Attack on Titan, Season Three, Episode Fourteen, Thunder Spears Review: Eren vs Reiner Round Two.

Spoiler Free Review:

The fourteenth episode of Attack on Titan’s third season, “Thunder Spears”, tries to top the epic first battle between Eren and Reiner in the second season episode, “Close Combat.”
But does it live up to that episode?
Well, in my opinion, no.
That first fight just had so much weight to it, although this probably came from the revelation in the episode before “Close Combat” that Reiner is the Armoured Titan.
However, this is not to say that the fight between Eren and him this episode is not good because it is still full of many stellar moments that adapted the manga fight very well.
Not only this, but “Thunder Spears” also has a few additions, which improve on the manga very well.
This can be seen with the final shot of the episode, which was not in the manga, and is very gripping, serving as the cliffhanger to get viewers hyped for the next episode.
Along with this hype, came the beginning of many great character arcs that have been set up with this season, primarily Erwin’s.
We get a good look at his inner thoughts in this episode that tells us a lot about him and really adds to his character.
We also got some good elements of Titan comedy, which we have not seen since season two, so it is nice to have that back.
But, while this is all good there are still a few things about this episode that bother me, primarily its animation in some moments.
There is a particular shot of the Beast Titan at the beginning of the episode that looks more like fan art than actually being from the anime.
Then there is the censorship, which really annoyed me.
During one of Erwin’s development scenes, a powerful shot is censored because of how gory it is in the manga, robbing it of much of the weight it had there.
Still, “The Thunder Spears” is a good episode, with a lot of great character development and a battle between Eren and Reiner that will keep you entertained.
It is not as good as the previous episode, but still enjoyable.

Spoiler Review:

“The Thunder Spears” features the first usage of the titular weapon in the anime, with them being used in the fight against Reiner.
This is by far the highlight of the episode for me because I liked how they adapted the Thunder Spears from the manga.
From the animation that showed them being implemented, to the brilliant sound effect as they prepared to explode.
This led to the added scene that improved on the manga, where Reiner gets struck by the Thunder Spears at the end.
With the scene in a red filter, Reiner roars as countless Thunder Spears explode on his nape in brilliant flashes of light, bringing an end to the episode.
Before this moment, the weapons were built up very well, with the flashback to Hange’s experiments setting up the rules for how they can be implemented.
As stated, the episode also began to set up many upcoming character arcs and events.
Erwin’s arc is set up as well as in the manga, with him imagining himself on a pile of corpses.
Although, when Erwin remembers seeing a soldier giving him a salute as he is being eaten and realizes he is the only one fighting for himself it is censored, again lessening the impact.
We also got our first piece of set up for a battle between the Beast Titan and Levi, which is unfortunately where that questionable shot of the Beast Titan I mentioned came from.
Then there is the quadruple Titan, as Erwin calls it, which is officially introduced in this episode.
I will not spoil who this character is for those of you anime onlys, but I will say that, while they do not have a huge role in this arc, they become very interesting later on and I cannot wait to see how the anime adapts this.
Finally, concerning the actual fight between Eren and Reiner, it is a good battle.
Again it is not as intense as their first fight, but it still has a lot of emotional weight because of how much this battle means to Eren, with it being in his home town.
Overall, a good episode that has me excited for the next one.
With the anime looking set to adapt two chapters per episode, I especially cannot wait for episode five onwards because I believe this will be when we get into the five star episodes.

The Walking Dead Issue 191: The Last Stand Review – Coming Full Circle with a Shocking Twist.

