Coming into the Season Two finale, and most likely series finale, of The Promised Neverland, I was not expecting it to be good.
The prior episodes had been of such low quality that the bar was almost floor level.
Well, the final episode was so much worse than I could have possibly feared, not just lowering the bar to the floor but right down to the damn basement.
This episode was directed by Yukiko Imai, Yoshiki Kitai, and Hiroki Itai, and written by… oh, wait, that’s right, the people who wrote the last couple of episodes, including this one, don’t actually want credit for it.
It’s almost like they know how absolutley insulting this episode is, crazy right?
Also, yes, I did just say insulting because that is exactly what Episode 11 is.
I suppose the most accurate way I can describe it is that its like a person dangling a delicious ice cream in a child’s face and then, while the child is distracted, the ice cream holder takes the oppurtunity to punch them in the face.
But, before I get to the insulting scene that inspired this analogy, I have to talk about the expectedly bad opening to the episode, which sees the conclusion to Peter Ratri’s storyline.
This followed from the terrible cliffhanger in last week’s episode of Emma actually offering a chance for Peter to come and be free with them.
Again, this bad scene was in the manga so Cloverworks admittedly did not have much to work with here but, somehow, they managed to make it even worse than the manga counterpart.
The animation of this scene is absolutley abysmal, with constant still frames used during Peter’s backstory scene, where its revealed that he betrayed his brother and had him executed because he became William Minerva and tried to help the farm children.
It’s clear they had very little budget from this scene, otherwise this was a really incompetant way of animating it.
Almost as incompetant as animating Peter’s knife with absolutley no blood on it, despite the fact that he slit his own throat with it.
I mean, seriously, they want us to be shocked by Peter’s suicide but they just ruin it with this glaring error that draws you out of the moment.
Not that it was an intense or interesting moment to begin with.
Then, there’s the Isabella scene, where the children all just immediately forgive her for planning to send them to their deaths.
So, Isabella doesn’t end up sacrificing herself for them in this verion, no, instead she concludes her story by going with them all to the human world.
This was pretty disappointing to me because Isabella’s death is one of the most emotional moments of the manga, especially how she calls out to Ray in her final moments.
Here, there was very little acknowledgement that Ray was actually her son.
Come to think of it, why the heck was there that anime only scene in Episode Four that hyped Isabella up as a big bad villain if they were just going to give Isabella the exact same storyline she had in the manga, only for her not to die?
This all renders that new scene completley pointless.
Just like how Sonju’s scene, where he reveals in Episode Three that he wants to eat humans one day, is rendered pointless by it never being brought up in this episode.
Why add that if you’re just not going to follow up on it later?
It’s honestly laughable that a character like Vylk had more importance in these final episodes that freaking Sonju and Mujika.
Not only that, but Cloverworks actively teases us with things we are never going to get now.
They show the Goldy Pond door and the Queen and her nobles but these things will most likely never be explored because this is likely going to be the final episode.
Way to tease us with things we won’t be getting, Cloverworks.
But now we get into the really insulting part.
The scenes that made me simultaneously laugh and yell at the screen in outrage.
First, we get the moment when the characters are walking through the door to the human world.
Only, what’s this, Emma, Ray, Norman, and the Lambda escapees are planning on staying behind with Sonju and Mujika to change the demond world?
Oh, okay, so this means that we are going to get a season three and they are going to adapt the Goldy Pond and the Queen arcs in the third season.
Well, I’m not sure how I feel about this, considering that the character development is compromised because of how things were swapped around and rushed in the second season, but I’m willing to see where this goes.
And now we’re getting some kind of montage to build into this next season, alright, interesting, and is that Emma with The One, okay… wait, what?
Is that Emma and the others about to launch an attack on the demon capital?
Is that Mujika being crowned queen?
Is that Emma saying goodbye to Mujika!?
Is that Emma reuinting with Phil and the others, making that scene where it looked like we were going to get a season three nothing more than build up for a slideshow!?
This is how you end the series!?
You tease us with a potential season three and then you hit us with a slideshow montage of what we could have got in this potential season three before ending the story entirely!?
Who thought this would be a good idea?
