With so many long running manga out there that span hundreds of chapters, sometimes it’s just nice to sit down and read one with a simple, succinct storyline that can be finished in a single day. If you’re looking for such a manga, then I would highly recommend Shiro Moriya’s Soloist in a Cage. Spanning twenty chapters, the story follows Chloe, a young girl born and raised in Prison City, where all those convicted of crimes are sent, whether those crimes be simple theft or cold blooded murder. As a result, the city is unbelievably dangerous, especially for Chloe, who has to stay indoors protecting her baby brother Locke, after their parents died. The only reason they have survived so long is through the kindness of Ross Sandberg, a prisoner planning an escape, which Chloe crashes with Locke, planning to go with them. Tragically, Locke is left behind in an accident during the escape.
Thus begins Chloe’s journey to rescue Locke.
The true story of Soloist in a Cage then begins many years later, as Chloe, now a deadly fighter thanks to Sandberg’s training, reenters the Prison City to rescue her little brother. During her mission, Chloe encounters many different kinds of groups and characters, from the kind to the vile, all the while dealing with the overwhelming guilt she feels from the amount of blood she has to shed to achieve her goal. All of this is executed fantastically with some excellent artwork by Moriya, with him transitioning from a comedic to gothic style flawlessly.
The gothic art style in particular is great to look at.
It is here that I really need to praise Moriya himself because he had to take a year off from writing the manga, due to poor health. Yet, after going through that, he still returned to finish his story, which I was a little sad to see end because I felt like it had the potential for more. I wanted to know more about the outside world, like how this dystopian world got so bad that it sends those guilty of relatively harmless crimes to be locked up in the same city as murderous cannibals, for example. But Moriya chose to end it at Chapter 20 and it is still a good ending that concludes the story in a fittingly ambiguous way.
The ending to Soloist in a Cage concludes Chloe’s story nicely.
Overall, Soloist in a Cage is a great manga that can be read fairly quickly. It has fantastic artwork, an interesting world, and a likeable main character with a gripping internal struggle.
If I was excited to see Episode 19 of Attack on Titan, then I was practically shaking with anticipation at the thought of seeing my favourite chapter, 121, “Memories of the Future”, adapted. Directed by Koki Aoshima, the episode is another fantastic adaptation of the manga, making my favourite chapter also one of my favourite episodes. All things considered, there are some things that keep it from definitley being my favourite but I will get to these issues later. “Memories of the Future” picks up from where “Two Brothers” left off, with Zeke bringing Eren into their father Grisha’s memories to try and prove to him that their father brainwashed him. They travel for years in his memory, with the opening scene of the episode adapting the rest of Chapter 120. As Zeke and Eren view Grisha raising a baby Eren, Zeke takes a moment to deliver a snide comment about Grisha forgetting his first son, not realising that this couldn’t be further from the truth. From here, the brothers continue to travel Grisha’s memories, until Zeke comes across a memory of Grisha trying to manipulate one of the nobles from the Uprising Arc into revealing the location of the Reiss family. Zeke uses this as an example of Grisha’s cruelty, as this act endangered his family, but Eren only replies with some nicely handled sarcasm. We then get small cameos from Hannes and Kenny, before we get the big moment where Grisha uncovers the Reiss family cavern, shocking Eren and Zeke because Grisha is not supposed to steal the Founding Titan for years to come. It is at this moment that Zeke finally realizes his father did learn from his mistakes, as Grisha abandons his plan to steal the Founding Titan to go back and live with his family in Shiganshina. On another note, I did like how the anime fixed a mistake from the manga here. In the original Chapter 121, when Grisha is about to go steal the Founding Titan but changes his mind, he is not wearing glasses, when he was already shown wearing them by that point. The anime adds these glasses. It’s an admittedly small change but one that works better with the continuity of events. Another cool addition that the anime adds, is a brief flash of memory from Zeke of Grisha looking disappointed in him from Chapter 114, once again showing how Grisha has changed, which Zekes admits in the next scene, down in Grisha’s basement. However, Zeke then doubles down, stating that despite Eren not being brainwashed he is still not his true self because he is acting as Grisha wants him to, once again unaware of the painful reality. This reality is hinted at when Grisha awakens and somehow sees Zeke, which should not even be possible because it is a memory. Before Zeke can figure out what this means, Eren declares that they will go to the next memory, ending the adaptation of Chapter 120, and moving into the adaptation of my favourite chapter. This adaptation begins with the exploration of who Eren is as a person, as when Zeke agaim demands to know why Eren betrayed him, Eren replies that he has always been this way, since birth, leading into Eren showing Zeke how he killed Mikasa’s kidnappers to rescue her. It is here that my first minor criticism of the episode comes in and that is the censorship. Eren and Mikasa killing the kidnappers was much bloodier in Season One and it was toned down here for some reason, which was disappointing because it really makes Eren’s statement that he will take away the freedom of those who try to take his have less impact. In any case, Eren uses this statement to insult Zeke, pretty much calling him a slave to defying what Grisha wanted. Zeke counters this by sarcastically replying that if that is the case then Grisha should be considered a hero for putting Zeke on the path of saving the world (that’s an odd way to say genocide, Zeke). Eren, however, is not listening to this, instead watching the memory of himself wrapping Mikasa in his scarf all those years ago. Following this, we get another cool anime addition, with a visual allusion to Zeke’s bond with Tom Ksaver, through a father playing ball with his son. We also get the next showcase of how Grisha can somehow see Eren because he looks right at him when he is locking up the information about the outside world in his secret compartment. We then get a Mappa recreation of the scene where Grisha leaves in Episode One of the series. One detail I did find kind of funny in this part of the episode is Zeke’s face when he’s listening to Mikasa turn Eren in to his parents for wanting to join the Scouts. He looks like he’s received some world shattering information but it’s a normal scene. Made me chuckle a bit. We then see that when Grisha told a young Eren that he would show him the basement, he was actually looking at future Eren when he said this. However, I’m not entirely sure that these shots line up. They do line up in the manga, but because the Season One adaptation of the scene was shot different it is not the case for this adaptation and, if you notice that, it can be a bit offputting. The offputing stuff continues in the next scene, where Grisha finally confronts Freida and the rest of the Reiss family because Frieda’s character designs are quite inconsistent, with it looking like she transforms into a different character in between shots. It is minor issues like these things that keep me from definitively stating that this is my favourite episode of the series, like the chapter it adapts is my favourite of the manga. “Memories of the Future” is still among the best episodes despite these issues, with the rest of the adaptation being mostly stellar. First, we have the argument between Grisha and the possessed Freida Reiss, who advocates for the Eldians of Paradis’ extermination by the Marleyans, so no one outside the walls will die. Grisha then cuts Frieda off when she tries to explain that he could not use the Founding Titan power if he had it, explaining that he knows this. When Freida questions how he could, we get the big reveal that the Attack Titan can see the memories of its future successors. This is why Grisha has been able to see Eren and Zeke when they entered his memories. In the past, Grisha was seeing Eren’s future memories of this moment, allowing a two way communication between the past and the future, all through memories. It is one of the most brilliant uses of time travel I have ever had the pleasure of reading and witnessing, and Hajime Isayama deserves all the praise for it. He deserves even more praise for it because of what comes next, as it is revealed that Grisha could not bring himself to kill the Reiss family at first, until Eren manipulated him into doing it through the future memories by repeating Kruger’s words to him. I was interested to see what ost would be played during this shocking scene but it was completley silent, which I actually liked.
It reminded me a lot of the “Midnight Sun” episode, where they had no music to let the power of the voice acting have more impact. However, the impact of this shocking moment is again lessened somewhat by the censorship. At least the excitement picks up in quality right after, with one of the best scenes in all of Attack on Titan. After Grisha has killed the Reiss family, and left their destroyed chapel, he stumbles from his Titan form and begins to scream in despair over how he killed them all, including the children. This scene is even massively improved from the manga, something I did not think was possible, as the animation for Grisha’s movement is absolutely stellar. And it is here that I must praise Hiroshi Tsuchida, Grisha’s voice actor. He did an absolutely incredible job this episode, delivering what is honestly one of the greatest performances in the entirety of the anime so far. It only gets better from here, as Grisha begins talking to Zeke, telling him of how he knows Eren will get what he wants because of his future memories but that it will be horrible. Grisha then looks up and sees Zeke through the future memories of Eren, which causes him to leap to his feet and sob as he apologises to Zeke for how terribly he treated him as a child, embracing him and telling him that he loves him. The reconciliation of Zeke and Grisha made me tear up when I first read it in the manga and it made me tear up when I saw it adapted in the anime. It also speaks to the greatness of Isayama’s writing, that he can make us cry over two characters who have done horrible things. Grisha just killed an entire family, and Zeke just killed Colt and Titanized Pyxis, Nile and countless others in the previous episode, and yet I still cried for them here. As he hugs his son, Grisha begs Zeke to stop Eren, who Zeke jumps away from, throwing him out of the memories and back into Paths, as Eren looks down at him determined, the younger brother now having the upper hand. And so ends the adaptation of my favourite chapter of Attack on Titan. Aside from some censorship and character design issues, this was an absolutey fantastic episode that is among Attack on Titan’s best.
