Dune: Part Two Review: A Spectacular Sequel.

I absolutely adored Denis Villeneuve’s Dune: Part One.
Adapted from Frank Herbert’s novel of the same name, which is widely regarded as one of the greatest science fiction novels of all time, Part One did a fantastic job of setting up this world’s story, characters and themes.
I had been anticipating the sequel ever since I saw the first one in theaters, even waiting through a few delays.
Once I got the chance to see it, I figured there would be no way better than to watch a double feature, with both Parts One and Two played back-to-back.
This resulted in undoubtedly one of the greatest cinematic experiences I have ever had, and it is through watching this double feature that I can confidently say that Part One flows perfectly into its sequel.

Both movies feel at their best when watched together.

Dune: Part 2 sees Paul Atreides (Timothée Chalamet) and his mother Jessica (Rebecca Ferguson) take shelter with the Fremen of Arrakis after the Atreides family is massacred by their old enemy, the Harkonnens, under the orders of the Emperor (Christopher Walken).
From there, the film follows Paul’s journey to get revenge upon the Harkonnens and help the Fremen, while also attempting to avoid the messiah role being crafted for him.
After watching the first movie, some fans of the book were concerned that Villeneuve was not leaning into the theme of not trusting charismatic leaders, which was Herbert’s key message when writing Dune.
This second film, however, should dispel any doubts about that.
Timothée Chalamet does an excellent job of showing Paul’s gradual transition into becoming the Lisan al Gaib, culminating in a confrontation scene which left the audience I saw the film with in stunned silence.

Chalamet nails his performance as Paul Atreides at his most tyrannical.

Everyone else in this film does a fantastic job as well.
Rebecca Ferguson is unexpectedly terrifying in her manipulation as Jessica.
Austin Butler is also terrifying but for very different reasons as Feyd-Rautha.
Then there is Javier Bardem who somehow works as both the comedic relief of the film and a chilling representation of radicalization.
Josh Brolin, Stellan Skarsgård Florence Pugh, and Dave Bautista all do great, as well.
The most surprising character in the film, for me though, was Chani, played by Zendaya.
She has so much more agency than her book counterpart, and the way her ideas differ from Stilgar’s helps make the Fremen feel much more realistic as a culture.
This also makes her movie-only conflict with Paul interesting, and I look forward to seeing how this is followed up on in the inevitable adaptation of Dune: Messiah.

I much prefer movie Chani to book Chani.

So, the characters and the themes they portray are all excellent, but what about the visuals and soundtrack?
Well, if you saw the first movie then you definitely had no doubt that they were going to be just as amazing.
Watching this movie on Xtremescreen was a sight to behold, and I would not be surprised if Greg Fraser received at least an Oscar nomination for his cinematography.
The same goes for Hans Zimmer, whose score is just as epic as it was in the first film.
These visuals, supported by excellent CGI, along with the score, made for a jaw dropping experience.

*Part Two* is full of stunning shots like this.

As you have read, I have been heaping praise upon this movie from the moment the review started but do I have any criticisms?
Well, yes but those issues really only come down to things from the book that were not included.
For example, one of my favorite characters in the novel had their role greatly reduced and this was disappointing to see.
However, at the same time, I do acknowledge that this character would have been difficult to adapt completely.
Besides Part Two clearly sets up their importance in the future of the story.
Not only this, but I cannot deny that if I had never read the book then this would not have been an issue for me.

Although I was sad to see a certain character’s role reduced, I liked how their importance was foreshadowed.

Other than a few, biased, book reader issues, Dune: Part Two is just as much a masterpiece for me, as the first.
It and Part One are the greatest science fiction movies in years.
If you still can, I would highly recommend watching them as double feature, like I did.
Watching these movies on the big screen was a cinematic experience I will remember for years to come.
Whenever I decide to rewatch these films, it will definitely be back-to-back.
Let the sequels continue to flow.

The Boy and the Heron Review: Another Miyazaki Great.

It is undeniable that Hayao Miyazaki is the most celebrated anime director of all time.
Over the decades, he has delivered beloved film after beloved film, most notably Spirited Away.
My personal favourites of his are Princess Mononoke and The Wind Rises.
So, when I got the chance to see a Miyazaki film in theaters for the first time, I took it.
The Boy and the Heron is set in World War Two Japan and follows Mahito Maki, a young boy who loses his mother in a fire.
His father later remarries Natsuko, the sister of Mahito’s mother, and the two travel to her estate.
It is there that Mahito encounters a sinister talking Heron, who eventually convinces him to travel into a supernatural world where his mother supposedly awaits him.
And so begins another fantastical Miyazaki journey.