Well… that just happened.
I got spoiled right before I read Issue 191 of The Walking Dead, “The Last Stand”, but it was still shocking to see the ending of the issue.
Before I begin the review, I have to warn you there are gigantic spoilers in this review so if you have not read the issue then go do that before continuing.
Seriously, you do not want to get spoiled about this like I did.
With that out of the way, let’s get into the big moment of the issue, and what is sure to be one of the biggest moments of The Walking Dead.
That being Rick getting shot in the chest and supposedly starting to bleed out at the end of the issue.
This is such a big moment in the history of the series because, make no mistake, Rick is going to die next issue.
While this has not been confirmed, it is made blatantly obvious by the issue.
Rick is shot right in the chest, and blood is leaking from his mouth so it is clear the bullet hit something vital.
Not only that, but Rick’s character arc came full circle in this issue, with him managing to peacefully resolve the situation with Pamela, and save the Commonwealth, by making a passionate speech declaring, “we are NOT the walking dead!”
This is directly mirroring a similar speech in Issue 24, where Rick states the exact opposite, and the final shot of Rick about to bleed out also mirrors the cover of Issue 45, where he is similarly shot.
Then there is Rick’s final scene with Carl, which has a real sense of finality to it, serving as the unknowing goodbye between the two.
So, yeah, Rick Grimes is definitely going to die next issue.
If he did not then it would feel like a major cop-out.
How do I feel about this, though?
Well, right now I am mixed.
For one, I actually love the idea of Rick getting taken out in assassination after gaining so much support, which is very similar to many inspirational historical figures.
It is very realistic and, with it coming directly after Rick’s arc comes full circle, incredibly well done.
My problem lies in who shoots him: The cowardly Sebastian, the son of Pamela Milton.
Honestly, the idea of the great Rick Grimes being killed by a guy who reminds of me a spoiled, bratty teenager from one of those awful MTV shows is pretty stupid.
This could have been remedied if Robert Kirkman had built Sebastian up as a more intimidating character.
For example, he could still be spoiled, as this is his main motivation for shooting Rick, but he could also have a power base and people who work for him, establishing him as more of a threat.
As it stands though, it is pretty disappointing that Rick gets taken out by such a brat.
However, whether this drives Rick’s death more into the negative side for me will depend on how that death is handled next issue.
If Rick dies before he reaches anyone then no one will know it was Sebastian because he used a silencer and probably left almost no trace.
This could create an interesting story where Carl searches for his killer and Pamela tries to protect her son.
Speaking of Carl, I am very excited to see him take Rick’s place as the main character.
One of the big themes of the series has been how children grow up in this world of the dead, but with Carl now grown up and about to take Rick’s place, it could create a new age for The Walking Dead.
Since Carl is still only around 14 though, I do expect there be a time jump to age him up so he can be a realistic leader, because I do not see a 14-year-old leading a community.
As for the rest of “The Last Stand”, it is pretty good.
I would have found the way the hyped up battle with Pamela ended disappointing if it had not been for the ending, though.
It is funny actually.
Before this point, The Commonwealth story arc has been a jumbled mess and now it all seems to be coming together to send Rick off.
It is both tragic and exciting to see Kirkman killing off his main character.
Tragic because we are seeing the end of a character we have followed for well over a decade, and exciting because this could bring a new age for The Walking Dead with Carl as the main character.

Game of Thrones, Season Eight, Episode Three, The Long Night Review. Wait, That’s It?

Coming into the third episode of Game of Thrones season eight, directed by Miguel Sapochnik, I was very excited to see what would surely be the first epic battle with the Night King (Vladimir Furdik) and his army of the dead in the final season.
Only for it to be the last as well as the first.
That’s right, the Night King and his entire army are killed off this episode in one of the most anticlimactic deaths I have ever seen.
Arya (Maisie Williams) just leaps out of nowhere, right at the end of the episode, and stabs him with the Catspaw dagger, killing him and his entire army because their existence is tied to him.
Game of Thrones has been setting up the threat of the White Walkers from the very beginning of the series.
They were the entire focus of the seventh season, and they have posed such a threat that the fight for the Iron Throne seemed inconsequential.
As Jon (Kit Harrington) puts it in the first episode of the season, “you want to worry about who holds what title. I’m telling you, it doesn’t matter.”
Well, apparently it does matter now because the greatest threat of the entire series, the Night King, has been killed off three episodes before the series’ conclusion.

Arya kils the Night King.jpg — The Night King’s death feels too soon, what with him being built up for the entire series only for him to just die here.

I just want to say that the death itself is not completely terrible.
It is well shot and executed.
However, Arya has had absolutely no interactions with the Night King, unlike Jon, and the Night King himself has not been explored in any meaningful way.
We know his origins but nothing more than that.
We have no idea why he wanted to destroy the world.
He was just a mustache twirling villain, but without the mustache, and this goes against everything Game of Thrones stands for.
The bad guys of the series’ motivations are all explored and even characters that are completely evil like Ramsay and Joffrey, are realistically evil, basically being serial killers put into positions of power.
The Night King is just some monster that is evil for no reason.
And I will say it again: they just killed off what has been hyped up to be the main threat of the series, leaving the last three episodes to cover who gets the Iron Throne, which I have stated has been made to feel inconsequential.
This is not the only thing about the episode that is disappointing.
The predicted crypt scene happens here but nothing special comes from it and sometimes the scenes are so dark you cannot tell what is happening.

