Attack on Titan, Final Episode Review: An Improved and Beautiful, yet Messy Ending.

Attack on Titan has taken us all on quite the journey.
Over the span of ten years, and with four seasons, Wit Studio and Mappa have animated Hajime Isayama’s story brilliantly.
Now, it’s over.
Going into the final episode of Attack on Titan, I was curious to see how I would feel about the ending compared to the manga.
When I first read the final chapter, I honestly went back and forth on whether I liked it or not.
Then, I sat down and read through it while thinking about what Isayama was trying to say, and I came to the conclusion that the ending was a mixed bag, with plenty of good and bad things about it.
It was for this reason that I was hoping the updated ending, which released months later, would fix some of my problems.
Unfortunately, the opposite happened, with the extra pages pushing my opinion on that final chapter into a negative direction.
I have re-read the series a couple times since then and, while I still love it, my opinion of the ending has only become worse with each read through.
All of this made me hope that there would be some changes to the anime’s ending.
I knew we would not be getting an anime original ending, but I had my fingers crossed that there would be extra scenes or dialogue to explain some things better.
After all, Mappa added an extra scene showing what happened to Grisha’s parents in the previous special episode, which I unfortunately did not get around to reviewing. 
Seeing that added scene gave me some hope that there would be new additions to the conclusion.

I was glad to see the fate of Eren’s grandparents confirmed in the anime, even if it was tragic.

So, having now seen the final episode of Attack on Titan, do I think the anime improved on the manga’s ending?
Yes!
Do I like it now?
Not exactly, no.
In my opinion, the ending still has a lot of problems.
However, most of these big issues only appear in the last half hour.
The rest of the final episode is mostly great, with incredible animation from Mappa and a fantastic score. 
This is going to be my largest review by a wide margin, so buckle up.
The episode begins where the previous special episode left off, with the Alliance landing on Eren’s gigantic Titan to confront him and stop the Rumbling.
Armin quickly realizes he has to transform into the Colossal Titan to try and locate Eren and Zeke but, before he can, he is kidnapped by an okapi Titan created by Ymir.
The panels of the okapi sticking its tongue down Armin’s throat to prevent him transforming were already disgusting in the manga, but it’s a million times grosser here.
As the okapi takes Armin away, the rest of the Alliance are surrounded by countless Titans, whom Pieck correctly speculates are copies of all the previous Titan Shifters.
Back when this happened in the manga, I criticized it for feeling out of nowhere, but in retrospect I think this was actually a pretty cool writing decision on Isayama’s part.
Realizing the danger they now face, Pieck goes to kill Eren quickly by attempting to detonate the explosives at his head, but she is stopped by a copy of the Warhammer Titan.
Following this, the Alliance are attacked by the copies, including ones of Porco, Marcel and Bertolt, in a thrilling action scene, expertly animated by Mappa.
This ends with everyone in the Alliance cornered, about to be killed, when who should show up to save the day but Annie, riding Falco’s flying Titan with Gabi.

It was cool to see Falco flying after the previous episode foreshaodwed it.

Now safe on Falco’s back, the Alliance discusses their next move, and all regretfully agree that their only option is to kill Eren, much to Mikasa’s horror.
Circling back to Eren, the Alliance splits up, with Jean and Reiner going to detonate the explosives Pieck wrapped around Eren’s neck; Mikasa, Annie and Connie going to rescue Armin; and Falco, Levi and Gabi continuing to fly above.
More amazing animation follows, with the best parts of this section being Pieck’s jet-pack Titan skills, and Mikasa and Annie humorously arguing over which Titan it was that took Armin.
This second match goes about as well as first, however, with the Alliance on the ropes again.
Armin is watching all of this happen and, standing over his own unconscious body, screams at himself about how useless he often feels.
This is probably my favourite voice acting from the final episode, with Marina Inoue giving a fantastic and emotional performance.
Although, despite how emotional this scene is, it has nothing on the cliff scene that follows. 
When I watched the previous special episode, I was disappointed to see this moment was not adapted, and I was desperately hoping that it would be in the final episode.
Well, I was not disappointed because this scene is next and it is even more powerful that I imagined it being.
The scene shows a group of thousands of people trapped between two kinds of certain death.
They can either be crushed by the Rumbling, or they can fall off a cliff to their deaths.
As the Rumbling closes in, people are eventually forced off the cliff, one of these people being a mother.
With one last, courageous act, the mother passes off her baby before she falls to her death.
As the next person holding the baby falls, they also pass the baby on, and on, and on, and on.
Countless people all facing their inevitable deaths pass this baby on in what they know will most likely be a futile attempt to save its life.
It is one of the most beautiful and horrifying moments in the entire series, and seeing it in the anime made me tear up.
The visuals for this scene only add to the emotion, with everything being in black and white with the exception of the mother and her baby.
I am almost certain that the way this scene was animated was inspired by the little girl in the red coat from Schindler’s List.
This scene is, without a doubt, my favourite in the entire episode.

This is one of the most powerfully emotional scenes in Attack on Titan.

