Tag: Season Two

Arcane Season Two, Episode Four, Paint the Town Blue Review: A Very Familiar Wolf Man.

Arcane Season Two had a great start with Act One.
Episode One delivered the Piltover Perspective, Episode Two the Zaunite one, and Episode Three brought those perspectives together with the tragic fight between Vi and Jinx.
Having seen Act Two, I can say Season Two’s middle portion of episodes are just as good, with one of them being my favorite of the season so far.
As for Episode Four, “Paint the Town Blue”, it is another great one, ending on a long-awaited reunion, which would have been surprising for viewers who did not know League lore.
The episode begins just like most of those from Act One, with a music video, the titular “Paint the Town Blue.”
This music video is used to show the progression of time since Episode Three.
In my review for that episode, I predicted we would not be getting a time skip until maybe Episode Five, since we had yet to see Jinx become a symbol.
Well, turns out I was wrong because the time skip is in Episode Four, and it covers probably only half a year, compared to the few years I was expecting.
In the music video, we see Ambessa and Caitlyn’s forces cracking down on Zaunites who have come to revere and emulate Jinx following her attacks on Piltover.
As for Caitlyn, we catch up with her after the opening and see that, in the aftermath of her fallout with Vi, she has been hooking up with Maddie.
I find it funny that, with all the other insane stuff to happen in this episode, Caitlyn and Maddie drew in the biggest shock from the fandom.
Although, there is a theory going around that Maddie is a spy for Ambessa, so that would be interesting.
It would certainly give a point to Caitlyn’s squad existing, since those characters all seem pretty useless to Season Two’s plot so far.
Is there any evidence of Maddie being a spy?
Well, she does remind Caitlyn that the Noxians are there to “keep us safe”, and Ambessa later says that Maddie is “quite the familiar face these days.”
So, make of that what you will.
Whether Maddie is a spy or not, Caitlyn is still setting her sights on capturing or killing Jinx.
Speak of the devil, we next see the Loose Canon as the ring master of a brutal fight between two giant insect monsters.
This turns out to be a hilarious misdirect, as Jinx is merely putting on a show for Isha with two tiny insects.
She has taken Isha under her wing following Episode Three, seeing who she used to be in her.
Isha certainly proves she has Powder’s drive because she later poses as Jinx to help save some of her fellow Zaunites from Ambessa’s right hand man, Rictus.
Right from that moment, I thought I knew where the episode was going.
Jinx would be reluctant to step forward as Zaun’s hero, so Isha would keep posing as her until she got herself killed, leading to a vengeful Jinx finally taking on the mantle.
Kind of like an Achilles and Patroclus situation.
Thankfully, this is not where the story goes but I was still constantly expecting Isha to die at some point throughout Act Two.
The writers had constantly proven themselves cruel enough to do so, after all.
Instead of being killed, Isha is captured by Rictus, along with many other Zaunites from different factions.
Unfortunately for the Enforcers, they also arrest Singed, who has the advantage of having a giant mutated werewolf in his basement named Warwick.
All it takes is a drop of his own blood for Singed to activate Warwick, which begins pursuing him.
When Jinx learns of Isha’s arrest from Sevika, she sets off to Stillwater to rescue her.
Before doing so though, she once again hears voices tormenting her.
I think this goes to show just how good her bond with Isha is for her mental health.
She seemed to have a lot less hallucinations when Isha was around but the moment she gets taken Jinx experiences a breakdown.
Thankfully, it is not big enough of one to halt her and Sevika’s rescue attempt, which is filled with about as much hijinks as you would expect.
First, Jinx distracts an Enforcer long enough for Sevika to knock them out, allowing Jinx to disguise herself.
Their interaction is also pretty funny, with the Enforcer not believing Jinx’s identity because of how she is dressed.
Another comedic moment follows when Jinx flips off an Enforcer who attempts to flirt with her.
But, man, that guard was pretty incompetent, considering he failed to notice Jinx’s mechanical finger had a smile spray painted onto it.
Guess he was too embarrassed to realize.
The comedy vanishes, however, when Ambessa passes Jinx and Sevika inside Stillwater and looks like she might stop them for a moment.
Instead, she keeps walking, and Jinx and Sevika execute their escape plan, freeing the Zaunites, and allowing Jinx to see firsthand what she means to her followers.
They each pass her, touching her shoulder as they go, and even the Firelights look grateful.
The happy times end quickly, however, with the arrival of Warwick.
What follows feels like something out of a Doom game, as Warwick bloodily tears through the Enforcers while the heavy metal soundtrack booms.
While Sevika gets Isha to safety, Jinx fights Warwick.
The two Singed experiments go head-to-head, with Warwick eventually winning, only to be stopped from killing Jinx when he sees her bomb and remembers her as a child.
“Dear Friend, Across the River” begins to play, and the violence fades from Warwick’s eyes, revealing a very familiar face.
“Powder?” The resurrected Vander asks, bringing an end to the episode.
Having read Warwick’s lore before Season Two, I knew he was most likely going to be Vander.
Despite knowing this, it did not stop the emotion from hitting me full force when he recognized Powder.
It made me a little teary eyed, to be honest, which served as the perfect setup for Episode Five where the water works really started for me.
Keeping on topic with Episode Four, “Paint the Town Blue” was a great start to Act Two.
It did a good job of building up Jinx and Isha’s bond, along with showing off how Jinx has become a symbol to Zaun, and, of course, features the return of Vander as Warwick.
I was incredibly excited to watch the next episode after this one and, boy, did it not disappoint.

Arcane Season Two, Episode Three, Finally Got the Name Right Review: A Tragic Fight.

In Season One of Arcane, they always saved the best episode of every act for last.
It seems Season Two will be no different because Episode Three, “Finally Got the Name Right” is definitely the best episode of the three, setting up a lot of ominous events and having a spectacular and tragic fight scene.
The episode begins with, you guessed it, a music video scene, just like the past two.
This one explains how Caitlyn’s strike team is controlling the Grey.
It turns out her mother had ventilation systems constructed in the Undercity to stop the factories’ fumes because, “The people of the underground deserve to breathe.”
Well, Caitlyn takes her mother’s good intentioned act and corrupts it, weaponizing the Grey as chemical warfare.
She and her squad flood areas with this dangerous gas to incapacitate the Zaunites and then move in to make arrests and get information.
Now, you could argue the people they are using the Grey on are gangsters but, even then, the montage makes the horrible effects the Grey can have on the body quite clear.
It is also easy to imagine civilians getting caught up in the crossfire, so I would argue Caitlyn is definitely not in the right here.
Vi picks up on the way Caitlyn is changing for the worse and talks with her alone, begging her not to change.
This leads to their first kiss, an emotional moment which I knew would not end well because of the teaser showing Vi as a cage fighter.
While Vi and Caitlyn go to confront Jinx, Ambessa is having troubles of her own.
She meets with Amara, who you may remember as the merchant Jayce made a deal with way back in Act Two of Season One.
In a truly unexpected moment, Amara reveals herself to be some kind of witch associated with the Black Rose, a mysterious group which killed Ambessa’s son.
Ambessa is able to eventually gain the upper hand and kill Amara, but this is far from the end of the Black Rose Threat.
Mel is one step behind her mother, investigating her actions through an informant but, before she can do anything with what she knows, it is revealed that her own assistant Elora is either part of the Black Rose, or been possessed by them.
She is consumed and Mel is kidnapped to who knows where.
So, whoever the Black Rose are, they now have a stranglehold on Ambessa since they hold her daughter hostage.
Maybe Ambessa distancing herself from Mel would have kept her safer, if she had not told Amara how much family meant to her.
Along with the mystery of the Blase Rose, there is also the mystery of what is going on with the Arcane.
We see Jayce explain the concept of Wild Runes to Ekko and thus us as the audience.
Wild Runes act as fingerprints of the Arcane, but in a wild and unpredictable manner.
These fingerprints are then seen underground by Heimerdinger when he, Ekko and Jayce travel to the Hextech’s failsafe.
Before Heimerdinger can warn the two about the fingerprint on the ground, it transports the three of them right to a Wild Rune just as Vi and Caitlyn are confronting Jinx.
Vi calls her sister by her new name, while Jinx calls Vi out for using the Grey on Zaunites.
While Jinx is certainly no saint, it is hard to argue with a lot of her points about Vi’s actions.
Both sisters are walking down dark paths.
Jinx is a terrorist and Vi has engaged in chemical warfare.
Now both are prepared to fight to the death.
Neither is alone, however, with Sevika and Caitlyn also duking it out, all the while Jayce, Ekko and Heimerdinger are affected by the afflictions of the Wild Rune.
What follows is an intense fight sequence, with Woodkid’s “Ashes and Blood” playing in the background.
This is already one of my favorite Arcane OSTs and I have listened to it multiple times since watching the episode.
Its vocalist’s deep voice and the wild orchestral chanting works incredibly well with the tragedy of the fight, as we literally see Jinx and Vi smash through graffiti of their childhood innocence.
At the same time, Jayce’s interactions with the Wild Rune cause the Hextech to go crazy, influencing the fight and giving Caitlyn the chance to defeat Sevika.
The interference ends when Jayce strikes the Wild Rune with his hammer, leaving his, Ekko and Heimerdinger’s fates unknown.
Caitlyn overcoming Sevika allows her to take a shot at Jinx, shooting off her middle finger.
Vi tackles Jinx down onto the alter and prepares to deliver the final blow, to which Jinx says, “I’m glad it’s you. Had to be you.”
So, when Jinx said in Episode Two that she was planning “to finish what’s left of my family” was she referring to herself?
Well, thankfully, it does not end here for Jinx because, at that moment, Isha jumps in to save her, putting a gun between her and Vi.
I am not sure if Jinx’s following “No!” is because Isha is interfering with her suicide attempt, out of concern for her, or a plea for her not shoot Vi.
Probably a mixture of all three.
Isha’s interference snaps Vi out of it and she steps in Caitlyn’s way when she attempts to shoot Jinx, despite Isha still being in the way.
This gives Sevika enough time to activate Jinx’s plan, sending the Grey up to Piltover in colorful fumes which pollute the city.
The force of the fumes blows Vi and Caitlyn away and we expectedly get the big break up scene.
Caitlyn is angered that Vi stopped her from killing Jinx, but Vi calls out Caitlyn’s own actions, which results in Caitlyn hitting Vi in the gut with her rifle.
She then leaves a crying Vi behind in a moment that is extremely reminiscent of Vi leaving Powder.
The big difference there is that Vi only left Powder to cool off before she was kidnapped.
Caitlyn does not come back for Vi, showing how far she has fallen since the death of her mother.
And, if the ending of the episode is any indication, Caitlyn’s morality is only going to grow greyer (if you will excuse the pun).
Following the Grey being unleashed upon Piltover, Ambessa suggests naming a general to lead their forces against Zaun and nominates Caitlyn.
Councillor Salo is shocked at this, clearly having expected himself to be chosen, but it is no surprise that Ambessa chose Caitlyn when you look back at how Salo himself described her.
“She’s gotten no closer to Jinx. But that doesn’t seem to steal the stars from anyone’s eyes… it’s not the girl. It’s the name (Kiramman). It bewitches people.”
Ambessa’s face shows intrigue during this scene, revealing exactly why she chose Caitlyn.
Her actions against Zaun and important family name have made her a symbol for Piltover.
Ambessa also believes she can control Caitlyn, literally calling her a child.
Whether Caitlyn will remain childlike under Ambessa’s thumb or if she will break free we do not yet know.
What we do know now is what the symbolism in the opening means.
We see Vi and Caitlyn getting closer, foreshadowing their kiss, before Caitlyn shoves her away, representing their breakup.
The next visual shows Caitlyn cradling her face in despair, while her shadow makes it look like she is wearing a crown.
This symbolizes her rise to becoming Piltover’s general and essentially a dictator, which is going to naturally haunt her.
Caitlyn is not the only character in the opening Episode Three gives symbolic understanding, because Ambessa holding a black rose and Mel being surrounded by shadowy hands represents the kidnapping plotline.
As for Ambessa herself, it is also revealed this episode that she really was behind the memorial attack.
She will do anything so long as it benefits her family but, again, she will probably be locked in a stranglehold with Mel’s kidnapping.
Episode Three then ends with a final Singed tease in which we see what he was doing with the body of the two-headed wolf he killed.
It is revealed he is using it to create a giant werewolf monster.
I will discuss the implications of this in an Act Two prediction section, which you will find below.
In conclusion, “Finally Got the Name Right” is definitely the best episode of Season Two’s Act One.
The final fight is excellent with its tragedy, incredible animation and score.
As for character arcs, Caitlyn is on the fast-track to being a puppet dictator and I am personally enjoying this dark turn for her character.
I hope she can pull herself out of it.
Finally, the third episode also does an excellent job of raising plenty of mysteries for the following acts to resolve, namely the ones surrounding the Black Rose and the Wild Rune.
I would call “Finally Got the Name Right” a top five Arcane episode, and I am eager to see if any episodes in Acts Two or Three can surpass it.