Manga Spoilers: One interesting change from the manga that I wanted to talk about is a brief shot that we get before the scene cuts to the aftermath of Eren killing Mikasa’s kidnappers. This addition is a brief glimpse of the “you aree free” panel from the final chapter, serving as yet another nail in the coffin of the anime original ending theory, a coffin which is already six feet under at this point. Another change is that we see young Eren’s face when he wraps Mikasa in the scarf and, if you look close, you can see that he blushing. This is kind of morbidly funny considering that Eren killed a bunch of people before this point. On the other hand, it is some new foreshadowing for Eremika, which was sorely needed in the manga. Not to say there was no buildup for their relationship, as Mikasa received plenty of it, however there were only really three prior moments before the ending where I thought that Eren might feel the same. Other than that, he just did not appear to like her romantically to me, so new additions like the blush are a good thing, even if they are subtle. Finally, let’s talk about the next episode, which will adapt what used to be my favourite chapter, “From You, 2000 Years Ago.” I say “used to be” because the ending recontextualized the chapter in such a negative way for me, that it got kicked from my number one spot to all the way out of my top ten. The reveal that Ymir was in love with her abuser the whole time, despite having absolutley zero reason to love him, and the reveal that she was waiting for Mikasa to free her, despite them having little to no similarities before the final chapter, really polluted my view of the Ymir backstory chapter. So, now that we’re finally going to see that chapter adapted, I’m wondering if I’ll feel the same way when watching it. Hopefully, I’ll be able to get into the mindset I had when I first read the chapter, which should allow me to enjoy it. If I can’t, though, then I think I’ll finish the episode with a bitter feeling, since it could have remained my favourite part of the story if Ymir character had not been botched at the end. Well, at least I can say that “Memories of the Future” is still amazing, with one of the most creative time travel mechanics in fiction, which Isayama should be very proud of achieving.
I was quite excited for episodes 19 and 20 of the Final Season of Attack on Titan. This is because they would be adapting some of my favourite chapters of the manga, Chapter 119, “Two Brothers”, and Chapter 121, “Memories of the Future”, the latter actually being my favourite of the story. As for “Two Brothers”, it was adapted amazingly under director Teruyuki Omine, detailing the three tragedies between brothers that happen in this episode perfectly. The episode begins with a thankfully small recap, as we only see Zeke fall from the Wall, as he did in the previous episode, before we get to the current content, which begins with Eren absolutely wrecking Porco when he tries to stop him from reaching Zeke. However, he is stopped by yet another head shot from Pieck’s Titan canon, only for the Jeagerists, lead by Floch, to intervene. This leads to a brutal shot adapted well from the manga, where a Jeagerist is killed by Pieck’s canon slamming into him. Seeing this, Armin realizes they have to take out the Cart Titan if they are to have a chance at winning. Mikasa then saves him from gunfire, since Armin took his eyes off the battle they are currently in while thinking ahead. Connie takes out their attackers and the group move forward, with Armin deciding to take Pyxis’ advice to get behind the enemy. We then cut to Zeke, who wakes up at the bottom of the wall, still in his Beast Titan form, and he sees Eren being attacked by Reiner, who tries to rally Porco to help him. However, when Reiner reaches for Porco, he unintentionally activates a memory from Marcel, showing Porco how his brother badmouthed him to keep him from inheriting the Armoured Titan, all to protect him. So starts the beginning of the brotherly tragedies in this episode, as Zeke decides to scream and transform every single Eldian who drank his poisoned wine into Titans. It is at this moment that Colt runs onto the scene with Falco, begging Zeke to allow his little brother enough time to escape the range of Zeke’s scream. This clearly strikes a cord with Zeke, who feels the same brotherly bond with Eren. However, it is because of that bond that he cannot delay the transformations so, to protect his plan and Eren, he screams. Right as Falco transforms, Colt holds him close telling him that he is there for him. On that note, I will say that that I wish they had kept Colt’s line from the manga, telling Falco that his big brother would always be with him. That said, the soundtrack to Falco, Pyxis, Nile and the other infected member of the military’s transformation is top notch, and it becomes even better when the Titan invasion music from the very first season begins to play. It really reminded me of the attack on Trost at the beginning of the story, especially with some visual similarities, like one Titan peeking behind a building, similar to how the one who ate Thomas did in Season One. The moment is made more horrifying with Reiner staring in horror at Falco’s disturbing Titan form, and Gabi seeing Colt’s burned body, looking quite similar to how Armin did when he almost sacrificed himself to defeat Bertholdt. Taking advantage of the situation, Zeke orders Falco’s Titan to kill Reiner, giving Eren the oppurtunity to escape. Before Eren can break free from Reiner’s grasp, though, Zeke is apparently fatally shot through the nape by Magath, as he, Pieck, and the other Marleyan soldiers have defeated Floch’s Jeagerists, with Floch being the only survivor again. Just as Magath is about to land another shot on Eren’s head, Armin’s plan to get behind the enemy pays off, as he blows Pieck’s Titan canon up with a thunder spear, while Mikasa kills some more Marleyan soldiers aiming for Armin, including Koslo. Speaking of, I like how the anime decided to include Koslo in this attack, leading to Mikasa killing him. In the manga, he just disappears after the Marley Arc, so it was nice to see the anime give him an actual death, even if he is just a minor character who pretty much nobody cares about. One character I do care about is Porco, who ends up robbing Reiner of his sacrifice, allowing Falco to eat him instead. This is a great death for Porco for three reasons. Number One: He is too injured to heal himself so will die anyway but, this way, his death can have meaning. Number Two: By saving Falco, he is living up to his own brother Marcel’s legacy as a brother. And Number Three: It is one last middle finger to Reiner, as he dies saying he was always better than him. Honestly, Colt and Porco were kind of meh characters for me, but their deaths in this episode are so well written it makes me care about them. Enraged over Porco’s death, Reiner attacks Eren with all of his strength, only for him to harden and then escape, running to finally meet Zeke, who was playing dead that whole time. Jean and Connie aid Eren, shooting Reiner with Thunder Spears to clear his way. Zeke screams for Eren to hurry, stretching out his hand as he approaches, only for Gabi to pick up Colt’s Anti-Titan Rifle and literally decapitate Eren with it. Imagine if this was the cliffhanger for the episode. Everyone would have lost it right? Well, that’s how it was for us manga readers because that is exactly how Chapter 119 concludes. I read this chapter in public and got a few weird looks as I audibly gasped at the sight of Gabi shooting Eren. However, despite this, I never really blamed Gabi. Eren still murdered a lot of her friends and, whatever his plan is, it cannot be good for Gabi’s family in Marley. Besides, it’s not like Eren’s dead, as Zeke makes contact with his head before he can die. Before this, though, we get a flashback to Eren and Zeke’s meeting in Liberio, where we see just how much Eren means to Zeke, but also get a hint of how Eren may be manipulating Zeke, as he does not catch the ball Zeke gives him as a sign of trust. This flashback then cuts back to the present, where Zeke catches Eren’s head, and we get the adaptation of the memory shards, which are amazingly adapted, with a couple of interesting easter eggs. From here, we have Eren entering the Paths with a chained up Zeke, who explains that he waited years in the Paths for Eren to be reformed and that the chains constricting him are there because of the King’s vow renouncing war, stopping those with royal blood from using the Founding Titan, so only Eren can command Ymir. Speaking of, the little girl who saved Zeke at the beginning of the season is confirmed to be Ymir Fritz, the Founder of all Titans. Zeke then begs Eren to complete their plan of sterilizing all Eldians, only to learn that it is not Eren’s plan at all, bringing yet more brotherly tragedy to an episode full of it. When Zeke demands that Eren tell him why he betrayed him, Eren responds with his catchphrase of “because I was born into this world,” before asking Ymir to lend him her power, only for her to walk straight past him and bow before Zeke. Zeke reveals to a confused Eren that because he was not influenced by the first king’s ideology when he arrived in Paths, he was able to eventually destroy the vow renouncing war, allowing him to take full control of the Founding Titan. This allows Zeke to order Ymir, who sees him as her master, along with other royal blooded Titan users, since she has the mentality of a slave. The original Titan Shifter being a slave this entire time is a really interesting twist that plays into the story much better than the idea of her being some kind of evil manipulator. Now having full control of the Founding Titan, Zeke declares that he will “save” Eren before saving the world with him, pressing their heads togethor with a flash of Titan lightening, bringing an end to the episode. Although, given the direction Episode 20 goes, this was definitely not the best of idea on Zeke’s part. Overall, Episode 19 was a fantastic adaptation of Chapter 119 and parts of Chapter 120. It did a great job of bringing the brotherly tragedies of Colt and Falco, Porco and Marcel, and Eren and Zeke to the screen.
Manga Spoilers:
One thing I find especially interesting with the memory shard adaptation is the inclusion of goth Mikasa and nerd Armin from the school alternate universe at the end of every Attack on Titan volume, along with the inclusion of the cover image of Reiner in a sauna. I’m pretty sure the latter is just an easter egg but I think there may be a possibility that the school au could be included in the anime, specifically the final one at the end of the last volume where a modern day Eren, Mikasa and Armin seem to be watching the end of Attack on Titan in the movie threatre. This could potentially be a post credits scene after the final episode or movie, if the leaks about that are right. Now that I think about it, Eren and Mikasa watching Attack on Titan at the movies could have been Isayama’s subtle way of telling the readers that we were getting a movie for the ending. However, I’m not really sure how I’d feel about the school alternate universe being included in the anime, since I’ve never really cared it, but it’s a possibility I wanted to bring up.