Back with Armin, after some perseverance, he realizes he is in the Paths Dimension and this leads to his meeting with Zeke, who has been trapped ever since Ymir chose to support Eren over him.
Zeke has completely lost all motivation to keep going, now believing life to be more pointless than he already did.
Armin, however, speaks against this, remembering a time when he, Eren and Mikasa ran to a tree on a hill, comparing it all the wonderful little moments in his life which made it worth living.
As a leaf Armin picks from the sand turns into a baseball before Zeke’s eyes, the Beast Titan remembers playing catch with Mr Ksaver and how this was also one of those little moments which made life worth living.
This somehow motivates the ghosts of past Titan Shifters to appear and help the two. 
Armin says this was Zeke’s doing but how Zeke achieved this is never really explained.
Unfortunately, there are quite a few things in this final battle which are never explained but I will get to those in a bit.
In any case, the past Titans, who knew the Alliance, come back from the dead temporarily to help stop the Rumbling.
Among these Titans are Grisha and Kruger, and some fans have questioned their reasons for doing so.
For Kruger, I think it makes sense.
Yes, he would want to free the Eldians of Paradis, but a full Rumbling would also kill all of the Eldians outside Paradis, which he would be against since he wanted to free them too. 
As for Grisha, I still find myself confused about his motives.
Yes, he did tell Zeke to stop Eren but Zeke later says that Eren showed Grisha something which made him hand over his Titan powers.
We never see what this was, and the reason for Grisha giving Eren the Attack and Founding Titans and then later helping the Alliance are a mystery.
I just wish there was more of an explanation for Grisha’s actions.
As for his son, Zeke decides that, even though he does not believe his euthanization plan was wrong, he would not mind being reborn again.
With this fitting decision, Zeke reveals himself to Levi, giving the Scout the chance to cut off his head and stop the Rumbling.
While I would have liked it if Zeke had more time to shine in this final episode, his ending is satisfying to me. 

It is fitting for Zeke to realize the beauty the world has to offer moments before his death.

Following Zeke’s death, we get another moment which does not make much sense, which is the stopping of the Rumbling.
The reasoning for this is that Zeke’s royal blood was key to the Rumbling continuing so killing him stops it, but the only reason royal blood was needed was because Ymir valued it.
However, Ymir disobeyed Zeke and sided with Eren so royal blood should not be a factor, anymore.
Yet, the Rumbling still stops?
Whatever the explanation for this, Armin is freed and Jean blows up the explosives, freeing the source of the Titan powers from Eren’s body, which seeks to reconnect with him.
To stop this, Reiner holds the creature down while Armin transforms into the Colossal Titan, blowing Eren’s gigantic Titan form away.
In the aftermath of the explosion, the Alliance lands at the fort and the Warriors reunite with their families, only for the creature to still be alive, and for Eren to transform into a Colossal Titan.
The creature then sends Titan smoke up to the fort to transform all the Eldians there so they can help it reach Eren.
And so, Mikasa, Levi, and the rest of the immune Alliance go to fight Eren, leaving Jean and Connie to their fates.
If this had been Jean and Connie’s final scene then it would have been a pretty tragic one, as would Annie reuniting with her father only for him to be immediately transformed.
This transformation also crushes a lot of the rapport Mr Leonhart was building with Secretary Muller, which could have had a lot of hope for the future.
As Reiner, Annie and Pieck hold the creature back from reaching Eren, Armin fights his old friend off, while Mikasa and Levi rush to them.
While they are doing so, Mikasa experiences another headache and seemingly remembers an alternate version of the future Eren showed her, where they ran away together.
Honestly, I do not believe Eren would have run away.
Sure, I think some part of him may have desired to, but he has always been the kind of guy to stand and fight so I don’t think him running away with Mikasa would have happened, even if she had offered.
Still, the scene is pretty emotional, with Eren using this as his goodbye to Mikasa.
After this goodbye, Mikasa somehow knows Eren is in the mouth of his Colossal Titan, which is something else I wish was explained but is not.
Levi blows a hole through Eren’s mouth and Mikasa leaps through to decapitate Eren and finally end the nightmare of the Rumbling once and for all.
Eren’s death is very emotional but I wish the following kiss with Mikasa had occurred in the alternate version of the future he showed her, and not when Eren is dead.

Seriously, the shot of Mikasa kissing Eren’s decapitated head is pretty uncomfortable.