Act Two Predictions:
So, let’s start with talking about the massive werewolf Singed is creating.
This wolf is clearly Warwick, whose lore I looked up before watching Season Two.
In all likelihood, he will turn out to be a resurrected Vander.
Ordinarily, this would ruin the impact of Vander’s sacrifice, but Warwick looks to be a completely different character, making his resurrection tragic.
This tragedy will be amplified when Jinx and Vi have to fight him, as seen in the Act Two teaser.
We see Jinx shooting at Warwick in one shot, and Vi facing off against him in another.
The Vi shot is ironic, considering the back of her jacket has a two-headed wolf on it, the same creature Singed used to create Warwick.
There is also the matter of the predicted time skip where Vi becomes a cage fighter.
Originally, I thought this time skip was going to be right at the beginning of Act Two but, given how we have yet to see Jinx become a symbol, it will probably be Episode Five or Six when it happens.
When we do get the time skip, I expect that Ekko will be presumed dead by the Firelights.
I believe this because you can see his face on the mural with other dead characters.
This probably means that whatever happened with the Wild Rune caused Ekko, Jayce and Heimerdinger to be trapped in some alternate dimension.
The shot of Jayce in the teaser looking grizzled and with a beard supports my theory.
What I am less sure about is what will happen to Mel.
We see her attempting to escape the Black Rose, only to be pulled back by its red tentacle-like force.
There are so many mysteries for the rest of the season to unpack and I, for one, cannot wait for Act Two.

Arcane Season Two, Episode Two, Watch It All Burn Review: The Zaunite Perspective.

After Episode One’s great start to Season Two of Arcane, Episode Two, “Watch It All Burn” proves to be even better.
Focusing on the Zaunite plotlines this time around, the episode begins with a Zaunite funeral, parallelling the Piltovan one we saw last episode.
This time, we see Jinx laying Silco to rest in the waters of Zaun, a fitting resting place for him, considering it is where he was reborn in a sense when Vander tried to drown him.
After letting Silco go, Jinx watches his body sink from view and then hears his voice in her head, “Have you had enough?”
This line is from Silco’s narration at the beginning of Season One, Episode Three, and its placement here makes me wonder if Silco told Jinx this at some point.
Jinx’s response, to scream into the water, shows that, for now at least, she has not “had enough” and intends to keep fighting.
Following the opening, we get a music video scene, much like in the first episode.
This one is less somber, though, and used to illustrate the chaos that has emerged following Silco’s death, and the lone path Jinx is currently treading.
This sequence is temporarily interrupted by a kid who the subtitles name Isha.
They are being chased by some of the Chem-Barons’ goons until they literally fall on Jinx.
She protects the kid, killing the goons with ease and earning herself a follower.
While this is happening, the Chem-Baron turf war is continuing but there are issues, as we see the Yordle Chem-Baron Smeech find one of Margot’s stashes overcome with a mysterious fog known as the Grey.
Smeech later meets with the other Chem-Barons, where Sevika, is proposing they unite rather than fight.
Smeech instead proposes handing over Jinx to appease Piltover.
He insults Sevika when she shows her reluctance stating, “Bird without a wing is just a funny-looking rat,” in reference to Sevika’s missing arm.
It speaks to the strength of Sevika’s convictions, when she is unwilling to hand someone over, even when that person took her arm and killed the man she followed.
About the latter point, though, I don’t think Sevika knows that Jinx was the one to kill Silco.
She knows Silco is dead, but she never acts accusatory towards Jinx in their following interaction.
The two meet at the Last Drop where, despite their mutual disdain, they connect through their memories of Silco, ending with Jinx leaving to fix Sevika’s prosthetic arm.
This leads to her almost being tracked down by Vi, Caitlyn and the rest of their squad who it is revealed are using the Grey to storm parts of the Undercity.
Here, Vi retrieves Claggor’s goggles, and Jinx realizes Vi has joined the Enforcers, but she manages to slip through the cracks.
It is also here that we see how brutal Caitlyn is becoming, as she fires off a shot in frustration at not catching Jinx, which does not bode well for her future morality.
Caitlyn using the Grey to attack Zaunites also explains why Smeech was so eager to hand Jinx over to the Enforcers, because he knew they could not withstand such attacks.
He attempts to capture Jinx after her run in with Caitlyn’s squad, taking advantage of her poor mental state from seeing Vi, and poor physical condition from being affected by the Grey.
He attempts to intimidate her, but this has the opposite effect, resulting in her intimidating him when she tells him she killed Silco.
Smeech’s shock is another reason I think Sevika does not know it was Jinx who did the deed.
Good thing because, if she did, she probably would not have saved Jinx.
The fight between Sevika and Smeech is top notch in terms of animation and soundtrack, as she battles him with the new arm Jinx constructed.
Only Jinx could build a prosthetic arm with weapons based on the outcome of a slot machine.
It makes for a fun and very satisfying fight.
Sevika even gets to throw Smeech’s insult back at him by asking, “Who’s a funny-looking rat now?”
With the fight over, Sevika notices a look in Jinx’s eye and comments on it, to which Jinx ominously responds that she is planning “to finish what’s left of my family.”
This brings Jinx’s storyline this episode to an end, but her storyline is far from the only one.
First there is Ekko and Heimerdinger’s story where they notice that the Firelights’ tree has become infected by what looks like Hexcore corruption.
I like Ekko and Heimerdinger’s interactions, but I think it’s weird that Ekko does not blame him for any of Zaun’s suffering.
There should at least have been a scene of them addressing Heimerdinger’s involvement.
Well, at least he is helping out now.
To find out what is happening, the two sneak into Jayce’s lab, only to be confronted by the Man of Progress himself.
As for Jayce, his storyline this episode began with Viktor’s emergence from the strange cocoon formed when he was merged with the Hexcore to save his life.
His body now primarily made of Hextech, Viktor breaks his partnership with Jayce after he sees the Hextech weapons Jayce is designing.
He also clearly feels betrayed by Jayce not destroying the Hexcore as he asked.
My one criticism of this scene is that Viktor revealing Sky’s death is glossed over pretty quickly by Jayce but, otherwise, his and Viktor’s separation is emotional.
From here, Viktor travels into the Undercity, going down to its depths where he is confronted by Huck and the other Shimmer addicts, hoping to rob and kill him to fuel their addiction.
Instead of fighting Huck, Viktor helps him, using the power of the Hexcore to heal his addiction, replacing and augmenting his Shimmer infected parts with metal.
Viktor tells a healed Huck and the rest of the Shimmer addicts, “You need not suffer anymore.”
And so, Viktor emerges as a messiah-like figure with his own band of followers.
He even hallucinates Sky, which seems to tell Viktor that he is doing the right thing.
However, I would argue that things are going to turn out to be more sinister than they appear.
Huck’s appearance is identical to the floating figures from the trailer.
Along with this, the place where Viktor heals him is clearly a decayed version of the technologically advanced place also seen in the trailer.
This makes me think the Hexcore inside Viktor is probably using Sky’s image to convince Viktor he is helping these people when, in reality, he is actually contributing to some kind of nefarious goal.
We will have to wait for Act Two to learn more of what Viktor’s plans are though.
The episode then ends with another Singed teaser, showing he is experimenting with blood cells and keeping the heart of the two-headed wolf beating.
What he is using this for is shown in the next episode but, for now, it adds to the intrigue.
“Watch It All Burn” is a better episode than the first, with ominous development for Viktor, and an alliance forming between Jinx and Sevika, along with a great fight to boot.
But, in typical Arcane fashion, they saved the best episode of the Act for last.

