Avatar: The Last Airbender, Netflix Adaptation Review: A Great Divide of a Season.

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When the Netflix live-action adaptation of Avatar: The Last Airbender was first announced, I was cautiously optimistic about it.
This optimism faltered a bit when the creators of the original show departed, but my hopes started climbing again when I saw the trailers, which were quite good.
Well, the show is out and the consensus is in.
Turns out, the fandom is as divided as the two tribes in “The Great Divide” episode. 

I have seen plenty of people hating and liking the adaption.

As for me, I quite enjoyed Netflix’s adaptation of Avatar.
Is it as good as the original?
No, but it was never going to be.
Going into the show, I wanted a retelling of the story with changes that stuck true to the soul of the original and, for the most part, I got that.
Like the cartoon, the adaptation follows Aang (Gordon Comier) who, as the Avatar, is the only one who can master all four elements of Water, Earth, Fire and Air.
However, after being frozen in ice for a hundred years, he awakens to find that, in his absence, the Fire Nation has been waging war on the world and killed all of the Air Nomads. 

The depiction of the Air Nomad genocide was grim but thankfully pulled its punches where it needed to.

Teaming up with Katara (Kiawentiio) and Sokka (Ian Ousley) from the Water Tribe, Aang sets out of a journey to master all the elements to save the world, all the while being pursued by the disgraced Prince Zuko (Dallus Liu) and his tea loving uncle Iroh (Paul Sun-Hyung Lee).
For the most part, I would say that the actors chosen to play these iconic characters do a good job portraying them.
My favorites of the bunch were definitely Ousley as Sokka, Liu as Zuko, Sun-Hyung Lee as Iroh, Daniel Dae Kim as Ozai, and Ken Leung as Zhao.
Ousley in particular is excellent as Sokka who, while some of his character growth is unfortunately cut, still portrays the character with a lot of spirit and humor. 

Ousley was, in my opinion, the perfect casting for Sokka.

The comedy of the adaptation is definitely in keeping with the original, with a lot of great laughs from both Sokka and the interactions between Zuko and Iroh.
The maintaining of this humor was good to see since this adaptation is darker than the original cartoon, what with the showing of the genocide.
The series also has plenty of good emotional moments, with the hardest hitting being an added scene at Lu Ten’s funeral.
This scene had me tearing up, although I will admit that this was mostly due to the context I had as a fan of the original show. 

The added scene between Zuko and Iroh will leave fans in tears.

So, the adaptation definitely maintains the soul of the original in regard to its tone with the good mixture of humorous, dark and emotional moments.
Where it deviates from the original is what I was most interested to see going in.
I wanted to see how the writers would introduce characters in different places and blend them into other storylines.
I think the writers nailed this in some areas and failed in others.
For example, I think episodes three and four did the mixing of different storylines and characters to create a new and cohesive storyline excellently.
However, I think the writers also dropped the ball with it, as Episode Five feels quite disjointed and like things were only added for fan service reasons, rather than them being necessary.  

Hei Bai’s storyline takes a considerable drop in quality.

I would not say that Episode Five is the weakest episode, though.
No, I think the first episode is, what with its constant clunky exposition.
This clunky exposition is an issue which sadly persists throughout the season, and I hope future seasons can improve upon it.
Another thing I hope they improve upon is the CGI.
Don’t get me wrong, the CGI is not bad.
There are a lot of moments of fantastic computer-generated environments across the season.
It’s just that sometimes, when the actors interact with these environments, I could clearly tell that they were looking at a green screen.  

Some moments in the season definitely could have used more work in the CGI department.

And then there are a few things that the adaptation did which I just think were straight up bad ideas.
The first of these is the portrayal of Roku (C.S Lee).
He is the first past Avatar we see in the original show, and he is by far the most important as he warns Aang about Sozin’s Comet.
In the adaptation, however, he is overshadowed in importance by Kyoshi (Yvonne Chapman) and Kuruk (Meegwun Fairbrother), and he feels completely different from the Roku of the original.
The second, and by far the worst thing the adaptation did was Aang not learning Water Bending.
Seriously, this season is an adaptation of Book One.
You know, the book named Water.
Each season of the show focuses on Aang learning an element.
Book One is water, Book Two is earth, and Book Three is fire.
Aang not learning to Water Bend is honestly baffling to me. 

The Avatar is supposed to learn to bend the elements, yet Aang takes no time to do so, even when there clearly is.

Aang is probably going to learn to Water Bend in between now and the next season, and I really hope the show does not do the same for earth and fire.
Still, there are a couple of changes that I think are actually improvements the original show.
Having Zuko’s crew be the division he saved, and having Han be an actually pretty nice guy were both great decisions.
So, with plenty of positives and negatives in this first season, it is easy to see why the fandom is divided.
For me, I would say that I am satisfied with this adaptation, so far.
Yes, there are some questionable deviations but there are also plenty of good changes as well, and the soul of the original show is still there.
I look forward to seeing the next season of this adaptation and hope they can improve upon it. 

Attack on Titan Live-Action Movie Gets Third Attempt.

It seems only yesterday it was announced that one of my favourite TV shows of all time, Avatar: The Last Airbender, was getting another shot at a live-action adaptation.
Now, my favourite anime, Attack on Titan, created by Hajime Isayama, is also getting the same treatment, with Andy Muschietti directing under Warner Bros.
This is the third time such an attempt will be made as there have already been two live-action adaptations before (three if you count the miniseries but I would rather forget that atrocity).
Both of these adaptations did a very poor job at adapting the anime with terrible acting, baffling story changes and often laughably atrocious special effects.
So, do I think the third time will be the charm and a successful Attack on Titan movie may actually get made?
Well, based on the track record of American live-action adaptations of other anime, you would think not.
Just looking at Dragonball: Evolution should be enough to show why a live-action anime movie should never be attempted.
However, just like with the Avatar: The Last Airbender Netflix adaptation, there are some things that give me hope for this movie.
The most obvious is the director, Andy Muschietti, who directed IT one of my favourite films of 2017.
There, Muschietti showed he was very capable of sticking to and adapting the original source material, while making some necessary changes.
This would point towards him being capable of adapting Attack on Titan, but it is too soon to say whether he will be able to actually do it.
There are also a few things standing in the films way.
First and foremost, the movie’s runtime will obviously constrain the story somewhat, making it only possible to do the Trost arc in the first film.
Then there is actually adapting it, which may prove problematic because of certain elements in the anime.
A prime example of this is the Omni-Directional Mobility Gear, which looked absolutely ridiculous in the Japanese films and, I feel, would be hard to take seriously in live-action, even with a bigger budget.
Speaking of a bigger budget though, this is another thing that may work in the film’s favor.
As I stated, the special effects of the Japanese live-action films were laughable atrocious but a studio like Warner Bros. should have the money to make the Titans look real enough.
Overall, there are both good and bad things to consider about this new Attack on Titan live-action film.
Do I think it will come close to the original anime series even if everything goes right?
No.
Am I excited for it regardless?
Yes.