After finishing and loving the first season of the Vinland Saga anime by WIT Studio, I jumped right into the manga by Makoto Yakimura, and was surprised by the direction the story goes, to say the least. I have heard a lot of fans say that many people who loved the first season of the anime, like me, may drop the series during or after Season Two because of the direction it goes. This is not to say I am one of those people, no, I quite enjoyed the direction the manga took, but I am saying that people need to be ready for something quite different in the future of the anime, at least for Season Two.
Be prepared for a lot of farming in Vinland Saga‘s second season.
This season will adapt the Farmland Arc, a storyline that has much lesser scale battles than the first arc, choosing to focus mostly on the character development of Thorfinn, Canute, and many of the new characters. Speaking of Thorfinn, wow, was I impressed by his development, especially after the first season, where I honestly was getting a bit tired of his angsty revenge phase by the end. After reading the manga, however, I completely understand why that was necessary. To be honest, his arc reminds me a lot of Eren from Attack on Titan and Shigaraki from My Hero Academia, at least in my initial perceptions of these characters. All three of them start off as immature, before their character development justifies them starting off this way, eventually propelling them to be among the best characters of the series. This is the case for Thorfinn, whose character development in the Farmland Arc is stellar.
Thorfinn’s journey to become a true warrior is gripping.
His character development is the focal point for Chapter 71 “Oath”, one of the best chapters of Vinland Saga. The rest of the character development for new characters, like Einar, and old ones, like Canute, is also fantastic. Overall, I loved the Farmland Arc, even if I would place it behind the War Arc because of how amazing of a character Askeladd is. As for the two arcs that follow it, this is where some of my issues begin to pop up. For starters, Vinland Saga becomes a much more comedic story after the Farmland Arc. To be fair, a lot of this humor is very good, however, some of it feels quite unnecessary, especially one Shining reference that was so out of place it pulled me out of the scene.
This gag felt very unnecessary,
There is also a timeskip that is quite poorly executed, in my opinion, and it left me a bit unsure about the most recent arc, until one of the latest chapters, which is fantastic. All of this said, though, I want to be clear that I still like these later arcs. I just don’t think they live up to the standard of the first two. This could change, however, considering that the series is still ongoing. And even if it never reaches those same heights, Vinland Saga is still a great story that I have thoroughly enjoyed reading. I cannot wait for the Second Season, where we will see the fantastic redemption arc of Thorfinn begin.
So, I’d been wanting to watch Vinland Saga for a long time but had a hard time finding it online. Then, when I got Amazon Prime to watch the adaptation for Wheel of Time, I was delighted to see that the anime was there, so I could finally watch it. And it did not disappoint. Adapted from the manga by Makoto Yukimura, directed by Shūhei Yabuta, and developed by the great Wit Studio, Vinland Saga tells the tale of Thorfinn (Yūto Uemura), a young man from Iceland, looking to avenge the murder of his father, the former Jomsvikings warrior, Thors (Kenichiro Matsuda).
The first season of Vinland Saga follows Thorfinn’s journey to avenge his father.
However, this is not your typical revenge story because, while most stories of this nature would have the main character tracking down the antagonist to get their revenge, Thorfinn does not do this. No, instead Vinland Saga goes in a completley different direction from any revenge story I have seen, with Thorfinn actually accompanying the man who killed his father, Askeladd (Naoya Uchida), in the hopes of dueling him to the death one day. This makes none of our central characters good people, as they’re all the type to do the raiding and murdering commonly associated with the Vikings of history. Speaking of that history, it’s interesting to note how many of these characters are interpretations of real people, with creative liberties taken. The best example of this is Askeladd, who is based off a folk tale character, and is also by far the best character in the show.
Askeladd is fascinating from the beginning of the season to the end.
He is whitty and charming, despite being an absolutley terrible person, and how his backstory is woven in and expanded upon is excellent, especially with how it ties into his actions at the beginning of the story. Even the conclusion of his character for this season is amazing, making his overall character seem like both an antagonist and an anti-hero, while being neither at the same time. Make no mistake, though, Askeladd still regularly commits atrocities, despite him being the best character in the show. Thankfully, his horrific actions and those of the other characters are never glorified. This leads to some pretty bleak episodes, like Episode 14, “The Light of Dawn.”
Episode 14 is a real gut punch, reminding us just how cruel our main characters can be.
I am going to remember many scenes from Vinland Saga, both the uplifting and the bleak, with many of the stories’ characters developing from these scenes, not just Thorfinn and Askeladd. Most notably we have Canute (Kensho Ono) and Thorkell (Akio Ōtsuka), both historical figures who have great importance to the story, especially Canute, who goes on to serve as a fantastic parallel to Thorfinn in the manga.
Caunute is my favourite character of the season, next to Askeladd.
Speaking of the manga, the section that the anime adapts is actually a prologue to the true story of Vinland Saga, with the final episode literally being titled “End of the Prologue.” The manga then goes in a direction that I honestly was not expecting, yet still quite enjoyed. I do perfer the story telling of the first season, though, primarily because of Askeladd’s excellent development as a character. The entire story of Season One is also aided with some fantastic animation and music from Wit Studio and composer Yutaka Yamada, tying everything together into an excellent adaptation of the manga. Vinland Saga is an amazing anime, and I will soon be reviewing the manga and then Season Two, whenever that releases.
I can still remember reading Chapter 118 of Attack on Titan for the first time and being quite impressed with all of the standout character moments. Well, I am pleased to say that Mappa adapted this chapter amazingly, for the most part. Directed by Jun Shishido, “Sneak Attack” begins by recapping the last few minutes of the previous episode, again showing us Armin tell everyone that Eren was probably lying about Mikasa, and that he is most likely just using Zeke and Yelena. Last episode had a recap beginning as well and, honestly, I’m finding them to be a bit annoying. It’s clear they’re just doing it to pad for time so they can adapt one chapter per episode. Once the recap of the previous episode is over, the other characters quickly come to the conclusion that they have to help Eren, with Jean even admitting that he envied Eren because he found him to be “cool,” a great moment of growth for him. Afterwards, the 104th go to suit up so they can help Eren fight off Marley and, while running, Mikasa questions Armin’s reasoning for Eren lying. This causes Armin to remember Eren’s final line in the Season Three finale about destroying their enemies beyond the sea. He realizes something because of this but chooses to stay quiet, instead focusing on how he and Eren both knew about Mikasa’s headaches so Eren used it to make his lie more convincing. We then get another recap of Eren and Reiner’s fight, followed up by a kind of underwhelming moment when Porco attacks Eren, only for him to be punched away. This, and Eren’s glare at Reiner when he is being held down, just had a lot more impact in the manga. However, this worrying start then turns amazing when Eren begins to rip Reiner’s jaw apart. Eren’s scream mixed with his Titan roar gave me goosebumps, as did Zeke arriving to save his little brother. The Beast Titan was completely CGI in Part One of the Final Season but he appears to be mostly 2D in this episode and looks absolutely fantastic. This animation only gets better when Zeke throws his crunched up boulders at Marley’s airships, causing them to crash into each other and explode. As this is happening, Eren begins making his way towards Zeke, limping as he does so, which is a great showcase of the brain damage his Titan received from the constant heads shots from Pieck’s Anti-Titan Canon. The Marleyan forces struggle to combat this, with Pieck and Magath forced to go on the defensive against Floch and the Jeagerists, and Colt and Gabi going to rescue Falco. They don’t really have to though because the 104th set out to free everyone the Jeagerists are holding captive, including Falco and Nile. Nile tries to comfort Falco before they are freed, saying this may be his chance to get home, while he may sadly never see his daughters again, even though there is so much he wants to tell them. Along with Falco and Nile, Shadis and Pyxis are also freed, the latter of which prepares to lead his men who have drunk Zeke’s contaminated wine in the last ditch stand. Mikasa also prepares for battle, Louise with her, and at that moment she decides to leave her scarf behind, something she has never done before. Now, surely I am including this as one of the many great character growth moments in this episode, right? Well, unfortunately, no, I’m not. The reason for why though is manga spoilers so I’ll detail the reasons why I found this scene off putting in the manga section below. Once the 104th are all geared up, they go outside, where we see two iconic Yelena panels adapted. The first of these is her basking in the glory of Zeke’s destruction of the airships which is, again, fantastically animated. The second of these is her troll face, when Armin tells everyone they don’t have time to focus on Levi and Hange’s status, as they should instead focus on helping Eren and Zeke. Yelena’s threatening troll face that follows is great and a moment that I’m sure gave a lot of anime only viewers a few nervous chuckles. As if these Yelena moments weren’t standout enough, we then get Nile, Floch and Gabi’s development in what is the best scene of the entire episode. Colt and Gabi come across Nile, Falco and the other wine poisoned military police. Falco sees Colt and tells Nile who, instead of attacking, takes Falco to his brother, freeing him. Nile might not have much of a hope of seeing his daughters again but he made sure to help a little boy alone on the battlefield. It is interesting how Isayama actually started Nile off like an antagonist, having him trying to get Eren taken in by the Military Police, where he probably would have been given to Rod Reiss to pass on his Titan. Then, Isayama pulled back the layers to reveal Nile as a sympathetic character also fighting for humanity, all leading to this moment where he helps Falco. Next, comes Gabi’s big moment of character development, as she stops Colt from attacking Nile and then, after overhearing Kya talk about how she wants to kill Gabi for killing Sasha, finally admits to herself that she was wrong about the people of Paradis being devils. Her tearfully announcing this is her biggest moment and it is made better in the anime, through the new shots of open bird cages, showing how Gabi has just begun to free herself from the cycle of violence. Falco also frees himself in a sense by finally confessing not just his involvement in the attack on Liberio, leading to Udo and Zofia’s deaths, but also his feelings for Gabi. His awkward confession is genuinely sweet and leads to another excellent moment of growth for Gabi, as she tears off Falco’s black armband, just like he tore off her Eldian one before they meet Kya. The three then go to warn Zeke about Falco ingesting the spinal fluid, in the hope that this will convince him not to scream. They almost did not need to worry, though, because it is then we get the titular “Sneak Attack,” with Pieck and Magath showing off their intelligence by launching a near fatal attack on Zeke. First, they have Pieck emerge from her Titan, causing it to disintegrate, making the Jeagerists think the have defeated her. Then, the Marleyans ambush Floch and the other Jeagerists. Finally, Magath fires the Anti-Titan Canon at Zeke in the hopes of killing Zeke. Unfortunately for them, and Falco, Zeke is still alive so there is still a chance that he could scream if he is given the chance to recover on the ground wher he has fallen, ending the episode. Overall, “Sneak Attack” is a fantastic adaptation of Chapter 118. My only criticisms are that the recaps are slightly annoying and the Mikasa scarf scene loses a lot of impact for me with hindsight. Otherwise, it’s a great episode, and I am even more excited for the next one because it will be adapting one of my favourite chapters of the entire series, Chapter 119, “Two Brothers.”
