Watchmen Episode Two, Martial Feats of Comanche Horsemanship, Review: “Friends in High Places” Indeed.

4 stars
The mystery deepens in the second episode of Watchmen “Martial Feats of Comanche Horsemanship”, with Angela beginning her investigation into the death of Chief Crawford.
Her prime suspect is the 105-year-old Will who claims to have “strung up your police chief”, despite looking physically incapable of doing so.
Directed again by Nicole Kassel, episode two dives head first into the interactions between Angela and Will as the costumed detective tries to learn the truth from him.
An interesting point to note is that, as far as I can remember, Will never outright says he murdered Crawford.
Again, he merely states that he “strung up your police chief.”
So, while he may have had a hand in hand in hanging Crawford, he may not be behind his murder.
Although, Looking Glass later says Crawford did die of asphyxiation, likely from being hung, so I may be wrong about that.
Or maybe he was killed elsewhere before being hung.
Either way, Crawford’s murder is not the only mystery surrounding Will because it is revealed that he is Angela’s grandfather at the end of the episode.
One thing I did find interesting was that it was mentioned that Will has two descendants.
This means, along with Angela, there is one other character who is descended from him.
Following the realization that Will is her grandfather and realizing he will not cooperate, she decides to take him in, ignoring his claim of having “friends in high places.”
This comes back to bite her when, after putting Will in her car, a magnet descends from the sky and picks up the car with Will in it, flying off.
“Friends in high places” indeed.

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Will disappears with a smile as he is rescued from Angela’s custody. 

The scenes between Angela and Will are great as they continue to build in suspense and anticipation for the reveal of the conspiracy Will claims is currently happening in Tulsa.
The only weak moment came in the aftermath of Crawford’s murder, where Angela lets out a cry of anguish that seemed kind of artificial to me.
Aside from this small moment, though, their interactions are very good.
There are already multiple theories surrounding Will, including one that he was Hooded Justice who appears on a TV show called “American Hero Story”in a brief yet interesting scene that speaks to Angela’s character.
Supporting this theory, is the opening scene where Will’s father is fighting in World War One and sees a German pamphlet that urges black soldiers to come over to their side where they will be treated fairly, and Hooded Justice was thought to be German.
Speaking of theories, I also like the one that Crawford was the Seventh Calvary member who shot Angela.
In a flashback of the White Night, Angela is shot and about to be killed by one of their members but then it cuts to her waking up in the hospital with Crawford beside her.
However, none of these scenes are my favourite of the episode.
That award goes to the scene where we get to see Ozymandias’ play.
This moment proves to be the most confusing yet interesting scene in the show so far, with his production of Dr Manhattan’s transformation being particularly disturbing and also somewhat comical.
We watch as he literally burns his assistant Mr Phillips to death to simulate Dr Manhattan’s transformation, upon which it is revealed that all of his assistants are clones.

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Watching Ozymandias burn one of his clone servants to death, only for the next clone to eagerly take their place, is both disturbing and oddly comedic.

Why Ozymandias has all these clones and what exactly he intends to achieve by making this play for himself is uncertain.
One thing is clear, though, and that is that he has been deeply affected by his last meeting with Dr Manhattan, remembering his last words to him before he departed, “nothing ever ends.”
I am probably looking forwards to Ozymandias’ scenes the most in future episodes as Jeremy Irons is doing a great job.
Other notable scenes in this episode include the discovery that Crawford may have been in the Ku Klux Klan, and the touching moment where Looking Glass reveals that, despite seeming completely cold, he is actually crying under his mask.
Overall, I would say that “Martial Feats of Comanche Horsemanship” is another great episode of Watchmen that, while not as enjoyable as the first episode, deepens the mystery and creates more interesting questions for the show to answer.
Let’s just hope those answers will be satisfying.

My Hero Academia Season Four, Episode Two, Overhaul Review: Bloody Beginning, Hilarious Ending.