Also, Mikasa remembering the alternate realtiy Eren showed her raises yet another plot hole.
In the manga, I was fine with this moment because I thought Eren was showing it to her in the present, but the anime seems to confirm that Eren showed her this alternate future and then erased her memory of it.
This should be impossible because Ackermans are immune to Titan powers.
As I have shown, there are quite a few plot holes with Attack on Titan’s final battle.
However, despite this, I would still say that the final episode has, up until this point, been very good.
The animation, soundtrack and action have all been spectacular, and there have been some emotionally powerful moments, most obvious of which is the baby scene.
Unfortunately, the episode then gets into adapting Chapter 139 and this is where I think the writing goes downhill.
This is mostly because I believe the following scene is the worst in all of Attack on Titan.
The scene is a flashback, revealing that Eren brought Armin into the Paths when he was on the boat.
The reason I consider this scene to be the worst is because it is full of so many last minute plot twists that are either poorly foreshadowed, problematically written, or recontextualize prior amazing scenes to make them worse.
The first of these twists is the reveal of Eren’s motivations.
Eren reveals that his plan this entire time was to commit the Rumbling so that the Alliance would kill him and become heroes to the world, allowing them to potentially save Paradis.
Was there foreshadowing for this?
Yes and no.
On the one hand, if you look at Eren’s actions from the previous special episode onwards, it makes sense.
Eren allowed the Alliance to come and fight him, rather than stripping them of their Titan powers, and there were multiple points in the final battle where the only explanation for why none of the Alliance died is that Eren deliberately let them live.
However, before the first special episode, there are many moments that seemingly contradict Eren’s supposed motives.
The most notable of these is at the end of Episode 87, where Eren states in his own inner monlogue that he will “wipe out every last one of ‘em.”
Along with these seemingly conflicting motives, Eren’s plan is just too similar to Lelouch from Code Geass for me.
In regards to Eren himself, personally, I think it would have been better if his main goal had been a full Rumbling all along.
I am not saying that Eren winning should have been the ending.
I do believe that the Alliance stopping him was the right call for the story.
But I think Eren would have been a much more compelling character if he had stayed true to what we all thought was his original plan.
Still, at least this twist had some foreshadowing, which is more than I can say for the next few ones.
Following the reveal of Eren’s motives, the next big twist is that the reason Ymir did all of this is because she was in love with her abuser.
I hate this reveal.
When I read it in the manga, it took what used to be my favourite chapter, Ymir’s backstory, and threw it far away from my top ten chapters.
Ymir loving Fritz makes absolutely zero sense.
He killed her parents, cut out her tongue, raped her, used her as a weapon in war and then, when she died, fed her corpse to their children.
And you are telling me Ymir loved this monster?
If we saw Fritz pretending to be kind to Ymir to manipulate her, maybe I could believe it, but we don’t seeing anything like that.
He is just completely horrible to her for all of their time together.
It really ruins a lot of scenes from Ymir’s backstory for me, like the moment when Fritz says he will “reward” Ymir with his “seed,” while she looks absolutely miserable.         
This moment made me feel so sorry for Ymir when I first read it, but now I just feel dirty watching it because it makes me wonder if Isayama is trying to say she was secretly happy about it. 

The reveal of Ymir’s love for the king is probably my most hated of the twists because of how it pretty much ruined my appreciation for Chapter 122.

In my opinion, there was another, perfectly good explanation which should have been used to explain why Ymir stayed in the Paths for 2,000 years.
She loved her children.
We see this later on in the episode when she imagines living on with them.
This should have been the explanation for Ymir’s actions, not this extremely problematic love for her abuser, which was probably only a twist to justify Mikasa’s abrupt connection with her.
This brings me to the next bad twist, which is that Ymir was waiting for Mikasa the entire time.
With the exception of Ymir smiling at Mikasa kissing Eren’s decapitated head, there was zero foreshadowing for this.
Not only is there no foreshadowing, but we also get no explanation.
What we get instead is Eren saying “only Ymir knows” which is a complete cop-out.
This was the anime’s chance to give us an answer for something which was missing in the manga and they blew it.
Not to mention that mirroring Eren and Mikasa’s relationship with Ymir and King Fritz’s abusive one is very problematic, since Eren and Mikasa are supposed to be the main ship here.
The final terrible twist in this scene is the reveal that Eren caused his mother’s death by making Dina walk past Bertolt.
There are so many things wrong with this twist.
For starters, it’s a retcon.
We already had an explanation for why Dina killed Carla.
Dina’s final words to Grisha before she was transformed into a Titan were, “No matter what form I take, I promise I’ll come find you.”
So, when we saw Dina walk past Bertolt, we were not wondering why she did so because we already knew.
Dina sensed Grisha in Shiganshina, went to his house, only to find Carla, and that is when her Titan instincts took over and she ate her.
It was a perfect explanation, and to change the meaning of it removes all emotional impact from Dina’s final words, all for the sake of a such a short twist.
This leads into my second big issue with the reveal, which is how brief it is.
Out of curiosity, I timed how long this twist is focused on before it is forgotten about forever.
Do you want to know how long it was?
Fourteen seconds.
Fourteen seconds spent on a twist which recontextualizes the entire beginning of the story and, as a result, it makes absolutely no sense.
Has Eren manipulated the past before?
Yes, but there was a very specific set of circumstances which allowed that to happen.
Zeke brought Eren into Grisha’s memories using the Founding Titan.
Both Eren and Grisha had the Attack Titan, whose ability is to see into the memories of its future successors.
This allowed Grisha to see Eren’s memories of visiting his own.
And so the two could communicate across timelines through memories.
There was no actual physical time travel.
Dina did not have the Attack Titan, she was just a regular Titan, so Eren should not be able to order her through memories.
Therefore, in order to control her, Eren would have had to physically gone into the past and used the Founding Titan to command her to walk past Bertolt, which is a power that has never been established.
Thus, the twist should be impossible, providing probably the biggest plot hole with the ending.

The reveal of Eren causing his mother’s death was just really unnecessary. If you remove it nothing else changes.

