House of the Dragon Episode Ten, The Black Queen Review: The Dance Commences.

The first season of House of the Dragon has come to a close with its tenth episode, “The Black Queen”, and I do not know how I am going to be able to wait until 2024 for Season Two.
Directed by Greg Yaitanes, “The Black Queen” was a fantastic way to end the season.
The episode begins, rather fittingly, with Lucerys.
He is still having doubts about his future inheritance of Driftmark, yet Rhanerya seeks to console him, only to be interrupted by the arrival of Rhaenys who has brought word of Visery’s death and the Green’s coup.
What follows is a tense scene between her, Rhanerya and Daemon, with Rhanerya being understandably distraught, while Daemon is enraged, believing the Greens have murdered Viserys.
Him coming to this conclusion is natural, given that we saw how suspicious he was of Viserys recieving milk of the poppy in Episode Eight.
There is even some suspicion around Rhaenys, due to both her unlikely escape and the fact that she did not burn the Greens with Meleys.
In the end, Rhaenys advises that Rhanerya leaves Dragonstone, before the Greens come for her and her children.
This is not possible, however, because Rhanerya’s grief and shock causes her to go into a horrific early labor.
Daemon proves himself to be quite the poor husband, as he immediately starts planning for a war, instead of being by Rhanerya’s side.
Although, he is rather smart about it, threatening the two Kingsguard on Dragonstone to swear fealty to Rhanerya or die by Caraxes’ flames.
As for Rhanerya, the stillbirth scene that follows is arguably even more graphic and disturbing that Aemma’s C-Section in Episode One.
First, there is the way that Rhanery’a screams are mixed with Syrax’s, once again showing the connection between Targaryens and their dragons.
Most of all, though, are the horrifying visuals of the stillbirth, with the amount of fake blood and prop of the baby itself being absolutley haunting.
This then leads into the funeral scene for the baby and the devestated feeling transforms into a hopeful one with the arrival of Erryk Cargyll, who stole Viserys’ crown.
And so, with Ramin Djawdi’s epic Rhanerya theme, Rhanerya is finally crowned as Queen of the Seven Kingdoms.
The planning for the Blacks’ war then begins, with the painted table on Dragonstone being lit up in a fantastic shot.
We can clearly see that Rhanerya and Daemon are on opposite sides, with Rhanerya being more cautious while Daemon wants war.
When it comes to dragons, the Blacks do have the advantage, and if they can sway the other lords of Westeroes to their cause then it will also boost their chances.
Before any decision can be made, Otto arrives with a delegation from King’s Landing to offer Rhanerya peace.
This is clearly Alicent’s gambit, since she won control over Aegon in Episode Nine.
Had Otto won this would have been an assassination attempt rather than a negotiation.
The meeting on Dragonstone perfectly mirrors the one from Episode Two, as Otto arrives to confront Daemon, only to be interrupted by Rhanerya and Syrax.
Only now, she stands with Daemon, and Syrax blocks the Greens’ escape as a serious threat.
Otto offers Rhanerya and Daemon control of Dragonstone, Lucerys of Driftmark, and high places at court for Aegon the Younger and Viserys.
That last one would make them, in effect, hostages and Daemon clearly picks up on this stating, “I would rather feed my sons to the dragons than have them carry shields and cups for your drunken, usurper c**t of a king.”
A classic Daemon line.
Rhanerya is not swayed by Otto’s offer, throwing away his Hand of the King badge.
However, she is convinced to think on it through Alicent’s gesture of good will, the page Rhanerya tore from their book when they were younger and closer, recalling a happier time between them.
The choice of the writers to make Rhanerya and Alicent childhood friends was an excellent one, as it creates much more compelling drama.
Alicent’s touching gesture is enough to get Rhanerya to consider the offer, angering Daemon further.
Rhanerya does make some good points in saying that relenting her claim to the throne would create peace as her father wished for.
She even brings up how this could eventually lead to the fulfilment of Aegon’s dream, thinking Daemon would understand.
Instead, Daemon grabs Rhanerya by the throat while berating Viserys’ obsession with prophecy, stating, “Dreams didn’t make us kings. Dragons did.”