Much like *Spirited Away, The Boy and the Heron* sees our main character transported into a supernatural realm.

The film looks excellent, with the hand-drawn style of Studio Ghibli being very striking on the big screen.
Along with this, the voice acting is solid, at least for the English dub version.
Yes, I saw the dub over the sub, though this was mostly because all of the sub showings were late at night.
That being said, the English voice actors all did a good job, with Luca Padovan, Karen Fukuhara, Mark Hamill, Gemma Chan, Willem Dafoe, Florence Pugh, and Dave Bautista all giving life to their characters.
This is especially true for Robert Pattinson who voices the heron.
I was genuinely shocked when I heard he played the character because I did not recognize his voice at all.

The Heron starts the movie quite creepy and untrustworthy.

Along with the animation and voice acting, the music also does a great job of bringing you into the world, with all of this being tied together by the story.
Mahito’s personal journey throughout the film is quite relatable, doubly so because we can see how Miyazaki put much of himself into the character.
One of the central themes of the movie is legacy, which shines a light on how Miyazaki is thinking of his own legacy, especially since this is supposedly his final film.
If it is then he chose a good one to send himself off on.

The film takes on an entirely new meaning when you look at it in the context of Miyazaki’s career.

The Boy and the Heron is another Miyazaki great, with expectedly stellar animation, music, and voice acting, along with a story that has relatable themes.
I would rank this film highly among Miyazaki’s catalogue, maybe even in my top five favorites of his.
And, if this is truly the last Hayao Miyazaki film we ever get, then I am glad that I saw it in theaters.

Oppenheimer Review: One of Christopher Nolan’s Best.

Christopher Nolan is one of my and many other’s favourite directors working today.
His name attached to a project alone is enough to get my butt in a set.
I have even liked some of his films which have received criticism, like most recently Tenet.
Nolan’s Oppenheimer, however, has been getting mostly non-stop praise and, after seeing the film in Xtremescreen, I can say that this praise is entirely deserved.
Oppenheimer is a biographical film following the life of the titular J. Robert Oppenheimer, called the father of the atomic bomb.
Cillian Murphy plays Oppenheimer in his first leading role in a Christopher Nolan movie, and he does so flawlessly, conveying so much emotion with just his eyes.

This is Murphy’s best performance to date.

His performance is masterful, as we watch Oppenheimer go from studying abroad, to eventually leading the Manhattan Project, to his downfall during the shameful years of the McCarthy Era.
I would not be surprised if we saw Murphy get at least an Oscar nomination for Best Actor.
He should not be alone in getting a nomination, however, for there are other actors whose roles in Oppenheimer make them deserving as well.
There is Emily Blunt as Kitty Openheimer, who steals the scene in an interrogation with Jason Clarke’s Roger Robb, which makes her deserving of a Best Supporting Actress nod.
As for Best Supporting Actor, the nomination without a doubt has to go to Robert Downey Jr, who delivers what is one of the best performances of his career as Lewis Strauss.

I will be upset if Robert Downey Jr. does not at least get nominated for his role in *Oppenheimer.*

Matt Damon, Florence Pugh, Rami Malek, Gary Oldman, and Casey Affleck are some of the many, many big name actors who makes appearances in this film and they all do excellent.
But what is good performances without good direction, and Christopher Nolan delivers that in spades with a stunning look into Oppenheimer’s mind in all of its beauty and terror.
This terror especially comes into play with the Trinity Test, the first test of a nuclear bomb, which is the most intense moment I have seen on screen all year.

The build up to the blast had my heart pounding.

The way the cinematography (Hoyte van Hoytema), the editing (Jennifer Lame) and score (Ludwig Göransson) all combine during the Trinity Test creates such a beautifully haunting moment.
This moment is maybe even matched by Oppenehimer’s reaction to the aftermath of the successful bomb drops on Hiroshima and Nagasaki, which killed hundreds of thousands.
Nolan and Murphy portray the effect these horrible events had on Oppenheimer perfectly, leading an ending scene which gave me goosebumps.
I think the last time a movie’s ending left me feeling so haunted was when I saw the ending to Bong Joon-ho’s Memories of Murder.

The ending of *Oppenheimer* will stick with me for a while.

After seeing Oppenheimer I would go as far to say that it is not just an excellent film but one of Christopher Nolan’s best, right up there with the likes of Inception and The Dark Knight.
The film is three hours long and when it was over it felt like barely any time had passed and that may be the highest praise I can give it.
I cannot recommend Oppenheimer enough.
It not only provides a haunting look at the creation of nuclear weapons but a look at the flawed yet sympathetic man who fathered them.