House of the Dragon Season Two, Episode Two, Rhaenyra the Cruel Review: The Best Acted Episode Yet.

“A Son for a Son” was a really good start to Season Two of House of the Dragon, but Episode Two, “Rhaenyra the Cruel” is even better.
Directed by Claire Kilner, the episode has the best acting across the board out of any episode in the series so far.
Beginning immediately after the horrifying events of “A Son for a Son”, we see the impact the loss of Aegon’s heir has had on the Greens.
Aegon is, of course, distraught over the loss of his son, destroying the model of Valyria Viserys spent all of last season building.
Otto, on the other hand, is already looking for a way to play this tragedy to their advantage, proposing that they have a funeral procession to show the small folk what Rhaenyra has done.
Aegon is spared from having to go through the spectacle, but Helaena gets no such consideration.
She is paraded through the streets, her sorrow used as a political tool, while Aegon takes his revenge on Blood in the cells.
Her situation gets even worse when the cart they are riding gets stuck in the mud.
I’m pretty sure we were all scared that Jaehaerys’ body would fall off the cart in the attempt to get it moving again but thankfully the showrunners were merciful enough to keep that from happening.
Following this gruesome scene, the episode cuts to the Blacks, who are learning of the murder.
Rhaenyra is understandably shocked when she learns she is being blamed for it, and offended when some of her lords suggest it may have been her vengeance for Lucerys.
However, all it takes is one look at Daemon for her to know the truth.
The following scene between the two is expertly acted by both Emma D’Arcy and Matt Smith, as we see the complete breakdown of any trust Rhaenyra could have had in Daemon.
Matt Smith is especially threatening, as we see the Rogue Prince has to physically restrain himself from grabbing Rhaenyra’s throat, like he did in the Season One Finale.
Their argument ends with Daemon leaving on Caraxes, and Rhaenyra deciding sending Baela (Bethany Antonia) on her dragon Moondancer to keep an eye on King’s Landing.
Back with the Greens, we see the impact Jaehaerys’ murder has had on Criston Cole.
He watches the young boy’s room being cleared out and, based on his expression, he seems to feel quite a bit of guilt for what happened.
He was supposed to be on watch, but instead was sleeping with Alicent and, because of that, Jaehaerys died.
Watching this scene made me wonder if it was possible for me to feel some sympathy for Cole… then the next scene happened, and it made me hate him even more.
Rather than decide to change for the better, Cole instead doubles down and projects his guilt onto Arryk Cargyll, someone who holds no blame for the murder.
Watching Cole bully Arryk into going to assassinate Rhanerya at Dragonstone by posing as his own brother made my hatred for him increase tenfold.
One character I definitely do not hate, though, is Addam (Clinton Liberty), the brother of Alyn, who is introduced this episode.
I will not get into his role in the story, I will save that for the book spoilers section, but I will say that he is one of my favorite characters in the Dance of the Dragons, so it is good to see him.
What is also good to see is how much better Sonoya Mizuno’s performance as Mysaria is now that her accent is much more subdued.
It really allowed her acting ability to shine through in her scene with Rhanerya.
But by far the best acting in this episode is hands down done by Rhys Ifans.
The scene where Otto berates Aegon for killing all of the Rat Catchers is excellent.
Otto’s rage and exasperation is both engaging and hilarious.
It is even emotional when he brings up Viserys, and we see that he really did care deeply about the old king, even if he did manipulate him constantly.
Otto ends his beratement of Aegon by revealing to him that Viserys really did not want his son to be king.
This appears to be the final straw for Aegon, who fires Otto as his Hand and gives the job to Cole.
The guy just keeps failing upward, doesn’t he?
To be fair to Cole though, his crazy plan of sending Arryk to kill Rhaenyra would have probably worked had it not been for Mysaria spotting him.
She alerts Erryk just in time for him to intervene and what results is a tragic fight to the death between twin brothers.
Elliot and Luke Tittensor do excellent jobs as Erryk and Arryk, both in their fight choreography and in their grief at having to fight, despite still loving one another.
The brutal duel ends with one twin killing the other, only for the remaining twin to kill themselves out of grief.
As foe which twin was which, it feels kind of ambiguous.
Either Erryk apologizes to Rhanerya before committing suicide, or Arryk acknowledges her as the true queen before killing himself.
Either way, it is one of the most tragic scenes in the show thus far.
Following the duel of the brothers, the episode cuts to the Greens for the final time.
We see Otto talking with Alicent about his firing, and he brings up Daeron, Alicent and Viserys’ youngest child.
Daeron was not seen or mentioned in Season One so many of us book readers were afraid that he had been cut.
It is good to hear that he exists, even if his introduction in this scene comes out of nowhere.
The conversation between Otto and Alicent ends with Alicent trying to admit to her affair with Criston, only for Otto to say he does not wish to hear of it.
This perfectly highlights the generational family neglect going on within the Green side.
Otto neglects Alicent, who then neglects Aegon when she refuses to comfort him.
Instead of mourning with him, Alicent instead chooses to sleep with Cole again, showing that neither of them has learned their lesson.
In my review of Episode One, I said I had mixed feelings about the two of them hooking up because it felt like it went against both characters.
However, I did say that the hypocrisy of it may be the point.
After watching Episode Two, I can say with absolute certainty that it was.
Both characters are very hypocritical, and their hypocrisy will probably only grow as the season progresses.
Overall, “Rhaenyra the Cruel” is a great episode, with the best acting of the series, so far.
Matt Smith, Emma D’Arcy, Rhys Ifans, Elliot and Luke Tittensor, Tom Glynn-Carney, Phia Saban, and Sonoya Mitsuno all give their best this episode, and I cannot wait to see how their performances continue to improve as the season progresses.