Manga Spoilers:
Now, I will talk about the issue I have with the Mikasa leaving her scarf behind scene. This scene had me excited when I first read it in the manga because I thought it would be a turning point for her character. Yes, I did think the scarf would work its way back to her through Louise based off her looking at it, but I at least thought this would all result in Mikasa potentially distancing herself from Eren. Instead, Mikasa ends up doubling down on her Eren obsession, despite her ending up killing him in Chapter 138. This whole thing of her leaving the scarf behind just seems pointless in retrospect. Mikasa is a character who my opinion on really suffered when I reread the series for my Top Ten Chapters list. I am not saying that she never develops, but she is a character with so many missed opportunities. She could have developed so much through her Ackerman and Hizuru heritage, along with leaving the scarf behind and her connection to Louise but these chances for further development are never taken. It makes me wonder how I will view future Mikasa scenes in the anime. Is the hindsight of how her story ends also going to make those less impactful for me? I certainly hope not.
The Ghostbusters franchise has an interesting history, with the first one being considered a classic by many and its sequel also being enjoyed, although thought to be not as good. Personally, it’s been a while since I saw the second one, but I do remember quite liking the first one. Unfortunately this was not the case for the 2016 reboot, which I found to be quite bad and unfunny, apart from a few moments that made me chuckle. Coming into the latest film in the franchise, Ghostbusters: Afterlife, I was actually pretty optimistic since it’s directed by Jason Reitman, the son of the director of the first two film’s, Ivan Reitman. Sure enough, Afterlife is a charming movie which I am sure a lot of fans of the first two Ghostbusters films will enjoy.
I found myself smiling a lot watching Ghostbusters: Afterlife.
The movie follows a struggling family who move to the small remote town of Summerville to live in their dead grandfather’s rundown farm. However, after strange happenings, the daughter of the family, Phoebe, begins to realize that something paranormal is going on in Summerville, something which their grandfather had been trying to stop, as he may have been a Ghostbuster. Phoebe is without a doubt the heart and soul of this movie, with McKenna Grace delivering an excellent performance as the quirky and courageous kid.
I hope McKenna Grace’s career takes off after this film because she is excellent in it.
Phoebe’s mother Callie (Carrie Coon), and her new science teacher Gary Grooberson are also interesting characters, and I actually wish Gary got more screen time, since I enjoyed Paul Rudd’s performance. The one exception to all this is the son of the family, Trevor (Finn Wolfhard), whose story I quickly became disinterested in and felt that it was kind of out of place with the rest of the narrative. Said narrative is also entirely predictable and full of fan service. However, I am not saying that either of those things are bad things. Sure, I guessed where the story was going pretty easily as I was watching, but the story was so charming that I was just along for the ride. As for the fanservice, we already know from Spiderman: No Way Home that it can be used excellently, and Ghostbusters: Afterlife is another example of this. I remember grinning from ear to ear during one exciting chase sequence in the film. It made me feel the same level of enjoyment that I remember feeling when watching the original Ghostbusters all those years ago.
And this chase is not the only scene in the movie that brought me joy seeing.
This all culminates in a heartfelt ending that really pays respect to the old cast, both those still with us and one who has tragically passed. Ghostbusters: Afterlife is a perfectly enjoyable movie with a lot of charm and I would recommend it to any fan of the franchise who has somehow not seen it yet.
Attack on Titan is back for the second part of its final season and, boy, am I excited to see some of my favourite chapters of the story animated.
Directed by Yūichirō Hayashi, Episode 17, “Judgement” is not an adaptation of one of my favourite chapters but it is still a pretty great episode nonetheless, starting off this series of episodes quite well.
“Judgement” begins by showing the scene I was disappointed not to see in the first half of the final season.
However, this scene’s adaptation certainly did not disappoint, presenting some excellent animation right off the bat.
The episode begins with the captive Hange and the Jeagerists discovering the aftermath of the explosion Zeke caused, after which both his and Levi’s fates were left uncertain.
Well, Levi’s status is still unknown, even after this episode, because it is not entirely clear if he is alive or dead.
That said, I was quite impressed with the amount of detail that went into the gore for what happened to Levi.
Heck, I was surprised with how uncensored this episode was in general.
Back to the scene at hand, Floch and the Jeagerists want to put a bullet in Levi’s head, to which Hange responds that he is already dead, only for her to flee with him when Zeke is revived.
The animation during Zeke’s revival is fantastic and it raises a great mystery with the question of who the girl who revived him in the “paths” was.
Then, we get the opening, “The Rumbling” by SiM, which is another banger, with some great symbolism for future events.
From here, the episode continues with Marley’s attack on Shiganshina, beginning the battle with an unexpectedly comedic moment, when Porco cuts off Pieck’s hand, so she can escape with Gabi.
The hand falls right into Gabi’s hands and the two scream as Pieck throws herself off the building to transform, leaving me chuckling.
In the end, both Titan Shifters escape, Pieck taking Gabi with her, later allowing Gabi to disclose her newfound theory to Magath that Zeke has royal blood, meaning they cannot allow the Jaeger brothers to come into contact.
As for Eren himself, he disregards Yelena’s advice to use the power of the Warhammer Titan to escape.
Instead, Eren goes to face Reiner, who lifts his bloody hand up to Eren before transforming, much like Eren did when he confronted Reiner in Marley.
This was a great callback.
It’s just a shame for Reiner that his fight with Eren goes as well as all of his previous fights with him.
Eren pummels him pretty easy, and Reiner only stands a chance with Porco’s help.
This is also when Eren is not using the Warhammer Titan’s powers.
When he does use them, the battle goes back to being incredibly one sided again.
But then, the Titan that is always exactly right enters the battlefield, as Magath uses Pieck’s Anti-Titan Gun to blow multiple holes in Eren’s Titan head.
This gives Marley plenty of time to deal with many of the Jeagerists, gunning them down with ease.
In Marley, the Scouts had the advantage, yet here it is clearly the reverse.
Much like many scenes in the first half of the Final Season, Mappa added a lot of combat scenes, like when the Jeagerist is chocking the Marley soldier, only to be stabbed with a bayonet from behind.
These are great additions that show off the brutality of war.
As well as Marley gaining the upper hand on the Jeagerists, Reiner also does on Eren, impaling him with one of his own Titan crystals.
While this is happening, Onyankopon rushes to free the 104th from their cell, not having been able to do so earlier out of fear of what Yelena would do to him.
However, he receives a less than warm welcome, with Connie outraged at his perceieved betrayal, revealing how the betrayals or Reiner, Bertholdt, Annie, and now Eren hurt him.
Armin wants to hear Onyankopon out, though, and the volunteer expresses how he is against Yelena and Zeke’s plan to sterilize the Eldians because he believes Paradis has a future and children are that future.
This causes Armin to remember Onyankopon’s comment about how an interesting mix of people makes the world more interesting, realizing he truly is on their side.
Armin also goes on to say he thinks Eren was lying about Mikasa only protecting Eren because she is an Ackerman and being on Zeke’s side, because him carrying out the Euthanization Plan would go directly against his character, beleiving he is only playing along with Zeke and Yelena.
The voice acting of this scene is really great, with Connie, Armin and Onyankopon’s voice actors doing a really good job.
Once this scene is done, we get the cliffhanger, which is Eren still being impaled with his crystal by Reiner, leaving him in a rather precarious position at the end of the episode.
We then get the ED, “Akuma no Ko” by Ai Higuchi, which I think is just as good as the OP.
It reminds me a lot of the OP from the first season and I think this is clearly intentional.
So, overall the second half of the Final Season is off to a good start with “Judgement.”
I am quite excited to see my favourite chapter, 121, get adapted eventually as well.
Manga Spoilers: Since I’m a manga reader, I decided to leave a little section at the end of every review where I can talk about spoilers.
The main thing I want to talk about here is the OP, “The Rumbling.”
