Chapters 164 and 165 of Chainsaw Man, “Charred Remains” and “Everyday Scenery” are short chapters, which could potentially be building up to the return of a missing character.
Chapter 164, “Charred Remains” begins right after Denji’s balls were attacked by Yoru and Katana Man.
Denji, however, has his priorities clear, being desperate to find Nayuta.
Yoru holds no interest in this, but Denji’s pleading is enough to allow Asa to regain control of her body and ask him what happened.
Denji then takes the group to the remains of his burned down apartment.
We see Denji mindlessly sifting through the rubble like a grief driven zombie, while Asa and Yoru try to coax him into fighting them.
Yoru is blunt and cruel, telling Denji that Nayuta is dead and that he should face reality.
I know Fujimoto likes to kill off his characters, but I cannot imagine he would kill Nayuta off screen.
She’ll show up again.
That way Fujimoto can kill her on screen.
Dark humor aside, Asa attempts to coax Denji into a fight are much more sympathetic.
Although, telling someone, “I know how it feels when a family member dies because of you” is probably not the most sensitive thing to say.
Well, at least she’s trying.
Asa’s earnest attempt to comfort Denji naturally frustrates him, since Asa seems to be acting mean one moment and kind the next.
Denji still does not know about the existence of Yoru but, knowing Fujimoto, he will hit him with that revelation when it is most painful.
Realizing she’s not getting through to Denji, Asa asks Fami for help who, predictably, thinks Denji won’t fight because he’s hungry.
“Hunger makes you negative,” she says and, once again, I have to state how constantly amusing I find it that the literal Famine Devil is such a glutton.
Going along with Fami’s suggestion, Asa tells Denji to name whatever he wants to eat.
However, when Denji decides upon sushi, Asa immediately backtracks, telling him she hates sushi more than anything.
“What a bitch!” Katana Man declares and, when he of all people is calling you that, you know you’ve screwed up.
“Charred Remains” then ends with another prime Asa reaction shot to add to the collection, as she ruefully realizes she’s going to have to get Denji sushi.
Chapter 165, “Everyday Scenery” begins with a perfect juxtaposition of that title.
The “Everyday Scenery” Denji sees is that of dead bodies strewn around, injured people, buildings destroyed, and barely anyone reacting to this.
“That’s just expected at this point,” Asa states, showing just how quickly everyone had become used to the state of the world.
The group pile onto a train, with Fami listing possible sushi places which have not been destroyed by the current war,
Denji, however, wants to know why Asa is out to fight him.
Her response, “Because if I can fight you and win, you’ll be saved,” makes Denji draw the humorous conclusion that Asa has been brainwashed by the cult because, well, what she just said sounded insane.
Fami then explains that she wants to break Denji’s contract with Pochita so he will emerge.
They will then defeat him and transplant a human heart into Denji’s body so he can be normal again.
Honestly, this explanation is just as nuts.
Where would they even get a human heart to transplant into Denji in the first place?
Not only that but Fami absolutely refuses to elaborate on anything when questioned, which basically proves she’s lying here.
In the end, Denji lets it go, saying he cannot live a normal life, talking about how he literally used to eat toilet paper to survive but stopped once he no longer had to worry about being hungry.
Asa, unfortunately, sees this as a weird metaphor rather than the horrible truth it is, and promises to save Denji, no matter what.
Her determination is touching but, even if she can save Denji, there will probably be a whole lot of trauma and heartbreak before she gets to that point.
Asa’s poignant statement is then undercut by Katana Man, who has a rather unique suggestion on how to get Denji’s spirits up enough to fight them.
This suggestion?
Take Denji to a brothel so he can get laid, of course!
Who ever thought that the two of them would become such bros?
In all seriousness, I do have to wonder how enthusiastic Denji will actually be about this.
We know one of his main goals in life is to have sex but, now that his sister’s missing, this has most likely gone way down in his list of priorities.
As for story implications, Katana Man taking Denji to a brothel could see the return of a character who has not been seen since Part One ended… Kobeni.
Way back in the first Eternity Devil Arc, Kobeni said the choice her parents gave her was to either become a Devil Hunter or a sex worker.
We saw that Kobeni left the Devil Hunting profession in the last arc of Part One so, horrifying as it is to think about, her parents may have forced her into prostitution.
Kobeni showing up at the brothel would also be significant because her brother Nobana is with the group, and wouldn’t that just be awkward?
However, although I would love Kobeni to come back into the story, making her a sex worker might be taking things a bridge too far.
Kobeni’s suffering is played for laughs, often quite effectively, but her being forced into sex work would just feel gratuitous.
Of course, if she had not had to serve anyone yet and Denji’s arrival allows her to escape, I would feel a lot better about it.
That is if Kobeni is at the brothel.
After all, there has been wrong speculation about different characters returning at multiple points in Part Two.
Remember the theory that Reze was going to be the one to break Denji out of prison?
Either way, “Charred Remains” and “Everyday Scenery” are both good Chainsaw Man chapters, which provide humorous moments, and interesting interactions between Asa and Denji.
As for whether Kobeni will return next chapter or not, well, we will find out that tomorrow.
Kingdom of the Planet of the Apes Review: Franchise. Together. Strong.
The Planet of the Apes franchise has been an icon of cinema for decades.
This is, in my opinion, most encapsulated by the success of the recent Caesar trilogy of Rise, Dawn, and War, which is one of my favorite trilogies of all time.
Despite this, I was a bit concerned when I heard we were getting a follow up to this trilogy with Kingdom of the Planet of the Apes.
It felt like the story had been told to completion, and any follow up would be an obvious cash-grab.
Well, after having seen Kingdom, I can gladly eat my words because it is more than a worthy follow up to the iconic trilogy.

