Chainsaw Man Chapter 126, Food Fight Review: A Mysterious Saviour.

There was a theory going around after Chapter 125 of Chainsaw Man that it was not Denji fighting the Falling Devil but the imposter Chainsaw Man.
The supposed evidence for this theory was that Denji’s laugh sounded different but I found this incredibly unlikely.
Sure enough, the opening pages of Chapter 126, “Food Fight”, shoots down the theory quickly.
The chapter begins with the Falling Devil fighting Denji off temporarily, before telling him that there is no need for them to fight because all she needs to do is drop Asa Mitaka into hell and then she will leave.
This causes Denji to fight even harder, all to protect his “ex-potential girlfriend” as he humorously calls her, confirming his identity as Denji and not the imposter.
Annoyed by Denji’s actions, the Falling Devil unleashes her trauma power upon him, causing Denji to remember the deaths of Aki and Power; the trauma of their deaths making him fall up into the air.
It was good to see Aki and Power again, even if it is just in a brief flashback of their deaths.
The Falling Devil attempts to go after Asa again, only for Denji to drop down from the sky and attack her, having used his chainsaws to cut through his brain, cutting off the Falling Devil’s trauma attack.
Denji then begins to eat the Falling Devil, deliriously shouting that he wants to eat corndogs from france, while continuing to shred his own brain.
This leads to the Falling Devil shouting, “I am not a corn dog!” while Denji is eating her, in an almost full-page spread.
I said it once and I will say it again: Tatsuki Fujimoto is the most insane author I have ever read.
Only a warped mind like his could come up with something as ludicrous as a Devil complaining about being eaten like a corn dog, and make it work.
Further proving Fujimoto’s creatively dark mind, the Falling Devil then allows Denji to eat her, only to burst out of his stomach, ripping Denji in half and allowing her to continue her hunt for Asa.
It is then that a mysterious figure approaches Denji and slices their hand, giving him enough blood to regenerate and continue the fight.
This mysterious saviour then says, “Chainsaw Man… I still need you to fight.”
There has been a lot of speculation about who this unseen person is, with many thinking that it is Yoshida.
However, much like the theory about the imposter being the one to fight the Falling Devil, I find this theory to be unlikely.
Yoshida is already a shady character so hiding his face does nothing.
If this was truly Yoshida then I think Fujimoto would just show his face to add to the mystery of what his intentions are.
Therefore, I think this has to be another character but who?
Well, it makes sense for this person to be from the school, since that is where Part Two is focused.
This rules out any girl character from the school because the mysterious figure is wearing pants and the girls at the school all wear skirts.
So there are three unaccounted for male characters, who are all part of the Devil Hunter Club.
There is Haruka Iseumi, Seigi Akoku and the Kobeni clone.
Of these three, I find Haruka and the Kobeni clone to be the most likely candidates.
Haruka has been shown to be following Denji and Asa recently, and the Kobeni clone looks to have shoes of a similar colour to the mystery person in previous chapters.
Maybe whoever Denji’s saviour is could also be the Chainsaw Man imposter?
We will have to wait and see.
In any case, right after the scene where Denji is revived, we get the final page of Chapter 126, where the Falling Devil finds Asa still stuck on the roof.
Asa and Yoru will definitley need to trust each other if they are to have any hope of surviving the Falling Devil but Denji showing up might just give them an edge.
I am excited to potentially see the War Devil and Chainsaw Man forced to team up.
It could also lead to Asa and Yoru learning that Denji really is Chainsaw Man.
The possibilites are endless and, even then, I am sure Fujimoto will find a way to deliver things we never expected, as he always does.

Resident Evil 4 Remake Review: Among the Greatest Action-Horror Games of All Time.

We are living in an age of horror video game remakes.
This year alone, we have had the Dead Space remake, which is pretty spectacular, if you ask me, and a Silent Hill 2 remake has been announced.
Then, of course, there is the recently released Resident Evil 4 remake, which is not only the most beloved Resident Evil game but one of the most beloved video games of all time.
It served as an inspiration for countless other games.
However, despite knowing this, I never got around to playing the original Resident Evil 4.
The most I did was look up a few clips of the gameplay to see how it had inspired Village.
So this was an opportunity for me to play an updated version of it to see why the game was so lauded.
After playing it, I can say that I get it.
Resident Evil 4 is a fantastic experience from start to finish with a good story and characters, exhilarating gameplay, and a few terrifying moments.

The opening of the *Resident Evil 4 Remake* makes one hell of a first impression.

You play as Leon Kennedy (Nick Apostolides) who, after the events of Resident Evil 2, was unwillingly recruited by the US government to become one of their top agents.
After the President’s daughter Ashley Graham (Genevieve Buechner) is kidnapped and taken to a village in Spain by a cult known as the Los Illuminados, headed by Osmund Saddler (Christopher Jane), Leon is sent to rescue her.
On his mission, Leon encounters many colourful characters, such as the shady yet charasmatic Luis Serra (André Peña), Leon’s even shadier acquaintance Ada Wong (Lily Gao), Saddler’s devout follower Ramon Salazar (Marcio Moreno), and, of course, a friendly merchant (Michael Adamthwaite) who we buy from and sell supplies to and upgrades out weapons.
The story of Resident Evil 4 has a classic B-movie feel to it, while also carrying a feeling of seriousness that is key to the other Resident Evil remakes.
The game juggles these two tones effortlessly, providing a fun story for the player.