Arcane Season Two, Episode One, Heavy is the Crown Review: Greatness Returns.

Arcane had the best first season of any show I have had the pleasure of watching.
The characters and story were fantastic, the animation was stunning, and I still listen to the soundtrack years later.
After watching it, I immediately knew I was willing to wait however long it took to get a second season of the same quality.
Well, the first act of that season has finally aired.
Personally, I have had a pretty miserable week (and I will leave it at that), so having Arcane back certainly improved my mood.
The three episodes of Act One all blend together well, with the first episode covering the Piltovan plotlines.
Episode One, “Heavy is the Crown”, picks up by instantly resolving the epic cliffhanger of Season One.
Jinx’s attack expectedly results in the death of Caitlyn’s mother, Cassandra, along with Councilors Bolbok and Hoskel.
In contrast, Councilors Salo and Shoola are alive but injured, with Salo being paralyzed from the waist down.
The real interesting detail though is Mel and Jayce, who are both unharmed, despite being right in the missile’s path.
The reason for this is not shown yet, but I think it will eventually be revealed that Mel’s mysterious golden armor saved them.
It was not enough to save Viktor, though, who is on death’s door from the blast, until Jayce merges the Hexcore with his body; a decision I think he will soon come to regret.
Following the resolution of who survived the Season One cliffhanger, we get the new Season Two opening.
Imagine Dragons’ “Enemy” is still the song for the intro, but the visuals are entirely different with a lot of symbolic meaning, although that meaning is not clear until Episode Three.
After the opening, we get our first of quite a few music video moments, but this one is solemn, as we see Caitlyn at her mother’s funeral.
The somber, grey coloring of the funeral makes the vibrancy of Vi and Caitlyn stand out, perfectly reflecting Caitlyn’s grief and Vi’s guilt.
In the aftermath of the attack, Ambessa quickly gets Salo in her pocket, leveraging his need for revenge, which only Mel is able to combat, if slightly.
In the meantime, Vi and Caitlyn go through their own issues, with Caitlyn struggling with her own desire for vengeance against Jinx, while Vi spurns her offer to become an Enforcer because, well, the Enforcers killed her parents.
This eventually leads to Vi meeting the future members of her and Caitlyn’s squad.
There is a man who resembles Vander and seems to be struggling in similar ways to Vi, a fish man, and a young woman named Maddie Nolen.
Maddie’s is the only name of the three we know at the moment, which I think was a bit neglectful on the writers’ part.
I mean, if we are going to care about these characters’ survival, we need to know their names, right?
In any case, Maddie makes an interesting comment that Caitlyn said, “If every Enforcer had a heart like yours, we could take on Noxus itself.”
Funny she should say that because it is made very clear by the end of Act One that Ambessa’s Noxian forces definitely do not have Piltover’s best interests at heart.
For the time being, “Heavy is the Crown” makes the Zaunites out to be the big threat for Piltover, with them attacking a memorial for the Councilors.
This attack is headed by Renni, the Chem-Baron whose son was killed by Jayce last season.
Out for revenge, like many of the other characters in this series, she makes a play for Jayce’s life and would have succeeded had it not been for Vi, who then teams up with him, while Caitlyn and her squad attempt to fight Renni’s Chem-Tanks.
The whole fight is extremely well-animated and tense, ending with the arrival of Ambessa and her Noxians, who kill all of the Zaunite attackers, including Renni.
The attack, and a last message from her mother, convinces Caitlyn to lead her new strike team into Zaun, all to the tune of “Heavy is the Crown”, which the episode is named after.
It is during this moment that it is revealed someone helped the Zaunites attack the memorial.
I am sure the immediate cut to Ambessa’s face after this is said is entirely coincidental… no, I’m not being sarcastic, why do you ask?
Vi also makes her choice, joining the Enforcers to help end the violence between Piltover and Zaun, appearing to walk in Vander’s footsteps.
Although the following episodes prove she is going about it in a darker way.
Speaking of the Hound of the Underground, the final scene of the episode shows a two-headed hound being hunted by Singed for reasons unknown, a tease which will be shown at the end of every episode in Act One.
Overall, “Heavy is the Crown” is a great start to the season.
It shows off Piltover’s perspective perfectly, which flows nicely into Episode Two, where we get the Zaunite perspective.
My only major criticism is that we do not get the names of some new characters we are introduced to.
Hopefully, we will find out their names in Act Two.
Otherwise, “Heavy is the Crown” starts the season well, and Act One only gets better from here.

Arcane Season Two Trailer Breakdown: November Cannot Come Soon Enough.

It is just my luck that when I was about to go to bed, a new trailer for Arcane Season Two dropped. 
So instead of doing the healthy thing and going to sleep, I spent the next hour going frame by frame and trying to guess what was happening. 
Now, I am ready to put my thoughts down. 
This trailer is great and does an excellent job of making me more excited for Season Two than I already was. 
It once again does not reveal the fates of Jayce, Viktor and Mel, whose fates were left uncertain by the first season’s cliffhanger, which I appreciate.
It begins with a voiceover of Vi telling Caitlyn that she was right, and her sister is gone told over shots of Jinx shooting the rocket at the council. 
Emerging from the smoke onto a battlefield, Caitlyn says, “I want to tear that laugh from her throat forever.”
This, combined with evidence from the prior teaser trailer, makes me more certain than Caitlyn’s mother was killed in Jinx’s attack. 
Vi declares she is ready, but the shots of her looking unsure of herself in an Enforcer uniform and then screaming and crying as she beats a punching bag tells us she is anything but ready.

Out of all the characters in this shot, Vi looks the most unsure.

Next, we see Ambessa telling someone, probably Mel if she survived, that they must declare martial law.  
We see the effects of this as Ambessa’s Noxian forces arrive, Enforcers set up barricades, and an Enforcer even beats one of Ekko’s people with a baton. 
Since the Firelights are also a target, that means Ekko is probably going to have to reluctantly work with Jinx, since she has become a symbol for Zaun in the wake of the attack. 
Sevika herself says this, as we see shots of Vi looking at artwork of Jinx and Vander, and people touching Jinx as they pass her. 
These people also seem to have dyed their hair blue to resemble Jinx, showing their devotion to her. 
Further proof of Jinx’s revolutionary status is someone, who the trailer implies to be Jinx, holding up a blue flair to which the citizens of Zaun raise their fists. 
However, despite what the trailer implies, I do not think it is Jinx holding up this flair. 
The hand does not look slender enough to me, and there is no nail polish. 
Could it be someone co-opting Jinx’s cause?

There is another reason I do not think this is Jinx but I will get into that later.

The following shots are far from reassuring, as we see Vi reaching out for someone while appearing distraught, and a match falling, after which Jinx says she wants, “to watch it all burn.” 
The match hits the ground, and we see a mixture of paint and smoke bombs explode throughout Piltover.
As the trailer declares that “This November every ending has a beginning”, we get more action shots of Theriam/Chuck taking part in the fighting, Ambessa leading her forces, a strange circular structure exploding next to a bell, and Warwick emerging to wreath chaos. 
We then get probably the most bizarre shots of the trailer, as we see a group of similarly dressed people. 
Their bodies begin to glow, their eyes turn white, and they begin levitating up, while strange patterns emerge on their skin, both natural and metal looking. 
These metal looking parts makes me believe Viktor has something to do with this, since his leg looked similar after he messed with the Hex Core last season. 
“The Arcane is waking up” an ominous female voice states, while this is happening, only furthering my belief Viktor is involved with whatever is happening here. 

Looks like whatever Viktor’s up to this season might be the big threat.

Yet more action shots follow, as we see more of Vi’s fight with Jinx, Caitlyn and her squad fighting the Chemtank goons, Ekko and the Firelights taking part in a battle, Jinx shooting something, and Heimerdinger being thrown to the floor by an explosion. 
The shot of Jinx shooting is of particular interest because one of her fingers is a prosthetic.
It has been theorized that Caitlyn will shoot it off and, if this does happen, then that only adds fuel to the fire of my theory that the person raising the flair is not Jinx because their finger is perfectly fine. 
With these action shots done, Ekko then says, “sometimes taking a leap forward, means leaving a few things behind.”
It would not surprise me if he was talking to Vi about Jinx in this scene. 
We then see what I think might be a younger version of him pulling on some kind of chain. 
Another shot of Hextech shenanigans follows, before we see Vi decked out like some kind of punk rocker, standing in a ring and raising a fist to a cheering crowd. 
This shot is interesting because it makes me believe even more that we are going to get a time skip, most likely after Act One. 
There are multiple points in this trailer where characters are sporting different outfits and hairstyles. 
Some of them, most notably Vi, even look a little older, making me think at least a few years have passed. 

Time skip or not, Vi has clearly had it rough.

Back to the trailer itself, we then see Sevika potentially about to kill Caitlyn, before an explosion blows them apart. 
As Vi declares, “this has to end”, we see Jinx crouched down with a bloody nose. 
This shot may not seem important at first glance, but I would argue it is because of the environment.  
Earlier in the trailer, we saw Ambessa looking threatening against an orange backdrop. 
The shot of Jinx having a bloody nose has an extremely similar looking background. 
This makes me believe we will get a fight between Jinx and Ambessa. 
Ambessa certainly has plenty of reason to want Jinx dead, considering she attacked her daughter with the rocket and may have even killed her. 