This causes Rhanerya to realise that Viserys never told Daemon.
Essentially, the grief Daemon feels for Viserys’ death makes him lash out at Rhanerya when he learns that his own brother never trusted him with such vital information.
On another note, it is kind of funny that some people were annoyed by Daemon choking Rhanerya, saying he would never do something so cruel.
They seem to be forgetting that Daemon murdered his wife.
Daemon has never been a good person.
Interesting?
Definitley.
A good person?
Absolutley not.
Following Daemon and Rhanerya’s confrontation, a recovering Corlys arrives at Dragonstone and is attended to by Rhaenys.
What follows is a tense conversation between the couple as Rhaenys condemns Corlys for leaving her alone for six years, following the deaths of their children.
Their relationship is much healthier than Rhanerya and Daemon’s, however, as, upon learning of Vaemond’s death, Corlys admits his weakness for ambition, resolving to be a changed man and retire to Driftmark with Rhaenys.
Unfortunately, this has come much too late, as Rhaenys points out that their grandchildren will still be in danger with war looming, and Rhanerya being the only one showing restraint.
And so, Corlys enters the meeting room to decide which side he will choose, if any.
It honestly feels as though Corlys was still considering, right up until he looked upon his grandchildren and saw that they had chosen to stand by Rhanerya and her family.
This makes Corlys side the Blacks, revealing his control over the Stepstones means he can block all trade with King’s Landing.
Once this is done, all that will be needed is to confirm Rhanerya’s allies among the great houses and then they can force the Greens into abdicating power without the need for bloodshed.
At Jace’s suggestion, Rhanerya decides to send her sons to confirm her allies, rather than ravens, sending Jace to the Eyrie and Winterfell, and Lucerys to Storm’s End, making them swear not to fight on their missions.
As this is happening, Daemon is attending to the unclaimed dragons on Dragonstone, among them the Bronze Fury, Vermithor, King Jaehaerys’ dragon.
Singing a High Valyrian lullaby, Daemon soothes the old dragon, as it breaths fire across the room, showing the strength the Blacks could have on their side if they could just find riders to claim these dragons.
They will certainly need it because of what happens next.
Lucerys flies to Storm’s End to treat with Lord Borros Barethon, only to find he is not the first one there.
In an intimidating the shot, the head of Vhagar rises above the castle walls, like something out of a giant monster movie.
Despite the danger, Lucerys enters the castle to treat with Borros, finding that Aemond is already there, having brokered a marriage pact between himself and one of Borros’ daughters in exchange for Borros’ support.
Lucerys gives Borros Rhanerya’s letter (leading to a humorous moment where Borros needs a Maester because he cannot read, which is true to Medieval times) but he refuses to fulfill his father’s oath, since Lucerys has nothing to offer because he is already betrothed to Rhaena.
Lucerys then attempts to leave, only to be stopped by Aemond who wants him to cut his eye out as payment for his own.
Aemond removes his eye patch, revealing that he has stuck a saphire in his eye socket, in a great adaptation from the book.
Before Aemond can attack Lucerys, Borros orders Lucerys removed, not wanting blood shed beneath his roof.
Lucerys is taken back to his dragon, Arrax but, chillingly, sees that Vhagar is gone.
It is at this point that I would like to commend Elliot Grihault for his performance as Lucerys.
He plays the character’s fear well and his High Valyrian is excellently pronounced.
Lucerys takes to the sky but the stormy weather keeps Vhagar out of sight, allowing the massive dragon to fly overhead in a terrifying shot that shows just how outmatched Arrax.
Aemond then ambushes Lucerys with Vhagar, intent on taking Lucerys’ eye.
Thanks to Arrax’s small size, Lucerys manages to manuvere him through a cliff face, allowing them to temporarily escape Aemond.
However, as Viserys said in Episode One, “The idea that we control the dragons is an illusion” and this is proven in the most disastrous way possible.
First, Lucerys loses control of Arrax, as he breaths fire at Vhagar.
This agitates Vhagar to the point that Aemond cannot control her.
In an effort to escape, Lucerys flies Arrax high above the clouds.