It’s constantly funny how Leon reacts to a lot horrifying situations with cheesy one-liners.

What is even funner, though, is the gameplay, as fighting against wave upon wave of Las Plagas infected villagers never became dull, with numerous ways of taking them out.
I found shooting one in the head to stun them, and then running forward to deliver a roundhouse kick, knocking them and any surrounding villagers to the ground, to be the most entertaining way of dealing with these waves.
This technique will not work with all enemies, however, so you will have to be constantly managing your ammo, herbs, and other supplies to be prepared for each possible encounter.
Such becomes particularly nerve wracking when the game truly gets into the horror Resident Evil is known for.
There is the Verdugo fight, and the remake original section where you play as Ashley running away from Plagas controlled suits of armour.
The most terrifying part of the game, however, is the Regenerators, where my panicking lead me to constantly missing their weak points, which then lead to me constantly dying against them.

The Regenerators are by far the most terrifying enemies in the game.

Speaking of dying, this happened quite a few times on some of the bosses, most notably Salazar, who must have killed me at least ten times.
It was satisfying to finally defeat him but easily the most satisfying boss of the game for me was Major Krauser (Mike Kovac).
He destroyed me in my first attempt against him but our roles reversed in my second attempt, where I destroyed him, after learning from my failures.

Krauser is undobutedly the best boss in the game, in my opinion.

Honestly, the only boss that disappointed me in this game was the final one, although that may be more my fault than the game’s.
I still had an RPG in my inventory so I used that to pretty much one-shot him.
However, an argument could be made that I should not be able to one-shot the final boss in the first place because then there’s no challenge.
Another issue I have is how the escorting Ashley segments play out sometimes.
From what I hear, the remake did this much better than the original but there were still some frustrating moments, like a cannon section where Ashley kept going into a death loop.
A criticism I have also heard many people bring up is Lily Gao’s performance as Ada Wong.
And by “bring up”, I mean harass her online because people are terrible.
In my opinion, there was nothing wrong with Gao’s performance.
Sure it wasn’t fantastic but she got the job done.

It is absolutley unacceptable how Ada Wong’s voice actress is being treated. If you don’t like it, fine, but don’t harass people over it.

One criticism I do find to be entirely legitimate is the recent addition of microtransactions for weapon upgrades.
It was pretty scummy of Capcom to add these only after all the positive reviews had come out, and it is extremely difficult to get the ticket used to upgrade the weapons completley without paying up, which is a shame for me because I have never bought a micotransaction and never will.
They are a predatory practice, designed to manipulate you into paying up in a game you have already bought, and sometimes they are even outright gambling.
Microtransactions have no place in a Resident Evil game, (or any game really, if you ask me).

“What are you buying?” The Merchant asks. “Not a microtransaction,” I say.

This problem aside, I found the Resident Evil 4 Remake to be a truly fantastic game that lives up to the hype of the original.
It provides a fun story with likeable characters, along with fantastic and sometimes terrifying gameplay.
I hope Capcom continues to do remakes of their older Resident Evil games so I can play updated versions of ones I never have previously, like Code Veronica for instance.

Chainsaw Man Chapter 125, Apple Thief Review: A Polite Primal Fear.