A Jinx vs Ambessa fight would certainly be hype.

Ambessa will have to get in line to take a shot at Jinx though because we see Caitlyn apparently attempting to do just that, as she powers up her Hextech rifle. 
We then get another shot of Ambessa fighting but this time she curiously seems to be battling Enforcers, unless my eyes are deceiving me. 
Maybe it is just a training session for the coming fight against Zaun but those weapons she wields look plenty deadly for this to be just practice. 
The next shot sees Vi carrying an unconscious person out of a building, as the top of it explodes behind her. 
The trailer does a good job of obscuring the person’s face so I cannot tell who Vi is rescuing. 
They do appear to be wearing an Enforcer uniform though, so it is probably Caitlyn. 

Vi seems pretty determined to save this person.

Speaking of Caitlyn, we see her glaring up at a hooded Jinx, who may be post time skip due to how different she looks, although it could just be an outfit change. 
The shots are probably not connected though because it looks like Jinx is piloting an airship here, something which she said she wanted to do all the way back in Episode One. 
It would be a good way to bookend the series. 
Arcane begins with Jinx saying she wants to fly an airship, and it ends with her in an airship. 
Jinx is also wearing a hood, possibly meaning that she is the hooded figure we see earlier in the trailer, but her hood has a different pattern, so I doubt this. 
Following Jinx’s declaration of, “Then stop me”, we see Ekko giving Vi a ride on his hoverboard. 
Ekko also has Jinx graffiti on his chest, possibly signifying they are fighting her. 
The two shoot up into the sky, ending with Vi leaping off to fight. 

This could be Vi trying to reach Jinx in the airship she is piloting.

The trailer then ends with a series of quick shots which I had to go frame by frame to see what was happening. 
The first shot shows a mysterious figure holding a ball of energy similar to ones seen earlier in the trailer. 
The figure reminds me a lot of the man who saved Jayce when he was a kid so maybe that is connected?
We then see someone carrying a much younger Jinx away. 
This probably takes place at the bridge where she and Vi lost their parents, before Vander adopted them.
Following this, we get a shot of Ekko pulling a cord on some device, causing it to light up. 
Next, we see Caitlyn struggling against a Chemtank. 
The subsequent shot possibly shows us Viktor, as we see a figure with a cane and Hextech emerging from their wrist. 
Then we see a shadowy figure resembling Silco. 
This shot most likely confirms that Jinx is going to be hallucinating Silco this season. 
In one of the most epic shots of the trailer, we then very briefly see Vi facing off against Warwick.
She is also wearing the jacket I think older Vi is wearing, so this confrontation will likely take place post time skip.

This is one of the confrontations I am looking forward to the most, based on a theory about Warwick’s identity.

The final shots show Heimerdinger pressing a button, followed by an explosion during the Jinx and Vi fight, though the two are probably unrelated. 
And, with that, the trailer comes to an end, hyping me up even more for November. 
That being said, it will not be easy for a lot of people to go into the Second Season blind, what with it leaking and certain people just loving to ruin things. 
I have also probably been spoiled, unfortunately. 
Right after the leaks came out, I saw a post spoiling the fates of a few important characters before I could look away. 
I have no idea if what I saw was a legitimate leak or just somebody trolling (I sincerely hope the latter), but, either way, I am still excited for the season. 
Hopefully, it can be just as fantastic as the first and, if the trailers and brief scenes we have been shown so far are any indication, it certainly will be. 
I shall be counting down the days until the Second Season airs in November. 

House of the Dragon Season Two, Episode Eight, The Queen Who Ever Was Review: Worst Episode of the Series?

I was excited for the Season Two finale of House of the Dragon. 
The previous episode, “The Red Sowing”, was one of my favorites of the series, so I was anticipating the season would likewise end on a great note.
Unfortunately, House of the Dragon followed up one of its best episodes with easily its worst for me.
Directed by Geeta Vasant Patel, “The Queen Who Ever Was” not only ends Season Two on an anticlimactic note but also has plenty of poorly integrated scenes, scenes that go nowhere and, worst of all, two cases of extreme character assassination.
The episode begins with Tyland Lannister negotiating with the Triarchy.
Over the course of the episode, we see him struggle, having to engage in a mud fight with Admiral Lohar to win the Triarchy’s support.
These scenes all feel very rushed, considering they are just shoved into the season finale.
If this storyline had been stretched out over previous episodes, maybe it would have been better.
A counter point to this is that Tyland and the newly introduced Lohar are just not interesting enough to carry their own storyline.
Sadly, this is not the only story with scenes spread across the episode which lacks intrigue.
Throughout “The Queen Who Ever Was”, we get brief scenes of Rhaena running through the Vale, looking for a wild dragon.
Not only is Rhaena unlikeable here because she abandoned her half-siblings, but the storyline also makes little sense because somehow no one noticed she was gone.
The episode ends with her finding the dragon, which has a cool design, but that is the last we see of Rhaena this season, making all of the buildup she got seem like a waste of time.
The Tyland and Rhaena scenes feel like they could have been removed in favor of focusing on more interesting events, like Aemond burning down a city that is loyal to the Blacks.
We only see the aftermath of this attack, removing a lot of its impact.
If we had seen Aemond actually burn the city, driven by his anger of the Blacks recruiting new dragon riders last episode, it could have been a big moment for his character.
Instead, it feels kind of hollow.
Speaking of those new dragon riders, Ulf is already letting the power get to his head, being disrespectful towards Jace.
This only furthers Jace’s fear that these Dragonseeds could prove to be more of a threat than allies.
Rhaenyra is not likely to listen to his protests, however.
She is, thankfully, finally listening to Corlys.
He was named Hand of the Queen in Episode Five, but he has bizarrely never been seen advising Rhaenyra until now.
It honestly felt like Mysaria was Hand of the Queen rather than him.
Now, we finally get to see him advising Rhaenyra to take the war to the Greens, while also unveiling his new ship, dubbing it “The Queen Who Ever Was” after Rhaenys, which is a nice touch.
Corlys is also in the best scene of the episode, when he tries to offer Alyn help, only for his illegitimate son to confront him with all of the pain he put him and Addam through by neglecting them.
Abubakar Salim gives a powerful performance here, and it makes me more excited to see him in Season Three.
Hopefully, we will see Corlys advising Rhaenyra more next season, as well.
She is certainly going to need all of the advice she can get, given that one of her plans failed so badly this episode.
The Lord she sent to access Daemon ends up betraying her, wanting to support Daemon’s claim instead.
Rhaenyra is just lucky Daemon had a vision about how terrible Season Eight was and now wants to stop it from happening.
That joke brings me to Daemon’s part of the story, as he finally makes his choice regarding his place in the world, deciding to stay loyal to Rhaenyra after his vision of the coming Whiter Walker threat.
While this was a big moment from Daemon, I do feel like House of the Dragon leans way too heavily on the events of Game of Thrones at times.
I wish it could just be its own show, especially how a lot of us do not want to be reminded of Season Eight.
Along with this, Daemon and Rhaenyra reconciling makes me wonder just what the point was of that bizarre make out scene between Rhaenyra and Mysaria in Episode Six?
That scene has never been addressed since and it probably never will now that Rhaenyra and Daemon are back on the same page.
However, Daemon’s storyline has an even worse problem, which is the complete character assassination of Helaena.
Helaena appears in Daemon’s vision, revealing herself to have powers similar to Bran’s in Game of Thrones. 
She then gives him some advice.
“This is all a story. And you’re but one part in it. You know your part. You know what you must do.”
I hated this.
Daemon is responsible for the brutal murder of Helaena’s son, and I am supposed to believe that she is willing to help him after that?
Why?
She should hate his guts.
In episode two, we saw how traumatizing the death of her son was for her and this scene lessens that impact.
This is the first character assassination of the episode but there is still one more and it is far worse.
I am getting ahead of myself, though.
While, yes, the scene with Daemon and Helaena is bad, at least there are a couple of good scenes to balance the episode out a little.
The first of these is the already mentioned Alyn scene, but there is also one of Criston, where Gwayne confronts him over his relationship with Alicent.
The scene is a bit weird since Gwayne confronts Criston out in the open, practically telling everyone who did not already know that the King’s widow is having an affair.
That being said, the scene does have the best dialogue of the episode, as Criston shows how nihilistic he has become.
“Perhaps all men are corrupt and true honor is a mist that melts in the morning.”
Criston may be a complete and utter jerk, but damn did that line feel like something George R.R Martin would write.
Criston is faithful to Alicent… it is just a shame that she is currently willing to sell him and every single person in her family besides Helaena up the river.
After learning Aemond wants to force Helaena to fight, Alicent goes to Rhaenyra in secret to negotiate, being willing to surrender King’s Landing to her once Aemond leaves.
At first, Alicent attempts to claim she can convince Aegon to bend the knee, but Rhaenyra refuses, saying Aegon has to die for her claim to the Iron Throne to succeed.
So, obviously, Alicent says no, right?
I mean, this is the woman who threw herself in front of a dragon to defend her son in Season One, Episode Nine.
She would never sacrifice her children after being so afraid for their safety previously, right?
Nope, she agrees to sacrifice Aegon and, by extension, Aemond, Otto and Daeron, the latter of whom she wanted to know about just a few episodes ago.
This completely destroys Alicent’s character.
She was the one who turned her children against Rhaenyra in the first place and now she is willing to have them executed?
Not that it will happen though, because Aegon flees the city with Larys this episode, which will probably cause yet another misunderstanding between Rhaenyra and Alicent in Season Three.
As for Aegon himself, Tom-Glynn Carney did a fantastic job this season.
I somehow both sympathize with his character and despise him.
This is what the show should have been going for with Alicent.
Instead of the ruthless, power-hungry woman who loved her children from the book, we get the complete opposite, someone who wants peace even if it means her own children have to die.
Seeing what it led to, I now really don’t like the switch in Alicent’s character in “Lord of the Tides.”
If she had crowned Aegon because she wanted to, rather than because she misheard Viserys, it would have made her a lot more interesting.
Honestly, Rhaenyra suffers a lot from these kinds of issues as well.
In the Season One finale, Rhaenyra’s face after she learned of Luke’s death promised vengeance.
In Season Two, however, apart from Episode One, this desire for revenge because of her son’s death has completely disappeared.
She has been so pro-peace this season, even when it is absolutely obvious that the other side is not going to surrender.
I wish the show had just kept at what it was initially building up between Rhaenyra and Alicent, a friendship turned bitter and hateful rivalry.
Their children have literally been killing each other and they are still somehow friends.
Alicent even wants Rhaenyra to come with her which is just bizarre.
Where exactly would you two go where you would not be noticed?
At least the cinematography and Ramin Djawadi’s score are excellent, as this final, awful scene brings the season to an end on an incredibly anticlimactic note.
Overall, “The Queen Who Ever Was” is a bad finale.
Sure, it has some great scenes, like Alyn and Criston’s, but the rest of the scenes either feel shoved in, pointless, or have blatant character assassination.
As for the season as a whole, I have mixed feelings.
There have been amazing episodes, specifically Episodes Two, Four and Seven, but a lot of the other ones have been slow.
This would have been forgivable if they had built up to a good finale but, instead, we got the worst episode of the show.
I sincerely hope the writing quality will improve for Season Three, otherwise this show could be in trouble.
That being said, the writing for “The Queen Who Ever Was” is not as bad as Season Eight of Game of Thrones.
So, at least there is that.