So, as I have shown, this scene has a lot of bad twists, but it’s not just the twists that I take issue with because, up next, is without a doubt the most memed scene in Attack on Titan.  
After Armin punches Eren for how he treated Mikasa and jokes about her finding another man, Eren cries about it, saying he wants her to pine only after him for at least ten years.
I knew this scene was coming, and I still cringed into the back of my seat when I watched it.
I think a big part of the reason this moment does not land with me is because of how Eren and Mikasa’s relationship has been handled.
Sure, there have been a few romantic moments between them.
Their final scene togethor in this episode, Eren saying he would wrap Mikasa’s scarf around her at the end of Season Two, and Eren asking Mikasa what he was to her while they were in Marley.
However, these three moments are the only times Eren ever showed romantic interest in Mikasa.
Otherwise, he’s either treating her like family or treating her badly.
Isayama once said in an interview that he wanted to have them kiss in Chapter 50 but he backed out because he was shy to draw it.
Well, I think he should have just bit the bullet and drawn it.
Have Eren and Mikasa be a couple up until the end of Season Three, then have Eren go off on his own in Season Four, pushing Mikasa away, and then reveal it was to protect her in the final episode.
It would have made Eren say how he really feels about Mikasa a lot less jarring.
What also would have helped is a change in dialogue because, to be honest, I just do not think I can take lines like this seriously. 
Another thing I could not take seriously was what happened after Eren’s outburst in the manga. 
Back in the original Chapter 139, one of the last things Armin said to Eren was, “Thank you. You became a mass murderer for our sake. I promise I won’t let this terrible mistake you’re making be in vain.”
This is, without question, one of the most problematic lines in Attack on Titan, since it makes it seem like Armin is condoning Eren’s genocide.
I know this is not what Isayama intended but it is what it comes across as, which is why I was overjoyed to find that this scene has been rewritten entirely by Isayama for the anime.   
Now, Armin actually accepts his role in the Rumbling through how he showed Eren his book, telling his friend that when they die they will both be in hell togethor.
It both managed to be moving and did not skirt around the horror of Eren’s actions, like the manga did.
So, despite this being the worst scene in
Attack on Titan for me, I think it actually ends pretty well in the anime. 

No matter your opinion on the ending, I think we can all agree that this line being removed was for the best.

Back in the present, Armin wakes up, remembering everything and learning of Eren’s death.
It is following this that we get my second favourite moment of the episode, which is Levi’s final salute.
He sees the ghosts of his former comrades and salutes them, a tear sliding down his cheek.
Out of all the characters’ endings, this is probably my favourite.
Levi is the last man standing of the old guard, living on to carry on the memory and sacrifices of his comrades.
More moving moments follow as Jean and Connie see Sasha’s ghost, and Reiner reconciles with his mother.
These happy moments do not last long, however, because, as Mikasa begins her journey back to Paradis to bury Eren’s remains, Muller arrives to hold the Eldians at gunpoint, now scared of them again thanks to their prior transformation.
It is in this moment that Armin steps up in his role as humanity’s saviour, proclaiming that the Titan powers have vanished and that he is the man who killed Eren Jeager.
As for Mikasa, while she is making her way back, she is confronted by the ghost of Ymir, and realizes that she is the one who has been causing her headaches.
To me, this is another blotch on Ymir’s character.
Not only was there no foreshadowing for Ymir causing Mikasa’s headaches, but it also makes her look bad because if she knew Mikasa would free her eventually then there was no need to subject the world to such hardship.  
With that, the story then skips to three years in the future, where we see Historia narrating what is happening on Paradis Island in a letter to the Alliance.
We see that Historia has married the farmer and had their child, a girl that I personally like to think she named after Freckled Ymir.
It is also revealed that Paradis’ army is led by the Jaegerists.
Over time, this was something I extremely disliked in the manga because it made Eren look like an idiot.
He trusts his friends to convince the rest of the world to make peace with Paradis and yet he left literal facists in charge of the island.
However, the anime makes a point to note that Eren was an idiot with too much power so I can let it slide.
What I cannot let slide is Historia’s treatment as a character.
She had so much potential in the final arc, and I hate how she was paired off with a nobody and then sidelined with a pregancy subplot which amounted to nothing.
In my opinion, the writing for Historia’s character post time skip spat in the face of her character development in the Uprising Arc.
Think about this, not only does Historia have less screen time than the Warriors’ families in the final arc, but she also has no scenes in the present timeline.
All of her scenes are flashbacks.
That is how little she mattered in the end.
I hated Historia’s role in the final arc back when I first read it, and I am pretty sure I will hate it forever.

Historia deserved so much better than the horrible role she was given in the Final Season.