Way back in the International Assassins Arc of Chainsaw Man Part One, we met the Darkness Devil.
This terrifying entity was the first Primal Fear Tatsuki Fujimoto introduced us to; a Devil so powerful and created from a fear so primal that the Devil itself had never experienced death.
There was no reasoning with the Darkness Devil.
If it wanted you dead then you were probably dead, which is why it is so weird to read Chapter 125, “Apple Thief”, and see the Falling Devil being so unusually polite.
Well, as polite as a Devil can be, anyway, as the chapter starts with her brutally gathering ten eyes and four ears for her dish, after which, she goes to a supermarket like any average shopper would.
We then see her engaging in an oddly respectful talk with a staff member, who she has made fall up to the ceiling.
The Falling Devil asks the worker if she has a variety of apple that goes well with human flesh, a question which honestly got a chuckle out of me because how does the Falling Devil expect this woman to know that.
As for the worker, she is too terrified to respond, until the Falling Devil assures her that she has no intention of killing her unless attacked.
After leaving the shop, the Falling Devil remembers she forgot an ingredient, again, just like any regular shopper, only the ingredient she forgot is a human head.
Displaying more bizarre yet disturbing politeness, she asks if anyone is willing to spare a head.
It is then that a group of unwilling volunteers arrive, as a group of Devil Hunters take on the Falling Devil with sniper rifles.
They reduce her to a pile of limbs and guts but, being a Primal Fear, this is naturally not enough to kill the Falling Devil, who says she would rather avoid meaningless slaughter, before asking for a head again.
She only kills the attacking Devil Hunters and destroys much of the surrounding area when they attack her again but she seems to do this fairly reluctantly since she sighs beforehand.
Again, it is quite bizarre to see this powerful Devil act polite while killing and mutilating people left and right.
It is also quite interesting how the Falling Devil seems reluctant to hurt anyone outside of her goal to serve up some people as food for the Devils, including Asa and Yoru.
Speaking of those two, with the head now in her hands, all the Falling Devil needs to do is make Asa fall and then her dish will be complete.
Before she can do so, however, Denji finally shows up, ripping through the Falling Devil and accusing her of stealing apples… you know, as opposed to all of the murder and mutilation she just committed.
Denji has his priorities straight, although that is nothing new for him.
Another thing that is not new for Denji is being sliced up into pieces while he fights.
Good thing he’s basically immortal.
Unfortunately, so is the Falling Devil, as she seems completley unfazed by Denji ripping her apart, as she complains this is the first time that she has been on the menu, which is the end of the chapter.
I wonder if this is Fujimoto foreshadowing that Chainsaw Man will eat the Falling Devil, thereby erasing the fear of falling from humanity?
Although, if this does happen then it could have a lot of unintended consequences, since I would argue that a fear of falling actually helps out humans a great deal.
As for Denji finally showing up to fight the Falling Devil, there is a theory going around that this is actually not Denji but the Chainsaw Man imposter who killed Yuko.
While this is possible, I doubt this is the imposter because we saw Nayuta convince Denji to go fight a few chapters ago.
Most likely, Denji will have to team up with Asa and Yoru to defeat the Falling Devil and then whatever Primal Fear comes next.
All in all, “Apple Thief” was quite a short Chainsaw Man chapter but one with interesting characterization for the Falling Devil.
It also ended on a great cliffhanger, which has me excited for Denji and the Falling Devil’s fight going forward.

John Wick: Chapter 4 Review: Action Fatigue.

John Wick has been the highlight action franchise of the past ten years.
The first film, released in 2014, was surprisingly good and revitalized Keanu Reeves’ career.
The franchise has been going strong since then, with each sequel being a solid addition.
Well, four years since Chapter Three, Parabellum, released, we finally have John Wick: Chapter 4.
The movie has received plenty of praise from critics and fans alike, with many calling in the best in the franchise, although I do not think I would go quite that far.

Despite the film having some truly fantastic moments and characters, there are specific issues that hold it back, for me.

Chapter 4 once again follows Reeves as the titular John Wick who, after somehow surviving falling from the top of the Continental in the previous movie, goes to war with the High Table with the help of the Bowery King (Laurence Fishburn).
As for Winston (Ian McShane) and Charon (Lance Reddik, may he rest in peace), they are also suffering from the fallout of Parabellum, as they are left at the mercy of the Marquis, Vicent de Garmont (Bill Skarsgård).
Desperate to hunt down and kill John, the Marquis enlists the help of the blind assassin Caine (Donny Yen) and a hunter who goes by Mr Nobody (Shamier Anderson), while Winston advises John to challenge the Marquis to single combat to earn his freedom.
The characters and world building of John Wick continue to be strong in this fourth installment, with John having the best narrative arc since probably the first movie, and Caine and Mr Nobody being fantastic characters who I would be excited to see more of.

Caine in particular is stellar, with Donny Yen presenting excellent dramatic weight, comedic timing and, of course, stunt work.

As for the action, it is, as expected of a John Wick movie, absolutely incredible, just like it was in the past three films.
Once again directed by Chad Stahlenski, the action of John Wick: Chapter 4 is undoubtedly some of the best in the entire franchise.
The stuntwork, the cinematography, the editing; all of these are glorious and combine to create truly terrific action.
This culminates in one action set piece in the third act that takes place entirely in an overhead shot, which I would argue is the best action scene of the decade.

This action scene alone makes *John Wick: Chapter 4* worth seeing in the theatre.

It reminded me a lot of a video game, which also makes me really want a John Wick video game, now that I think about it.
All of these fantastic features should have made Chapter 4 the best installment in the John Wick franchise, however, there are unfortunately a few things which hold it back.
One of these things is Keanu Reeves himself.
As I said, I loved the arc his character went through but Reeves performance in this film is probably the weakest in the entire franchise, with even simple sentences sounding wrong, which is a bad thing since simple sentences is all John Wick speaks in this movie.

Even the line, “I’m going to need a gun” sounds wrong coming out of Reeves mouth.

Along with this, Chapter 4 doubles down on many of the things that broke my immersion in previous installments.
John is still surviving downright impossible falls and civilians still do not react to people being murdered right in front of them.
Also, the more I think about what happens in this movie, the less relevant the events of Parabellum seem, since conflicts that were set up in that movie don’t really amount to much here.
But by far the biggest issue I had with John Wick: Chapter 4 is the action itself.
This may sound like a contradiction because I was heaping praise on the action earlier.
As I said previously, the action is spectacular, with great cinematography, stuntwork, etc.
My problem is that we got too much of a good thing.
The action scenes in this movie go on and on and on and on, to the point that I began to grow bored with it all, despite how well made it was.
I can only see so many people get shot or stabbed in the face before it becomes tiring, as psychopathic as that probably sounds.
I actually remember checking my watch a few times to see just how long the action had been going.