Book Spoilers Section:
You know, it’s funny.
I spent the past few episodes planning a rant for when Rhaena claimed Sheepstealer but the writers cut the scene before it happened.
A part of me wonders if the writers are just waiting to see fan reception for Rhaena before they commit to abandoning Nettles entirely but that is probably not it.
I mean, why would they commit to having Sheepstealer in the Vale if they were not going to have Rhaena claim it?
And if Nettles does show up next season, then her storyline will probably be considerably weaker than the book, since the show spent so much time building up to another character getting her dragon.
At least Sheepstealer’s design looks cool.
Speaking of new dragons, we also got to see Tessarion briefly at the end of the episode.
I hope the show does Daeron justice.
Another interesting thing is Otto being in prison at the end.
This is completely book original, and I wonder where the show is going with it.
Perhaps it will be a way to tie him into Daeron’s storyline, like I speculated in prior reviews.
Along with Daeron, next season we also have the fall of King’s Landing and the Battle of the Gullett to look forward to.
The latter is what was being built up to with those Tyland and Lohar scenes.
However, that really does not justify those scenes’ existence, in my opinion.
All it really would have required is a simple message from Tyland saying he had got the Triarchy’s support, not a weird scene of mud fighting.
Oh, well, hopefully the battle will be good, along with the writing.
As you can see, the poor quality of this episode’s writing has me concerned for Season Three.
I really hope we don’t get Aemond hallucinating at Harrenhal with Alys Rivers when he eventually takes the castle.
Could you imagine?
I, unfortunately, can.
As for Season Two itself, I would still say it is good overall, but the writing is a definite step down from Season One.

House of the Dragon Season Two, Episode Six, Smallfolk Review: An Odd Pairing.

Episode Six of House of the Dragon may focus on the plights of the titular “Smallfolk”, but it begins with the nobility.
Directed by Andrij Parekh, the episode begins by showing Jason Lannister, who we have not seen since Season One.
He is marching to war, bringing a lion of all things with him, but delaying because he wants Aemond to protect them with Vhagar.
Naturally, this does not please Aemond, who has taken to his new job as Prince Regent with a vindictive stride.
He begins making some bold moves by attempting to set up an alliance with the Triarchy, and even dismisses his mother, Alicent.
“Have the indignities of your childhood not yet sufficiently been avenged?” Alicent asks, showing that, no matter how strong he may act, there is still a part of that scared bullied child inside Aemond.
Unfortunately, the dangerous and vindictive side of him is winning out.
Meanwhile, with the Blacks, Corlys takes his new role as Hand of the Queen, but unfortunately we do not see him really do anything with it this episode.
Maybe he will in the next one, considering what later happens to a certain bastard of his?
As for Rhaenyra, she begins enacting her and Jace’s plan to find those with Valyrian ancestry to ride dragons.
It turns out that one of her Queensguard, Ser Steffon Darklyn, is one of these people, so she asks him to attempt taming Seasmoke, Laenor’s dragon.
Steffon accepts the task but it ends poorly, to say the least.
At first, it seems as if he has succeeded, but he then gets overconfident and Seasmoke burns him and a dragon keeper alive.
The dragon keeper pulls out a knife and slits his own throat, showing just how bad of a job it is.
They have to constantly be ready to kill themselves because that is better than burning to death.
The ending to this scene was horrifying, and it leads to Rhaenyra slapping one of her lords when he questions her.
“It is my fault, I think, that you have forgotten to fear me,” she says.
To be honest, though, I do not know if the lords ever feared Rhaenyra.
She has not really done anything in the show that would make anyone scared of her, unlike in the book.
Daemon, however, has given plenty of reasons for people to be scared of him.
Simon Strong knows this better than anyone after this episode, as a paranoid Daemon accuses him of poisoning him, holding him at knifepoint the whole time.
Although, it is kind of weird that Daemon would think Simon is the one influencing him instead of, you know, Alys, the creepy witch lady.
Speaking of which, we get even more Daemon hallucinations this episode.
Yay.
Yeah, not going to lie, the constant hallucinations have become a bit tiresome, at this point.
Don’t get me wrong, it was great to see Paddy Considine back as Viserys.
His first scene is meh since he is just repeating lines from the first season, but his second one is great because it shows Daemon comforting Viserys for Aemma’s death like he should have done.
I do at least like how these hallucinations are being used to show Daemon feels guilt for some of his prior actions.
And to be fair to the writers, Daemon spent a long time doing very little at Harrenhal in the book too, so they had to find some way to make his storyline interesting, hence the constant hallucinations.
But Daemon’s story at Harrenhal is definitely about to pick up because he learns that the old Tully lord has died, most likely poisoned by Alys.
I am pretty curious about what Alys’ motives are.
She might be poisoning Daemon or setting a spell on him, and yet she helps him by convincing him to stay at Harrenhal and then likely poisoning the old Tully.
What is her end goal?
While Daemon will soon be making moves at Harrenhal, Rhaenyra and Mysaria put their plan into action this episode.
We see Mysaria’s agents spread tales of the high life those in the Red Keep experience, while the smallfolk suffer.
Rhaenyra then sends loads of supplies to these smallfolk.
It is a brilliant piece of propaganda to turn them to her side and it works wonders.
It honestly works a little too well because it almost ends with Alicent and Helaena being murdered by an angry mob.
In the end, they are saved but the same cannot be said for the frat boy friends of Aegon’s who he let into the Kingsguard.
Aegon really is lucky that he did not have those guys defending him when things went bad.
Unfortunately for him, he is stuck with a vindictive man like Aemond for a brother.
When Aegon awakens, Aemond pays him a visit.
Aegon claims to remember nothing, while Aemond pretty much tortures him by pressing into his burn wounds.
It is clear that he is lying to save himself, though, but who could blame him?
In the end, Aegon’s only friend here might be Larys, of all people.
After being hilariously shot down for Hand of the King by Aemond, Larys turns to Aegon and, in the best scene of the episode, relates to him by explaining the circumstances of his birth.
Through comparing his club foot with Aegon’s horrible wounds, it seems like Larys is able to bring himself to actually sympathize with Aegon’s situation, giving him some advice.
That being said, he is still definitely manipulating him, and his withholding of Milk of the Poppy was cruel, even if it was to keep Aegon level-headed.
As for my second favorite scene of the episode, this sees Alicent saying her goodbye to Gwayne.
They discuss Daeron and Gwayne begins a series of flatteries to describe him, before ending simply with, “He’s kind.”
I really liked the delivery of this line, and it made me even more excited for when Daeron eventually shows up.
This scene also did a great job of highlighting Alicent and Gwayne’s relationship, and the tension that exists between them due to their father’s attention.
What is way more intense than that, though, is what Seasmoke does after roasting Ser Steffon.
The dragon chases down and corners Addam in a moment that had the man understandably scared for his life.
However, while this scene was undoubtedly terrifying for Addam, it was hilarious for me.
Seasmoke really wanted Addam to be his rider and he was not taking no for an answer.
As for why he chose Addam, I wonder if it was because he reminded him of Laenor?
News of Addam riding Seasmoke eventually reaches Rhaenyra but, before that, we get the most controversial scene of the episode.
It begins with Mysaria reporting to Rhaenyra about the success of their plan, but Rhaenyra is still unsure, having doubts.
Mysaria then pays off the question about the scar on her neck, which Rhaenyra asked about a few episodes ago.
She reveals a horrifying story about the abuse she suffered from her father, and how she survived it, before relating it to meeting Rhaenyra, who is the first person to treat her like an equal.
Rhaenyra embraces her, and the two end up kissing.
I heard leaks about this scene and, when I did, I wondered if it was a troll because it sounded out of nowhere.
No prior scene in any episode seemed to hint at a Rhaenyra and Mysaria pairing.
Having seen the scene now, I still hold true to that belief.
I get the reason for it happening, but it still feels a little fast.
Not only that, but it feels pretty tone death, as well.
The scene goes from Mysaria telling the horrifying truth of the abuse she suffered to the two of them making out.
Maybe future episodes will improve my opinion of this pairing but, for now, this is one I don’t really like.
In the end, the two are interrupted with the news of someone being seen riding Seasmoke, and Rhaenyra goes to confront them, ending the episode.
Overall, “Smallfolk” is a good House of the Dragon episode.
It has plenty of great scenes, like Larys giving Aegon advice, Gwayne talking about Daeron, and Seasmoke claiming Addam.
On the other hand, there are some things which hold it back, most notably the odd pairing between Rhaenyra and Mysaria.
Only two episodes left before the season ends now.