Unfortunately, this leads to Vhagar jump-scaring them and the audience, as she flies up out of the clouds and rips Arrax apart with a massive bite, also killing Lucerys.
Aemond clearly did not wish for this happen, as evidenced by his commands for Vhagar to stop.
This is different from the book where Aemond supposedly murders Lucerys.
Although, this version of events was just from second hand accounts, and the only one who would know what really happened is Aemond.
In any case, the horrified look on Aemond’s face shows that he clearly realizes the magnitude of what he has done as he flies back to King’s Landing, fully aware that he has started a war.
This is all but confirmed in the final scene of the episode, which sees Daemon tell Rhanerya of Lucerys’ death.
The hopeful note of Rhanerya’s theme then turns dark as Rhanerya turns towards the camera, her grief and rage obvious.
Emma D’Arcy does an excellent job of portaying Rhanerya’s feelings in this ominous moment.
They do an incredible job across the entire episode as well, from the horrifying stillbirth scene all the way up to this grim ending that has me especially excited for Season Two.
“The Black Queen” is a fantastic ending for the first season of House of the Dragon.
As for where I would rank the episode, it is definitley among the top three, including Episodes Seven and Eight.
However, at this point, I am unsure if I would rank it above or below either and will probably need a few more rewatches to decide.
Nevertheless, House of the Dragon has been a fantastic spin off to Game of Thrones, redeeming the series after the horrible Season Eight, and I cannot wait to see more.

Book Spoiler Section:
In regards to what Aemond will do when he arrives back at King’s Landing, I can definitley see him acting like he meant to kill Lucerys.
Aemond is in a no win situation.
He either claims he murdered Lucerys, which will make him known as a kinslayer, or he admits that he lost contorl of Vhagar, which will make him seem weak.
Given how we saw that Aemond being bullied as a child lead to him compensating by claiming the largest dragon in the world, I cannot see him owning up to weakness.
He would rather be known as a kinslayer than weak so he will act like killing Lucerys was intentional.
Alicent will no doubt be horrifed by her son’s actions as this has ruined any chance for peace between the Greens and Blacks.
Westeroes will be plunged into civil war in Season Two, and I am excited to see many of the events from the book unfold.
I think Season Two will end either with the Battle of the Gullet or Rhanerya taking King’s Landing.
If I am right, this means that we will also see Blood and Cheese, the death of Rhaenys, and the introduction of the Dragon Seeds in Season Two.
Of all these events, I am excited for the Sowing of the Seeds the most.
Characters like Nettles and Addam Velaryon are some of my favourite characters in the entire Dance so I am very excited to see how they will be portrayed.
Although, I have heard theories that the show will replace Addam and Nettles with Laenor and Rhaena.
To be honest, I would absolutley hate it if the writers did this because it could ruin so much of the story going forward or, at the very least, lessen the impact of numerous scenes.
I do not mind if Laenor and Rhaena have more scenes but make their characters seperate from Addam and Nettles.
However, this is just a theory at the moment and hopefully a wrong one at that.
There is no reason to be concerned until there is actually evidence of this happening.
In the meantime, there is so much to be excited for in Season Two.
It’s just a shame that we have to wait until 2024 to get it but I am sure the wait will be more than worth it.
House of the Dragon has pulled me back into the world of Westeroes and I will eagerily await its return.

My Hero Academia, Season Five, Episode Ten, That Which is Inherited Review: The Controversial Twist.

The events of Episode Ten from Season Five of My Hero Academia are ones I have been interested to see adapted in the anime for a while.
My reason for this is that not only was I excited to see the big twist play out, but I was also curious to see what the fan reaction would be.
The reveal that One For All would give Deku multiple Quirks was a controversial one when it happened in the manga because many thought it would make him too overpowered and lessen the stakes.
Personally, I think it has been handled great so far in the manga, although I won’t be saying anything more about the source material beyond that.
It also seems that the anime only reaction has been mostly positive as well, which is good to see, with fans seemingly open to see where this goes, even if they have concerns about it, which, to be fair, are natural.
As for the episode itself, “That Which is Inherited”, directed by Ikurō Satō, it is the best episode of Season Five so far and gives new life to this arc, along with the previous two episodes, which were also pretty great.