This Japan fight seemed to go on forever. It was fun to watch when the first few goons attacked John but got extremely tiring by the third or fourth wave of them.

So the issue was not the action itself but that it often went on for so long at certain points that I began to feel fatigued by it all.
I never thought that a movie could make me bored with constant action, yet John Wick: Chapter 4 somehow achieved this.
Despite these issues, though, I would still recommend the film.
The action, although sometimes overly long, is stellar, the characters are all compelling, the film is definitely the funniest in the franchise, and the ending is incredibly satisfying.
John Wick: Chapter 4 is definitely better than Parabellum, however, I am not sure where I would place it afterwards.
My opinion of this movie’s ranking may depend on what happens in the future of this franchise.
If future installements honor Chapter 4’s ending then it should be high up but if they do not then it will probably be on the lower end.

Chainsaw Man Chapter 124, Soup Review: Falling Deeper.

Chainsaw Man is back after its two week break, delivering another chapter which delves into the depths of Asa’s psyche.
Chapter 124, “Soup” picks up with Asa from where we left her, dangling from a street railing as she risks falling upwards because of a trauma attack brought on by the arrival of the Falling Devil.
Despite Yoru’s insistance that she hand over control of her body to save herself, Asa loses her grip and begins to fall upwards again, only for Yoru to yell at her to scream, “Nail Knife!”
This causes one of Asa’s nails to fly off and form a knife due to the War Devil’s power, and Asa’s focus on her pain allows Yoru to get back in the driver’s seat of her body.
Yoru then begins speculating on the identity of the attacking Devil, like many of us readers did after Chapter 122.
She speculates that it could be tauma, gravity, suicide, and others, before correctly deducing that it is the Falling Devil.
The Falling Devil being linked to trauma does make a lot of sense though because of the concept of falling deeper into trauma.
Asa nearly does this herself, as she remembers her dead cat lying at the bottom of a river, only for Yoru to cut their hand so the trauma will not cause them to fall up again.
This fails, as Asa falls up into an apartment building, with Yoru demanding that Asa stop being afraid of her and to trust her.
Asa hits back by pointing out all of the reasons she does not trust Yoru, ending by screaming that she cut her hand.
This builds into Asa explaining to Yoru what she is really afraid of, stating that she sometimes approaches people out of lonliness, only for something to go wrong and for her to end up alone again.
“Solitude and companionship… I’m afraid of both!” She shouts to Yoru and this explanation does hit hard because we have seen exactly why Asa is afraid of companionship time and time again.
She had companionship with her cat but he was murdered by the orphanage director.
She had just accepted Bucky when the class president tripped her, causing Asa to accidentally kill him.
Yuko became her friend, only to accept a deal with the Justice Devil and then go on a killing spree, before being killed by someone resembling Chainsaw Man (not that Asa knows that last detail).
She went on a date with Denji but she now believes he stood her up on their second.
Asa even allowed herself to get her hopes up about Yoshida liking her but he shut down this idea practically immediately.
And then there’s Yoru, the only one whose companionship she is forced to endure, who keeps threatening and hurting her.
Asa’s entire life really is a cycle of gaining and then losing those close to her through tragic means.
It’s why the Falling Devil is a perfect foil for Asa to face at the moment.
Not only does Asa have a tendancy to fall at the wrong times, like when her parents died and in the aquarium, but the trauma she has experienced from these events make her the ideal target for the Falling Devil’s attacks.
Speaking of the Falling Devil, the final scene of the chapter sees her entering a door into hell with a captured Devil Hunter; his nose, eyes and tounge made into a soup for a slug-like Devil with a bib to consume.
As the Devil Hunter is horrifically eaten off page, the Falling Devil states that the main course is almost ready, this course being Asa and Yoru.
It is interesting to note that the Falling Devil is directly targeting the both of them.
It would have been a bit of a coincidence for the two to stumble across an attack from a Primal Fear so this attack being on them makes a lot more sense.
The question is, why are they being targeted?
Yoru is apparently mentioned in the Nostradamus Prophecy, being called Mars, so would she not tie into the Falling Devil’s goal of shepherding “the world to the ultimate terror” as Fami said?
Unless the Falling Devil’s intent it stop that specific part of the prophecy?
I guess we will just have to wait and see why the Falling Devil wants Yoru and Asa consumed.
As for what will happen to the two of them, Asa will have to gain control over her trauma if she is to have any hope of defeating the Falling Devil with Yoru.
Yoru will also have room to grow by treating Asa better, probably with less death threats.
The real wild card in of all this, though, is Denji.
Nayuta did sense the Falling Devil’s arrival, and convinced Denji to go fight it as Chainsaw Man, which we have yet to see.
Maybe Asa and Yoru will be forced to team up with him to get the job done?
Overall, “Soup” is another great Chainsaw Man chapter, building up the conflict between Asa and Yoru well, while delving into Asa’s traumatised mind.