The Crypts.jpg — The crypt scene had no point at all, with no major characters dying. It felt very out of place.

Plus, by killing the Night King, it feels like all of those prophecies about “the prince that was promised” are being thrown away.
On top of this, many characters felt pointless in this battle.
Seriously, what was the point of Jamie (Nickolaj Coster-Waldau) switching sides at the end of season seven?
Other than a brief scene where he saves Brienne (Gwendoline Christie), he made literally no difference in the battle with the dead.
Then there is Melisandre (Carice van Houten), who is one of the big deus ex machinas of the episode because, with no build up at all, she just shows up to help in the fight.
All of this said, there are some good things about the episode.
The opening minutes do a great job of building up suspense and, with the exception of the Night King, many of the deaths are tragic and bring an end to the characters’ arcs well.
Theon (Alfie Allen) gets the redemption he deserves before dying, Jorah (Iain Glen) dies protecting Dany (Emilia Clarke), and Lyanna Mormont (Bella Ramsey) goes out like the little badass she is, killing a giant.
I even felt sad about Edd’s (Ben Compton) death, with him trying to protect Sam (John Bradley) only to be stabbed from behind.

Lyanna Mormont — I definitely did not expect Lyanna to die but she had a great death, with her taking out a giant.

These are some genuinely good and tragic moments in an episode that was a large disappointment.
I feel like a lot of the great build up of the last two episodes was squandered.
Sadly, this has been happening a lot in the last few seasons of Game of Thrones.
Ever since the series started diverging from George R.R. Martin’s source material the series has been slowly declining.
Where the show once felt realistic in its portrayal of war and death, everything now feels very reliant on tropes, something that Martin definitely wanted to avoid when writing the series, and many characters have been dumbed down, especially Tyrion (Peter Dinklage).
Speaking of him though, Bran (Isaac Wright) definitely knows something about him right?
Bran keeps staring at him so Tyrion is probably going to do something important soon.
Hopefully this will make him an interesting character again.
Overall though, “The Long Night” is a disappointing episode that concludes a storyline built up right from the first episode of the series very poorly.
I will say though, my opinion of “The Long Night” may change depending on how Game of Thrones concludes.
If the writers manage to pull off a good ending without the Night King and his army, I will certainly be more forgiving of the episode.
However, if they do not, this will always be one of the most disappointing things about the series for me.

Attack on Titan, Season Three, Episode 13, The Town Where Everything Began Review: The Return to Shiganshina Arc Begins.

Spoiler Free Review:

After a long wait, the much anticipated second half of Attack on Titan season three has arrived with its premiere episode, “The Town Where Everything Began.”
During the break in between season three’s first and second half, I read the manga out of fear of getting spoiled and I think that only heightened my excitement for the series to return.
This is because the arc that this half of the season is covering, The Return to Shiganshina Arc, is the best of the entire series so far.
I remember binge reading it in a few days because I just could not stop reading.
If you have not read the manga, I will say you are in for a treat with these ten episodes we are getting.
“The Town Where Everything Began” does not disappoint as the beginning of this new arc, delivering on great character development and action.
It may start out a little slow for some, but the explosive ending will get everyone hyped for the next episode.
The buildup to this ending is very well done, with the story picking up where it left of with the Scouts going to reclaim Wall Maria and visit Eren’s basement.
The mission is obviously not as simple as it sounds though because the location of Reiner, Bertholdt and the mysterious Beast Titan is unknown for most of the episode.
This adds a significant amount of tension, which is mostly voiced by Armin who is the standout of the episode by far.
His role and character development here, and the performance by his voice actor Marina Inoue, really reminded me of why he is one of my favourite characters.
Then there is Erwin who shines just as much with his plan to retake Shiganshina, and how he rolls with the punches that inevitably come at the end of the episode.
The excitement and dread of this ending is amplified by the amazing music, with a remix that improves on what is already one of the anime’s best OSTs, “Attack on Titan.”
The animation also continues to be solid, except for one instance, this being the opening.
I was eagerly anticipating what this opening for the new arc would be, and it is certainly appropriately named, the title being “The Path of Longing and Corpses.”
Performed my Link Horizon, the song is good and the mostly slow motion images are decent but have quite a few spoilers at times.
I will say, the final image of the opening is very powerful, with it reminding us of the big goal behind retaking Wall Maria, reaching the basement.
My main take away though, is sadly the god awful CGI on the Colossal Titan.
I really hope they spent a lot of the budget on making him look so good that they ran out of money for the opening, because if the Colossal Titan looks like this when he actually shows up then it might ruin the powerful scenes he features in.
As for the ending theme, titled “Name of Love” by Cinema Staff, there is nothing all that special about it.
Sure, it does do a good job of reminding us of how everyone has changed from their days in cadet training, but I feel this would have been a better opening for season two rather than three.
Overall, I am a little disappointing by both the opening and ending themes.
The same cannot be said for the episode though because, as I stated “The Town Where Everything Began” is a really good start to the best arc of the manga.