As for the letter Historia wrote to the Alliance, Reiner is clearly enjoying it, since he sniffs it like a creep.
Reiner liking Historia is not unusal for him, but did the final scene of a character who has had an emotionally powerful struggle with PTSD really need to be a joke?
Still, I am glad that he lived, along with the rest of the Alliance, who are now going to Paradis as peace envoys, fulfilling the role Eren gave them.
We then get what was, originally, the final scene of Attack on Titan, until the extra pages.
Mikasa is resting at Eren’s grave on Paradis, at the tree where the story started.
Her presence on Paradis is a bit confusing to me, I will admit.  
I mean, the Jeagerists know Mikasa killed a lot of them, right?
Plus, Mikasa is the only Asian person living on Paradis so she would be pretty recognizable.
Wouldn’t she be in constant danger?
Well, Mikasa clearly feels safe beneath the tree, where she weeps for the loss of Eren.
It is at that moment when a bird appears from nowhere and wraps Mikasa’s scarf around her before departing.
So did Eren reincarnate into a bird, or this is just a random bird doing it for no reason?
Whatever the reason, it does look a bit goofy to me.
In regards to Mikasa, as someone who once thought she was one of the best characters in the series, I have slowly found myself disillusioned with her.
I still like her, but there are so many missed opportunities to develop her.
From her Ackerman lineage, to her relationship with Louise, to her connection with Hizuru, these were all chances to give Mikasa character development.
Instead, she just constantly focuses on Eren, right to the very end, even bringing her new family with her to his grave as the years pass.
Speaking of this, I now have to get into the adaptation of the extra pages, which is another area I feel like the anime improved upon.
In the manga, I hated the reveal that Paradis was destroyed because it looked like it was only about 50 years since the Rumbling, making all of the characters sacrifices pretty pointless.
However, the anime updated it to so that the destruction of Paradis happens at least hundreds of years later.
This makes me feel a bit better about the whole thing.
What makes me feel less better is that the anime kept the implication that Titan powers were coming back, by showing a boy and his dog heading towards Eren’s tree, which has now grown to resemble the same tree where Ymir got her powers 2000 years ago.
While this does tie into the themes of the cycle of violence continuing, I personally don’t like that it removes the victory of Titan powers vanishing forever.
The cycle of violence continuing is fitting for the story, but I wish Titan powers stayed gone at the end.

In my opinion, hinting that the Titan powers will return takes away from the Alliance’s victory.

So, since my final impression of the ending is a negative one, I surely think the final episode of Attack on Titan is bad, right?
Well, no.
While there are a lot of things I dislike, the first 50 minutes of the episode are really good, plotholes aside, and there are quite a few improvements from the manga.
I even teared up twice, once during the baby scene, and a second time during Levi’s salute.
And, of course, the animation, score, and voice acting are all incredible.
Overall, I would still say that this final episode is good, despite its many, many short comings.
And, despite not liking how Attack on Titan ends, I would still recommend the series.
The themes, twists and characters are things I will remember fondly for years to come.
Also, having seen the reactions for the final episode from many anime only fans, I know my criticisms of the ending are in the minority. 
The vast majority of fans seem to have loved this ending, and I am happy that they do.
So, as fans of Attack on Titan, no matter our thoughts on the ending, I think we all owe a big thank you to Hajime Isayama, Wit Studio and Mappa for bringing us this amazing anime.
Truly, thank you.    

Ascendance of a Bookworm Anime Review: A Bibliophile’s Isekai Story.

As an avid reader, I found the premise of Ascendance of a Bookworm to be quite interesting.
Based off the light novel by Miya Kazuki, the anime follows Urano Motosu, a lover of books who is ironically killed by falling books. 
She is then isekaied into the body of a young girl named Myne (Yuka Iguchi), only to find she has been reincarnated into a bibliophile’s worst nightmare.
Myne is of the peasantry class in her new life and, given that most of the people in her town are illiterate, it makes finding a book next to impossible.
Refusing to be dissuaded, Myne sets out to make her own books, surprising her fellow townspeople with her creations brought from her previous life.

Myne’s inventions may be simple in her old life but in the medieval world she now lives in they are revoluntionary.

This premise was such a good one that, after I heard it, I immediately sat down to watch it and was met with a charming anime that has a lot of heart.
Myne’s struggles to find a way to read again are relatable, and the cast around her are just as endearing.
This is especially the case with Myne’s new family, as her father Gunther (Tsuyoshi Koyama) would probably be high up on a list of great anime dads. 

Gunther is a real one.

Myne’s friend Lutz (Mutsumi Tamura) also serves as her constant supporter, while also slowly growing suspicious that Myne is now more than she seems.
Other interesting characters like Benno (Takehito Koyasu) and Ferdinand (Shou Hiyami) are also encountered by Myne as her prominence grows in the world.
Speaking of that world, it seems to be a simple medieval one at first, yet it slowly expands into a more fantastical one as Myne’s knowledge and desperation to read books lead to her encountering the nobility.
This leads to further world building accompanied by solid animation. 
Granted this animation is nothing spectacular but it never needed to be, as a simple confrontation scene in the Season One finale is quite intense on its own. 

Myne’s actions in this episode were surprisingly chilling for what had previously been such a wholesome show.

Along with occasional moments of intensity, Ascendance of a Bookworm is capable of bringing out emotional gut punches when it wants to.
This is especially apparent in the Season Three finale where a bittersweet moment between Myne and her family actually had me tearing up. 

Season Three’s bittersweet conclusion makes me interested to see where Season Four will pick up.

Myne’s journey across the three seasons we have got so far have been endearing, humorous and emotional.
It makes me excited for what will come next in the story, both in terms of Myne and the other characters’ development and in terms of the world building.
I hope we get a Season Four soon.
I would highly recommend Ascendance of a Bookworm, especially if you are an avid reader like me, as Myne’s struggles will be all the more sympathetic. 
The anime has a lot of heart.   