Along with it having some great symbolism, like the trampled butterfly at the end representing Ramzi, I was quite surprised by how many spoilers were packed in, like the actual Rumbling happening and Eren’s Founding Titan form.
I think some of these things probably should have been kept vague for anime only viewers.
Another interesting part of not just the OP but the ED as well is how they both refrence the final chapter.
In the OP we see Eren, Mikasa and Armin running towards the tree on the hill, which is important to the ending as it is where Eren is buried when he dies, and in the ED we see Paradis destroyed and overtaken by nature, much like how it is in the updated ending.
Because of this, it’s pretty obvious that we aren’t getting an anime original ending.
Not that I thought we would, but I have been seeing some insane conspiracy theories out there about how an anime original ending was always part of the plan.
People have literally been saying that a supposedly different coloured scarf means the ending will be completley changed.
With the OP and ED putting these anime ending theories to rest, I think the best we can hope for is maybe a couple of changes, rather than a completley different ending.
Personally, I’m just hoping the a few of the last minute twists of the ending will be reworked to make them more digestible.
Hopefully, some dialogue will be changed as well.
For example, please change Armin saying “thank you for becoming a mass muderer,” to, “I’m sorry you became a mass murderer.”
The “thank you” part really sends a bad message, although I know that is unintentional.
But, whatever ending we do get, we probably won’t be getting it for a while if the leaks about a movie turn out to be true.
Either way, I’m just looking forward to seeing fantastic chapters like 119, 121, 122, 123, 129, 130 and 131 adapted with the rest of Part Two.
From 2009 to 2021, mangaka Hajime Isayama gifted us with Attack on Titan, delivering a chapter every single month, except for one due to the COVID-19 Pandemic. After all these years of dedication, he brought his series to a close at 139 chapters. Now, the second half of the final season for The Attack on Titan anime is set to begin airing soon. To honour this occasion, I decided to give the manga a reread and then do a top ten list ranking my favourite chapters. And you know what? I’m glad I decided to do the reread. I made it clear in my review for the final chapter’s updated version that I do not like Attack on Titan‘s ending, and when it comes to a long running series, the ending is usually the first thing that comes to my mind. So, in the months since the story ended, I have been left with a feeling of bitterness over how it all concluded. Giving the story another read really reminded of how incredible of a writer Isayama is. He delivered so many fantastic chapters that I honestly struggled narrowing them all down to a top ten list. Naturally, this left me with some honourable mentions, so I will get into those before I begin the list. The chapters that just missed the cut were Chapters 122, “From You, 2,000 Years Ago”, and 123, “Island Devils”. I really wanted to put these chapters on the list, but they didn’t get in because of how the ending recontextualized them in negative ways for me. This was especially the case for Chapter 122, which pained me not to include because it used to be my favourite chapter, before the final one changed my interpretation of “From You, 2,000 Years Ago” so drastically that it shot it right out of my top ten. With these honourable mentions now listed, here are what I consider to be the top ten best chapters of Attack on Titan, starting with…
10. Chapter 80: Nameless Soldiers.
Beginning with a chapter from the Return to Shiganshina Arc, “Nameless Soldiers” is the chapter that is the culmination of Erwin Smith’s character arc. Erwin is my favourite character in Attack on Titan and this chapter really exemplifies why. “Nameless Soldiers” centers around the conclusion for his arc as, stuck between choosing to die for humanity or be selfish and flee to the basement to find out the truth his father sought, Erwin cannot make that decision. So, in a powerful moment, Levi makes the choice for him, telling his friend to give up on his dream and die for humanity. And so, Erwin speaks to his recruits, informing them that they will begin a mounted suicide charge against the Beast Titan, distracting their enemy long enough so Levi can kill him. Erwin told Levi earlier than in order to convince the recruits to take part in this plan, they would need, “the skills of a first-rate conman”, meaning himself. However, the impassioned words he speaks to the recruits to convince them to ride to their deaths with him rings entirely true, as he speaks of how they give meaning to the lives of their fallen comrades, and whoever follows them will give meaning to theirs. Thus, in his final moments, Erwin becomes what he always pretended to be: a soldier dedicated to saving humanity, no matter the cost. And with Erwin’s fall we begin to see the rise of other characters, although some of them in a negative way, like Floch. His breakdown in this chapter is the perfect prelude for how his trauma will lead to him becoming a dangerous extremist. There is also the continuation of the fight between Bertholdt and the Scouts of the 104th, the bad situation getting much worse with the reappearance of Reiner. This serves as a prelude for Armin’s big sacrifice, two chapters from then in “Hero” but we’ll get to that later. As for “Nameless Soldiers”, it is a fantastic chapter that begins the end of Erwin Smith’s tragic character arc.
9. Chapter 119: Two Brothers.
I read this chapter in public and when I got to the end my jaw was on the floor… I got a lot of strange looks from people. Chapter 119, “Two Brothers” is one of the chapters I am most excited to see adapted in part two of the final season. Centering on the battle of Shiganshina the first part of the anime left off on, “Two Brothers” is an action packed chapter with the core theme of the connection between brothers, and the tragedies this connection can recreate. We see this tragedy replicated through three different sets of brothers. First, there is Falco and Colt. Colt storms onto the battlefield, dragging Falco along, begging Zeke not to scream and transform his brother into a Titan. However, Zeke too has a little brother who he wants to protect: Eren, and so is not deterred, although he does show sympathy. When Zeke screams Colt could have simply abandoned Falco but he sticks with his brother to the end, holding him close and declaring that he will always be with him, before Falco transforms, killing him. It is then we get the second brotherly tragedy with Porco and Marcel. Earlier in the chapter, Porco finally got to see his brother’s memories, learning how Marcel made sure he did not get the Armoured Titan to protect him. This knowledge, along with seeing Colt give his life for his own brother (and also never giving up the chance to one up Reiner) motivates Porco to sacrifice himself to Falco so he can return as a human. The deaths of Porco and Colt are quite emotional, which surprised me the first time I read the chapter. To be honest, I never really cared about either of them before their deaths, but Isayama did such a great job writing their endings that I came to care about the both of them because of this. It’s not just them either because we also get the Titanization of Pyxis, Nile, Roeg (although who really cares about him?), and hundreds of other soldiers. And then we get the big cliffhanger of Eren’s head being shot off by Gabi, finishing off the tragic theme of brotherly connection with Zeke’s horrified face at seeing his brother decapitated. This was the part of the chapter that made my jaw drop and earned me the odd looks from the people sitting next to me when I read it. “Two Brothers” is easily one of Attack on Titan‘s most tragic chapters, with the compelling theme of the bonds of brotherhood ending in disaster.
8. Chapter 82: Hero.
The Return to Shiganshina Arc was a storyline full of sacrificies. First there was Erwin in Chapter 80, and then Armin in Chapter 82, “Hero.” This is definitley Armin’s best chapter, with him giving up on his dream to see the ocean for humanity, much like how Erwin gave up on his dream for the same thing, aligning Armin as Erwin’s future successor. The chapter begins with Armin finishing the explanation of his plan to Eren over panels of Historia, Hitch and other military personel to show what they will lose if they don’t defeat Bertholdt here and now. Armin tries to reassure Eren by telling him he has never been much of a hero but before Eren can in turn reassure him that this is not true, Bertholdt approaches and they begin to enact their plan… only for it to seemingly fail immediately when Eren falls off the wall. This leaves Armin to fight Bertholdt alone, holding onto the Colossal Titan’s teeth with his vertical manuvering gear, so he will not get blown away by the intense heat. As this is happening, Mikasa, Jean, Connie and Sasha face off against Reiner, to stop him from interfering with Armin’s plan. Unfortunately, their plan of attack initially goes as smoothly as Armin’s seemed to, with Sasha being injured and Reiner’s jaw not being shot open, meaning Mikasa cannot blow Reiner out of his Titan from the inside with her remaining Thunder Spear. This creates the perfect oppurtunity for Hange to come flying in, missing one eye and using her Thunder Spear to force Reiner’s mouth open, allowing Mikasa to deal the finishing blow. More exciting and horrifying, though, is Armin’s struggles, as he quickly finds himself burning alive under the intense heat created from Bertholdt’s steam attack. As the heat overwhelms him, Armin thinks of how he will pass on his dream of seeing the ocean to Eren, again much like how Erwin passed on his dream to see the basement to those who followed him. With Armin down, Bertholdt suddenly notices that Eren has hardened his Titan, realizing this was all a part of Armin’s plan far too late, as Eren flies up behind him in a glorious full page spread to cut him out of the Colossal Titan. Eren then descends to Armin’s resting place on the roof, telling him what he was about to when Armin said he was never much of a hero, that he was the bravest of them all, bringing a crushing end to the chapter. “Hero” is an action packed chapter that follows on from “Nameless Soldiers” with the Return to Shiganshina Arc’s constant theme of sacrifice. The anime adaptation of this episode is often ranked as one of the series’ best, and it is easy to see why, with “Hero” providing some fantastic, logically planned fights, with sacrifice being a key motif, leading perfectly into the choice between Erwin and Armin, which we will also get to later.
7: Chapter 66: Wish.