Directed by Wes Ball, Kingdom of the Planet of the Apes follows Noa (Owen Teague), a young ape whose clan trains eagles, centuries after the death of Caeser.
Noa sets out of a journey to rescue his clan after they are violently taken away by the forces of Proximus Caeser (Kevin Durand), an ape ruler who has warped Caeser’s words to suit his own ends.
Along the way, Noa picks up two companions, an orangutan named Raka (Peter Macon), the last of an order who stay true to Caeser’s teachings, and Nova (Freya Allan), a human woman who is much smarter than the feral humans now inhabiting the world.

With how great the characters in the Caser trilogy were, I knew it would be difficult for Kingdom to match them, but the movie does an excellent job of setting these characters up for future films.
Noa is a relatable protagonist, starting off naive about the world but slowly growing both in confidence and as a leader.

Raka provides some good humor and also has great use delivering world-building.
Mae seems to be a bit of a divisive character, given her role in the film, but I personally found her moral ambiguity to be highly engaging, and I especially look forward to seeing how her connection with Noa will evolve.
As for the villain, Proximus Caesar, he makes for a great showcase of one of the film’s main themes, this being the corruption of legacy, as powerful tyrants warp words to suit their own ends.

These characters are all well done, not just in their writing and in the acting, but also in the visuals for them.
The Caesar trilogy had some of the best motion capture put to film and obviously Kingdom is no different.
There was not a single moment in the movie when I thought the apes were not really on screen.
It is not just the apes, though, because the CGI for the post-apocalyptic world they inhabit is also a feast for the eyes.

