Kill La Kill Review: SYSTEM ERROR: FANSERVICE OVERLOAD!

4 and a half stars
Before I started watching Kill la Kill, I tried to remember what I had heard about it before.
Well, of all the things I could have forgotten, I somehow didn’t remember hearing that this was an anime with a lot of fan service.
So, you can imagine my surprise when I first saw our hero Ryuko (Ami Koshimizu) wearing Senketsu (Toshiniko Seki).
It made me worried that the show would just devolve into one of those anime that put fan service over story or whose fan service often got in the way of that story, like with Code Geass.
Thankfully, the exact opposite happened because, in an unexpected twist for me, Kill la Kill is an anime that revels in its fan service in such an over the top way that it somehow worked entirely.
Fan service is literally at the center of the story with the good guys being nudists.
This created a story that was both intense to watch, due to its story, and hilarious to see unfold, due to its purposefully out there eye candy.

Unlike other anime, Kill la Kill handles its over the top fan service in a perfect way.

Directed by Hiroyuki Imaishi and written by Kazuki Nakashima, Kill la Kill follows Ryuko Matoi who goes to Hoonouji Academy to confront the mysterious student council president, Satsuki Kiryuin (Ryoka Yuzuki), about who killed her father.
However, before she can get answers, she’ll have to fight through the various other students of the Academy, all while wearing the revealing Senketsu, a sentient uniform constructed from the even more mysterious Life Fibers.
The rivalry between Ryuko and Satsuki is great, as is the supporting cast, like the elite four, Ira Gamagori (Tetsu Inada), Uzu Sanageyama (Nobuyuki Hiyama), Nonon Jakuzure (Mayumi Shintani) and Houka Inumata (Hiroyuki Yoshino).
My favourite character would have to be Mako Mankanshoku (Ayu Suzaki), who is the kind of friend everyone would like to have.
Except for the whole, you know, going mad with power thing.
Thankfully, that was a one-time thing though.
In all seriousness, Mako is an enjoyably funny character with the great animation helping show off her eccentricities.

Can I get a “HALLELUJAH!” for Mako?

As for the animation, it is fantastic throughout.
I was captivated by it right from the very first episode and this continued to the very end.
Studio Trigger sure does have amazing animation for a lot of their anime.
As for the score, Hiroyuki Sawano once again kills it with some absolutely fantastic songs and music.
I especially like the themes for the main villains of the anime, Ragyo Kuryuin (Romi Park) and Nui Harime (Yukari Tamura), which were fire.
Speaking of Ragyo, I think we can all agree that she takes the title for worst mother in the history of ever.
Seriously, it doesn’t get much worse than planning a worldwide genocide with alien clothes and sexually assaulting your own daughters.
Well, at least the anime did a good job of making you hate her guts.
As for Nui, she is also a villain that I had a lot of fun watching, with her innocent design giving a false sense of security that hides the complete psychopath underneath.

Nui is a great villain who certainly leaves an impression when she first appears.

All of the characters are great and combining them with a good story, intense action highlighted by fantastic animation, a terrific score, and surprisingly well handled, over the top fan service, you get a really good result.
Kill La Kill is a great anime that has me intrigued to check out more of Studio Triggers’ work.

Attack on Titan The Final Season Trailer Reaction: Excited yet Concerned.

And so it begins.
After months of rumors and speculation, we finally have a new poster and trailer for Attack on Titan‘s final season.
Speaking of the poster first, I will say that it is absolutely incredible.
It parallels season one’s poster perfectly and is definitely one I can see hanging up on my wall.
As for the new trailer, it finally reveals that Wit Studio is passing on the anime adaptation to Mappa Studio to finish.
And, of course, with the studio change comes a different animation style.
Admittedly, I was initially unsure how I felt about it but, after watching the trailer multiple times, I kind of dig it.
It’s clear they were trying to emulate the manga’s style and they definitely succeeded, for the most part.
Another cool thing about the animation is how much of it is not static.
I was afraid there would be quite a few still images based off how much movement is in certain shots but this issue was virtually nonexistent, at least from what the trailer shows us.
Along with this, I was shocked about what the animation showed as well, and this is one of my few criticisms of the trailer because it did spoil some very recent events in the manga.
Still, I’m sure that without the context many anime only viewers will have no idea what they are looking, so I’m sure it’ll be fine.
What is more concerning is the limited role of prior seasons’ Director, Tetsurō Araki, and composer, Hiroyuki Sawano.
While both do apparently have a part in making it, new director Yūichirō Hayashi and new composer, Kohta Yamamoto, look to be taking the reigns for the final season.
Granted, I don’t know too much about either of these people, and they could do a fantastic job but Araki and Sawano did such an amazing job with their directing and music in the first three seasons that I am concerned about their lessened roles.
I can say though that the music, animation and direction for the trailer is stellar so, hopefully, this is a sign that Mappa will be able to do the manga justice.
It has also been confirmed that what was shown in this trailer was animated solely for the trailer, which I am honestly both relieved and slightly nervous about.
On the one hand, there are images from all way up to Chapter 122 and there is no way they could have animated that already if there were more than 20 episodes.
Seeing this scared me into believing we might just end up with another Tokyo Ghoul: Re situation but knowing it was animated for the trailer makes me feel a lot better.
Another thing this gives them time to fix is some character designs that look a little off, like Porco and Levi’s, and an added fourteenth finger pointing at Ymir, which ruins the symbolism this scene had in the manga.
However, on the other hand, a lot of this animation was fantastic and a part of me is concerned we might not get the same excellent quality when the season finally airs.
Although, this fear has no evidence behind it, it is just my paranoia getting the better of me, so, hopefully, it will turn out fine.
This trailer also gives us a first look at many of the new characters like Falco, Gabi, Pieck, Colt, Udo, Zofia, and Willy, who all look amazing in the new animation style.
We also got to hear the voice actors for Falco, Gabi and Willy, who all sound great.
The opening shot of the trailer with Falco looking up at the bird and telling it that it needs to fly away sent chills down my spine.
Another fantastic moment was the final shot of the trailer, which looks to be Eren and Reiner fighting in Shiganshina during Chapter 117.
However, their outfits are from the Marley Arc here so this is likely another shot made just for the trailer.
Yet, it is such an amazing shot that I hope they actually create something like it for the adaptation of that chapter.
One shot I was not a fan of though was the shadowed version of Reiner’s suicide attempt.
Sadly, it looks like they will be censoring this scene, lessening its impact.
But, for every iffy moment in the trailer, there is a great moment that makes up for it, like the teases to Chapter 100, which I just cannot wait to see animated because, if adapted right, it will be one of the series’ best episodes.
I also cannot wait to see the entirety of Volume 30 adapted because, in my opinion, Chapters 119-122 are the best writing Hajime Isayama has ever given us.
I wonder if the season will be split up into two cores, like Season Three, or if they will do it all in one go and pull a Full Metal Alchemist: Brotherhood by having the anime end at the same time as the manga.
Either way, I believe the final season needs to be 25 episodes or more if it is going to adequately adapt the remaining story.
Let’s hope Studio Mappa can live up to Wit Studio and Hajime Isayama’s legacy.