The best chapter of the Uprising Arc, “Wish” centers around the fantastic character development of Historia and Eren in the Reiss cave. Despite Eren being the main character of the story, this is definitley Historia’s chapter though. Her character arc in this storyline is one of my favourites and, much like how “Hero” is Armin’s best chapter, “Wish” is Historia’s, being the moment she finally decides to follow Ymir’s advice and live for herself. The build up to this moment is excellent as well, focusing on the dilemma going on in her head perfectly as her father, Rod, attempts to manipulate her into eating Eren and becoming the next Founding Titan. We see her memories of Ymir and Frieda, leading her to confront Rod, who tells her the truth about the Founder: that whoever from their family inherits it comes under the influence of the first king’s ideology. We can clearly see that Rod believes this is the right thing, even though he is still manipulating his daughter. Historia, however, is not having it because, when Rod tries to force the transformation upon her, she remembers what Ymir told her back in the Clash of the Titans Arc. “Live your life with pride,” Ymir tells her in a great full page spread, and, boy, does Historia live her life with pride in this moment, slapping the injection out of Rod’s hands and then throwing him over her shoulder to the floor, possibly breaking his back. She then declares that she will not allow her father to kill her, dashing up the stairs to free Eren, only to berate him as well when he insists that she eat him to save humanity. In the heat of the moment, she declares that she thinks humanity should be wiped out by the Titans and she does not care if that makes her humanity’s enemy. This is a character literally saying she wants humanity to be destroyed and we’re cheering her on. Even Kenny of all people is cheering her on. It is one of Attack on Titan’s most inspirational scenes, and the anime completley did it justice when it was adapted with the fantastic song “Zero Eclipse” by Hiroyuki Sawano. Eren’s arc in this chapter is also great, as he finally breaks down after learning of how his father murdered Historia’s family and potentially doomed humanity. However, when Rod licks the Titan serumn, causing him to transform into the second largest Titan of the series, and Eren’s friends are in danger, he is again left with a choice by Levi, and chooses to fight. Lunging forward, Eren grabs a vile of Titan sermun labelled “armour” and bites down on it, hoping to believe in himself one more time, bringing an end to the chapter as he transforms. These two arcs of Eren and Historia are amazing, especially Historia’s, with hers being one of the most inspirational of the entire story, as I already stated. This is why it was such a let down to read the final arc and see her character assassinated and sidelined with a degrading pregancy subplot. Isayama really dropped the ball with her more than any other character in the final arc. That said, this does not change how incredible her character development is in “Wish.”
6. Chapter 42: Warrior.
“I’m the Armoured Titan and he’s the Colossal Titan.” With just a single sentence, Isayama made the entire fandom go, “wait, what!?” Sure, some did see the twist of Reiner and Bertholdt being the Armoured and Colossal Titans coming but Isayama still managed to subvert expectations by having the biggest twist of the story, at that point, revealed in the most casual of ways. It is honestly one of the most creative twist reveals I have ever seen, and the buildup to it and its fallout are absolutley excellent. First, we get some subtle hints of what is about to happen, like Bertholdt bringing up going back to their home town and Reiner responding enthusiastically. We even see some signs that Eren and the others are onto the two, as Eren seems to purposely bring up their home town first and he, Mikasa and Armin seem reluctant to tell Hannes why they are really there. Then we get the reveal which, along with being creatively casual, also does a great job at showcasing how far gone Reiner is mentally, suffering from a split identity, with his soldier and warrior personality in constant confliction. Reiner’s admittance to his and Bertholdt’s true identities is the moment that these two personalities intertwine into a full breakdown, where Reiner is not able to understand how confessing to Eren would be bad for his mission. It’s some great character writing, however one that also ends up saving Reiner since it is revealed that Eren and the others already knew, with a flashback to this discovery uncovering all of the foreshadowing in prior chapters that lead up to the reveal. After Reiner’s confession, Eren is smart enough to play it off to try and lead Reiner and Bertholdt into a trap but this causes Reiner to snap completley in the moment, his dialogue hinting at his tragic past, which would be revealed in the Marley Arc. Before he and Bertholdt can attack though, Mikasa strikes first but she hesitates, resulting in the two warriors transforming before Eren’s eyes, forcing him to transform as well, while shedding tears over the betrayal of two close friends. “Warrior” was the moment when everything in Attack on Titan clicked for me. Before this moment, I had been enjoying the story, but it was the genius casualness of this twist that made me realize Attack on Titan was something special. This was the beginning of Eren and Reiner’s rivalry and it only got better from here.
5. Chapter 100: Declaration of War.
The 100th chapter of Attack on Titan, “Declaration of War” was one hell of a way for Isayama to celebrate reaching that milestone, starting the war between Marley and Paradis with Eren’s confrontation of Reiner. Before this point, the Marley Arc had been building up Reiner’s character, turning him from an antagonist to a sympathetic victim of the cycle of violence. As such, Eren represents the reader in a way this chapter. Just like we as the readers have come to understand and sympathize with Reiner’s motivations and trauma, Eren has also come to feel the same way about his rival, now understanding that not just Reiner but the entire conflict between Paradis and the rest of the world is far more complex. This is such fantastic character development for Eren who, at the beginning of the story, saw everything in black and white: a battle of good vs evil. Yet, while he has changed in his beliefs on the nature of the conflict, one thing that has not changed about Eren is his resolve to keep moving forward. I feel that even the smallest of expressions on Eren’s face in these panels hold a lot of meaning, like when he hears Willy say he does not wish to die, “because I was born into this world”, the same phrase Eren’s mother used to speak of him. So, even though he now understands Reiner and the rest of the world, Eren has to act, committing his own declaration of war just like Willy Tyber at the end of the chapter, only with the instant action of killing Willy and many innocent civilians in front of hundreds of spectators. Speaking of Willy, he was in the manga for a short amount of time, only four chapters, yet his character is quite compelling, with his own self hatred and sacrificial mission being perfectly explored across the chapter, especially in his opening scene with Magath. “I’m certain that Eldians are the descendants of devils. And I’m certain that we too are devils,” Magath states in an excellent assessment of the conflict in Attack on Titan. The war that starts right at the end of Chapter 100 may be based off years of hatred, yet both sides are completley capable of being devils. My only issue with this chapter is that the impact of Eren asking Reiner why his mother had to die is lost after it is revealed Eren played a hand in her death in the final chapter. Other than this, “Declaration of War” is amazing with its focus on Reiner’s guilt, Willy’s self hatred, and Eren’s understanding of both of them, yet unflinching resolve. What a fantastic way for the story to reach its 100th chapter milestone.
4. Chapter 131: Rumbling.
I’ll admit it, when I finished Chapter 130 I did not think we needed any more of a showcase of how horrifying Eren’s Rumbling was. Then I read Chapter 131 and I realized just how naive I was. We needed to see this and it is by far the most horrific part of the entire series. When I reviewed this chapter for the first time, I described it as “Attack on Titan’s Third Impact” and I still think of this as an apt description, since I still got the same feeling rereading this as I did when watching The End of Evangellion: Shock, horror, awe, and a wonder if what I was seeing was even really happening. The chapter picks up with Ramzi, the young boy whose family Eren and the others partied with in Chapter 123, their last moment of happiness togethor. Since leaving Ramzi, the young boy has had his hand cut off for stealing, showing just how cruel the world of Attack on Titan is. It gets even crueler when the Rumbling arrives, as the chapter constantly cuts between Ramzi attempting to flee from hiz oncoming death, and Eren’s first meeting with Ramzi where he saved him, despite knowing he would end up killing him eventually. This crushing dilemma is clear for Eren, as we see him wandering Marley’s streets in the flashback, knowing that if he did nothing then much less people would die, however it would end with the deaths of his people and that is not something he can accept. He then comes across Ramzi being attacked and berates himself for thinking about the justice of saving him when he knows he is going to kill the boy, yet his conscience still gets the better of him and he saves him, only to break down upon returning Ramzi to his family. As he apologises, he admits to himself a horrifying truth: that the Rumbling is not just to protect Paradis and his friends but also because he was disappointed that humanity existed outside the walls and wanted to wipe it all away. This terrifying admittance is interspliced with the brutal death of Ramzi and his brother, who die alone and scared, crushed under the feet of Titans. Yet the most horrifying moment of “Rumbling” comes not in these bloody displays, but in the full page spread of a child Eren basking in the freedom he is experiencing during this moment of brutal mass murder on a global scale, telling Armin in Paths that he has finally reached that sight. We then get the final scene of the chapter between Annie and Armin, a nice moment after all the horror that builds up their relationship, and ends on the cliffhanger of Eren’s head only connected to his Titan through his exposed spinal column. “Rumbling” is easily Attack on Titan‘s most horrifying chapter, portraying the massive loss of life because of Eren perfectly and in gruesome fashion. It is a chapter that I am eager to see adapted in the anime, so I can be horrified all over again.