No, they had to have known it was a bad idea because why else would no one be claiming responsibility for writing it?
This is what I meant when I said that the final episode is like a person dangling an ice cream in front of a child’s face before punching them while they’re distracted.
The child is us, the ice cream is the teasing of a third season, and the person punching the child is Cloverworks giving us a freaking slideshow montage instead.
This was insulting.
The absolute audactity of this moment left me wondering what the hell the writers were thinking.
I mean, why didn’t they just have Emma and the others go to the human world in the first place?
Why get us excited for a potential season three where they would adapt the missing arcs, only to pull out the rug from under us and show the scenes we all wanted to see in a slideshow?
What a terrible episode, no, a terrible adaptation.
You know what?
I’m going to say it.
This is worse than Tokyo Ghoul‘s adaptation.
That’s right, I said it.
At least Studio Pierrot didn’t have the audacity to unjustly tease us with the missing stuff.
This episode is the equivalent of how it would have been if Tokyo Ghoul √A’s ending had been a montage of all the events in Tokyo Ghoul: Re, which they then refused to show us.
An absolute insult and punch to the face to any fan of the manga and anime.
What a joke.
I now feel comfortable saying that Season Two of The Promised Neverland is one of the worst adaptations of all time.
Thank god this miserable experience is over.
Episode Seven of Season Two of The Promised Neverland was such a boring episode that I honestly forgot what happened in it not long after.
It wasn’t even so bad that I just had to talk about it, like with Episode Six, it was just extemely forgettable.
Therefore, I never really saw a point in reviewing it, since I could not remember anything about it.
Episode Eight, on the other hand, is definitley worth reviewing since it’s one of the better episodes of the season.
Definitley not quite as good as Episodes One and Two but certainly a lot better than Episodes Five, Six and that extremely pointless recap episode.
Directed by Hiroki Itai, the episode picks up with what should have happened in Episode Six, a flashback to Norman’s time in Lambda.
This is what we should have got instead of that god awful exposition scene, which was one of the worst instances of telling instead of showing that I have ever seen.
I still think that we could have used an entire episode laying out Norman’s time at the facility but it was still decent.
We also got to meet the main villain of the story here, Peter Ratri, who, as an antagonist, is servicable enough.
He’s nowhere near as interesting as Isabella, or the character who would have been the main antagonist of the season if the Goldy Pond Arc hadn’t been cut, but he’s still servicable.
All in all, this flashback is good but could have been more fleshed out.
I wish the anime had expanded on Smee a bit because he’s essentially a plot device to randomly justify Norman’s escape.
Despite these problems, it was still interesting to finally see how Norman escaped Lambda and formed his own little Suicide Squad.
From here, the episode cuts to the present where Emma, Ray and the others are searching for Mujika and Sonju, while Norman and his cronies are preparing to initiate their attack early.
It’s all fairly standard stuff to move the plot along and, as a manga reader, I was disappointed with how one intense shot of Norman was extremely simplified.
In any case, Emma and the others finally locate Mujika and Sonju, only for Norman to attack the demon village early and, just like that, the episode gets way better.
Watching the effects of Norman’s drug on the demons is a pretty big gut punch and the music is straight up fire.
But then my excitement is slightly ruined by yet another contrived scene, when Norman hesitates to kill a demon girl all because the grandpa demon shouts Martha– I mean Emma!
Jokes aside, this had to be a Batman vs Superman: Dawn of Justice refrence right?
It’s just too similar and just as convenient.
But hey, at least it leads into the final shots of the episode, where Emma arrives just in time and sees Norman as a scared child, which gave me literal goosebumps.
So, overall, there’s a lot of good and a lot of bad about the episode.
However, despite the episode’s problems, it just edges out into the good territory because of the Norman flashbacks and the intense final scene, even if there is a lot of convience there.
In my opinion, Episode Eight in the best one this season, since Episode Two.
However, you will definitley not see me being as kind about Episode Nine, oh no.
I just watched that episode and rather than just being just forgettable, like Episode Seven, it’s just plain bad, like Episodes Five and Six.
Expect a full on rant when I review that one.
Oh well, at least we got one good episode before the show descended into train wreck territory again.