The Last of Us HBO Review: When Change is Best.

The Last of Us is my favourite video game of all time.
However, in recent years my opinion of its continuation has been rather rocky.
First there was The Last of Us Part 2 which, while I loved the gameplay, I thought the story was so poor that it made me lose interest in playing it again all togethor.
Then there was The Last of Us “Remake”, which seemed like an overpriced remaster to me than anything else.
Because of these issue I was having, I was a bit skeptical of how The Last of Us’ HBO adaptation would turn out.
Granted, there were plenty of signs that it would turn out great.
Not only was the creator of Chernobyl, Craig Mazin, behind the project but The Last of Us is also a video game that lends itself really well to be adapted into a cinematic format.
After watching the entire first season, I can say that I should have had more faith because the show is a fantastic adaptation of the video game, with plenty of excellent changes.

The best part of *The Last of Us* adaptation is undoubtedly how it diverges from the original game in interesting ways.

Created by both Mazin and Neil Druckmann, the director of both Part One and Two, the story is almost the same as the original game.
Twenty years after the Cordyceps fungal infection jumped to humans and brought about the apocalypse, ruthless survivor Joel Miller (Pedro Pascal) is working as a smuggler, alongside his partner Tess (Anna Torv).
Wanting to get a car to search for his missing brother Tommy (Gabriel Luna), Joel accepts a deal with Marlene (Merle Dandridge), the leader of a revolutionary group known as the Fireflies.
The deal is to escort a spunky, foul-mouted teenager named Ellie (Bella Ramsey) through the infected landscape to safety.

So begins the characters’ journey across a desolate America.

However, when this plan goes awry, and Ellie’s immunity to the Cordyceps Infection is revealed, Joel has to escort her across the country.
As they journey, the two fight off infected, likewise ruthless survivors, and slowly begin to grow closer as a father and daughter.
This father and daughter bond is the heart of The Last of Us so the creators of the show had to get it absolutely right when casting Joel and Ellie.
Thankfully, they did an excellent job with the casting, as Pedro Pascal and Bella Ramsey bring new depth to the characters.
I will say that I was a bit unsure of Ramsey when starting the show.
I knew from seeing her in Game of Thrones that she could act but the prior performances of hers I had seen never screamed Ellie to me.
Then I saw her first scene in the show and I felt like a fool because she absolutely nails her portrayal of the character.

Ramsey’s first scene was enough to convince me that she was the perfect choice to play Ellie.

These great portrayals of the characters are very faithful to the original game, for the most part.
Oddly enough though, this show is at its best not when it is following the source material but when it is doing something different.
In fact, I would say that the best episodes of the show are the ones where this is the case.
Episode Five, “Endure and Survive”, gives the characters of Henry (Lamar Johnson) and Sam (Keivonn Montreal) a completely new and interesting backstory, while also concluding on a much more explosive fight.
Episode Nine, “When We Are in Need”, expands on David’s (Scott Shepherd) character through showing how he runs his group as a manipulative cult leader, while hinting at his sickening past, making him a much more disturbing character than in the game.
Best of all though is Episode Three, “Long, Long Time,” which gives Bill (Nick Offerman) and Frank (Murray Bartlett) a completely different, much more emotionally engaging story, which actually rivals Joel and Ellie’s story across the season.

I did not expect Bill and Frank’s story to be this good before watching it.

Honestly, it was when the show actually recreated the game beat-for-beat that we got less interesting episodes.
Take Episode Seven, for example, “Left Behind”, where everything is pretty much the same as the game, except for a downgraded final attack, resulting in an episode that I felt like I had seen before because, well, I had, and was thus less interested.
This is not the only issue with the season because the final episode, “Look for the Light”, goes by so fast that it feels a little short.

I feel like the finale would have had more impact if certain scenes had more time to breath.

Not only this but there is a bit of cognitive dissonance with the ending, in my experience.
One thing that I appreciated about the show was how realistic it was.
Joel kills hundreds of people across the game but that is just not realistic to the real world, so they scaled it down for the show.
But Joel’s final decision requires him to become that killing machine so, when it happens in the last episode, it does feel slightly at odds to what came before.
Speaking of being at odds with what came before, it is really weird to watch those terrifying cold opens in the first few episodes, which expand on the nature of the Cordyceps Infection, only for that infection to barely feature in the latter half of the season.

The cold open of Episode One was a fantastic and terrifying addition to the show but it feels weird given the lack of infected later on in the show.

These problems are relatively minor to the show’s successes, however.
They adapted events from the game well and made some incredible changes to the original story.
You want to know how much I liked the changes?
I liked them so much that I am actually now open to seeing how they will adapt Part Two.
Who knows, they might actually make some changes that make me like the story.
As for the adaptation of the first game, though, it is mostly fantastic, being good enough to rank high up with other good video game adaptations, like Arcane and Cyberpunk: Edgerunners.
It will be interesting to see what is in for The Last of Us franchise going forward.