Spoiler Review:

“Humanity or Titans?! Which side will live?! Which side will perish?!”
With these dramatic words from Erwin, and a great performance from his voice actor, Daisuke Ono, the epic ending of “The Town Where Everything Began” comes to a close.
As I stated, this ending is the highlight of the episode, delivering much intensity that will get the viewer hyped for next week’s episode.
What makes it even better for anime only people though, is that every single shot from the trailer is in the first episode so they have no idea what is going to happen next.
This makes me envy them but I know I will still find watching this arc engaging, even though I know what will happen.
The Return to Shiganshina Arc is that good.
It certainly has got off to a good start as well, reminding us all of what the characters had to go through to get this point and what these characters represent.
Eren being anger, Mikasa being pride, and Armin being hope.
The main theme of the episode though, and a major theme of the entire series as well, is that of freedom, with Eren recounting how Armin talking about the sea made him realise he was not free and fueled his desire to go outside the walls.
Eren’s character development in the opening minutes of the episode is very well done, with him showing his fears and weaknesses.
I wish he had this vulnerability in the first season because it might have helped me relate to him more.
After this, the Scouts finally reach Shiganshina and we get numerous glorious shots of them swinging around on their ODM gear, preparing to initiate Erwin’s plan to retake Shiganshina, which is shown in a well done transition shot.
But the best shot of the entire episode is still the amazingly expansive one of Eren as he shoots up above Shiganshina, about to transform so he can plug up Wall Maria.
And plug up the wall he does, with the first part of the plan going surprisingly easily… only for it to naturally fall apart by the end.
Still, it would have been much worse if Armin had not realised Reiner was hiding in the wall.
This scene really shows Armin’s growing inner strength because he starts out hesitant when giving orders to the other soldiers but comes across as a confident leader by the end.
Reiner does not go down easily after being discovered, however, with him brutally murdering the soldier who finds him.
Levi is quick to act though, rushing to stab Reiner, only for an odd case of censorship to block our view a few times.
I call this odd because there are multiple shots of Reiner bleeding heavily in this scene and yet the anime blocks him getting stabbed from view for some reason.
But this censorship did not lessen the scene’s intensity too much, with Reiner transforming and the Beast Titan then appearing behind Erwin with his army of Titans to back him up.
The Beast Titan is especially creepy in this episode.
There is a shot of him smiling in anticipation for the coming battle with glowing red eyes, which is quite scary, and a massive improvement on the already good manga panel.
With Eren set to face off against Reiner in round two next episode, The Return to Shiganshina Arc is off to a really good start and, if all goes well, it will only get better from here.

Avengers: Endgame, Review. Earns Every Minute of its Three Hour Runtime.

When I heard Avengers: Endgame was going to be three hours long I was very concerned.
Not only about how I would sit through the entire thing without a toilet break, but also about how the film could drag due to this runtime.
Well, while watching Endgame I was overjoyed to find that, not only could my bladder hold, but also that the film earns every minute of its three hours.
In all honesty, the movie does not even feel three hours long.
Endgame is so investing that at no point does it drag, despite its long runtime, which is a huge achievement.
Directed by the Russo Brothers, the film picks up after the events of Avengers: Infinity War where Thanos (Josh Brolin) snapped his fingers and wiped out half of all life in the universe.
The Avengers must then unite to find a way to stop Thanos and undo everyone’s deaths.
To say anything more of the plot, would be to spoil so many of Endgame’s amazing twists and turns.

Final Battle.jpg — The story of *Avengers: Endgame* offers so many explosive moments, especially in its glorious final hour.