3. Chapter 84: Midnight Sun.
Before this chapter, we had the “deaths” of Erwin and Armin, two characters who both set aside their dreams to sacrifice their lives for humanity. Yet, Chapter 83 reveals that not only are both still barely clinging to life but also only one of them can be revived by eating Bertholdt. Chapter 84, “Midnight Sun”, begins with the conflict over who should be revived officially starting, with Eren and Mikasa fighting for Armin, and Levi and Floch fighting for Erwin. What follows is one of the most emotional chapters of the entire series as all four characters likewise let their emotions dictate who should get the Titan serum, with violent results, Levi punching Eren and Mikasa attacking Levi in retaliation, attempting to take the serum from him. What makes the tension even more heightened is how each of these characters has a good point about who should be revived. Eren brings up all of the times Armin’s genius has saved them, from his plan to save Trost District, to him discovering Annie’s identity as the Female Titan, declaring that Armin will be the one to save humanity (something that actually comes true in the final battle). Floch hits back with the story of how Erwin lead them all against the Beast Titan to their deaths, saying he deserves to spend more time in this hell because the only one who can save humanity is the devil himself. Floch then goes on to say that him bringing Erwin back is the only reason he survived while others died which, much like Chapter 80, is great setup for him becoming a follower of Eren, coming to see him as the Devil who will save the Eldians. Floch’s comments even seem to strike a cord with Levi, although not the one he intends, as Levi looks devestated at the thought of his leader and long time friend having to spend more time in their hell. Then, when Hange and the others arrive, dragging Mikasa and Eren away from their dying friend, Levi has to make the choice. He is about to inject Erwin when he remembers Kenny’s words, “They were all slaves to something… even him.” Erwin then slaps Levi’s hand away in a dazed state, hallucinating about the question he asked his father, starting his dream. Levi realizes that Erwin is a slave to his dream and believes it would be cruel to consign him to more time in hell, as Floch described it, so he injects Armin. This was not Levi choosing Armin over Erwin, this was Levi choosing to allow his friend to rest and die the man who sacrificied everything for humanity in the end. We also say goodbye to Bertholdt in this chapter, as he is eaten by Armin to bring him back, screaming at the 104th to save him despite everything he’s done, still thinking of them as his friends. Even the death of Moblit, a minor character, carries plenty of emotional weight. It is Erwin’s death that hits the hardest though, with this being the perfect sendoff for him, in my opinion, solidifying him as my favourite character. “Midnight Sun” is an incredibly emotional chapter, with a storyline that still has the fans debating over whether the characters made the right choice to this day.
2. Chapter 86: That Day.
The mystery of what was in Grisha’s basement had been built up right from the beginning of the story. There were 84 chapters of buildup before we got the answer in Chapter 85, so the answer had to be satisfying. And, boy, was it. Chapter 85 may answer the question of what is in the basement, but it is the following one, “That Day”, which goes all out on the epic reveal of the outside world. This twist that our main cast is part of a race of people known as Eldians who can turn into Titans, making most of the world hate them, and the history behind all this was the biggest gamechanger in the entire story. I remember reading this chapter for the first time and just sitting in silence for a couple of minutes, as I took in the enormity of this reveal. It’s also not just the twist itself which makes “That Day” so great but the characterization of Grisha as well. Grisha is easily one of Attack on Titan’s most tragic characters and this chapter perfectly illustrates this, as his sister is murdered by a Marleyan military officer, who feeds her to his son’s dogs, while she is still alive. This horrifying event causes Grisha to blame himself and, like most traumatic events for other characters, leads him to extreme ends, joining a resistance organization known as the Eldia Restorationists, before marrying a woman of royal blood, named Dina. The two go on to have a son, Zeke, the Beast Titan, with Grisha’s trauma driving him to treat his son terribly for Eldia, leading Zeke to turn in his parents, bringing an end to the chapter. I got spoiled about Zeke’s identity before he was officially revealed to be Eren’s half-brother but it made the twist no less impactful, with the tragic showcase of his terrible relationship with his father and what it lead him to do. “That Day” was the chapter that turned Attack on Titan from a story where its characters’ main goal was to save humanity, to a story where the goal was to somehow survive a world that unjustly hates them for what they are and the actions taken by their ancestors centuries before. The series was all the better for this reveal too, eventually leading to the fantastic chapters that appeared earlier on in this list and the incredible chapter at the number one spot.
1. Chapter 121: Memories of the Future.
My favourite chapter of the entire series is Chapter 121 “Memories of the Future.” It is the one where Isayama showed off the best of his writing skills, creating the greatest use of time travel that I have ever seen in fiction, if it can truly be called time travel rather than memory travel. “Memories of the Future” picks up from the previous chapter, with Eren and Zeke exploring their father’s memories, as Zeke slowly comes to realize that Grisha did not brainwash Eren and really did change, while Eren commits one of his most shocking acts. This all begins through Eren insisting to Zeke that he has always been himself and it is Zeke that misunderstood him this entire time, proving this by showing him Grisha’s memories of the time Eren killed Mikasa’s kidnappers to save her life. Following this, we get the big hint of the memory travel twist, as we see the beginning of Chapter One from a different perspective. Through Eren exploring his father’s memories, we see that Grisha was actually aware that Eren and Zeke were there in the first chapter, completley recontextualizing the beginning of the story in the best of ways. So, did Isayama really plan this development from the start, or did he just write it to look like he did? Either way, it’s genius, and what comes next is even better, as Grisha finally goes to the Reiss family cavern to attempt to talk Frieda into using her powers to save humanity. When this fails, Grisha reveals the secret power of the Attack Titan: that it is able to see the memories of its future successors. This is where the brilliant time/memory travel element comes into play since, because Grisha can see Eren’s future memories, he can see his two sons exploring his own, allowing a conflict between timelines. In the past, Grisha was influenced by the future memories of Eren talking to him, and in the present, Eren enters Grisha’s past memories to manipulate him. Into doing what? Well, murderering the Reiss family. That’s right, Eren broke down in Chapter 66 because of what his father had done, completley unaware that he would go on to be the cause of the massacre. Seeing Eren commit this monstrous act left me speechless when I first read it, and this reaction quickly changed to an emotional one when we got the next scene. As Grisha emerges from his Titan outside the Reiss chapel, he screams out to Eren in anguish, before revealing he knows Zeke is there, warning him with a hint about the Rumbling Eren will go on to commit. Grisha then looks up and sees Zeke is there through Eren’s future memories, allowing for the two to finally reconcile thanks to the time/memory travel. This was a genius use of the power by Isayama, creating a panel that made me cry when Grisha embraces Zeke and tells him that he loves him, something I thought Grisha had always been unable to do before his death. The fact that I teared up for both Zeke and Grisha, when both have done terrible things, shows how excellent Isayama’s writing of their characters is. The weaving of the reveal that Eren saw his own future memories of what he would do when he kissed Historia’s hand in Chapter 90 during this is just the icing on the cake. Not to mention it leads to one of Eren’s most unnerving moments, as when he and Zeke leave Grisha’s memories, Eren implies to his half-brother that he liked the horrible event he saw when he kissed Historia’s hand, stating, “what a sight it was.” This eventually leads into the “freedom” panel in Chapter 131, but even not knowing what Eren is hinting at in Chapter 121 makes it terrifying, to the point that I was actually temporarily rooting for Zeke to stop Eren as Grisha asked. Again, I thought this when Zeke had done plenty of terrible things and was currently planning to do terrible things, even though in his mind his Euthanization Plan was right. Zeke is unable to stop Eren, however, as his drive for freedom allows him to break from his chains, minus his thumbs, and run to catch Ymir, ending what I consider to be the best chapter in Attack on Titan. “Memories of the Future” has everything. A brilliant twist with genius writing that recontexualizes the beginning of the story, and fantastic character writing that made me tear up for characters who are honestly pretty bad people. I am incredibly excited to see this chapter finally adapted in the anime and cannot wait to see how the anime only fans will react to how amazing it is. Whenever someone brings up fantastic uses of time travel in fiction, Attack on Titan Chapter 121 “Memories of the Future” should be right up there with the best of them.
So, that’s my top ten favourite Attack on Titan chapters. All that’s left for me to do now is wait for part two of the final season to begin airing, where I will review an episode every week. There are also rumors of the ending being adapted into a movie from Chapters 132 to 139 so it will be intriguing to see if that happens. If it does, I will be sure to review that movie as well, whenever it comes out.
Although I have had some issues with Amazon Prime’s adaptation of The Wheel of Time, mostly to do with the premiere episode, I overall enjoyed the show up to Episode Seven… then I watched Episode Eight. Directed by Ciarian Donnely again, this episode, titled “The Eye of the World”, is without question the weakest of the season, so far. This is especially bad considering this is the first season’s finale, and I am really hoping it is not an indication of the quality of future seasons. Admittedly, when “The Eye of the World” first started, I was pretty excited for it. The reason for this is that the cold open for the episode is our first introduction to Rand’s prior life, Lews Therin Talamon (Alexander Karim), the Dragon Reborn… wait “reborn?” Yeah, that was the first sign of trouble in the episode because there are quite a few inaccuracies to the most simple parts of the lore in this opening scene, like Lews Therin’s title, and Latra (Katie Brayben) somehow knowing the Dark One would taint the male half of the One Power. Seriously, how the heck did she predict that? Although, I was able to look past these issues during my first watch of the episode because I liked how the scene was performed in old tongue. It really showed a commitment to the world building of the lore, even if some parts of it were contradicted. We even get a good look at the futuristic setting of the Third Age, which looks oddly good for a time when the Dark One threatened the world. However, I guess they did need to show how far the world had fallen since the Breaking of the World, so it’s not too much of an issue.
There are some issues with Lews Therin’s first scene in the show but overall I liked it.