Chainsaw Man Chapter 123, Hors D’oeuvre Review: Introducing the Most Hated Chainsaw Man Character.

Following the release of Chapter 122 of Chainsaw Man, many readers threw their hats into the ring over what Devil the new Primal Fear that was introduced would be.
Most, including myself, speculated that it was the Death Devil.
However, Chapter 123, ” Hors D’oeuvre”, opens up by revealing that the arriving Primal Fear is actually the Falling Devil.
This answer probably should have been obvious since the Devil just made people fall to their deaths, and a fear of falling is something that pretty much all people have.
Just think about how we all throw out our hands up wildly to catch ourselves whenever we trip.
Of course, falling would be a Primal Fear.
There were actually a few readers who did guess the Devil’s identity but I am certain that absolutley none of these people expected that the Falling Devil would put on a chef’s outfit and start speaking French.
It’s so weird and, once again, only something that an insane mind like Fujimoto’s could come up with.
Let the man cook, I say.
Although, the Falling Devil’s method of cooking is a lot more brutal, considering that she says that she is, “visiting at the request of the resident’s of hell.”
While this is happening, Yoru is continuing to flee, screaming at Asa to snap out of it, confirming that Asa’s earlier suicidal thoughts were a result of the Falling Devil.
This is further confirmed when the Falling Devil seems to trigger a traumatic memory for Asa, which introduces the most hated character in Chainsaw Man.
Yes, even more so than Makima.
Asa flashes back to her time in the orphange after her parents’ deaths.
All she had left was her cat, until the woman who ran the orphange offered to give it a better life.
The woman essentially guilt trips Asa into handing the cat over.
It is in this moment that Asa shows how truly good of a person she is at heart because she informs the woman that the cat’s name is Cambron, and asks her to make him happy.
She throws away her own happiness for the sake of Cambron’s and this makes it all the more infuriating when the next scene reveals that the woman actually drowned Cambron.
A fellow orphan tells Asa that he and his friends saw the cat’s body at the bottom of a river.
When Asa confronts the woman with this information, she is coldly told, “Everyone here lost their family. You can’t be the only one with a family member. Isn’t that unfair?”
No, what’s unfair is tricking a vulnerable girl into giving you her cat so you can murder it and render her entirely alone, all because you were jealous that she had a family member when you didn’t.
It gets even worse when you remember that Asa’s mother died because she saved Cambron.
Not only does this rob Asa of the only family she had left but it also probably deepened her guilt by making her mother’s death feel pointless.
What an evil woman that orphanage director is.
I truly hope this character returns at some point so she can be on the recieving end of some much deserved justice.
Being killed by the Cat Devil would be true karma, for instance.
Getting back to the chapter itself, this traumatic memory Asa is experiencing plays right into the Falling Devil’s hands, as it causes her to suddenly fall upwards.
Asa is only able to stop herself from falling up into the sky because she grabs hold of a railing.
Many others are not so lucky, as the Falling Devil makes them fall up until they disappear into doors, which presumably lead straight into hell.
Given what happened during Denji’s visit there in Part One, I highly doubt anything nice happened to these people.
It would seem that that the Falling Devil’s power is only affecting those with traumatic memories, as she explains, “The lower the heart sinks, the higher the body falls.”
The chapter then ends with Yoru yelling at Asa to not be afraid because she cannot enter her body if she is, paying off the set up from the Bat Devil attack near the beginning of Part Two, where Yoru learned exactly this.
All in all, Hors D’oeuvre is a fantastic Chainsaw Man chapter, which does an excellent job of introducing the Falling Devil and delving further into Asa’s traumatic past.
As for what the future holds, this face off against the Falling Devil is clearly not going to be easy.
She is a Primal Fear, after all; a Devil which has never been killed, just like the Darkness Devil.
What’s worse, there may be more Primal Fears coming if a certain fan theory is to be believed.
This theory, posted by u/winddagger7, states that the seven prisoners who are set to die in the next week represent a Primal Devil travelling to earth, building up to the apocalypse.
However, this theory is too detailed to get into here so if you want to read it you can do so here.
In the end, whether this theory turns out to be true or not, we are certainly in for more insanity in Chainsaw Man and I am all for it.

Scream 6 Review: The Most Brutal Ghostface Yet.

I got back into the Scream franchise a few months after the fifth installment released.
Ever since then, I had been eagerly anticipating Scream 6, to the point that I did not watch any trailers, except for the first one, so I would be going in blind.
However, despite my excitement, I was still prepared for disappointment, considering this would be the first Scream film without Neve Campbell as Sidney Prescott.
Her absence in this movie is because of a pay dispute and to that I say she should have been paid what shewas owed as the face of this franchise.
Although, as Gale Weathers (Courtney Cox) says in this movie, Sidney deserves a happy ending.
So, if the last we ever see of Sidney Prescott is her surviving in Scream 5, then I will be satisfied with her story.

Sidney’s absence is also explained well enough.