Book Spoilers Section:
Once again, the main topic of discussion for the spoilers section is the Dragonseeds.
First there is Addam of Hull.
As I said, he is one of my favorite characters in the Dance of the Dragons.
We get foreshadowing for him eventually claiming the dragon Seasmoke, when he sees him flying overhead.
I am curious to see what the explanation for this will be, since Laenor is not dead in the show, at least as far as we know.
I am also curious to see how Rhaenys will react to Addam and Alyn’s existence.
Does she already know that Corlys fathered bastards, or will it be a shock?
It would be pretty tragic for it to cause a rift between the two, only for them to never reconcile because Rhaenys dies at Rook’s Rest.
Then there is the other Dragonseed, Hugh.
We see this episode that he has a family, which is struggling due to the conditions caused by the coming war.
His story is already very different from the books, where he was pretty much just a scumbag with no family, so I am interested to see how he will get to that point, if at all.
In any case, we should get our first dragon action in the next episode, as Daemon will be capturing Harrenhal, and the trailer makes it look like Baela will run into some trouble while watching Kings’ Landing.
We are getting ever closer to the actual dragon fights, and I could not be more excited for that.

House of the Dragon Season Two, Episode One, A Son for a Son Review: The Dance Continues.

After a long wait, House of the Dragon Season Two is finally upon us with its first episode, “A Son for a Son.”
Directed by Alan Taylor, the episode is a solid start to the season, ending with a gruesome moment that book fans have been waiting to see for a while.
“A Son for a Son” begins in the North, where we finally get to meet Cregan Stark, played by Tom Taylor.
Taylor does a good job in the role, as does Harry Collett as Jacaerys.
The two meet atop the Wall and discuss the Starks bending the knee to Aegon the Conqueror over a hundred years ago, leading into Jace asking Cregan for men to support his mother’s claim to the Iron Throne.
There are a few details that stood out to me in this scene, one of which is that Collett got to show off his actual hair, rather than the horrible wig of Season One.
This is good because now he actually resembles Harwin Strong quite a bit.
As for the second detail, Cregan states that when King Jaehaerys and Queen Alysanne visited the Wall, their dragons refused to fly across it.
This is book accurate and does foreshadow the White Walkers, but it also does not really mesh well with the Game of Thrones show because Dany’s dragons flew across the Wall just fine.
The scene ends with Cregan promising some of his fighting force, and a message arriving with news of Jace’s brother’s death.
From here, the episode transitions to the fallout of Luke’s death, where we learn Rhaenyra (Emma D’Arcy) has flown off on Syrax to find his body, leaving Daemon (Matt Smith) to brood.
The Rogue Prince attempts to convince Rhaenys (Eve Best) to help him take down Vhagar, but she is able to easily take Daemon down a notch.
Although Daemon is still right when he says that Rhaneys could have ended the conflict by wiping out Aegon and the rest of the Greens in Episode Nine of Season One.
As for Rhaenys husband, Corlys (Steve Toussaint) is speaking with one of his men, Alyn (Abubakar Salim), who was the one to save his life during the fighting in the Stepstones.
This scene is actually one of my favorites in the entire episode.
It is tense and has lots of subtlety, but to explain those subtleties would be to spoil future reveals so I will save my deconstruction of this scene for the spoiler section down below.
Following the scene between Corlys and Alyn, we see what the Greens are up to and, unfortunately, do not see Aemond (Ewan Mitchell) revealing that he killed Lucerys.
I was quite looking forward to seeing Alicent’s reaction to learning her son had ruined any chance of peace.