We then pick up with our two sets of characters, as Rand and Moiraine make their way through the Blight, towards the Eye of the World, and Lan and the Emond’s Fielders reel from the revelation that Rand is the Dragon Reborn. Lan’s top priority, though, is locating Moiraine, and Nynaeve informs him of how to do so because of a “tell” she has. What this tell is and how Lan has not noticed it after decades of being Moiraine’s Warder is never explained. Another issue is a line Lan says that is translated right from the books. As he is saying goodbye to Nynaeve, he tells her, “I will hate the man you choose. Because he is not me. And I will love him if he makes you smile. You are as beautiful as the sunrise. You are as fierce as a warrior. You are a lioness, Wisdom.” Now, while this is a book accurate line, for the most part, I just don’t think it works here because it feels entirely different from the context of what is happening in this scene. In the books, Lan has quite a different personality, so the reasons for him telling Nynaeve this are for meant to mean something else and thus the line does not match up with the show conversation. Sure, the quote has been changed slightly to try and make more sense for the show but it still does not quite work right. Then there’s the dialogue. Again, it’s true to the book, however the issue is that the dialogue for this adaptation has been more modern so to hear this old fashioned love declaration feels rather strange. Speaking of strange, we then get our first look at the Dark One, who visits Rand in a dream and, honestly, I personally did not find him to be that intimidating. To be fair, I think it’s an issue with the costuming, rather than the acting of Fares Fares. The way his shirt goes down below his jacket makes him look like he got out of bed late, realized he had to go terrorize Rand, and haphazardly put on whatever was there to make it in time.
The Father of Lies is kind of hard to take seriously with this costuming.
Also, I’m pretty sure there are some things about this dream scene that contradict key aspects of the series’ lore. This, and the Moiraine fake out death was obvious and annyoing. Unfortunately, this is not the last we’ll see of one in the episode, as can be seen with one of Min’s visions of Nynaeve “dying.” Upon waking, Rand is informed by Moiraine about her plan for him to use a sa’angreal to seal the Dark One away again. Again, though, that’s not how it works in the books but whatever. They do not have a lot of time, though, because the Dark One is sending his most terrifying force against Fal Dara. No, not Trollocs, no, not Mydraals, but terrible CGI! Seriously, what in the light was up with the Trolloc CGI in this episode? Sure, some of the Trollocs did look pretty iffy in previous episodes but the ones here looked so abysmal that it broke all my immersion. It looked like Sharknado quality, I’m not kidding.
See?
To be fair, though, this could have been an issue because of COVID, so it is understandable if that’s the case. Rushing to meet the terrible CGI Trollocs is the show’s unlikeable version of Lord Agelmar, who has left his sister, Lady Amilisa, to defend the city if he falls, which in hindsight is a really stupid decision, but I’ll explain why later. As this is happening, Rand and Moiraine descend into the Eye, only for Rand to be drawn into a dream world where the Dark One shows him his ideal life with Egwene, offering it in return for serving him. The Dark One also confronts Moiraine out in the real world but easily cuts her off from the One Power, seemingly permanently. Meanwhile, at Fal Dara, Egwene and Nynaeve join Lady Amilisa and two others to protect Fal Dara, while Perrin despairs over not knowing how to help. Loial inspires him with a pretty good inspiring line, “if you want to help but don’t know how, all you need to do is ask.”
I’m still loving Hammed Animashaun’s portrayal of Loial, even if he has not had as much characterization as in the books.
Loial’s advice leads to him and Perrin helping uncover the Horn of Valere from under Lord Agelmar’s throne, however, this is not exactly a good thing because Padan Fain arrives with two Mydraal to steal the horn. I quite enjoyed the brutal way he enters the scene, resulting in the death of two women, since it shows how big of a threat he is. Although, the scene of him actually stealing the horn and then talking to Perrin is a little clumsy. Fain pretty much stabs Loial, monologues to Perrin, and then leaves with Perrin having nothing to do other than stand there and listen. The scene with Nynaeve and Egwene is not much better, unfortunately. After Lord Agelmar is seemingly killed and the Trollocs break through, rushing to attack Fal Dara, Lady Amilisa links with the five other channelers, completely obliterating the Trolloc army. This is why I said it was stupid for Agelmar to leave the city’s defences to his sister. If five untrained women channeling can generate enough power to destroy an entire Trolloc army then why in the blood and ashes would you not put them on the front lines? Not doing so just wastes lives. Also, again, these women are untrained, so it leaves a whole lot of plot holes, like why the trained Aes Sedai did not easily destroy Logain’s army in Episode Four? And then there’s the already mentioned second fake out death. After Amilisa and the other two women who can channel are killed from using too much power, Nynaeve appears to die as well before she and Egwene can break free from their hold on the One Power. Egwene then magically heals Nynaeve pretty much instantly. What was the point of this? It just feels like unnecessary drama.
I’m really hoping that this show quits it with the fake out deaths.
At least the fight at the Eye of the World has a somewhat satisfying conclusion, with Rand breaking free from the Dark One’s manipulations because of his love for the real Egwene, and blasting him away. With this battle now done, Rand decides to leave, saying he can feel the madness that all male channelers suffer from. It would have been nice if we could have seen this madness but Rafe Judkins apparently decided to just have Rand say he could feel it. Moiraine promises to tell everyone Rand has died as he leaves and Lan then arrives after having done pretty much nothing in this final episode. She tells Lan that Rand is “gone” and confirms that she can no longer channel, before proclaiming that this was not the last battle but the first of many to come. The final scene of the episode then sees a little girl playing on a beach, only to witness an invading army approaching. This army uses their channelers to send out a tsunami onto the beach, killing the girl. Such a show of force is honestly kind of dumb though because, unless I’m mistaken, that beach looked pretty barren. So, were they just trying to kill one girl? Clearly not but that’s the way it appeared. It seems that Judkins wanted this new culture to be scary yet he did not think of a logical reason for their actions beyond this.
“Look, a little girl! Let’s create a giant tsunami just to kill her and no one else because we’re the big, scary bad guys!”
And so this awkward feeling scene brings an end to what is undoubtedly the weakest episode of Season One by a large margin. This episode is just full of issues. To be fair, there are good things, like the score and acting for the most part. It’s just that the decisions made for this episode’s story really baffle me, especially as a reader of the books. Overall though, I would say this adaptation was decent. If I were to rank all the episodes from weakest to best it would go Episode Eight, Episode One, Episode Five, Episode Three, Episode Two, Episode Seven, Episode Six, and best of all Episode Four.
Book Spoilers:
I said that, as a book reader, a lot of the changes this episode baffled me, and this bafflement started right from the opening scene. Why is Lews Therin known as the Dragon Reborn and not just the Dragon? The Dragon Reborn is Rand’s title. It’s a small inconsistency from the books but a weird one. It gets even weirder when both Moiraine and Rand die in Rand’s dream. If this is Tel’aran’rhiod, then both of them should be dead since they died in their dreams. Although maybe this is somehow just a regular dream that Ishamael is invading. Speaking of, I wish they had just revealed that the one Rand fought was not the Dark One but Ishamael. As I said, the costuming made it difficult for me to take him seriously, and this would have been worse if I was a show only viewer, since I would find him unthreatening as the Dark One. So, is the show just going to temporarily kill him off whenever the Dragon Reborn is adapted, and then reveal he wasn’t the Dark One as well? That felt cheap on my first read through of the books and I hope it is changed. This said, I did like the change of it being Ishamael that Rand fought at the Eye, instead of Aginor and Bathamel. As for the other changes of the episode, another significant one was how much less of a deal the Eye of the World and the battle of Tarwin’s Gap were. I think they’re substituting the Eye for a seal for the Dark One’s prison here, which is fine, but the battle of Tarwin’s Gap was not handled well because Rand did not have a part in it. That battle in the book, confusing as it was, showed off Rand’s power as the Dragon Reborn and why he was such a big deal. Overall, the show does not really show why the Dragon Reborn is so revered and feared at the same time because Rand seems just like a normal male channeler at this point.
The power and threat the Dragon Reborns poses to the world is not seen in this adaptation, at least not yet.
All of the prophecies have clearly been thrown out the window as well, since Moiraine went through with this plan to bring just Rand to the Eye of the World, thinking it was the Last Battle. So, what happened to all the other prophecies that Rand and the others spent multiple books fullfiling? Is Rand going to go grab Callandor just because he feels like it now? Coming back to the Eye, though, the Horn of Valere is no longer there but under Agelmar’s throne. What? Another strange change, and it leads to another one with Loial being stabbed by Padan Fain. Which reminds me, they never explained why Loial went with Rand and the others in the first place, so his actions don’t really make sense in the show because he has no motivation. Also, him being stabbed by Fain with the Shadar Logoth Dagger seems to suggest that he will take on Mat’s role in the Great Hunt, since Barney Harris left. As for Mat himself, Fain again implies that Mat could turn to the shadow, another instance of the show seeming to misunderstand Mat as a character. Sure, Mat is a trouble maker, but he never had an inherent darkness in the books that drew him to the Shadow.
I loved Barney Harris’ performance as Mat this season and I’m sad to see him go but, man, did they have to portray him like a potential villain at times? That is just not Mat.
Then there’s Moiraine being stilled, which is another controversial divergance. However, I’m not sure if she was stilled or just kept from touching the One Power, like Moghidien did to Liandrin in the books. Either way, it’s a massive departure from her character, one which I hope turns out for the better in season two but, after the quality of this episode’s changes from the source material, I’m concerned. I have liked some of the chages in previous episodes, like the extension of Logain’s storyline and Moiraine and Suian’s relationship, but the changes in Episode Eight really dropped the ball. “The Eye of the World” is a weak ending for an otherwise alright adaptation of the first book in Robert Jordan’s The Wheel of Time series.
THE REVIEW MONSTER 