As for Scream 6‘s story, it follows the sisters Sam (Melissa Barrera) and Tara Carpenter (Jenna Ortega) who have moved to New York following the events of Scream 5, along with siblings Chad (Mason Gooding) and Mindy (Jasmin Savoy Brown).
However, when a new series of Ghostface killings begin, the four are left wondering who to trust, with numerous suspects including the returning Kirby Reed (Hayden Panettiere), Detective Wayne Bailey (Dermot Mulroney), his daughter and the Carpenter’s roommate Quinn (Lianna Liberato), their neighbour Danny (Josh Sergerra), Mindy’s girlfriend Anika (Devyn Nekoda), and Chad’s roommate Ethan (Jack Champion).
Alongside this large cast comes an even larger body count, with this Ghostface being the scariest in the entire franchise.

Ghostface is absolutley brutal in this movie.

I am so glad that I did not watch any of the trailers after the first because it made for more terrifying surprises.
Speaking of surprises, Scream 6 has by far the best opening scene, since the first one.
It was such a shocking opening and left me wondering just where this film was going.
The film builds from adrenaline rushing scene to anxiety inducing scene, until we finally reach the big third act, which has plenty of great reveals and character development.
I especially enjoyed the development of the Carpenter sisters with Melissa Barrera and Jenna Ortega doing an excellent job as the characters.

The resolutions to Sam and Tara’s arcs in this movie was great.

As for flaws, there is one very obvious red herring that made me roll my eyes a bit.
Also, the film does stretch believability at times with how many characters survive what should be fatal wounds.
More importantly though, I was not really a fan of Gale’s role in this movie.
She does have some awesome moments but it the way she is presented here went entirely against her ending in Scream 5.
Along with this, it kind of felt like her ending in this movie may have been rewritten, although that’s just a suspicion.

The way Gale is presented as a character in this movie really bothered me.

Other than those few issues, however, Scream 6 is a great time.
It has solid character development and callbacks, as well as some incredibly intense scenes with what has to be the scariest Ghostface of the franchise.
I am already eagerly anticipating Scream 7.

Chainsaw Man Chapter 122, The Prophecies Review: Getting Darker.

After a two week break, Chainsaw Man has returned with Chapter 122, “The Prophecies” and, boy, does it not disappoint.
“The Prophecies” is definitley the darkest chapter of Part Two so far and has a lot of implications for the future of the story.
Rather than begin with where the previous chapter left off, with Asa and Yoru encountering an unknown Devil, the chapter instead begins with Yoshida finally confronting Fami, an event that was foreshadowed all the way back when they had their stare down following the aquarium incident.
Much like he did with Denji, Yoshida attempts to interrogate Fami by buying her some food at a cafe.
This is not good for Yoshida’s wallet however because Fami orders enough to feed an entire class of students, all for herself.
Although, it does make quite a bit of sense for the Famine Devil to be so hungry.
Yoshida is suspicious of how little Fami is doing to hide her identity and uses this as a segue to question her about a prophecy from Nostradamus, a French man who actually lived in the 1500s and was supposedly a seer.
Yoshida recites a part of Nostradamus’ prophecy, stating, “In the seventh month of 1999, a great king of terror will descend.”
Since Chainsaw Man takes place in the 1990s, it is easy to assume that the time of this supposed prophecy is close.
Supporting this is the fact that Yoshida tells Fami that Public Saftey had 30 convicts make a contract with the Future Devil to see when they would die.
All but seven were said to die in July 1999.
Fami then correctly guesses the other seven were prophecised to die this week.
So does this mean that the events of the prophecy will happen in seven days?
The implications for the story become even graver when you know the rest of Nostradamus’ prophecy, which is actually not said in the chapter.
The rest of the prophecy states, “[Shall be] revived the great King of Angoulmois. Before and after, Mars [shall] reign as chance will have it.”
The King of Angoulmois is thought by many to be Genghis Khan, who was a conqueror so maybe this represents the Horseman of Conquest, meaning Nayuta.
However, although that Nayuta theory is a bit dubious, the mention of Mars is almost certainly key because Mars was the Roman God of War, so Fujimoto is most likely using this prophecy to foreshadow Yoru’s importance.
Getting back to Yoshida and Fami, the latter then reveals to Yoshida that forty seconds ago “The first of the Devils who will shepherd the world to the ultimate terror” appeared at an apartment block.
She explains that this Devil is a primal fear, making it at least as strong as the Darkness Devil, but the scene cuts before she can tell Yoshida its name.
We then get the most disturbing scene of the chapter, as we see a couple sitting in their apartment.
The man excitedly tells his partner that he might get a promotion next month, leading to a discussion about the possibility of buying a car, only for the man to suggest, completley out of the blue, that they should both die.
His partner instantly agrees and the two go outside and fling themselves from their apartment to their deaths, along with many other residents in the apartment block.
The full-page panel of these people committing suicide in front of Yoru is highly disturbing.
It also makes me wonder if Asa’s suicidal thoughts in the previous chapter could have been caused by the Devil making these people take their own lives.
Speaking of that Devil, it makes quite the entrance, forming from the corpses of its victims.
Despite having a ruler sword, Yoru realises this is not a fight she can win and runs for both her and Asa’s lives, as the Devil forms behind her in the form of a giant naked woman with multiple hands, bringing “The Prophecies” to a close.
As for what this Devil is, I think the most likely candidate is the Death Devil.
The Suicide Devil is a possibility but I can’t imagine suicide being a primal fear, like say darkness or death.
Plus, the Death Devil is the only member of the Four Horsemen who we have not seen yet.
If this is the Death Devil then Yoru definitley made the right call running away from it because death is definitley the thing humans fear the most so it would undoubtedly be the most powerful Devil.
I think even Denji would struggle against it.
Overall, “Prophecies” is a fantastic chapter for Chainsaw Man.
It sets up a dark future with the inclusion of the Nostradamus’ prophecies and potentially introduces the Death Devil itself.