As for our ears, the soundtrack is also solid, helping to deliver the impact of various moments.
All in all, Kingdom of the Planet of the Apes is another fantastic entry in the series.
While I personally prefer the trilogy films more, I feel like my perception of Kingdom could become even better if the sequels continue in quality.
There are certainly a lot of questions I have that I am looking forward to seeing answered in the next film.
Apes. Together. Strong.
Fallout Review: The Latest Great Video Game Adaptation.
Once it seemed unthinkable that any adaptation of a video game could be good.
Now, we’ve had fantastic shows like Arcane, Cyberpunk: Edgerunners, and The Last of Us.
Sure, there are still a few duds, but it feels like there are just as many success stories nowadays.
Thankfully for fans of the Fallout series, its Amazon Prime adaptation is one of the successes.
Personally, I have never really been able to get into the Fallout games.
I have tried multiple times but, for whatever reason, the Bethesda style has never really worked for me.
That being said, I loved the first season of Fallout.
It has excellent world-building, a fun and relatable cast of characters, and some of the best dark humor I have seen in a while.

The show follows four characters, 200 years after nuclear war reduced the United States to a radioactive wasteland full of crazed bandits and mutants.
Our main character is Lucy (Ella Purnell), a naive Vault Dweller who leaves the security of her Vault after an attack, during which her father was kidnapped.
Purnell described her character as “Ned Flanders in the apocalypse” and I honestly could not think of a more fitting description.

Then there is Maximus (Aaron Moten), a recruit for the Brotherhood of Steel who is absolutely horrible at making himself seem innocent, even when he is.
The character most viewers will gravitate to is the Ghoul played by Walton Goggins, whose tragic tale is one of the most gripping of the entire first season.
The story I was most invested in, however, was unexpectedly Lucy’s brother Norm (Moisés Arias).
Norm is left behind in the Vault but becomes suspicious of his its purpose, creating an intriguing mystery which was mind blowing with the way it tied the storylines together in the final episode.

These great characters and their interesting stories are tied together with a solid old-school soundtrack, fun visuals and, of course, hysterical dark humor.
There was at least one moment every episode where I laughed out loud, and there were quite a few times I felt bad for doing so, given the subject matter.
However, the show is not all dark comedy because sometimes it’s just dark, with a few disturbing moments which will stay with me for a while.
The show does an excellent job of balancing the darkness between making you laugh and making you feel horrified.

