On July 27, 1996, a pipe bomb resulted in two deaths and injured over a hundred people in the Centennial Olympic Park.
An investigation was quickly launched but the man who discovered the bomb, Richard Jewell was hailed as a hero for his actions… until he wasn’t.
When news that Jewell was the FBI’s number one suspect leaked to the media, they jumped on it and, soon enough, Richard Jewell was number one on everyone’s suspect list.
Just one problem: Jewell really was a hero.
He had nothing to do with the bombing and his actions probably saved the lives of hundreds of people.
Yet, his life was destroyed by flawed, one-track mind FBI investigating and media reporting that both threw integrity out the window.
This is the true story that Clint Eastwood’s 2019 film Richard Jewell tells, and it is incredibly compelling.
I had heard of Jewell’s story before but I only knew the basics.
After watching the film, I looked up how much of the story was true and most of it is.
The finer details are shocking, with the efforts the FBI and media took to prove Jewell’s guilt being, quite frankly, disgusting.
This disgust that I felt was helped by the extreme sympathy I felt for Jewell, who is played brilliantly by Paul Walter Hauser.
I recently watched interviews with Jewell and it is a spot on portrayal that is right up there with 2019’s best performances.
He is not the only one because Kathy Bates, as Jewell’s mother, Bobi, and Sam Rockwell, as Jewell’s lawyer, Watson Bryant, are both fantastic.
The structure of the film is also great, with it admittedly starting out a bit slow, but picking up in momentum once the bombing occurs.
All of this combines to create a shocking and great film, but one with a very big problem that holds it back from being one of 2019’s best.
This is the portrayal of certain characters, specifically Kathy Scruggs (Olivia Wilde) who plays the journalist who breaks the story about Jewell being a suspect.
She is portrayed in the most negative light possible, with her appearing to not care about the bombing deaths, only wanting a good story out of it, and trading sex for information.
While it is true that Scruggs was part of the media that slandered and demonized Jewell, her initial portrayal as irredeemably cruel feels a lot like the media’s initial portrayal of Jewell and thus hypocritical.
Thankfully, the film does go about showing she later regrets her actions, but the film’s message of not painting someone out to be a monster is slightly tainted by it doing this very thing.
Despite this, Richard Jewell is still Clint Eastwood’s best film in a long while.
With fantastic performances and a gripping true story, it raises good questions about the morality of certain parts of the media and authorities.
Drew Goddard is a fantastic writer, having many film credits to his name but only one directorial credit, this being The Cabin in the Woods. Well, now he has two to his name as his latest film Bad Times at the El Royale has been released.
Upon seeing the trailer for this film I was very intrigued by it, although I will admit it showed too much.
Even coming in knowing a few things that were going to happen, however, I still had a blast with this movie.
The basic plot is that a bunch of wacky characters consisting of a priest, a singer, a salesman, a hippie, a psychopathic girl, a guilt ridden hotel employee and a sadistic cult leader all stay for the night in the dying out El Royale Hotel.
Each of them have their own secrets, some not being who they claim they are.
What follows is a series of choices between California and Nevada, good and evil and red and black that results in numerous intense twists and turns.
The acting across the board for this film is stellar with many of the actors including Jeff Bridges, Lewis Pullman and Chris Hemsworth (for the brief time he is in the film) giving knockout performances.
The real standout of the film though is Cynthia Erivo in her film debut as Darlene Sweet, the singer who gets roped in on Bridges’ Father Flynn’s secret plans.
Ervio not only provides great acting but a great voice as well with her singing being of importance to the film, even going on to provide a very tense scene.
Along with the acting, the cinematography is amazing and created tension between characters and added new meaning to scenes.
About half-way through Bad Times at the El Royale I remembered the odd way the first shot of the film was composed and the meaning behind it, which was brilliant.
Seamus McGarvey did an amazing job with the film’s cinematography.
A lot of people are comparing this film to Quentin Tarantino’s work, which I can definitely see because this film reminded me a lot of The Hateful Eight. However, even though it is reminiscent of Tarantino’s films, it is not dependent on them and stands alone as its own individual film.
The one issue I had was the flashbacks, which were sometimes very jarring.
This is especially apparent in the final act when one of these flashbacks interrupts an action sequence and it took a few minutes for me to adjust as things were explained.
Still, this did not completely put me off as I was still enthralled with the arcs these flashbacks presented for the characters.
Overall, Bad Times at the El Royale was a fantastic film from Goddard that I had a ball with.
That being said the film will not be everyone’s taste with its slow pace, which I think it earns but others may not.
Either way, I still recommend you check it out to see if you like it or not.
When I first heard about Tag I was skeptical.
A movie about a group of friends who play tag once a month every year, how could that be good?
Then I saw the trailer and I thought it might actually make a fun movie, not fantastic but fun.
Oh, how wrong I was.
I will admit Tag could have been good, what with its really good message about friendship.
All they had to do was throw in some good comedy and it would worked for a fun film to pass the time.
However, this was all ruined by immature a childish gags, which you could argue was the point since the characters themselves are immature and childish but that still does not make it work.
The only joke in the film I can remember was a Sherlock Holmes style gag where you hear the characters’ thoughts.
Other than that, I cannot remember a single joke from Tag, they were that forgettable.
Directed by Jeff Tomsic, the basic plot is that Ed Helms, Jon Hamm, Jake Johnson and Hannibal Buress play a group of friends trying to tag their friend Jerry, played by Jeremy Renner, who has never been tagged in his life, before his wedding.
The story that follows can only be described as incredibly predictable.
The characters think of a way to tag Jerry, they try, it fails, rinse and repeat.
It gets old very fast.
Another thing about the way the story is told is how pointless some its sublots are.
There is a love triangle sublot in this film that literally goes nowhere and had no reason to be in the film.
If I were to describe Tag in one word it would be forgettable.
The only redeeming quality about it is that it had a good message about friendship but it was difficult to latch onto that message since the story and comedy had no substance. Tag is a forgettable experience that you should probably skip.
I will wait for the hide and seek movie to come out, thank you very much.