the two Class 1A students are doing and to highlight Nejire’s quirk but it has fantastic animation in the opening fight.
It is also here that a meeting between many pro heroes led by Sir Nighteye is first brought up.
This meeting to discuss the threat Overhaul poses will appear next episode and fully unveil the disturbing truth about his quirk removing bullets.
Overall, “Let’s Go, Gutsy Red Riot” is another solid episode of My Hero Academia with a great starting point for Kirishima’s character arc.
“Boy Meets…” is the perfect title for My Hero Academia season four’s third episode because it is all about Deku meeting and interacting with multiple characters for the first time.
Sir Nighteye is the the most obvious meeting, with more than half the episode focusing on him and Deku’s interactions.
Their conversation and later game did a great job of emphasizing the parallels between them, with multiple similarities and differences.
Despite Nighteye not liking Deku because of how he views him as usurping Miro’s chance of inheriting One For All, they are still similar with the both of them being massive All Might fans with their own ways of showing that.
Nighteye looks past these similarities, though, still not believing Deku to be worthy of One For All and tests him by having Deku try to defeat his quirk foresight, which allows him to accurately predict his decisions for an hour.
Deku both fails and succeeds in the test, failing to grab the stamp Nighteye is holding but succeeding in making sure he does not damage all of Nighteye’s All Might merchandise.
This shows that Deku is able to multitask in his fighting, proving himself to Nighteye, even if he was planning to accept him no matter what.
However, Nighteye’s intentions in accepting Deku are not entirely pure because he hopes to convince him to give up One For All to Mirio.
This meeting sets up both Deku and Nighteye very well for their arcs in this storyline.
What is by far the most exciting scene, though, is Deku’s second meeting of the episode with Eri and Overhaul in the after credits scene.
I am overjoyed to see Eri make her appearance in the series because she is one of my favourite characters and the centerpiece of the season.
Deku’s meeting with her and Overhaul also gets the ball rolling for the big story of the arc so I cannot wait to see this first meeting truly play out next episode.
Aside from these two well done first meetings, the rest of “Boy Meets…” is more decent setup that is actually anime original.
The scene of Aizawa informing Uraraka and Tsuyu that Nejire wants to talk to them, and telling Kirishima that Amajiki wants to meet with him, is probably added to provide a starting point for where we will see these characters in subsequent episodes.
Most interesting, though, is the moment Aizawa tells Tokoyami that the Number Three Pro Hero, Hawks, has offered him an internship.
For those of you expecting to see the two working together, I would not get your hopes up.
This is because Hawks does not have a role in the arcs season four will be covering and will not get a big part in the story until the fifth season.
As a result, this mention of Hawks is most likely just fan service to hype up his future appearance.
Although, who knows?
Maybe we could get an anime only scene of Hawks and Tokoyami’s internship this season.
That would be interesting.
Overall, “Boy Meets…” is a good setup episode for My Hero Academia that both builds up Nighteye’s character arc and gets the ball rolling with Overhaul and Eri’s role in the story through them meeting Deku.
It will be great to see the first interaction Deku and Mirio have with Overhaul and Eri in the next episode.
After seeing Makoto Shinkai’s fantastic Your Name, I immediately bought a ticket to his next film Weathering With You, which I had the pleasure of watching last night.
And, yes, I said pleasure because Weathering With You is another great film from Shinkai.
While I did not feel as emotionally involved as I did when watching Your Name, I still cannot deny that Weathering With You is a mesmerizing film with amazing animation, relatable characters, and an intriguing story.
The story follows Hodaka Morishima (Kotara Daigo), a high school student who runs away to live in Tokyo, which is experiencing an unusually long sequence of rainfall and storms.
It is there that he meets Hina Amano (Nana Mori), a girl with the power to make the sun come out through prayer.
What follows is a moving romance between the pair as they work together to bring sunshine to the people of Tokyo.
The first thing I have to praise about Weathering With You is, of course, its incredible animation.
Shinkai is an absolute artist when it comes to animating his films and Weathering With You is no exception, having numerous jaw dropping shots of animation.