There are also a lot of great easter eggs to the games and just video games in general, which also got a good chuckle out of me.
Overall, there’s a lot to love about this adaptation.
It has interesting characters, a fun and disturbing world, and it will make you laugh at the darkest of things.
Fallout has already joined the ranks of great video game adaptations and I look forward to laughing at its dark comedy in the second season.
Chainsaw Man Chapter 163, Dream Balls Review: Katana Man’s Revenge.
Chapter 162 of Chainsaw Man ended the prison escape arc with Asa and her gang successfully rescuing Denji from Public Safety.
Going into Chapter 163 of Chainsaw Man, “Dream Balls”, I was curious to see how Asa and Yoru would react to the realization of Denji being Chainsaw Man.
The results were, as expected of Fujimoto, hilarious.
“Dream Balls” begins with Haruka flipping news channels, only to find that seemingly no one is talking about their prison break.
He finally manages to find a channel where an emotional woman appears to be talking about the chaos caused by the recent Chainsaw Man transformations.
She states she has had suicidal thoughts, that her mother cannot trust anyone anymore, and that she has one thing to say to whoever’s behind all this… “Koma Komagawa! Never stop being our idol!”
Cue my laughter as I realized, just as Haruka did, that this woman was not traumatized about the Chainsaw Men transformations, but by an idol supposedly having an affair.
Humor aside, I actually felt a large amount of sympathy towards Haruka during this moment.
He looked so distraught and remorseful for what he helped cause, before the reveal of what the woman was actually traumatized by.
Haruka is a character who I honestly found to be kind of meh for a while.
However, he has been growing on me quite a bit in the more recent chapters, what with his hilarious exchange with Fami in the prison escape arc and now this.
As for Haruka’s friend Nobana, his “thank goodness” response to the news that the idol’s affair may have fabricated reminded me a lot of his sister’s final scene in Part One.
In that scene, Kobeni was thankful that she no longer had to endure her abusive family, while here her brother is thankful that a smear campaign turned out to be a lie.
Although, Fujimoto seems to be keeping it ambiguous whether Nobana is really happy about that or happy about their escape not being on the news.
The reason for that, though, is probably because Public Safety is being quiet about it in the hopes that they can recapture Denji before word gets out.
Whether they can or not depends on the quality of the gang’s hideout, which appears to be the apartment block the Falling Devil attacked a few arcs ago.
Fami brought them here, and we see her gorging herself on food with her bare hands.
I still find the fact that the Famine Devil is a glutton to be morbidly funny.
Before the group can decide what to do, Denji wakes up, and his first question is what happened to Asa’s arm.
The following exchange is suitably awkward, as Asa simply replies “I dunno” when Denji asks why Yoshida cut off her arm.
The awkwardness of this conversation causes even Denji to wonder if he is dreaming.
A simple pinch would have been enough to prove to Denji that he is awake, but Katana Man takes this a boot further, stomping on Denji’s balls as revenge for the competition back in Part One.
This made me laugh but what comes next had me howling.
Both Haruka and Asa yell at Katana Man for hurting Denji, only for Yoru to take control of Asa’s body and stomp Denji’s balls again.
As I howled with laughter, the chapter ended with Nobana stating he does not feel safe with these people but Haruka replying that they have nowhere else to go.
So, now Denji will learn that yet another girl he has dated wants to kill him.
The guy just cannot catch a break.
I am curious to see what explanation Asa wants to give Denji, though.
She states that she plans to fight him after explaining things, so it will be interesting to see how that will go.
There is also the matter of Akoku.
He’s the only character from the group missing in this chapter and, since he is speculated to be the Fire Devil, that is a bit suspicious.
Or, who knows, he might just turn up next chapter?
“Dream Balls” is another hilarious Chainsaw Man chapter, and it has me excited to see how Denji will react to learning that Asa is possessed by the War Devil.
Chainsaw Man Chapter 162, Fearsome Review: Quanxi Solos.
Chapter 162 of Chainsaw Man, “Fearsome” depicts the brief fight between Quanxi and the Chainsaw Man rescue squad.
Looking back at my review of the previous chapter, it’s funny to see that I thought Asa and Katana Man had any chance in hell of beating Quanxi.
She quite easily solos all of the group’s heavy hitters, decapitating Katana Man, and easily incapacitating Yoru and the Nail Fiend.
The person who actually stops Quanxi in her tracks is, unexpectedly, Nobana.
As Quanxi prepares to cut him down, Nobana grabs the nearest thing for protection… that being Denji’s head.
Ah, using Denji as a human shield.
It is truly a time-honored tradition in the Higashiyama family.
Kobeni did it in Part One, and now her brother continues the tradition.
When Quanxi sees Nobana holding Denji’s head, she stays her blade, stating that, “An old friend warned me to never make an enemy out of this one.”
This “old friend” is almost undoubtedly Kishibe, all but confirming that he is no longer with Public Safety, since he wanted Denji to continue the fight at the end of Part One.
Although, there is also the possibility that the one Quanxi did not want to make an enemy of was Nobana.
No, I am not joking.
I mean, we know Kobeni was extremely skilled and had an unknown Devil contact.
Maybe these things run in the Higashiyama family and Kishibe wanted to warn Quanxi about it?
I’m probably wrong about that.
One prediction I was right about, though, was that Public Safety were using Quanxi’s Fiends against her.
Upon seeing Quanxi’s reluctance, the Public Safety Officer threatens to have their bodies thrown into a ditch.
When this does not work, the Public Safety Officer starts what seems is going to be a misogynistic rant, only for him to ironically be interrupted by his own transformed wife.
The transformed woman kills him, to which Quanxi simply says, “that works,” before telling Yoru to kill her so the group can escape without repercussions for her.
Yoru agrees once she learns Quanxi will regenerate but she first asks if Chainsaw Man is stronger than her.
Quanxi answers that he is weaker but much more fearsome.
Yoru then kills her off screen, as the chapter comes to an end.
“Fearsome” is a solid Chainsaw Man chapter.
It has another good fight and solid humor, like the doctors all agreeing that they did not see a thing.
I am interested to see if the rescue squad will have escaped the facility next chapter, or if the escape is still ongoing.
If they have escaped, then maybe we will get the confrontation between Denji and Asa we have been waiting for; their identities finally revealed to each other.
Abigail Review: A Bloody Fun Movie Spoiled by the Trailer.
I hate it when trailers spoil a film’s big twist.
There have been times when I have sworn off seeing a movie in theaters because the spoilers ruined the surprise for me.
Abigail was one such film.
After watching the first trailer, I had no interest in it.
Not because I thought what I saw was bad, but because it felt like I had seen most of the movie just from the trailer.
What ultimately changed my mind about seeing Abigail in theaters was that a lot of reviewers I trusted said it was fun.
That, and it had been months since I watched the trailer and I had forgotten everything it revealed, except for the big twist.
Having now seen the film, I am so glad that I changed my mind.
Abigail is a twisted, gory and, above all else, fun movie.