What I was not expecting to see was Alicent (Olivia Cooke) getting it on with Criston Cole (Fabian Frankel).
Yep, those two are a thing and this definitely did not happen in the book.
To be honest, I have mixed feelings about the two of them getting together.
Alicent is a religiously devout person, so I’m not sure how she justifies having sex out of wedlock to herself when she judged Rhaenyra for it so harshly.
She went on and on about “honor and decency” in the first season, yet now she’s seemingly going against this.
As for Cole, his entire reason for turning against Rhaenyra was that sleeping with her made him feel like he had “soiled my white cloak.”
But he is suddenly okay with soiling it again with Alicent?
Maybe this is the point that the writers are trying to make; that these two are hypocrites, but them being together still feels a little out of character to me.
I will have to see how their relationship is portrayed in future episodes to decide if I completely dislike it or not, though.
Alicent may have a thing for Criston, but she definitely does not like Larys (Mathew Needham).
Unfortunately, she feels she has no choice but to work with him, as he reveals to her that he has got rid of staff who could be spying on her.
Don’t worry, he replaced that staff with his own.
It’s totally not creepy!
Well, Alicent is justifiably worried about Larys’ new staff keeping an eye on her, since she decides to bathe alone rather than have her new servants help.
Speaking of creeps, we also get to see how Aegon (Tom Glynn-Carney) is handling his role as king.
He is pretty much like what if a frat boy became king, with his own fraternity following him around.
Surprisingly, though, he does seem to be a good dad, as he is preparing his son for council meetings.
I say “surprisingly” because Aegon was revealed to watch his own bastard children in fighting rings last season.
I do think it was a bit of a mistake to go so extreme with Aegon’s depravity last season.
The marketing for Season Two has set it up as Blacks vs Greens.
The problem with this is that it is extremely hard to get on board with Team Green when their king is a rapist who watches his own kids fight to the death for his amusement.
At least Tom Glynn-Carney does a great job as the character.
Back with the Blacks, we see Erryk Cargyll (Elliot Tittensor) find Mysaria (Sonoya Mizuno), who expectedly survived Larys’ attack on her base of operations last season.
In my reviews for Season One, a common complaint I had was Mysaria’s accent.
It was so bad that it took me out of every scene she was in.
Well, I am happy to say, the accent has been severely toned down this season.
You can still hear it, but it is slight.
Most importantly, it no longer sounds like she is attempting a terrible Jamaican accent while drunk.

Following her capture, Rhanerya returns after retrieving Lucerys’ cape, and speaks her only line of dialogue in the entire episode, “I want Aemond Targaryen.”
Emma D’Arcy is an absolute powerhouse this episode.
They deliver an emotional performance which tugs at the hear strings, all without speaking.
The emotions only heighten when Jace returns and attempts to give his report to his mother, only to break down.
The two embrace as they mourn the loss of Luke in one of the episode’s most tragic scenes.
Not the most tragic, however, because that distinction comes for the one immediately after Lucerys’ funeral.
Daemon arrives in King’s Landing wearing his crime hoodie, and we all know that means nothing good.
He recruits a Gold Cloak named Blood (Sam C. Wilson) and a Rat Catcher named Cheese (Mark Stobbart) to assassinate Aemond Targaryen.
“A son for a son,” Aemond for Luke is the plan.
Or, at least, one of the plans.
The lack of a response from Daemon when Cheese ask what to do if they can’t find Aemond speaks volume.
Daemon is fine with killing any of the Greens’ sons as revenge.