Ant-Man and the Wasp: Quantumania Review: A Grim Start to Phase Five.

Being the first film in Phase Five of the Marvel Cinematic Universe, it felt like there was a lot riding on Ant-Man: Quantumania going in.
While there were some jems in Phase Four, Spider-Man: Far From Home in particular, the majority of that phase felt aimless and misguided, with way too much of a focus on humor.
Quantumania could have served as a new beginning for the MCU but, unfortunately, it is just more of the same, sometimes in the worst of ways.
Directed by Peyton Reed, the film follows Scott Lang (Paul Rudd) who, after playing a key role in reversing the snap in Endgame, is living a happy and successful life with his girlfriend Hope (Evangeline Lilly) and daughter Cassie (Kathryn Newton).
However, after Cassie somehow creates a portal to the Quantum Realm, the three of them, along with Hope’s parents Hank (Michael Douglas) and Janet (Michelle Pteiffer), are sucked inside.
Now in the Quantum Realm, the five have to find a way to escape, while being pursued by the MCU’s next big bad Kang the Conqueror, who Janet has a history with, which she constantly refuses to explain, creating a large amount of frustration for the audience.

Ant-Man must escape the Quantum Realm in this latest film.

Although Quantumania is one of the worst reviewed MCU movies, one thing it has been constantly praised for is Jonathan Majors’ performance as Kang and for good reason.
Majors is excellent as the Conqueror and the film does a fantastic job of building him up to be a threat… which is admittedly diluted by the end, due to the fact that he struggles to defeat Ant-Man.
It’s like if Thanos was defeated by Spider-Man in his first movie appearance.
He would just not be as threatening.
Despite this, I am still interested in the character and what he will bring to the MCU going forward.

Along with Kang, one thing that I heard a lot about before watching Quantumania was the humor, although for the opposite reason.
So many people were saying that the jokes were terrible and robbed many scenes of all tension.
Honestly though, for the first half hour to forty-five minutes, I was not having this issue.
Sure, there were a lot of jokes and not all of them were funny but I never found the humor to be insufferable.
Then MODOK (Corey Stoll) showed up and I understood what everyone was talking about.
I do not say this lightly but MODOK is straight up one of the worst characters in all of the MCU.
Not only does the CGI for him look atrocious but he is also the subject of some of the most unfunny “jokes” I have seen in a long time.
I was literally face palming when awful MODOK “humor” kept interrupting the third act battle.

MODOK should have been removed from the movie. Not only does he look terrible but the writing and attempts at comedy surrounding him all fail spectacularly.

Speaking of that third act battle, there are so many dumb tropes, like characters constantly removing their helmets, villains not killing the heroes when they have them dead to rights, and the ending seemingly concluding on an impactful note only to retcon it at the last moment.
The editing is also so poor by the end that it makes a lot of the action hard to follow.
As well as this, the final battle sees no resolution to any of the characters’ arcs for the simple reason that no character has an arc in this movie.
Well, except for MODOK but his is so abrupt and terrible that I once again had to facepalm in the theater.
As for Scott Lang, the film ends with him being exactly the same person he was in the beginning.
Also, despite the movie being named Ant-Man and the Wasp: Quantumania, it felt like Hope was barely in this.
Hank Pym is just there as well and, while I did find Janet’s backstory with Kang to be interesting, it does not go anywhere by the end.
Cassie also represents a problem with the MCU lately and that is just how easy it is to invent futuristic tech.
I mean, in the first Iron Man, Tony Stark had to build his suit under intense pressure while being held captive by terrorists.
Now in Quantumania, we have a teenager just building a portal to the Quantum Realm in a basement, with their skills to do so not being established beforehand.

Cassie is suddenly a genius inventor in this film when I don’t recall her being established as one in the previous *Ant-Man* movies.

So, as you can see by my descriptions, Ant-Man and the Wasp: Quantumania is a mess overall and a rather grim start to Phase Five.
While it does have some good qualities, most notably Jonathan Majors as Kang, the rest of the characters have no arcs, there is a lot of bad humor, and MODOK is the most insufferable comic relief character I have seen in a while.
I do have hope for Guardians of the Galaxy: Volume Three but, beyond that, I would say that the MCU is in trouble if it does not get its act together soon.