Directed by Radio Silence, the film follows six criminals played by Melissa Barrera, Dan Stevens, Kevin Durand, Kathryn Newton, Will Catlett, and Angus Cloud.
Cloud tragically passed away in 2023, so this will be his final film role.
These criminals are hired to kidnap a little girl, the titular Abigail, played by Alisha Weir, and hold her in a labyrinth-like mansion for 24 hours until her rich father pays the ransom.
However, this seemingly perfect crime quickly goes off the rails as disturbing events unfold, and the criminals quickly begin to suspect this kidnapping may have actually been a trap.
Now, I will be talking about the big surprise the trailer spoiled.
If you have somehow not seen the trailers yet, then I would highly suggest stopping right here and returning once you have seen the movie.
Trust me, Abigail’s twist is better left unspoiled.
If you have continued reading, I will assume you already know the twist or have seen the film.
So, Abigail’s a vampire.

What made the trailer revealing this so frustrating is that the movie clearly intends this to be a surprise.
The first half-hour to forty-five minutes of the movie is spent building up the mystery of what’s going on until Abigail’s vampiric nature is revealed.
If the trailer had kept this a secret, it would have made this part of the movie much more satisfying.
This is not to say I did not enjoy this first section, though, because the writers do an excellent job of introducing us to the criminals and making them entertaining.
These are people who kidnapped what they thought to be a normal little girl, so I was definitely wanting Abigail to kill them at the beginning.
That being said, there are sympathetic members among their number, such as Melissa Barerra’s Joey, seemingly the only one of the criminals with a moral compass, who proves herself to be a vital strategist once Abigail’s true nature is revealed.

Then there is Dan Stevens’ Frank, who is delightfully unlikeable throughout, with Stevens delivering a very different performance from the one he gave in Godzilla x Kong.
The final criminal I want to mention is Kevin Durand’s Peter, who got the most laughs in the film as the dumb muscle of the group.
But I saved the best performance for last, and that title undoubtedly goes to Alisha Weir as Abigail.
She had to pull off playing both a frightened girl in the first half, and a sadistic vampire playing with her food in the second, and she nails both roles.
Hell, there were times when both those styles of acting merged and I could not tell if Abigail was being genuine in her interactions with the other characters or not, which made her even creepier.

Speaking of creep-factor there is a lot of it in this movie, with plenty of disturbing scenes.
There is also a lot of great humor as well, like one particular gag about the characters gathering things they think will kill a vampire.
And then there is the ending, which I found surprisingly touching for a movie about a murderous vampire child luring her victims in by having them literally kidnap her.
Probably the only thing I did not like about this movie, apart from the trailer spoiling the twist, is that Dan Stevens’ character makes an odd decision to do something in the third act of the movie.
It’s not that I found this choice to be unbelievable for the character, it just felt like there needed to be a few extra steps for him to reach such a conclusion.