For the most part the trailers only show the first half hour of the film, leaving me completely clueless as what was going to happen next, which made the experience even better.
So many movies spoil their big twists in trailers these days that it was a wonderful change of pace to have absolutely no idea what was coming.
This is made even more wonderful by how brilliant Endgame is with its story, characters, and action sequences.
The story brought out so many emotions in me.
I honestly cried at least five times during this film, both out of joy and sadness.
I think the last time I cried this much when watching a film was Logan, which was my favourite film of 2017.
Well, Endgame is certainly looking primed to take the top spot in 2019 for all its brilliance.
The characters themselves are a part of this brilliance, with many of their arcs being complete perfection.
My favourite characters of the film would have to be Tony Stark’ Iron Man (Robert Downey Jr.), Steve Rogers’ Captain America (Chris Evan), Clint Barton’s Hawkeye (Jeremy Renner), Natasha Romanoff’s Black Widow (Scarlett Johansson), and surprisingly Nebula (Karen Gillan).
Tony is by far the standout though, with him providing a lot of the film’s emotional heart.

Tony Stark.jpg — Tony Stark is the heart and soul of this film, with Robert Downey Jr. turning in what has to be his best performance as the character.

Then there is the action, which is also stellar.
The final action sequence alone is one of the greatest final hours of any film I have ever seen.
It is absolute brilliance.
Sure, a lot of it is fan service, but it is earned fan service.
Every single part of Endgame is earned, especially that final bombastic hour.
Even the slower moments of the film are great, with so much amazing character development shown as our heroes deal with the aftermath of Thanos’ snap.
Speaking of the big guy, Thanos continues to be the Marvel Cinematic Universe’s best villain.
He is not the main character of the film, like he is in Infinity War, but his presence it still massively felt.

Back to me.jpeg — Josh Brolin is once again incredibly intimidating as the Mad Titan, who is the MCU’s best villain.

Overall, any problems I do have are relatively minor.
At the end of the film there appears to be a retcon to rules established earlier in the film, but this retcon is more than earned so it does not really matter.
Then there is Captain Marvel (Brie Larson), who I actually found myself disliking in this film because she is very stuck up and arrogant.
This would not have been a problem if this had been the start of her character arc, with her growing to learn that she needs the Avengers’ help, but she does not change at all.
Still, Captain Marvel is only a minor part of Endgame so my dislike of her here does not change my feelings about the film.
Avengers: Endgame is the true culmination of the Marvel Cinematic Universe, being its best film with the way it delivers excitement, intensity and emotion.
It is breaking so many records at the box office right now that it has me wondering if it might beat James Cameron’s Avatar, becoming the highest grossing film of all time.
I hope the film does because it has more than earned it.

The Walking Dead Season Nine Review: A Return to Form.

Seasons seven and eight were the weakest of The Walking Dead.
Full of bottle episodes and with an incredibly slow structure overall, these two seasons really should have been merged into one.
So, in order to bounce back, the show needed to deliver a fantastic ninth season and, boy, did it.
Scott Gimple was replaced as showrunner by Angela Kang who brought The Walking Dead back from the brink, adapting one of my favourite story arcs from the comics perfectly.
However, going in I did have my concerns, what with this season being the final one with Andrew Lincoln as Rick Grimes.
I was afraid the show would not be able to sustain itself without Rick but, thankfully, I was dead wrong about this.
Not only did Rick get a good sendoff in episode five “What Comes After,” but Daryl (Norman Reedus) works as the new lead after Rick’s departure.

Rick's departure — Rick got a good sendoff with episode five, and I am interested to see how his movies will turn out.

The season gets better from there with the New Beginning story arc, which saw a six year time skip.
From here, the season delivers great episode after great episode, only faltering with episode seven “Stradivarius,” which is not a bad episode but is much slower than the others.
By far the best part of this season, for me, is how the new characters from the comics are made even better that their comic book versions.
For example, I care for every member of Magna’s group in the show, while in the comics the only one I care for is Magna (Nadia Hilker) herself.
Connie (Lauren Ridloff) is an especially fantastic improvement on her comic book counterpart.
Then there are the Whisperers who are even scarier than they are in the comics, especially Samantha Morton as Alpha who knocks it out of the park.
I doubt that anyone could play this role better.
Finally, for characters, there is Judith (Cailey Fleming).
After Carl died in season eight, which is the stupidest decision the show has ever made, the series had lost one of its central pieces.
One of the main themes of The Walking Dead is how children grow up in a land of the dead and, with Carl gone, so was this theme.
Enter Judith in season nine, who so far, in my opinion, manages to be a better character than Carl and I cannot wait to see what else the writers decide to do with her.