Attack on Titan, Season Four, Episode Fifteen, Sole Salvation Review: A Cautionary Tale.

5 stars
Much like Chapters 112 and 113, Chapter 114 of Attack on Titan is one that I have slowly come to appreciate more in the years since it came out.
So, I was pretty excited to see it adapted in Episode 15 of the Final Season, “Sole Salvation”, which aired right alongside the delayed episode, “Savagery.”
I mention that episode here because while I think that “Savagery” could have been adapted a little better, I think that “Sole Salvation” is a perfect adaptation of its corresponding chapter that mostly improves on the source material, with its fantastic animation, voice acting, and soundtrack.
Directed by Mitsue Yamazaki, the episode is entirely devoted to Zeke’s backstory and explains his relationship with the mysterious man teased at the end of Episode 14, why he decided to turn on his parents, how he came to his ideology and what this ideology is.
That last point is foreshadowed right at the beginning of “Sole Salvation”, where it is shown how Grisha and Dina tried to indoctrinate Zeke in their cause to restart the Eldian Empire by taking Zeke to a tower and showing him the poor conditions Eldians are forced to live in compared with the rest of the world.
It is at this moment that a seemingly kind, old janitor walks in and apologises for interrupting, saying he can come back later.
Any niceties disappear, though, when he sees the armband on Grisha’s arm and throws his bucket full of dirty water at them in disgust, blaming them for the murder of millions of innocents, even though this happened centuries ago and none of them could possibly be responsible.
The old man even goes as far to scold them for “pumping out kids”, in reference to Zeke, an important line that will affect Zeke’s ideology going forward.
Grisha again uses this situation to try and instill a drive in Zeke to change the world, telling him that he will save everyone, however, this is clearly not helping Zeke, considering the poor kid is doing the worst at training because his heart is not set on being a Warrior.
Can you really blame Zeke, though?
The kid just wants to live with his parents and be seen as their son, not as their tool for reviving Eldia.
It is here that we get our first look at Zeke’s father figure, Tom Ksaver, the former Beast Titan who seems to take an immediate interest in Zeke.
Along with him, Zeke also has his grandparents who do actually care about him and what he wants, yet still try to indoctrinate him with Marleyan propaganda about how the Eldian Empire was pure evil and committed countless sins.
One interesting thing to note about this scene is how the illustrations in Mr and Mr Jaeger’s book on the different atrocities the Eldian Empire supposedly committed against Marley actually link back to the ED of the Second Season.
That ED was just full of spoilers and foreshadowing for future events, wasn’t it?
Back to the episode, we then get the opposite side of the indoctrination Zeke suffers, as Grisha attempts to teach him the exact opposite of what his grandparents said, that Eldia never committed the atrocities Marley claims because Ymir would never allow it.
As for the truth?
Well, it’s probably somewhere down the middle.
The Eldian Empire certainly did a lot of evil things but they also did some good.
It just depends on where you’re perspective falls, I suppose.
Once we see both of these scenes showing how Zeke’s parents and grandparents are trying to indoctrinate him, we then get his introduction to the one person who never tried to, Ksaver.
The two offically meet when Ksaver’s baseball rolls into Zeke’s path, seemingly by chance, although it is pretty clear by the end that Ksaver did this on purpose because Zeke reminded him of his dead son.
The two form an instant friendship, as Ksaver praises Zeke ernestly and not based on what he expects him to be, like Grisha and Dina do.
Speaking of which, we then get yet another showcase of how the two were not the best parents, as Zeke returns to find them arguing with Falco’s uncle, Grice, about Zeke’s low scores, which most likely means he won’t inherit a Titan.
Again, Grisha makes it clear what is expected of Zeke as his and Dina’s son and a child of royal blood but, again, Zeke just cannot live up to these expectations.
He still can’t keep up with the other kids and is horrified when Grisha storms off in disappointment.
Clearly not father of the year material.
At least Dina is kind enough to understand that Zeke is trying, attempting to tell a screaming Grisha this, while Zeke cries in the other room.
I also really have to give props to Grisha’s voice actor, Hiroshi Tsuchida, who did an absolutley amazing job this episode, especially with his screaming.
Again, in Zeke’s darkest moment, Ksaver is there to help him, lifting his spirts by telling him how it’s a good thing he won’t inherit a Titan and that they are both decent people.
However, Zeke’s newly lifted spirt is dashed upon the rocks when he hears Marleyan officers talking about how they are close to locating the Eldia Restorationists and their leaders.