Otherwise, this movie was a blast.
It’s scary, it’s hilarious and, above all else, it’s a bloody good time.
Abigail is probably my second favorite film of 2024 behind Dune: Part Two.
I can easily imagine myself rewatching it in the future.
If you have not watched Abigail yet, be sure to check out.
And if, like me, you got spoiled by the trailers and are now reluctant to see it, I would still urge you to give the film the chance.
I did, had a lot of fun, and now have zero regrets about it.
Civil War Review: A Warning Which Should be Heeded.
With the political climate in America being so tumultuous, Alex Garland’s Civil War was destined to be a controversial film.
Like many other people, I was curious to see what side, if any, the film would take in its depiction of a new American civil war.
Quite wisely, in my opinion, Garland chooses not to take a side, but instead focuses on the horrors of such a war if one were to occur.

The film follows four journalists played by Kirsten Dunst, Wagner Moura, Cailee Spaeney, and Stephen McKinley Henderson, who are travelling to Washington DC in the hope of interviewing the US President (Nick Offerman) before he is killed by the rebel Western Forces.
What follows is essentially a road trip movie, with each stopping point delivering a different kind of horrifying war crime committed by both sides and general lunatics.
One such lunatic is Jesse Plemons’ character, a sadistic yet nonchalant militant who holds our main characters at gunpoint in one of the movie’s most tense scenes.

All of these actors do great jobs in their respective roles, really selling the trauma developed from the events they encounter.
This is the main focus of the film instead of the political climate.
While reasons for the conflict are alluded to, mostly coming down to the fascist POTUS, Garland spends most of the film pointing out to the audience just how horrible a civil war would be.
This is best encapsulated with a line from Dunst’s character, “Every time I survived a war zone, I thought I was sending a warning home: ‘Don’t do this.’ Yet here we are.’

Such warnings are going unheeded right now by some, as I have seen some crazy people calling for a civil war long before this movie came out.
The choice to focus on the horrors of war, rather than the politics, helps sell this message extremely well, especially with how some of the journalist characters become desensitized to the deaths of their fellow countrymen and even friends.
Along with the characters and themes working well together, what also helps Civil War land is the great cinematography and sound design.
The sound of bullets and gunfire feel terrifyingly impactful, and there were many shots which would be beautiful if they were not so disturbing.

I do have a few criticisms with the film, though.
For one thing, sometimes the choice in music felt a little wrong for the scene.
And then there is the ending, which was a little too predictable and also a little overly dramatic at one point.
Other than that, one particular point, however, the ending to Civil War lands mostly perfect, with its final image being very striking.

Civil War is a terrifying look at the chaos which would unfold in America if things truly came to that.
Time will tell if this film will be looked back upon as a chilling what could have been, or an even more chilling representation of what was to come.
We had all better hope it’s the former.
Monkey Man Review: Dev Patal Kills it with his Directorial Debut.
The first I heard of Monkey Man was when I saw its first trailer, which immediately intrigued me.
It appeared to be going for a John Wick movie set in India storyline but, when I finally saw the movie a few days ago, it defined itself as something more than that.
Directed by Dev Patel in his directorial debut, and produced by Jordan Peele, this movie was clearly a passion project for Patel, who stars in the unnamed role of a man out for revenge against the corrupt Indian officials and religious leaders who killed his mother.

Patel is excellent in the lead role, portraying the trauma and rage of his character flawlessly.
This extends to the action scenes, all of which are great.
There are a few bits of too much shaky-cam here and there but, otherwise, they are all thrilling, brutal, and occasionally with a bit of humor thrown in.
These action scenes are less abundant than the trailers would have you believe, although this is not a bad thing.