Judith Grimes.jpg — The little ass kicker herself is the new Carl for this show and it is going pretty well so far.

Then there are the episodes themselves, which are stellar, as stated.
The best episodes of the season, though, came towards the end, with episodes 14 “Scars” and 15 “The Calm Before” being absolutely fantastic.
These episodes were investing, dark, and some of the best episodes of the entire series.
Overall, I would say The Walking Dead can manage just fine without Rick.
However, Michonne (Danai Gurira) and Ezekiel (Khary Payton) may be another story because both are set to depart next season, which is concerning.
But Maggie is supposed to be returning so there is that.
I am also a bit concerned about how the Whisperer Arc will be handled in season ten, because, after the horrifying pike scene of episode 15, I believe the arc started to go downhill a bit.
Hopefully, the show will be able to improve on this arc in season ten just as they did with season nine.
If you stopped watching The Walking Dead after seasons seven and eight I would recommend you start watching again because the show has returned to its former glory.
I just hope that it stays there.

Game of Thrones, Season Eight, Episode One, Winterfell Review: The End Begins.

After a long wait, the final season of Game of Thrones has finally begun with its premiere episode, “Winterfell.”
Anticipation has been building for months now to see how what is arguably one of the greatest TV series of all time will conclude, and the first episode of this conclusion does not disappoint.
If there is any single word to sum up this episode then it would be reunions, because there is a bulk load of them.
Jon and Arya, Jon and Sam, Tyrion and Sansa, Arya and the Hound, Arya and Gendry, Jamie and Bran, the list goes on.
As a result, “Winterfell” is a set-up episode to the coming battle with the Night King and his undead army, and we will probably have to wait another episode to get that battle.
Still, what we get in this episode is nothing short of great and really shows how fantastic Game of Thrones is with character drama.
All of the reunions and meetings that happen in this episode are well done, with many of them being reminiscent of the very first episode of the series.
I found the best of all the reunions to be the one between Sam and Jon, where both Kit Harrington and John Bradley gave magnificent performances.
Bradley is touchingly sympathetic as Sam in the scene where he learns his father and brother were murdered by Daenerys (Emilia Clarke), which leads him to tell Jon his true parentage.
Jon takes it as well as can, learning that not only had his father lied to him his entire life and that he is the true heir to the Iron Throne but also that he slept with his aunt.
Kit Harrington sells the conflict, anger and sadness Jon is feeling in this scene brilliantly.

Jon and Sam.png — The scene between Jon and Sam is the best of “Winterfell,” with both Harrington and Bradley giving great performances.

Unfortunately, this scene and others in “Winterfell” seem to be highly hinting at Jon and Dany being at odds later.
This is nowhere more apparent than when Sam asks Jon, “you gave up your crown to save your people. Would she do the same?”
Only time will tell if Jon and Dany will stay united in the same cause, but I sense a tragedy coming, what with the Night King approaching and Cersi (Lena Headey) scheming.
Speaking of her, Cersi’s scenes in this episode continue to show how conniving she is, with her having Euron (Pilou Asbaek) fetch the Golden Company to deal with Jon and Dany’s army after they are finished fighting the dead.
In a small twist she even has sex with Euron to ensure his loyalty, and even goes as far to send Bronn (Jerome Flynn) to murder Tyrion (Peter Dinklage) and Jamie (Nickolaj Coster-Waldau).
However, this last act does seem to go a bit against her character.
While her wanting Tyrion dead is nothing new, the idea that she would want to kill Jamie just feels weird to me because, although they are on opposite sides now, I never got the sense she wanted him dead before.

Cersei is unlikable as ever in the season premiere, even if her wanting Jamie dead does not make sense.

Sadly, this is not the only flaw I had with the episode because Theon (Alfie Allen) returns to rescue Yara (Gemma Whelan) from Euron’s clutches.
This scene felt a little rushed and odd, given that Theon somehow knew where Yara was, and it felt like Theon’s mission of the final season was going to be to rescue her, but now that is done.
Other than this though, “Winterfell” is still a great episode that also delivers on a few tense scenes to remind the audience of what is at stake.
After escaping from the Wall, Tormund (Krisofer Hivu) and Beric (Richard Dormer) run into Edd (Ben Crompton) and, after a pretty good comedic moment between them, find the horrifying scene of a young lord brutally murdered by the Night King and placed up in a display as a warning.
The night is certainly coming to Game of Thrones.