Book Spoilers Section: 
Going into this episode, I was excited to see the Dragonseeds plotline play out, but they seem to be saving that for next episode.
Addam has now claimed Seasmoke, and this will serve as motivation for Rhaenyra to call for more Dragonseeds, eventually resulting in Hugh and Ulf joining the Blacks.
Rhaenyra may also slowly become more like her book counterpart, if her telling the lord “It is my fault, I think, that you have forgotten to fear me,” is accurate.
As for Rhaenyra and Mysaria’s make out session, I was wondering why the writers decided to pair them up from a story perspective.
Their sudden make out feels like something Mushroom would write about, rather than something that actually happened.
So, what purpose will this serve in the plot?
Well, I think it could be used to drive a further wedge between Daemon and Rhaenyra.
We know Nettles has been cut, so instead of Rhaenyra being jealous of her, Daemon might be jealous of Mysaria?
Speaking of, this episode officially killed any hope I may have had of Nettles not being replaced by Rhaena.
Rhaena finds a bunch of burned sheep in the Vale and Jeyne Arryn confirms there is a wild dragon there.
I said in an earlier review that I thought it made sense for a sheep eating dragon to turn up in the Vale.
While I stand by this claim, it still kills me that one of my favorite characters from Fire and Blood is going to be replaced by a character who is so at odds with what her entire story was about.
I mean, not including Nettles felt like a major missed opportunity this episode.
The episode is literally called “Smallfolk.”
It focuses on their plight, and it would have been perfect to see Nettles begin the difficult process of claiming Sheepstealer this episode.
Instead, we get Rhaena who is a noble and thus completely ignorant to the struggles of the smallfolk.
Again, though, I am going to save the rest of my complaints for the episode where Rhaena actually claims Sheepstealer.
So, if you like rants, you have that to look forward to.
I want to end this review on a more positive note, so I will end it by talking about more positive directions for future storylines.
One such direction is that of the Shepard.
We see a man get his hand cut off by the incompetent Kingsguard this episode, and that man could be the Shepard, the one who leads the smallfolk to kill all the dragons.
Otto is also hinted to be returning.
Aemond sends for him this episode, and it would be great to see him again.
That being said, I hope he does not return to King’s Landing because, if he does, that means he will most likely meet his book fate and die in the season finale.
Rhys Ifans is one of the best actors in this show and I would like him to stick around longer than his book counterpart.
I theorized in an earlier review that he could take part in Daeron’s storyline next season, so I hope that is the case.
We will just have to wait and see what Otto’s fate will be in the final two episodes of the season.

House of the Dragon Season Two, Episode Five, Regent Review: What in the Oedipus Complex?

After one of the best episodes of House of the Dragon, the subsequent one, “Regent,” is a much calmer affair.
Despite this, it has, without question, the most cursed moment of the entire series so far.
Directed by Claire Kilner, the episode begins by showing Corlys’ reaction to the death of Rhaenys.
While his tearful moment is tragic, I will admit I was a bit disappointed we did not get the scene from the book, which I feel could have made Corlys’ grief more palpable.
Steve Toussaint’s performance still gets the job done, though.
From here, the episode transitions to King’s Landing where we see the Greens milking Rhaenys and Meleys’ defeat for all it is worth.
Meleys’ head is paraded through the streets to show the Small Folk of the victory at Rooks’ Rest.
If the Greens were hoping for a propaganda win then they definitely underestimated the element of superstition, as much of the Small Folk view the death of a dragon as a bad omen.
Also, it’s probably not a good idea to show the oppressed people that the dragons they fear can be killed.
Hugh spells this out perfectly when he states that the dragons are, “just meat.”
But the parade has another purpose besides propaganda.
It is also being used to smuggle the injured Aegon back into King’s Landing.
I was curious to see how far they would go with Aegon’s injuries.
The book’s description was pretty gnarly, and I wondered if the show would go all the way with it, or just apply a little makeup.
Well, of course House of the Dragon did not cheap out because Aegon’s wounds are gruesome.
Aemond, however, is more concerned with taking power in Aegon’s place, and Cole is willing to stay silent about what really happened, even to Alicent.
Back with the Blacks, the loss of Rhaenys and Meleys is causing Rhaenyra to have trouble with her lords again.
One of them takes the sexist approach again, telling Rhaenyra that the “gentler sex” has no place in planning battles, only for Rhaenyra to correctly point out that he has about as much battle experience as her.
It is good to see these troublesome lords get called out, although Rhaenys’ presence is missed because she was especially good at this.
Meanwhile, in the Riverlands, Daemon is attempting to threaten the Brackens into bending the knee with the help of Caraxes.
Admirably, however, the Brackens are steadfast in the face of being burned alive, and bravely turn their backs on the dragon.
Daemon’s following statement, “I did not think they would be so eager to die” makes him almost seems impressed with them.
This does not stop him from tasking Willem Blackwood (Jack Parry-Jones) with terrorizing their lands to threaten the Brackens into bending the knee.
If you will recall, Willem was the young man who vied for Rhaenyra’s hand back in Season One and killed his Bracken tormentor.
He is just as eager to take on the Brackens now, escalating it to war crimes with Daemon’s encouragement.
As for Daemon’s children, Rhaena has arrived in the Eyrie with the dragon eggs and Rhaenyra’s sons.
Jeyne Arryn is understandably none too pleased with receiving dragon eggs rather than a dragon rider to protect the Eeyrie.
As for Baela, her storyline this episode is more interesting, as we see her interact with Corlys, bringing him Rhaenyra’s offer to make him Hand of the Queen.
Corlys is initially incensed by this offer, probably seeing it as a means to placate him after Rhaenys’ death but Baela delivers an impassioned speech about Rhaenys and how she died as she would have wished.
Before Baela departs, Corlys offers to name her heir to Driftmark but she refuses in the best line of the episode, “I am blood and fire. Driftmark must pass to salt and sea.”
To be honest, I think House of the Dragon did a poor job of establishing Baela and Rhaena as characters in Season One.
With the exception of the fight with Aemond, they were pretty much just background characters, standing around while more important characters talked.
Season Two is attempting to fix this and they are succeeding, at least with Baela.
It remains to be seen if they will do so with Rhaena but I do have concerns about that, due to certain leaks which I will not get into here.
Getting back to their father, Daemon is still experiencing hallucinations at Harrenhal, with his most recent one being incredibly messed up.
Remember how I said at the beginning of this review that this episode had the most cursed moment of the whole series so far?
Well, this hallucination is that scene.
Daemon hallucinates having sex with a Targaryen woman and, for most of the scene, it is a mystery who she is.
That is, until she looks up at Daemon and says, “my favorite son.”
Just like that, all as one, the entire fandom recoiled in collective disgust.
We all know Targaryens love their incest but your own mother?
Really, Daemon?
When Viserys said that mother loved you best this was not what he meant!
Joking aside, I do struggle to see the point of this scene other than sheer shock value.
It just feels like the writers wanted to gross us out here.
Or maybe they saw it as a way to hint that Alys is possibly behind Daemon’s hallucinations, since she brings up his mother in a later scene?
Still, they could have gone about it in a less disturbing way.
To be fair to Daemon, though, this hallucination plays out more like a nightmare, so it is not like he actually wanted to have sex with his mother… at least I hope not.
Well, typing all of this is up has left me feeling pretty dirty so I am going to move on to the Greens again now.
With Aegon in a coma, the Green Council sets about naming the titular “Regent” of the episode.
Alicent nominates herself but, come on, they were never going to elect a woman when their whole justification for making Aegon king is that a woman cannot rule.
With Cole siding against Alicent, Aemond is named regent but, rather than focus on him and his council’s tactics, the shot stays firmly focused on Alicent, who is having a breakdown as she slowly realizes what she has helped unleash.
Olivia Cooke does a fantastic job in this scene.
She really brings Alicent’s horror to life.
This is a horror much of King’s Landing is experiencing, as many are attempting to flee the city because of food shortages and the fear of retribution for Meleys’ death.
Among those who attempt to flee are Hugh and his family, including his sick daughter, but Aemond orders the gates closed.
The last scenes with the Greens see Helaena confronting Aemond over what he did to Aegon without saying it, and a wounded Aegon calling out to his mother in his sleep… let’s just hope is dream of her is more innocent than Daemon’s.
Relax, I’m kidding.
Aemond is not the only prince making moves because, with Baela’s encouragement, Jace begins negotiating with the Freys, who are just as conniving as their descendants in Game of Thrones, hundreds of years later.
The Freys want Harrenhal, and Jace seems more than willing to meet this demand.
Although, since Simon Strong currently holds Harrenhal, I imagine he will have a few problems with this.
Yet, he does not command a strong force so, if he does turn traitor because of it, I do not imagine it will have that big of an impact for the Blacks.
What will have a big impact, however, is Daemon’s encouragement of war crimes.
His story this episode ends with him being confronted by a bunch of lords and ladies about the atrocities committed by the Blackwoods at his direction.
Despite Daemon building himself up as a King the whole episode, the results of his actions really prove how terrible he would be as one.
Unless the lord Rhaenyra sent to access Daemon can help somehow, I really do not see how Daemon can spin this whole mess in a positive way.
Speaking of Rhaenyra, she is enacting plans of her own, as she sends one of her handmaidens into King’s Landing to meet with Dyana for a currently unknown purpose.
The episode then ends with her and Jace deciding to find the descendants of Targaryens and Valyrians, and enlist them to their cause as dragon riders.
This storyline is my favorite part of the entire Dance so I am excited to see it finally being adapted.
I hope the show does it justice.
As for “Regent” it is another good episode.
Some of it is questionable, namely the whole Daemon sleeping with his mother hallucination but, otherwise, it does a decent job of building up to future storylines.


