Tag: reviews

Saga of Tanya the Evil Season Two, Episode Two, A Strange Friendship Review: Communists vs Nationalists.

The first episode of Saga of Tanya the Evil‘s Second Season set a solid foundation for the rest, with its action, sound design, and funny misunderstandings.
The second episode “A Strange Friendship” follows this up well with more setup for the future, and some especially humorous moments by the end.
Before discussing the events of the episode, I want to talk about the new opening and outro.
The OP is titled Why? RED Induction and is performed by Myth & Royd, the group who did the OP for Season One.
This may just be recency bias, but I think their new OP easily tops the old, starting loud, before going quiet and sinister, and then going full bombastic with the chorus.
The visuals of the OP also give us plenty to look forward to, especially with the teased two vs one of Tanya facing off against Mary Sue again, along with the mage Mikel.
As for the ED Weiter! Weiter! it is performed once again by Aoi Yuki, who continues to show off her vocal talents.
I also prefer this ED because it actually has visuals, rather than a showcase of light novel covers and illustrations.
Back to the episode, it starts off by once again showing us issues the Empire is having with the war effort.
We see this through talks between Tanya and Visha, and Zettour and Rudersdorf.
The combat units are only receiving weapons rather than basic necessities, and the Empire has to halt its progress due to winter.
Worse still are the partisans in occupied territory, along with the fact that, unknown to the Empire, the Russy Federation is now allowing mages back into its ranks.
We see this with the arrival of Political Commissar Liliya and mage Colonel Mikel at Mary Sue’s unit.
Liliya immediately sets about making friends with Mary, which is absolutely a ploy to manipulate her.
We know Liliya was chosen for being, “loyal to the party and idealistic.”
I expect we will see her push Mary to more extreme ends this season.
As for Mikel, he has been described as “charismatic,” and he will certainly lead by example, as seen by his fight with Tanya in the OP and trailer.
However, I do have to wonder how loyal he really is to the Federation, considering the mages were all put in internment camps.
Perhaps he has a similar mindset to the common soldiers, who believe fighting for the Federation will make them listen and improve the country.
Tanya is horrified to hear this viewpoint from a captive, realizing that she is not fighting communists but nationalists.
This makes the enemy a bigger threat, considering they view themselves as fighting for their country rather than an ideology, which she later explains to Zettour.
Zettour, being described as a “conman” by Tanya, is able to find a work around for this problem with Tanya’s advice.
In a speech to various nationalists from occupied territories, he drives a wedge between them and the communists by turning the territories over to civilian rule.
Given the haunting images of Zettour on a skeletal horse, I doubt this is entirely truthful, but his speech gets the job done, halting most partisan attacks and allowing Tanya’s combat unit to get the supplies they need.
In a humorous final scene before the credits, Visha delights in her new socks, and Tanya lights up in cartoonish exaggeration at the offer of coffee.
Tany’s joy ends when she notices a Being X nutcracker in the house, demanding Visha get rid of it.
The final, funny moment after the ED shows Visha offering Tanya a highchair so she can interrogate prisoners without being looked down on, much to her disdain.
After such a logistical episode, it was good to get a few chuckles at the end.
We will have to see how long the laughter lasts though, as the war continues to evolve over the season.
“A Strange Friendship” is a good follow-up episode to Season Two’s pilot, and I am excited to see what is next in store for Tanya the Evil.


Godzilla Minus One Review: One of the Greatest Godzilla Movies Ever Made.

I have been a Godzilla fan since I was a kid.
So once I heard all the positive buzz surrounding the latest film, Godzilla Minus One, I knew I had to see it.
I expected Minus One to be a good film, perhaps even a great one.
What I was not expecting was it to be one of the greatest Godzilla movies ever made.
It is so good that it may even surpass the 1954 original. 

Godzilla Minus One is truly excellent.

Written and directed by Takashi Yamazaki, the film is set in post World War Two Japan, and follows former kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki).
Having lost everything during the war and stricken with survivors guilt, Shikishima eventually meets a young woman named Noriko (Minami Hamabe), who has adopted a young orphan named Akiko.
The three form a makeshift family and, as the years pass, it seems like the horrors of their pasts may fade, until a monster from Shikishima’s past rises from the depths to plunge Japan into horror once more. 

Godzilla is truly scary in this movie.

Having read the synopsis I gave of the film’s plot, you are probably assuming that Minus One centers more around the human characters than Godzilla, and you would be right.
This is, in fact, usually the case for a Godzilla films
However, what separates Minus One from the rest of these movies is that the human characters are all fantastic.
In most Godzilla films, we really do not care about the people.
At best, there is sometimes one character we can latch onto but, most of the time, we are just waiting for Godzilla to show up and wreck stuff.
This is not the case for Minus One, as I found myself caring for each and every one of the characters, which made the action sequences more intense, since I was scared for each of their lives.

This scene was made all the better because of the fact that I cared about the characters.

The last time I had this much investment in a character from a Godzilla movie, it was probably Brian Kranston’s one from the 2014 Godzilla movie, but every other character in that film was pretty bland.
Again, this is far from the case with Minus One.
I cared about the characters so much that the ending to the film actually had me tearing up, something I have never done in a Godzilla movie before.
What adds to the weight these characters have are the excellent themes of PTSD and survivors guilt, along with the scars war leaves on a nation.
Shikishima is the perfect encapsulation of these themes, making him my favourite Godzilla protaganist, with the exception of the big G himself. 

Shikishima embodies the movie’s themes more than any other character.

Speaking of him, Godzilla is a terrifying presence whenever he is on screen.
He is no misunderstood hero like in the recent Legendary films.
No, the Godzilla here is more in the vein of the original 1954 version and the Shin Godzilla version.
He is a horrifying force of nature who crushes everything and everyone in his destructive wake.
His atomic breath is also on par with Shin Godzilla’s in terms of the fear it creates, as it is akin to a nuclear blast.

The atomic breath scene is one of the best in the series.

What helps increase the fear Godzilla generates in this movie is just how fantastic the CGI is for him.
Minus One was apparently made with a budget of $15 million dollars and that is absolutely incredible, given that many blockbuster movies have ten times that budget and look considerably worse.
The way Godzilla is shot is also great, along with the score throughout the film, which adds to the intensity. 

This shot of Godzilla creates both awe and terror.

Considering every aspect of the film, I cannot think of a single flaw with it. 
Godzilla is terrifying, the human characters are the best they have ever been, the CGI is excellent for the budget, and the themes, score and cinematography are all top notch.
I cannot recommend this film enough, especially if you are a Godzilla fan like me.
Godzilla Minus One is not only one of the best films of the year, but potentially the greatest Godzilla movie ever made.