Coming into My Hero Academia’s fourteenth episode of season four, “Bright Future”, I was very excited to see the adaptation of two fantastic scenes from the manga that had me feeling very different emotions.
However, unfortunately, while one of these scenes was perfectly adapted, the other lost a lot of its impact.
This scene is the League of Villains’ attack on the police transport that is taking Overhaul away.
After they stop the transport, and Dabi and Mr Compress kill the sand hero Snatch, Shigaraki and Compress amputate Overhaul’s arms, leaving him quirkless, and steal his quirk removing bullets.
The reason this scene is a downgrade in comparison to the manga comes down to censorship.
The moment where Compress amputates Overhaul’s arm is shot in a way that removes most of the violence, making many viewers not even realise that Compress had taken Overhaul’s arm.
As for the death of Snatch, if you missed Dabi’s comment about him probably being dead, you would have no idea that Snatch was killed from being compressed in the fire because it was done so tame.
Maybe they should have added a scene of Dabi crushing the compressed ball with Snatch in it to make his death more clear.
I was also a little disappointed that some of the manga panels did not make the cut.
Other than these instances, though, the scene is still done well, with great voice acting, especially from Koki Uchiyama who voices Shigaraki.
And, even though I was slightly disappointed by this scene’s adaptation, the adaptation of Nighteye’s death could not have been more perfect.
Everything from the voice acting, to the music is handled so well to the point that it almost made me tear up.
Shin-ichiro Miki does a great job as the dying hero, who makes amends with All Might and Deku, before telling his protege, Mirio, that he will be a fine hero and to keep smiling for a brighter future.
The moment the life fades from his eyes is emotionally palpable and a sad end to a very dark arc.
Thankfully, Nighteye’s hope for smiles will be fulfilled with the rest of the season because the upcoming Cultural Festival arc is very uplifting compared to the Overhaul arc’s darker tone.
I have watched the trailer for the second part of the season and it looks like it will be just as well as adapted as previous scenes in the season.
All in all, “Bright Future” is another good episode of My Hero Academia.
Yes, the adaptation of the League of Villains is a real downgrade from the manga, but the Nighteye death scene more than made up for this with its emotional weight.
Anyway, now that the sad times are over, we can move on to the happier times with the next arc, which I am really looking forward to.
Tag: Shin-ichiro Miki
My Hero Academia Season Four, Episode Four, Fighting Fate Review: Can Fate be Averted?
After the anticipated arrival of the adorable Eri last episode, the fourth episode of My Hero Academia‘s fourth season “Fighting Fate” picks up with the rest of her first encounter with Deku and Mirio.
Unfortunately, this is also Deku and Mirio’s first encounter with the villain Overhaul as well.
What follows is an intense scene where Deku tries to protect Eri while maintaining the facade that he does not know who Overhaul is.
Ultimately, though, Deku’s instincts as a hero overrule this second priority when Eri begins to beg Deku not to leave her.
It is in this scene where we get to see both Deku and Mirio’s skills as future heroes because while Deku is protective, Mirio is quick thinking, dodging Overhaul’s prying questions expertly.
However, both their combined efforts are not enough to save Eri as the two are incredibly out of their depth, which Eri clearly notices because she goes back to Overhaul when he makes a subtle threat to kill Deku and Mirio.
Her doing so gives us a really good sense of her character as, despite the pain she has endured at Overhaul’s hands, she is willing to go back with him so he won’t hurt anyone.
The consequences for her are clearly laid out as Overhaul brings her into an experimental room announcing her to be the “crux” of his plan.
This is where one of my very few problems with the episode comes in because, compared to the manga, shots like that of the room Overhaul brings Eri into are not as detailed, lessening their impact.
Another thing from the manga that I was disappointed to see left out of the anime was Sir Nighteye’s reaction to hearing Deku wish he could have protected Eri.
In the manga we get a panel of him looking remorseful with his back to Deku, showing he does care, despite wishing Deku had not been chosen to receive One For All.
Sadly, this effective shot is nowhere to be seen in the episode.
Thankfully, what is not removed is Overhaul’s cruelty because he murders the subordinate who was supposed to be watching Eri when she escaped.
Overhaul then makes a comment about people being sick with “hero syndrome,” foreshadowing the future reveal of his motives.
Following these dark scenes, we get the emotional highlight of “Fighting Fate,” which is Deku’s confrontation with All Might.
Deku wants to know why All Might never told him about Mirio being the original candidate for One For All but instead learns a darker truth.
This truth is that when All Might and Sir Nighteye separated because All Might refused to retire after his injury, Nighteye used his foresight to predict that All Might will die a gruesome death in the near future.
The music and voice acting during this scene are top notch with Night Eye’s voice actor Shin-ichiro Miki doing a great job.
The following moment with All Might and Deku after this moment are also fantastic with the best animation of the season so far giving the emotion of the scene a bigger punch.
In the end, Deku begs All Might to live long enough to see him tell the world that he is here and All Might swears to fight the fate he has been given.
And then, of course, the episode ends with a comedic moment, as All Might is once again too scared to reconcile with Night Eye.
“Fighting Fate” is another great episode of My Hero Academia that is probably tied with “Overhaul” as my favourite episode of the fourth season so far.
And now, with Eri, the emotional centerpiece of the season, introduced, the story will begin to pick up even more.