When the film is not focusing on the action, it is instead building the themes through the trauma of its lead character, and also going into different parts of Indian culture.
For example, the hijra community gets an unexpected focus in this movie, which was the first time I had heard about the culture in India.
Along with this, Patel provides biting criticism of the Indian government and religious leaders with his depiction of the antagonists, Rana Singh (Sikandar Kher) and Baba Shakti (Makarand Deshpande).

With the main characterization, action and themes all coming together, probably my only significant issue with Monkey Man is some of the characters.
A couple of them do kind of feel forgotten about towards the end of the film.
Along with this, a minor issue I have is the main character’s transformation into the Monkey Man in the final act.
There is this big symbolic change with the mask he wears, only for him to immediately abandon wearing it afterwards, making the change feel kind of pointless.

Those issues aside, Monkey Man is a strong directorial debut for Dev Patel.
It delivers great action, a relatable main character, and sheds a light on many issues and groups in India which I was unaware of.
I am interested to see if Patel will continue his directorial career alongside his acting in the future.
Godzilla x Kong: The New Empire Review: More Monsters, and Bearable Humans.
I quite enjoyed Godzilla vs Kong.
Although it did have its problems, the film made me feel like a kid again watching the original King Kong vs Godzilla for the first time.
Going into the sequel, Godzilla X Kong: The New Empire, I was hoping the film could recapture that feeling for me.
Directed once more by Adam Wingard, the film follows Kong in Hollow Earth, where he discovers he is not the last of his species, exposing the world to another threat which he cannot face alone.

The New Empire is primarily a King Kong film, with Godzilla’s role feeling a little tacked on at times.
He is absent for most of the movie until the final fight where he is needed to team up with Kong.
Thankfully, Kong more than makes up for Godzilla’s lack of screentime, with The New Empire feeling like it focuses more on the monsters than any previous film in the Monsterverse, which is what I wanted.

Another thing I wanted was more screentime for Jia (Kaylee Hottle).
In my review for Godzilla vs Kong, I stated that I wished she had more screentime because she was pretty much the only interesting human character in the entire thing.
Well, I got my wish in The New Empire, with the human storyline focusing on her.
This resulted in the humans being much more bearable than in previous Monsterverse films, with the cast of Rebecca Hall, Brian Tyree Henry, and Dan Stevens standing out more.

The monster and human storylines both converge by the third act in a massive CGI battle between monsters which, while visually fun, had me a little uneasy.
This final fight was supposed to be a big, crowd-pleasing moment, yet I found myself kind of wincing because of the sheer amount of human casualties which are never acknowledged.
It felt kind of weird that the movie was trying to entertain me with the spectacle of a big monster battle, when said battle was clearly resulting in hundreds of thousands of fatalities at the very least.
The fact that the movie does not acknowledge such losses felt a little off to me.

