It is undeniable that Hayao Miyazaki is the most celebrated anime director of all time.
Over the decades, he has delivered beloved film after beloved film, most notably Spirited Away.
My personal favourites of his are Princess Mononoke and The Wind Rises.
So, when I got the chance to see a Miyazaki film in theaters for the first time, I took it.
The Boy and the Heron is set in World War Two Japan and follows Mahito Maki, a young boy who loses his mother in a fire.
His father later remarries Natsuko, the sister of Mahito’s mother, and the two travel to her estate.
It is there that Mahito encounters a sinister talking Heron, who eventually convinces him to travel into a supernatural world where his mother supposedly awaits him.
And so begins another fantastical Miyazaki journey.
The film looks excellent, with the hand-drawn style of Studio Ghibli being very striking on the big screen.
Along with this, the voice acting is solid, at least for the English dub version.
Yes, I saw the dub over the sub, though this was mostly because all of the sub showings were late at night.
That being said, the English voice actors all did a good job, with Luca Padovan, Karen Fukuhara, Mark Hamill, Gemma Chan, Willem Dafoe, Florence Pugh, and Dave Bautista all giving life to their characters.
This is especially true for Robert Pattinson who voices the heron.
I was genuinely shocked when I heard he played the character because I did not recognize his voice at all.
Along with the animation and voice acting, the music also does a great job of bringing you into the world, with all of this being tied together by the story.
Mahito’s personal journey throughout the film is quite relatable, doubly so because we can see how Miyazaki put much of himself into the character.
One of the central themes of the movie is legacy, which shines a light on how Miyazaki is thinking of his own legacy, especially since this is supposedly his final film.
If it is then he chose a good one to send himself off on.
The Boy and the Heron is another Miyazaki great, with expectedly stellar animation, music, and voice acting, along with a story that has relatable themes.
I would rank this film highly among Miyazaki’s catalogue, maybe even in my top five favorites of his.
And, if this is truly the last Hayao Miyazaki film we ever get, then I am glad that I saw it in theaters.