4 and a half stars
Well, it’s fair to say that season four of My Hero Academia has officially begun with its second episode, “Overhaul.”
The first episode of the season, “The Scoop on U.A Class 1-A”, was little more than filler designed to catch viewers up on the story so far.
“Overhaul” continues that story, delivering a great episode that has an intense beginning and a gut-bustingly funny ending.
After reading the events of the beginning in the manga, I could not wait to see it animated and it did not disappoint.
The new villain Overhaul’s meeting with the League of Villains sets him up magnificently as the big bad of this arc, with his charismatic personality, intelligence, and threat level.
Both the sub and dub voice actors, Kenjirô Tsuda and Kellen Goff, do an amazing job at voicing the character.
Instead of joining the League like Shigaraki expects, Overhaul instead criticizes him, pointing out all the mistakes he has made, and suggests he becomes their new leader because he has an actual plan.
However, this does not go over well for the rest of the League with Magne (or Big Sis Mag) attacking him.
This ends poorly for her, with Overhaul revealing his quirk by blowing her upper torso to bloody pieces.
Overhaul then obliterates Mr Compress’ arm as well, after he attempts to compress him only to be stopped by some kind of quirk removing bullet.
Following this, Shigaraki makes a move to kill Overhaul who is shielded by one of his men.
With a death on both sides, Overhaul leaves with his men to let the League cool off, stating he owes them an arm, something that will pay off spectacularly later.
This scene is over in a few minutes but really sets up how big of a threat Overhaul is with his destructive quirk and troops at his disposal.
Probably the worst thing about him, though, is his cruelty which will be expanded on in the next few episodes.
I also liked what this scene did for Shigarakai as well.
You can see the slow progression he has from the beginning of his meeting with Overhaul to the end.
Overhaul’s criticisms get to him and it will be interesting to see how he continues to grow in his villainy.
After this dark beginning, the episode then compensates for some stellar humor as Deku attempts to get an internship with All Might’s former sidekick Sir Nighteye.
There are numerous great gags in these scenes, from Bakugo’s gloating, to All Might’s reluctance to talk to Sir Nighteye, to Miro’s bad jokes.
By far the best joke, though, comes at the ending with Deku’s first meeting with Nighteye.
Deku walking in on him tickling Bubble Girl for not making him laugh is pretty hilarious but what follows is even better.
Realizing he has to make Sir Nighteye laugh to be accepted, Deku imitates All Might in a comical moment that is definitely a bad idea, proven by Mirio’s hilarious reaction and Nighteye believing him to be ridiculing All Might.
This ending to the episode, left me in stitches.
It honestly made me laugh harder than it did in the manga.
“Overhaul” is a great episode of My Hero Academia. 
The one criticism I have is that Magne’s story with her friend before her death felt a little oddly paced.
I think it would have been better for her to reveal this before she tried to attack Overhaul as opposed to during because there it disrupts the pacing a little.
Otherwise, “Overhaul” is the episode where the story of the fourth season really picks up, delivering both a bloody and hilarious episode.

Game of Thrones, Season Eight, Episode Two, A Knight of the Seven Kingdoms Review: Final Happy Moments.

4 stars
In the recent seasons of Game of Thrones, the show has lost a lot of the stakes it had previously.
While in the first five seasons it felt like any character could die, after that point the good guys have won victory after victory to the point that, even though the series is still good, it makes the series a much less intense experience.
But I feel that this episode “A Knight of the Seven Kingdoms”, directed by David Nutter, may be the final truly “happy” episode the show gives us.
There are so many moments in the episode where characters are given preparations for the conclusion of their arcs in heartwarming scenes.
Theon returns to fight for Winterfell and is reunited with Sansa, Jorah convinces Dany to give Tyrion another chance as Hand of the King, Sam gives Jorah his sword, and Grey Worm and Missandei decide to go to Naath once the fighting is done.
While these are all heartwarming scenes they all present major death flags for the characters, giving these joyous scenes a sense of finality.
By far the best of these scenes is the one when Jamie knights Brienne, with terrific performances from Nickolaj Coster-Waldau and Gwendoline Christie.

Brienne
Gwendoline Christie did not even need to speak during her scene. Her facial expressions alone spoke volumes.

The two actors really sold their connection but, again with the sense of finality the scene presents, I doubt Brienne is going to last that long.
I can honestly see her dying to protect Jamie next episode, along with Theon (Alfie Allen), Grey Worm (Jacob Anderson) and Jorah (Iain Glen).
Still, if these characters do die, at least they got some heart warming scenes before their deaths.
Not every scene in the episode is heartwarming though, as Jon (Kit Harringtom) tells Dany (Emilia Clarke) the truth about his parentage and she feels threatened because this means his claim to the Iron Throne is better than hers.
This seems to be laying the seeds for the tragedy of their relationship that is sure to follow.
Honestly though, I find it pretty funny how they both just learnt they have been committing incest and their main focus is still the Iron Throne.
However, not all the scenes in this episode are great because there is one that feels quite awkward.
This is the sex scene between Arya (Maisie Williams) and Gendry (Joe Dempsie).
Even though the scene makes sense, it feels a bit weird watching a character who was a little girl at the beginning of the series do the dirty.
Although, as others have pointed out, Arya has murdered multiple people across the series and we were all okay with that so this says something about those of us who were uncomfortable about it.

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The sex scene between Arya and Gendry feels a little weird but we have seen far, far, far, far, far, far worse things on this show.

But there is one criticism I do have that I think is legitimate and that is Tormund Giantsbane (Kristofer Huvju).
Since his introduction, Tormund has turned into more of a comic relief character, to mostly great effect
In “A Knight of the Seven Kingdoms,” however, his jokes got really repetitive for me and almost ruins the scene where Jamie knights Brienne.
Overall, this episode is about on point with the season premiere.
It is mostly fan service, with a sense of finality, that is preparing us for the inevitable heartbreak that will come with the 82 minute episode next week.
Might need the tissues for that one.