The way the rain and sun look in this anime is just gorgeous, which serves to bring the audience into the story a lot more.
As for the story itself, the romance of Hodaka and Hina being wrapped up in this supernatural plot provides numerous interesting and moral questions about climate change that I found to be quite compelling.
The movie is also pretty funny as well, with probably my favourite gag being the cat Rain’s constant judgmental looks.
The side characters of the film are also likeable and you understand where a lot of them are coming from.
For example, a man that Hodaka meets upon arriving in Tokyo, named Keisuke Suga (Shun Oguri), had an interesting motivation by the film’s third act that, while never outright stated, was heavily implied, making his involvement more interesting.
The music is also great with the song “Grand Escape”, which played in the trailer, being particularly special.
There are even appear a few Your Name cameos for fans of that film as well.
Speaking of Your Name, though, this is where I have a problem with Weathering With You because it follows a lot of the same story beats as Shinkai’s previous film.
I remember sitting in the theater and thinking, this is just like Your Name!
This did not ruin the experience but it was pretty noticeable by the film’s third act and ending.
Still, I found Weathering With You to be another great Shinkai film, and is one I would highly suggest watching in theaters so you can see the gorgeous animation on the big screen.
It is my favourite animated film of the year so far.
When I reviewed A Silent Voice a few weeks ago, I said that it was probably my favourite anime.
Well, after seeing Makoto Shinkai’s Your Name, I can now say it has some serious competition for that title.
Like A Silent Voice, I had heard a lot about Your Name before I finally watched it.
I knew it was a body swap anime with romance but that is all I knew about it.
And you know what?
I am so glad that I did not know anything else about it because Your Name absolutely blew me away with its brilliant story twists.
This was surprising to me because, from what I heard of the plot, I thought I would find the anime a little too sappy and cliche for my tastes.
Thankfully, this was far from the case.
The anime follows two high schoolers, Mitsuha Miyamizu (Mone Kamishiraishi) who lives in the small town of Itomori, and Taki Tachibana (Ryunosuke Kamiki) who loves in Tokyo.
Both lead normal lives until the two begin to mysteriously switch bodies every so often.
As they struggle to deal with this strange situation, they gradually learn more about one another and start to develop feelings for each other.
And that is all I will say about the film because, as I said, I love the direction the story takes and I do not want to spoil it for you.
The twists are engaging and add so much tension to the story, which is supported by the buildup of Mitsuha and Taki’s relationship.
I do not often enjoy romance films but this one was so moving I just could not help but get invested.
There were quite a few times towards the anime’s ending that I ended up crying.
I also laughed a lot too, and I do not think there is a single joke that does not land.
One of the things I find interesting about Your Name is the Japanese elements that I missed on the first viewing, like the Red String of Fate.
When I researched this it made the themes of the film even more engaging.
Along with this, and the engaging story and romance, one of the big things that stuck out about Your Name to me was its absolutely gorgeous animation.
My jaw dropped multiple times in the first few minutes because I was astonished at how beautiful it all looked.
From viewing this film, and looking up his prior works, it is clear that Shinkai is an artist when it comes to animating his films.
With its beautiful animation, great story telling, and investing romance, Your Name is another anime film that should have been nominated for an Oscar, however, (aggravatingly but predictably) it was denied this.
One interesting thing to note, though, is that Shinkai did not want Your Name to win an Oscar and actually advised people to stop watching it.
This is because the film is “incomplete” according to him since they ran out of money.
But, I think Shinkai is being too hard on himself.
From what I hear about what was supposed to be in the finished product, I actually think Your Name works better without these scenes, for the most part.
The one thing about the film that I think could have been done better is the relationship between Mitsuha and her father, which does not get a resolution.
However, the rest of the movie is so engaging and moving that it overshadows this one issue by a wide margin.
Want to know how much I loved Your Name?
I loved it so much that, after finishing it, I immediately bought a ticket to see Shinkai’s next film Weathering With You, which I will be seeing on August 22.
Your Name is a fantastic anime film.
It has jaw dropping animation, a thrilling story, and a romance that will make you tear up by the end.