Tormund and Beric.png — The scene where Tormund, Beric and Edd discover the killed boy, who comes back as a Wight and attacks them, reminds the viewer of the horror that is to come.

The episode ends with Jamie arriving at Winterfell and seeing Bran (Isaac Hempstead Wright), in what will probably be the most awkward reunion of the final season.
In all seriousness though, I doubt Bran hates Jamie now because he is the Three Eyed Raven and seems more emotionless.
In the trailer for next episode we see Jamie being put on trial, in a sense, but I believe Brienne will speak up for him by maybe convincing him to tell the truth about why he killed the Mad King.
Although, we did not actually see Brienne this episode from what I can recall so we will have to wait and see.
Either way, “Winterfell” was a great way to kick off the season and sets up a lot of the relationships and conflicts that will be sure to come to a head in the great war with the Night King in the next few episodes.

The Walking Dead Issue 190, Storm the Gates, Review: Welcome but Rushed.

In my review of the previous The Walking Dead issue, I criticized the Commonwealth Arc heavily for how aimless and mediocre it had been so far.
Coming into Issue 190, “Storm the Gates,” I was expecting it to be more of the same, so I was pleasantly surprised when I saw this issue could be a step in the right direction.
It is not spectacular or anything, but it does give me hope that the Commonwealth Arc might just get better.
Although, I have had false hope with this arc before so we will have to wait and see.
I will also admit that I was wrong about something I criticized Robert Kirkman for last issue, this being artificial tension.
I thought the Walker herd in that issue was just a way for Kirkman to create some pointless tension in a slow story, but the herd actually has a story point in “Storm the Gates,” with the herd attacking the Commonwealth.
The reason it got so close to the community before being spotted, is because Pamela called her troops back after Mercer was arrested, which is another case of Kirkman wonderfully showing Pamela’s incompetency.
The approaching herd leads to Rick, Mercer and the others. having to all hide in the buildings while the herd walks around, until Maggie arrives with her deus ex machina army to save the day.
Although I did like that the herd actually serves a point in this issue, a lot of the storylines here seem pretty convenient.
Rick and Mercer are somehow able to get the Commonwealth’s 50,000 civilians inside their buildings in a matter of minutes?
Then there is Maggie’s arrival with her army, which is a complete deus ex machina, but one that moves the plot forward.
I feel I should also mention one panel where Magna is looking down at Maggie and something about the artwork here looks a little off.
That said, the rest of Charlie Adlard’s artwork is stunning as usual.
After the Walker herd are defeated, Rick and Mercer plan to finally talk with Pamela, only for her to march in with her army from Greenville and accuse Rick of trying to usurp her.
Rick tries to convince her this is not the case but she is too paranoid to believe him, ordering her troops to attack in a panel similar to the ones when Negan attacked Alexandria, and the Governor attacked the prison, bringing an end to the issue.
This cliffhanger was a very welcome one for me because it finally looks like it is going to create some interesting consequences, possibly even some deaths, in the next issue.
Coming back to Magna, she shares a scene with Yumiko, which highlights their relationship, that has me believing one of them may bite the bullet.
However, while I do welcome this cliffhanger, it does feel very rushed to me on a story level.
Pamela was somehow able to organize an army in Greenville, a community probably a long way from them, in a matter of hours.
Not only this, but her accusing Rick of trying to take over feels very forced.
Up until this point, Pamela has trusted Rick, especially after he killed Dwight to save her life, so her suddenly thinking Rick wants to become leader of the Commonwealth comes out of left field, even if it does finally get the story rolling.
Overall, this was an average issue with various positives and negatives.
I hope that the next issue follows up on its promise of action and excitement, rather than reversing all of this like it did with the antagonism between Rick and Michonne.

Pet Semetary Review: Sometimes not Spoiling a Movie in the Trailer is Better.

I said in my review of Shazam that you needed to look no further than the new Pet Semetary‘s trailers to see how bad trailers have become when it comes to spoiling movies.
I can distinctly remember watching the second trailer for this film and being infuriated by many huge spoilers there were.
The trailer showed a huge twist in the film that deviated from Stephen King’s original book and its first adaptation, which could have shocked and horrified audiences in the theater if it had not been in the trailer.
What’s worse is that I can tell by watching the film that the directors, Kevin Kolsch and Dennis Widmyer, wanted this twist to be a surprise because of how many red herrings they put in place.
So, for this huge surprise to be ruined in the trailers is very disheartening to me, and shows that trailers really need to be more like Shazam and Avengers: Endgame‘s going forward.