Blood and Cheese then enter the Red Keep, encountering hurdle after hurdle, leading to Cheese eventually kicking his dog in frustration.
It is kind of funny that more people seem upset over the kicked dog than the later murdered child.
In a morbid sort of way, I mean.
The two are unable to find Aemond, which is probably good for them because, let’s face it, Aemond would have wiped the floor with them.
It is less good for Helaena (Phia Saban) and her children, however, because Blood and Cheese find them.
And so, another of Helaena’s prophecies comes true.
She told Aegon earlier in the episode that she was afraid of the rats and now they have found her.
She attempts to placate Blood and Cheese with her necklace, but they take it anyway and still demand “a son for a son.”
In the end, Helaena has to point out which of the twins is her son, Jaehaerys.
The boy is then murdered, thankfully off screen.
We can still hear the sounds of Blood and Cheese taking his head, however, as Helaena takes her surviving daughter and runs to Alicent and Cole, ending the episode with the statement, “they killed the boy.”
I do have to woner if this line is a reference to Aemon telling Jon to “Kill the boy… and let the man be born.”
If it is a deliberate reference, then perhaps this is foreshadowing that this horrific act will cause Aegon to go on a vengeance streak.
He was shown to care a lot about his son this episode, after all.
Back to the Blood and Cheese scene itself, one thing that drew me out of the scene is how there were absolutely no guards defending the royal family.
There may be a combination of reasons for this, however.
For one thing, Larys said he halved the staff earlier in the episode.
For another, Criston Cole could have sent the guards away so no one would know about him sleeping with Alicent.
In this is true then, yeah, Cole is definitely one of the worst Kingsguard to ever Kingsguard.
As for how the Blood and Cheese scene compared to the book, it was actually much tamer in the show.
That is not meant to be a criticism, however, because I think if it had played out exactly as it did in the book much of the audience would be traumatized.
The scene was brutal enough as is, and the writers thankfully did not take it too far.
It is a horrific end to the first episode, which is a solid start to House of the Dragon Season Two.
The fallout will certainly be interesting. 

Book Spoilers Section:
Just like last season, my reviews for every episode will come with a spoilers section at the bottom, where I discuss how scenes compare to the book and what may happen in the future.
For starters, I will talk about how the book handled Blood and Cheese to show you just how brutal it was.
In Fire and Blood, Blood and Cheese kill the guards and Alicent’s handmaiden, before tying her up and holding Helaena and her children at swordpoint.
They then cruelly demand that Helaena choose which one of her sons will die (she has two sons in the book).
A distraught Helaena chooses her youngest son, only for Cheese to tell the boy that his mother wants him dead before Blood decapitates the older boy instead.
As you can see, the scene is much more horrifying in the book, but it is good the show played it safe because we did not need to see a kid decapitated.
Now, I will go back to discussing the Corlys and Alyn scene, one of my favorites of the episode.
The reason the conversation between the two was so tense is because Alyn is actually Corlys’ bastard son, along with his brother Addam.
So, when Alyn offers his condolences for the loss of Lucerys, Corly’s heir, he is actually showing quite a bit of understandable bitterness.
Alyn and his brother are bastards, so are not acknowledged, while a bastard who was not even related to Corlys was elevated as his heir.
I love how subtle this scene is, and it makes me excited to see more of Alyn and Addam, the latter of whom is one of my three favorite characters in the Dance.
One of my other favorites is Daemon, and the other one is a character I will discuss in a bit.
For now, though, I want to talk about another new character, Hugh (Kieran Bew).
He gets a small appearance in this episode, while Aegon is holding court in King’s Landing but, if I am right, he is the Hugh Hammer character from the book.
Him being in King’s Landing is especially interesting because he later joins Rhaenyra’s side as Dragonseed, a bastard with Valyrian blood who tames a dragon, alongside others like Addam.
Hugh eventually betrays Rhaenyra, so him being in King’s Landing makes me think that maybe the Greens will send him to spy on Rhanerya, once they learn she is recruiting Dragonseeds.
This would certainly be an interesting change from the book.
What would definitely be a worse change from the book, however, is the potential removal of one of the Dragonseeds.
This Dragonseed is named Nettles and she is the third of my three favorite characters of the Dance.
There have been leaks going around that Nettles has not only been cut but replaced by Rhaena (Phoebe Campbell).
If these leaks turn out to be true, then I am going to be pretty mad.
Not only would removing Nettles from the story be a big mistake but replacing her with Rhaena would completely miss the point of Nettles’ role in the story.
I just wanted to get this concern out there, in case the leaks turn out to be true.
If they are true, then you can probably expect a rant about it in the review for the episode where it happens.
Just a heads up.
Although, if this were to happen, it would not kill the season for me.
Would it be a big negative?
Sure.
But Episode One was great and, if the quality keeps up, then Season Two will be a more than worthwhile watch.
There is only seven episodes left and I hope the rest are just as good, if not better