In my review for Episode Six of The Promised Neverland Season Two, I said that Norman’s exposition scene was one of the worst instances of telling instead of showing that I have ever had the displeasure of seeing.
Well, after seeing Episode Nine, I can say that Season Two has done it again, this time providing one of the worst elements of convience that I have ever seen.
Directed by Kakushi Ifuku, Sumito Sasaki and Tsuyoshi Tomita, everything about this episode is so freaking convenient.
Think about it.
The old demon, Vylk, just so happens to have found a dying human 15 years ago, who just so happened to have the pen part that Emma and the others needed, which just so happened to have a map into Grace Field, and also just so happened to have the cure for Norman and the other Lambda escapees’ illness.
Not to mention how ridiculous it is that all this informaiton is somehow up to date 15 years later.
The scene where this is revealed was so terrible that I was honestly laughing my head off at it.
I could not get over how absolutley nonsenically convenient everything was, and this isn’t even the end of it because we still have to talk about the beginning of the episode, where Norman and his squad all give up on killing demons easily.
This was rushed in the manga too but it is a thousand times worse here.
You’re telling me that Barbara, the person who was all gung ho on slaughtering and eating demons, now hesitates and gives in?
I don’t buy it one bit.
Also, was that dying human Vylk met supposed to be Yuugo?
I hope not because if it was then that is probably one of the most insulting things about this season.
And then there’s the cheap cliffhanger where Vincent is suddenly a traitor.
I’ll get into the reason for this being cheap in my review for Episode Ten, which, oh boy, is just as laughably bad.
There is absolutley no hope for The Promised Neverland now.
It’s a train wreck and Episode Nine is easily one of its worst episodes, full of characters who just magically change their minds on a dime and one of the most laughably awful cases of convenience I’ve seen.
The voice acting and animation are the only redeeming qualities at this point.
Episode Three of The Promised Neverland Season Two made me very concerned about the direction the anime was going, what with all of the cut content and changes.
However, after Episode Four, I’m feeling slightly more optomistic.
I still have concerns but I feel a little better about where the story may be heading.
Directed by Kakushi Ifuku, the episode follows the Grace Field children’s time spent at the bunker, which skips over quite a lof of chapters from the manga.
I’ll get my criticisms out of the way first because it’s easier which, again, is mostly down to the changes.
Right after the opening, with Emma being told the truth by a recording from William Minerva, or rather James Ratri, the episode quickly desolves into a bunch of segments that feel like filler.
Given what we could have been getting if the episode had just adapted the manga, this feels like an extreme downgrade.
Although, people who haven’t read the manga that watch this episode may actually these scenes, so I will admit I am biased in my sentiment.
My bias extends to the downgrade for the attack on the bunker, which is not only incredibly rushed but also laughable compared to the manga with how terribly incompetant the soldiers are.
These clear downgrades from the source material would have brought my opinions of the episode into the negative and would also have increased my fears for the whole season, if it wasn’t for the saving grace of the episode: Isabella.
One of my criticisms of the manga is that characters like Isabella did not get the screen time they deserved.
Well, now it seems that the anime is fixing this issue because Isabella is getting a brand new, anime original storyline, where she is tasked by the demons to hunt the remaining children.
This actually got me excited for what role she would play and I already have my theories about what could unfold in the future because of this, like that the demons potentially offered Ray’s saftey in return for her help.
This and the opening scene where James Ratri informs the children about his backstory, with a recorded phone message, not only saved the episode for me but also gave me some hope about the future of the story.
As I said, I still have my worries, increased by the preview, which seems to suggest a time skip, which would be way too early but, again, we’ll just have to see how this all turns out.
Overall, Episode Four is a decent episode that both has me concerned and makes me more optomistic for the rest of The Promised Neverland Season Two.