Distraught, Zeke attempts to warn his parents, without explicitly telling them that they are close to being found out.
It is right before this moment that Grisha gives him such a look of disappointment that I’m sure it made all of us want to kick him.
If we didn’t know his own traumatic past then Grisha would be completley unlikeable here.
This past is hinted at in this scene  because Grisha only explodes into anger when Zeke brings up his aunt Faye, who was feed to dogs, not wanting to end up like her.
Grisha’s angry reaction results in Zeke breaking down to Ksaver and telling him everything about his parents.
He comforts his father figure, though, telling Ksaver that because of all the fun times they had togethor, he will remember him, even if he is turned into a Titan.
Clearly seeing Zeke as a son now, Ksaver begs Zeke to turn his parents in to save himself and his grandparents, stating that his parents used him as a tool and never loved him, something that is, for the most part, unfortunately true.
And so Zeke turns his parents in at the behest of Ksaver and many years pass, during which Zeke and Ksaver grow closer to being like an actual father and son.
Soon, Ksaver’s term is close to its end, meaning he will have to pass his Titan on.
However, he is thankful that he managed to finish his research, discovering that every single Subject of Ymir is connected to the Founding Titan, meaning that it could change their bodies at any moment, and it is here that Zeke’s ideology finally comes to its full fruition.
Remembering what the old janitor yelled at him and his parents all those years ago, Zeke wonders aloud if the Founding Titan could sterilize all Eldians so that no more Subjects of Ymir will be born, and the power of the Titans will eventually vanish entirely from the world.
In Zeke’s mind, this would also mean no Eldian would have to suffer.
This explains much of Zeke’s apathy when he murdered countless Scouts before.
He believes that he is saving them from the cruel world.
When this genocide by sterlization plan was revealed in the manga, a few people decided this was proof that Attack on Titan was facist propaganda but I think it’s obvious that this is not that at all but a cautionary tale.
Subjected to brainwashing attempts and racism all his life, Zeke came to the conclusion that it would be better if his entire race didn’t exist so seeks to commit genocide by sterilization with his Euthanization Plan, which he sees as saving the world.
It’s screwed up and shows what dangers can be created from such despicable things, like prejudice and indoctrination.
These two things have clearly affected Ksaver as well because his own experiences causes him to align with Zeke’s plan.
When he was young, Ksaver took off his armband and married a woman, who he had a child with.
However, when she found out that he was an Eldian, she killed their son and then herself in disgust.
This goes to show just how strong the hatred for Subjects of Ymir is in the outside world, because it both destroys the Eldians and those who hate them.
In this scene, there also appear to be a few hints through the toys of Ksaver’s son to future plot points but I won’t say what in case any anime only viewers happen to read this review.
Following the formation of Zeke and Ksaver’s Euthanization plan, Ksaver reveals to Zeke how he will need to find someone he can trust to give the Founding Titan to.
Not long after that, Zeke finally inherits Ksaver’s Titan and truly acknowledges him as his father.
Low and behold, who should Zeke learn about many years later who he thinks would be perfect for joining him in his plan to sterilize all Eldians?
Why, his half-brother Eren of course.
The two finally meet in Marley and Eren seems to quickly accept Zeke’s plan, claiming that there is no greater gift than to not be born into this world, warping his own catch phrase into something much more sinister.
Zeke tears up from Eren calling him brother, showing just how much he was longing for this familial love.
Even though Zeke has done monstrous things, you just can’t help but feel sorry for the guy.
Levi, however, is understandably not so sympathetic, as he continues to taunt Zeke in the present about how he will be feed to a Titan.
This was clearly not the best call, along with impailing a thunderspear in Zeke’s stomach because a delirious Zeke rips the pin off with a scream for Mr Ksaver to keep watching him.
Takehito Koyasu also does an excellent job voicing Zeke here, in all his delirious desperation.
Just as excellent is the animation, with the close up on the characters’ eyes and the rain drops falling in slow motion, right before the big bang of the Thunderspear exploding, blowing both Levi and Zeke away, leaving their fates uncertain.
A frusrating cliffhanger for the anime only viewers that is pure Attack on Titan. 
“Sole Salvation” is pretty much a perfect adaptation of its chapter counterpart.
With its amazing animation, voice acting, and soundtrack, it easily tops the manga in plenty of areas.
Now there’s just one more episode of Attack on Titan for me to review before we have to wait for the rest of the final season begins airing at the end of the year or in early 2022.