Another issue was that, well, this film came after Godzilla: Minus One.
Granted this issue is through no fault of the movie, but it did feel like a step down going from one of the greatest Godzilla movies ever made to a big dumb action movie.
Still, this only dulled my experience with the film slightly.
Godzilla x Kong: The New Empire is a solid entry in the Monsterverse.
The Kong storyline is great, the humans are much more bearable, and, though the final fight does feel a bit off-putting by the unacknowledged casualties, it is still fun.
I look forward to seeing what the Monsterverse does next.
Centuria Chapter One, 100 Slaves Review: An Intriguing Beginning.
With Tatsuki Fujimoto being such a fantastic mangaka, it is no surprise that many people he has worked with have also done great things.
Tatsuya Endo’s Spy X Family and Yuji Kaku’s Hell’s Paradise are both excellent, for example.
So, when I heard that another assistant of Fujimoto’s, Tohru Kuramori was releasing the first chapter of his new manga, I knew I had to check it out.
The work is called Centuria and is off to a promising start with Chapter One, “100 Slaves.”
The chapter begins by introducing our main character, Julian, who is a slave.
We first see him rebelling against his abusive master, while narrating about the plight of slaves like himself, who have never owned anything.
The chapter then flashes forward to a ship in the middle of the ocean, which is transporting 100 slaves.
Some of the crew are worried about passing through a supposedly cursed area, yet their complaints to the captain are interrupted by the discovery of Julian, who stowed away.
The captain wants to kill him, but the 100 hundred slaves aboard are having none of it, with many offering to split their food.
It is through this that it becomes apparent many of the slaves are sick or elderly.
The first to speak up for Julian is a pregnant woman named Mira, who explains to him that since slaves cannot own anything, many of them value compassion.
Julian returns this compassion by polishing a knife Mira’s deceased husband gave her.
While he does this, Julian explains his backstory, stating that his own mother sold him as a child to a blacksmith who abused him.
Julian learned the craft from him but then escaped when it looked like his master was about to kill him, which we saw at the beginning of the chapter.
As the journey progresses, Julian and Mira grow closer.
Julian has never known the love of a mother, since she sold him, and Mira lost her son when she was enslaved.
And so, a mother and son type bond begins to emerge between the two in a short amount of time, which is a credit to Kuramori because of how natural it feels.
It even gets to the point that Mira suggests that they live together if they are ever liberated.
At this point, I said out loud, “Yep, Mira’s totally dead.”
All of the bonding scenes between her and Julian were practically screaming that she was a goner.
It was just a matter of how.
Sure enough, after the ship gets sucked into the area they were trying to avoid, the captain decides it is time to kill all of the slaves.
The reason most of them are sick and elderly is because the captain wanted to buy them at a low price and then stage an accident.
He would then get a big insurance payout on their lives.
This brutal sacrifice takes an unexpected turn, however, when Julian and Mira are offered a sacrifice of their own.
With all of the slaves dying to save them, this summons a supernatural entity, which says a sacrifice of love must now be given to earn her blessing of great power.
Julian offers to sacrifice himself for Mira to save her unborn child but, seeing her dead son in him, Mira refuses to lose another son.
Using the knife Julian polished for her, Mira performs a C-Section on herself, gruesomely saving the life of her daughter, whom she names Diana.
Trusting Julian with Diana’s life, Mira throws them one last, tragic look before jumping into the ocean.
Satisfied with the sacrifice, the entity now asks a heartbroken Julian what he wishes for.
Remembering what the ship captain said about their lives being worthless, Julian states he wishes for proof that Mira’s life wasn’t a waste.
The entity grants this wish, as dark cracks begin to emerge from Julian’s eyes, and he gains the strength of all one hundred sacrificed slaves.
Kuramori shows this strength in a frightening double page spread of the aftermath, where we see Julian has absolutely slaughtered all of the slave masters on the ship, with some of them even having their jaws ripped off.
However, just as Julian turns back to Diana, he is stabbed from behind by the ship captain.
But rather than dying, Julian heals, with the entity revealing that he has also gained the one hundred lives the slaves lost.
So, he now has 99 lives left.
Julian then kills the captain, before escaping the ship with Diana, while the entity destroys it, before telling Julian that because of his sacrifice, “The sea will no longer bear its fangs at you.”
The entity departs, leaving Julian alone to look down at his new sister, crying and laughing as he does so.
The first chapter of Centuria then finishes with Julian narrating that he has never had anything valuable in his life, until now.
This was a perfect book end to the first chapter, which opened with Julian reflecting on their being nothing valuable in his life.
Overall, this was a promising opening for Centuria.
It gave off a Vinland Saga vibe, but one with fantasy elements.
I assume that the story will follow Julian using his powers to take a stand against slavery, all the while looking out for Diana.
Apart from that, I have no idea where the story will go.
We know virtually nothing about the world, except for that it is set in a world with slavery and that supernatural beings exist.
Kuramori really could take the narrative anywhere at this point and, after this first chapter, I am intrigued to see where it goes.