Amy Seimetz’s reaction to the twist in the film was basically my reaction to seeing this twist spoiled in the trailer.

Moving onto the film though, beside the aggravating spoilers, Pet Semetary is a solid adaptation of Stephen King’s original novel.
It follows Louis Creed (Jason Clarke), his wife Rachel (Amy Seimetz) and their two children, Ellie (Jete Laurence) and baby Gage, as they move to their new home in Maine, the centerpiece of all things horror when it comes to Stephen King.
After Ellie’s cat Church is killed by a truck, Louis’ neighbor Jud Crandall (John Lithgow) shows him the misspelled Pet Semetary, a cursed place where dead things come back to life when buried there.
However, after Church is buried and comes back from the dead, it becomes clear that he is not the same and something evil now controls him.
From there, Louis’ life spirals out of control when a tragic event leads him directly back to the Pet Semetary, where more evil continues to rise from the grave.

church the evil cat.jpg — From undead cats to ghosts, *Pet Semetary* has plenty of unnerving supernatural forces in its story to creep you out.

The film is as scary as it sounds, with a lot of gore and scares to keep the audience on the edge of their seat.
Then there is the acting, which is great across the board, especially from Jason Clarke and Jete Laurence, as the father and daughter.
The performances make you care for the characters more, which makes it all the more horrifying when the film reaches its third act and builds to its pulse pounding conclusion.
However, Pet Semetary is still far from perfect.
Along with the trailer spoiling almost everything, there are a few things that feel a bit unnecessary in the film.
For example, this weird ritual is set up in the beginning with these creepy kids who go to bury their pets at the Pet Semetary, but it is never addressed again.

creepy kids.jpg — Seriously, what was the point of those creepy kids at the beginning of the film?

Coming back to the ending, while it was a well done and a scarier deviation from the original novel and film’s ending, and that is saying something, it does feel a bit rushed.
I distinctly remember thinking that’s it? as soon as the credits started to roll, because the film ends so abruptly.
Pet Semetary is still a good time though, with a lot of creepy moments and great performances across the board.
Just under no circumstances watch the trailer because then you will not feel the shock and horror at the twist the directors wanted.

Shazam Review: Darker than Expected… but that’s a Good Thing.

Trailers spoil everything these days.
You need look no further than the Pet Semetary trailer to see how bad things have become, in terms of them spoiling large twists in the film.
Which is why it is such a relief when watching Shazam! because so many exciting twists and turns in the story are left for viewiers to see in the film.
The main feature the trailers focuses on is Shazam!‘s synopsis, as most trailers should do.
Directed by David F. Sandberg, the film follows a boy named Billy Batson (Asher Angel) who is given superpowers by an ancient wizard (Djimon Hounsou), which he obtains whenever he shouts the wizard’s name “Shazam!”
It also conveniently gives him the body of an adult male super hero whenever he does this, played expertly by Zachary Levi.
The switch between Asher and Levi is great, with Levi doing a fantastic job as a kid in a superhero’s body, pretending to be the adult he looks like.

Zachery Levi.jpg — Zachary Levi is magnificent as Billy’s super hero form, with him often ending up in hilarious situations by trying to act like an adult.

The other characters of the film are also great with Billy’s foster family all being likeable and well cast, especially Jack Dylan Grazer as Freddy.
Then there is the villain Thaddeus Sivana (Mark Strong) who is the best villain the DC Extended Universe has given us so far.
You perfectly understand why he is doing what he is and one particular scene he leads in is surprisingly horrifying.
Shazam! is, after all, a family film so to see something that pushes those boundaries is very surprising and, again, made me glad it had not been spoiled in the trailers.
It was undoubtedly my favourite scene of the film.

Mark Strong.jpg — A boardroom scene where Mark Strong’s interrupts is surprisingly dark for a family film so prepare your children when you go in.

Shazam! is also great with its humor, delivering many hilarious scenes.
As well as this, the movie gave us some sadly realistic messages about family with Billy’s search for his mother, which is dealt with in a mature and well thought out way that made me feel for him.
There are a few plot holes here and there but, while these are noticeable, they do not hinder the experience all that much.
Overall, Shazam! is one of the DCEU’s best films, alongside Wonder Woman.
It is funny, mature, and full of surprises.