Book Spoilers Section:
Going into this episode, I was excited to see Corlys’ reaction to Rhaenys’ death.
In the book, he blames Rhaenyra, lashing out in his grief.
Unfortunately, we did not get this scene, as we just see him mourning alone.
As I said, Steve Toussaint does a great job portraying this grief, but it was a bit disappointing to not see this scene from the book.
That being said, the show already seems to be building to one of the most impactful moments of Fire and Blood, which is the storming of the Dragon Pit.
The Small Folk realizing that the godlike dragons are “just meat” will undoubtedly lead to this dark event in future seasons.
Another bit from the book which was built up this episode was the meeting between Alys and Aemond.
Daemon tells Alys she should pray she never meets him because he will kill her.
It is kind of funny to know, as a book reader, how wrong Daemon is because Aemond will actually take her as a lover.
In the next few episodes, we will definitely be seeing the Dragon Seed storyline play out.
Addam will claim Seasmoke, as foreshadowed by him seeing the dragon fly overhead a few episodes ago.
I wonder what will motivate to do so, and I am also curious to see if him claiming Sheepstealer will confirm Laenor has died?
As for the other two Dragon Seeds, Hugh and Ulf, I have a pretty good idea of their reasoning for becoming dragon riders.
Ulf has already revealed himself to be a Black loyalist with his boasting in Episode Three.
As for Hugh, his reason for joining is probably going to be way more tragic.
His daughter appears to be on the brink of death when he and his family try to flee King’s Landing.
She will most likely die, and Hugh will want revenge, blaming the Greens for aid not arriving as promised and for locking them in the city.
So that is three out of four Dragon Seeds but, as I have probably repeated ad nauseam in these reviews, Nettles has most likely been cut for Rhaena who will claim Sheepstealer in the next few episodes, to my displeasure.
However, Rhaena claiming Sheepstealer may not be the only issue I have with the next few episodes because there is another weird leak going around.
This leak claims that Rhaenyra and Mysaria will kiss.
If this happens, it will be absolutely bizarre because, while the scenes between the two are good, I have not felt a single hint of romantic or sexual tension.
Although, given that this leak is so bizarre, there is always the possibility that it is a troll.
Or, who knows, maybe the kiss will make sense in context, if it does happen?
In any case, I am still excited to see Addam, Hugh and Ulf claim their dragons so there is that to look forward to.

House of the Dragon Season Two, Episode Four, The Red Dragon and the Gold Review: Rook’s Rest.

In my review for the previous episode of House of the Dragon, I said that Episode Four could be one of the best episodes of the series so far.
Having seen it, I can confidently say that this prediction was absolutely correct.
A slight correction, though.
In that review, I said this episode was called “A Dance with Dragons” but it is actually called “The Red Dragon and the Gold.”
A much better name, in my opinion.
Directed again by Alan Taylor, “The Red Dragon and the Gold” begins at Harrenhal, where Daemon is experiencing more nightmares about his past.
Milly Alcock returns again as the younger Rhaenyra who does a good job calling Daemon out for his past actions.
Daemon responds in typical Daemon fashion by decapitating her, before being awakened with blood on his hands.
I kind of figured Daemon’s nightmare would be a one-time thing last episode, but the show really seems to be running with it.
While Daemon attempts to gain allies through the Tullys and Blackwoods, he loses time and experiences flashbacks to his past, including seeing his dead wife, Laena.
In one bizarre moment, he even sees himself as Aemond.
I am unsure how I feel about this storyline at the moment, but the show seems to be pretty ambiguous on the cause of all this for the time being.
It could be the curse of Harrenhal, Alys Rivers using some kind of magic on Daemon, or simply Daemon’s guilt messing with his mind.
Maybe all three.
In any case, I think it would be a missed opportunity if the show did not have Daemon experience a hallucination of Rhea Royce.
Her murder is definitely Daemon’s worst crime and, even if he does not feel about it, it would be strange if he was not confronted with it.
Overall, I am still interested to see where Daemon’s storyline goes at Harrenhal.
The highlight of the episode, though, is definitely Rhaenys, who begins the episode meeting Alyn to thank him for saving her husband.
Her interaction with him, and Corlys’ subsequent reaction, basically confirm that he is Corlys’ bastard, but Rhaenys proves her morality for not judging Alyn on the basis of his birth.
Rhaenys and Corlys then travel to Dragonstone to help Jace and Baela set their conflicting lords straight.
Corlys’ line, “is there naught to be done in the absence of the Queen but to grouse and claw for power” shows how far he has come from Season One, where he started off as extremely power hungry.
Had the old Corlys been in this room, he would have been just as combative as the other lords.
To be fair to these lords, though, Rhaenyra certainly has not helped matters by disappearing and, when she finally does come back, everyone is shocked to learn she went to King’s Landing to meet with Alicent, especially Jace.
Rhaenyra’s reasoning for meeting Alicent really bothered me in Episode Three, due to how shortsighted it was, but it was made retroactively better in this episode through the other characters calling her out on it.
She is at least ready for war now, although it may be too late because the Greens are already attacking her allies.
We see the sacking of one castle, where Criston kills the lord and assimilates his forces into his own army.
The lord does have some awesome last words though, telling Criston that his death will come in kind.
Despite the war progressing well for the Greens due to Criston’s actions, Aegon is displeased to hear of Daemon taking Harrenhal.
His insecurities only grow when Aemond embarrasses him by showing just how bad his Valyrian is, while Aemond’s is impeccable.
Aegon then does what any insecure son would do when he is feeling inadequate, seek the comfort of his mother.
Unfortunately, his mother is Alicent, who is also reeling from the revelations of her conversation with Rhaenyra.
She deals with Aegon’s insecurities with the subtleness of a brick wall, offering him no comfort, and telling him to do nothing, as if she had no hand in this situation.
She had literal years to train Aegon to be a king, and yet she clearly taught him nothing and now expects him to do nothing.
Did she really expect him to be content with that?
This is not a complaint, though, as I love how complicated Alicent is.
Rhaenyra proves herself to be both much more caring, and to also be better at preparing her son for kingship by telling him about the Song of Ice and Fire.
From here, the episode transitions to a scene I have been waiting to see adapted ever since I first read Fire and Blood: Rook’s Rest.
The battle did not disappoint.
Not only are the effects, both CGI and practical great, but so is the cinematography and the brilliant score by Ramin Djawadi playing throughout.
Cole lays siege to Rook’s Rest, resulting in Rhaenys volunteering to take her dragon Meleys and aid the Blacks.
Meanwhile, Aegon, drunk and eager to prove himself, takes his dragon Sunfyre to the battlefield.
And so, the red dragon and the gold head for conflict.
However, both are unaware of the third, old dragon.
Cole and Aemond planned an ambush and are ready to meet Rhaenys with Vhagar.
They are not ready for Aegon to interfere, however, and he nearly gets himself killed fighting Rhaenys.
Thankfully for him, help is on the way… unfortunately for him, that help is Aemond.
As I predicted, Aemond was not quick to forget Aegon’s humiliation of him in the brothel, along with the years of humiliation he was subjected to as a child.
Aemond orders Vhagar to shoot fire at the two dragons, seemingly not caring if his own brother is killed.
Aegon and Sunfyre plummet into the forest below, leaving Meleys and Vhagar as the only dragons left in the fight.
Rather than flee, Rhaenys valiantly fights against Aemond and Vhagar.
What follows shows exactly why this conflict came to be known as the Dance of the Dragons as, locked together in battle, the two dragons do almost look like they are dancing.
In the end, however, Aemond and Vhagar are able to get a sneak attack on Rhaenys and Meleys, ending the fight.
As Meleys dies, the look on Rhaenys’s face as she falls is tragic, knowing that imminent death is getting closer, until she and her dragon crash into the castle below, resulting in a fireball.
In the aftermath of the battle, Criston finds Aemond standing over Aegon, sword drawn, leaving it implied if he was really going to kill his brother or not.
In the end, Aemond takes the Valyrian Steel dagger and leaves Criston with Aegon, whose fate currently remains unknown.
This whole final scene at Rook’s Rest makes “The Red Dragon and the Gold” one of the best House of the Dragon episodes, but the rest of the episode is nothing to sleep about.
We have Daemon being confronted by his past, Rhaenyra finally accepting that war is inevitable, and the buildup to Rhaenys’ death, with her sharing her last scenes with Corlys.
Speaking of Corlys it will be tragic to see him learn of his wife’s death next episode.
As for Rhaenys herself, Eve Best did a fantastic job with the character.
While I felt like the writing for her could be a little bit iffy at times, like when she killed loads of civilians in the Dragon Pit, when the writing for her was good it was really good.
We see that this episode during her interaction with Alyn, and it is a shame we will not be getting more Rhaenys scenes like this, due to her death.
RIP the Queen Who Never Was.

Book Spoilers Section:
The episode ends keeping Aegon’s fate up in the air, but he does survive his injuries.
I am curious how far the show will go as to the extent of those injuries.
Will his scars be super prominent or more subtle?
As for Aegon himself, I don’t expect we will see much more of him this season, due to his wounds, which is a shame because Tom Glynn-Carney has been doing an excellent job this season.
Speaking of a character’s screen time being reduced, I am unsure if we will see Otto again this season, since he left to meet up with Daeron and he has not been cast yet.
I am, however, now wondering if Otto’s fate will be changed from Fire and Blood.
When Rhaenyra takes King’s Landing in the book, Otto is among those executed.
But if this season ends with the taking of King’s Landing, like I think it will, Otto will not be there to meet that fate.
Instead, Otto will most likely be mentoring Daeron next season.
If that is the case, then he could end up meeting the fate of another book character where, after Daeron’s death, he poisons himself to ensure the death of Ulf the White.
This would be a cooler way for Otto to go out and Rhys Ifans could definitely pull it off.
With Rook’s Rest now concluded, I expect the next few episodes will finally get into my favorite storyline from the Dance, which is the Dragonseeds.
I have mentioned in previous reviews that I am concerned about this storyline in the show, due to the potential cutting of Nettles, however the show has done a good job of setting up the characters of Addam, Hugh and Ulf, so I am excited to see them tame their dragons, at least.
We will see how that storyline turns out in the next few episodes.