Attack on Titan Season Four, Episode One: The Other Side of the Sea Review – A Fantastic New Beginning.

WARNING: MAY CONTAIN MANGA SPOILERS.

4 and a half stars
It’s finally here!
After over a year of waiting, Mappa has delivered the first episode of Attack on Titan’s final season, “The Other Side of the Sea,” and, boy, is it a good one.
Honestly, coming into this episode, I had concerns.
There has been a number of leaks about production hell at Mappa with how complex the character designs are so I was worried the animation would suffer.
However, Mappa and directors  Yūichirō Hayashi and Jun Shishido thankfully pulled it off, delivering a fantastic first episode that gave me a new appreciation for Chapters 91 and 92 of the manga, which the episode adapts.
Directed by  Kaori Makita, “The Other Side of the Ocean” picks up four years after the defeat of the Warriors on Paradis, introducing us to a whole slew of new characters, starting with Falco (Hanae Natsuki), an Eldian warrior candidate caught in the middle of the final battle of a war.
The opening scene introducing him and his brother Colt (Masaya Matsukaze) is fantastic, with the ringing of Falco’s ears, the intense music, and the brutal imagery of the brothers’ fellow soldiers being cut down in a hail of bullets.
The war the two are involved in is Marley’s attempt to defeat the Mid-East Allied Forces by destroing their forces at Fort Salta; the Mid-East Allied Forces being a series of countries who banded together to attack Marley after they were defeated at Paradis four years ago.
This information is delivered to us in admittedly shoddy exposition, with the convenient excuse of Falco losing his memory due to a probable concussion.
Thankfully, it is a brief scene so it is not too much of a problem.
Also, this does give the episode time to introduce its other new characters, Gabi (Ayane Sakura), Udo (Ayumu Murase), Zofia (Yumi Kawashima), and Commander Magath (possibly Yukitoshi Hori), all of whom are greatly adapted from the manga.
Gabi is especially well done, with Ayane Sakura bringing the character to life perfectly because I already can’t imagine another voice actress playing her and I’m probably going to hear her voice whenever I read Gabi’s lines in the story.
Following these introductions, Gabi reveals she, Falco, Udo and Zofia are being considered by Magath for the role of the next Armoured Titan.
It is after this that we get the Final Season OP, “My War” by Shinsei Kamattechan.
Honestly, on my first listen, I was kind of unsure about it but, after repeat views, I think it’s a great opening for the Marley Arc, with amazing lyrics, and some chilling visuals towards the end.
I suppose my biggest criticism of it would be that it does occasionally use repeated shots of explosions and I think there should have been some variety.
Once the OP closes, we get the the beginning of the epic battle, with Gabi coming up with a plan to take down the Armoured Train, which is a threat to even the nine Titans, all by herself.
This plan goes off without a hitch, with Gabi destroying the Armoured Train before Falco dives in to protect her from machine gun fire.
He needn’t have tried though because the new Jaw Titan, Galliard, who has one of my favourite Titan designs, shows up to save them.
We also get a look at the Cart Titan, which has had its own upgrades in the four-year time skip, with machine guns mounted on its back to shoot at oncoming soldiers.
It is during this time that Falco saves an enemy soldier, only for him to call the Warrior candidates “devils,” showing how strong the hatred for Eldians is outside Paradis, even from their own people, as Gabi so obviously displays by how brainwashed she is into hating the Paradisian Eldians.
Then, we get the most epic moment of the episode as, in a perfect adaption, Eldians are parachuted down from an airship carrying Reiner  (Yoshimasa Hosoya) and Zeke (Takehito Koyasu).
The latter lets out a vicious roar, turning all of the falling Eldians into Titans, who crash down onto Fort Slava to a great soundtrack, which we saw a hint of in the final season trailer.
Reiner jumping down and wiping out the Mid-East Allied Forces’ soldiers with the help of Galliard, then protecting Zeke from a navy bombardment, followed by Zeke destroying that navy, were all moments that left my jaw on the floor, in terms of their quality.
One slight criticism I do have about sequence is the CGI.
Basically, almost all of the Titans in this episode are CGI and, while this looks great on some Titans like Galliard and Reiner, it looks a little off for the Beast Titan in certain shots.
However, this CGI is certainly nowhere as bad as WIT’s CGI Colossal Titan and it did not lessen my enjoyment of the events so, even if the quality of the Titans remains the same throughout the rest of the anime, I will be completely fine with that.
Following the end of the battle, we get the ED, “Shock” by Yuko Ando, which is another banger and has plenty of cool symbolism for upcoming events.
An intriguing anime only scene accompanies this song, which appears to show Jean having infiltrated Marley, hyping up a future battle that I hope is done justice with the adaptation.
This was not the only anime only scene in this episode though because there were multiple ones and, in my opinion, almost all of them improved the adaptation.
There were the anime original portrayals of the horrors of war, like traumatized Eldian soldiers, including one kissing a locket supposedly containing a photo of his loved ones, a squad of what appeared to be forced suicide bombers, and a single soldier climbing atop countless corpses.
Then there’s the added set pieces, like when Reiner has to destroy a second Armoured Train, which he then used to destroy the enemy canons, when in the manga there was no second train and Reiner used a radio tower to destroy the canons.
Another interesting change is the character redesign for Koslow.
In the manga, he looks like a normal guy but they adapted the design in the adaptation, making him pudgy and ugly, probably to make him seem like an evil caricature.
Thankfully, Koslow is a minor character with no importance in the plot so this character design change is not one I particularly mind.
What is definitely the most interesting deviation from the manga, though, is Falco, while concussed, saying that he dreamed he was flying around with a sword, fighting Titans.
This is quite a shocking change because it seems to be heavily implying that Falco is seeing the memories of one of the Scouts, most likely Eren’s.
If this is true, then this anime only scene may be crucial to predicting the manga’s ending, which I will discuss in my predictions for Chapter 136.
Overall, “The Other Side of the Sea” is a fantastic start to the final season that I actually think surpassed the manga, with its great adaptation of the source material and brilliant anime original scenes.
I was a bit worried about the adaptation going in but Mappa definitely proved themselves here and I hope they can keep up the quality in the 16 episodes to come.
Yes, I did say 16, because that seems to be how many episodes we will get, based off leaks, at least for now.
Since this is nowhere enough chapters to fully adapt the story without it being rushed and thus poorly adapted, this would spell certain doom for the final season were it not leaked that the pacing of this season will be around two chapters an episode.
Given this, the pacing will most likely be fine and we will probably get a second part of the season months from now, or maybe a movie or two to finish the adaptation.
No matter what happens though, I hope Mappa can keep up to the standard they have set with this episode and deliver a fitting final season to my favourite story of all time.