House of the Dragon Season Two, Episode Three, The Burning Mill Review: A Tense Meeting.

Episode Three of House of the Dragon‘s Second Season, “The Burning Mill” is the weakest episode of the three so far.
But that is not to say it is bad, far from it.
Directed by Geeta Vasant Patel, the episode begins by showing the oldest rivalry in Westeros, that of the Blackwoods and the Brackens, finding yet another excuse to go at one another’s throats.
We see how a simple dispute between the rival families quickly devolves into an outright slaughter, with hundreds of dead on both sides, with the titular burning mill in the background.
This opening scene made for a striking showcase of how opposing factions will use the conflict brewing between Rhaenyra and Aegon as an excuse to go to war.
From here, the episode cuts to the aftermath of the tragic Erryk and Arryk fight.
The twins are being buried together at Rhaenyra’s behest and it is at this point that Rhaneys says, “Otto Hightower would never have allowed this.”
This seems to be a complete misunderstanding of Otto, since he planned to send Kingsguard to kill Rhaenyra and her family in Episode Nine of Season One.
Yes, Otto did object to the plan to send Arryk on an assassination mission, but this was because he was not consulted about it and, most of all, he did not think the plan was very good.
Saying he would not do it because of morals is just weird.
However, Rhaenys’ following comment that, “Soon they will not even remember what it was that began the war in the first place,” is a much more fitting one because it perfectly represents the opening unseen battle between the Blackwoods and the Brackens.
Much like the Blacks, the Greens are also considering their options after Arryk’s failed attempt on Rhaenyra’s life, along with the fallout of Cole replacing Otto.
Sadly, Cole now has Aegon’s ear, and plans to eventually take Harrenhal.
Unfortunately for him, Daemon is way ahead of him, taking Caraxes to claim one of the most important strongholds in the entire war… which is severely undermanned.
It was quite funny to see Daemon storming in, expecting a fight, only to be met simply by Lord Simon Strong (Simon Russel Beale).
There was surprisingly a lot of good humor in this scene, as Daemon tries to stake claim to some power by demanding to be called “your Grace.”
The scene also ends comedically when Simon is incredulous about taking the throne and Daemon responds, “It’s a big chair made of swords.”
Following this scene, we see Cole beginning his journey to muster forces for Aegon’s cause, unaware that Daemon has already taken Harrenhal.
Before he leaves, however, Alicent saddles him with her brother, Gwayne Hightower (Freddie Fox), who throws quite a bit of shade at Cole for taking his father’s position as Hand of the King.
Cole does leave with Alicent’s favor though, so that is a win for him, I suppose.
Rhaenyra gets even less respect because her lords suggest she goes into hiding while the men lead the war.
Sure, send one of your dragon riders away when every single one is critical to the war effort.
Brilliant!
Rhaenyra and Rhaenys put them in their place for it, at least.
Afterwards, Rhaenyra sends Rhaena to the Vale with her youngest sons and a clutch of dragon eggs for protection.
Rhaena is reluctant to go at first, angry about being sent away because she is pretty much the only one in her family without a dragon.
I hate to be that guy, Rhaena, but there were plenty of dragons on Dragonstone for you to claim in the years you spent there.
They don’t really provide a good reason why Rhaena never attempted to claim any of them, but the moment Rhaena realizes the trust Rhaenyra is placing in her is a moving moment.
A more sinister moment comes when Larys manipulates Aegon into naming him his Master of Whisperers.
We will probably be seeing a battle of wits between Larys and Mysaria at some point in the series, since she also took a place at Rhaneyra’s court this episode.
Not a surprising outcome for Mysaria, considering how she warned Erryk last episode.
What was a surprise for me, though, was to see the character of Ulf (Tom Bennett).
He is someone I thought had been cut from the show, and he claims to be the bastard brother of Daemon and Viserys, appearing loyal to Rhaenyra’s cause.
He is stupid enough to admit this out loud in King’s Landing but, thankfully for him, smart enough to shut his trap when Aegon himself walks in to enjoy the brothel.
Aegon gets an unexpected pleasure out of the brothel, however, as he discovers Aemond inside and teases him relentlessly over always sleeping with the same woman.
I don’t know, Aegon, maybe constantly goading the guy who flies the biggest dragon in the entire world is not the smartest move?
Just a suggestion?
I am interested to see if and how Aemond will get his payback for the years of bullying Aegon put him through.
Along with Aemond’s humiliation, there is another takeaway from this scene, and it is by far its most tragic, as we briefly see Dyana (Maddie Evans) working as a bar maid.
If you recall, Dyana was the maid Aegon assaulted in Episode Eight of the first season, who was then sent away by Alicent.
The poor girl was assaulted, humiliated, stripped of her position, and now has to work at a bar and brothel her abuser frequents.
Once again, the smallfolk really have it the worst in Westeros.
Following the brothel scene, we get our first good bit of dragon action this season, even if it is brief, when Cole and Gwayne are ambushed by Baela atop Moondancer.
It is a tense scene, which does a good job of showing the danger posed by even a small dragon, making you fear the bigger ones even more.
Gwayne, at least, seems to earn a little respect for Cole because of the encounter, so the new Hand should at least find it easier to command him.
Next, we get by far the creepiest scene of the episode, as Daemon has a nightmare of a young Rhaenyra sewing Jaehaerys’ head back on, blaming Daemon.
This nightmare did a great job of highlighting Daemon’s guilt over his role in the murder, because he did very well at hiding it last episode.
Of course, it was also great to see Milly Alcock again, even if it was just for this one brief moment.
Maybe we could get flashbacks of her and Emily Carey as the younger Alicent later in Season Two, or in future seasons?
Daemon’s nightmare ends with him standing in front of a Weirwood Tree with no idea how he got there.
A strange woman named Alys Rivers (Gayle Rankin) stands behind him and states, “You will die in this place.”
And so, the creepiest scene of the episode comes to an end, and we then get the final scene, which is its most controversial, when Rhaenyra sneaks into King’s Landing to talk in secret with Alicent, hoping to find a way to prevent the war.
While I feel like Daemon doing this in Episode One made sense because of his connections with the Gold Cloaks, and general arrogance, Rhaenyra doing it was really not the smartest move.
For one thing, if she gets caught then it’s all over for her cause.
She would be executed, and the Lords would mostly turn over to Aegon, likely resulting in the death of her children.
Also, Alicent’s letter pleading for peace was sent before the brutal murder of her grandchild, so it was kind of weird for that not to be taken into consideration.
Logic issues aside, the meeting between Rhaenyra and Alicent went as well as it could have.
Alicent finally learned the truth of Viserys’ last words but, tragically, it is too little too late.
Now her sons are in charge of the war, and they are out for fire and blood.
Rhaenyra seems to realize war is inevitable too by the end, as she stares grimly while Ramin Djawadi’s fantastic score plays in the background, bringing the episode to an end.
Overall, “The Burning Mill” is a good episode of House of the Dragon. 
Its highlight is definitely the creepy Daemon nightmare scene, and its weakest moment is definitely the Rhaenyra and Alicent interaction, due to logic issues in the writing.
Still, a good episode and the next episode “A Dance with Dragons” may very well be one of the best.


Book Spoilers Section:
The big spoiler implication of this episode is absolutely Daemon’s nightmare.
Seeing Alys Rivers predict his death over the God’s Eye was chilling as a book reader, especially since it raised a lot of questions about Alys’ powers.
Did she cause the nightmare Daemon was having?
Did the Weirwood Tree Daemon woke up in front of aid in her magic?
There is a lot of ambiguity here and I love it.
I’m really looking forward to seeing more of Alys because of this scene.
Other new characters I am interested to see more of are Gwayne and Ulf.
For Gwayne, his story already seems pretty different from the book, where he eventually meets his end at Kings’ Landing.
Unless he returns to the city at some point later in the story, his show fate will probably be different.
As for Ulf, he seemed steadfastly loyal to Rhaenyra’s cause this episode, so I am curious to see what will eventually cause him and Hugh Hammer to turn traitor.
I honestly thought Ulf’s character might get merged with Hugh, which is why I was surprised to see him.
Definitely not complaining, though, because now we have all but one of the Dragon Seeds in the story.
Now Nettles is the only one missing.
Again, though, I am very afraid of the leaks about her being replaced with Rhaena.
The building blocks do seem to be there, with Rhaena’s turmoil over not being able to claim a dragon, and the Vale having a lot of sheep, which would be a good excuse to have Sheepstealer show up there.
Much like I said in my Episode One review, though, Rhaena replacing Nettles would miss the entire point of her story, so fingers crossed they don’t do it.
Another strange thing about Rhaena is that it has apparently been said that the dragon eggs she takes with her are the ones Daenerys eventually gets in Game of Thrones. 
In Fire and Blood, it is heavily implied that the eggs were stolen by Elissa Farman.
So, if these are Dany’s eggs, then this is definitely a change and one I am curious to see play out.
How are the eggs going to get from the Vale to Essos?
I will be ending this book spoilers section on a much more positive note, as the next episode “A Dance with Dragons” will almost certainly center around the fight at Rook’s Rest, one of the big dragon fights of the Dance.
Rhaenys’ last stand has the potential to be one of the best moments in the show, if adapted right, and I hope they pull it off.
There is also the possibility of Aemond letting Aegon get injured as vengeance for the humiliation he has been subjected to.
It would not surprise me if Aemond attempted to let Aegon die, only to find he survived his injuries, and then back down and take him back to King’s Landing.
Episode Four airs today and I am very excited to see if my predictions are true.