Before those episodes, the arc had been a bit drawn out, with the anime making things longer than it should have been by adding various recaps to things we did not need them for.
“That Which is Inherited” does prove the importance of this arc, though, because the big reveal is clearly one of the most important moments in My Hero Academia, being one that shapes the direction the story is going.
The episode begins in a rather creepy fashion, opening up at Tartarus Prison where All For One is being held.
The king of all supervillains is under constant surveillance in his prison cell and the guards express concern at his movement in his cell along with the movements of his subordinates in the League of Villains who are still at large.
It is at this moment where the creepy factor comes in, as All For One is revealed to have heard them talking and aplogises for making them nervous, before saying he can hear his brother’s voice, which makes sense considering how One For All’s true potential is about to be activated.
This scene is followed up with even more hints at One For All’s unlocking, as All Might recieves a call from Gran Torino about something his predecessor and mentor, Nana, told the elderly hero.
She said to him once that she dreamed of a man in shadow telling her, “the time has not yet come.”
From here, the episode goes into the hyped up final fight between Deku and Monoma’s team.
We see the moments before this fight, as Monoma has a talk with Shinso about how they are similar, since both were told they couldn’t be heroes because of their Quirks.
This heart to heart actually does a good job of building up Monoma as a character, which is good for him because I usually find him to be incredibly annoying, what with his constant, annoying shouting about how better his class is than 1-A’s.
We also get a good bit of foreshadowing here for the event that will unintentionally unlock One For All, as Monoma asks Shinso how he got Deku to talk so he could brainwash him during the sports festival.
Shinso says he insulted his classmate and the look on Monoma’s face just screams that he now has a plan to use his Copy Quirk to brainwash Deku.
With this plan now set, so begins the attack on Deku’s team by Monoma and Shinso’s group.
We also get an introduction to the other members of their team but they’re not important so I won’t go into their Quirks.
What really matters is the fight between Deku and Monoma, as Monoma sets his plan to brainwash Deku into motion by insulting Bakugo, saying his actions brought down the symbol of peace.
This turns out to not be the best plan, though, because it pushes Deku’s buttons enough that it unlocks One For All’s potential, and the Black Whip Quirk explodes from Deku’s hand.
The way this scene is animated and edited is stellar, with the sound cutting out completley for a bit, followed by All Might’s horrified face as Nana’s words ring in his head.
With Black Whip going crazy and Deku desperately trying to control it, the music and the reactions of the characters and are particuarly great.
I really liked the moment when Deku bursts through a wall and we get to see Shinso’s shocked reaction.
Even though we can’t see his mouth, it’s clear he is terrified by what’s happening.
Now, with Deku unable to control this new Quirk, who should come in to save him?
None other than Uraraka, as she jumps up and grabs a hold of Deku in an effort to calm him.
We then get more of an exploration of her backstory, as we see that along with her wanting to become a hero to help her parents financially, she also became one because she loved helping people and making them happy, building into the present where we see her help Deku.
There is also a great line in this scene, when Uraraka wonders, “who protects the heroes when they’re hurting.”
Much like Monoma, I am glad we got some Uraraka spotlight this episode.
It’s pretty clear that My Hero Academia is a show where the male characters get a lot more spotlight than the female ones.
Not to say that the content the female characters get is bad, far from it, but it is far less frequent to get character development and important scenes for the girls in My Hero Academia, so it was nice to see Uraraka finally get some of the spotlight in this episode.
That said, don’t expect her to have much more importance after this moment, unfortunately.
Well, at least the content we get from her here is pretty good, as she calls for Shinso to save Deku by brainwashing him, which succeeds, propelling Deku into One For All to talk with a Vestige.
This past user of One For All informs Deku that the Black Whip power he used is actually his Quirk and soon Deku will inherit six others, as One For All has finally reached the singularity point mentioned in the season premiere.
Not only this but these Quirks are much stronger than they were originally because they have been cultivated by One For All over the years.
Given how strong this will make Deku when he activates all six, you can see why it would make plenty of readers concerned when it was revealed in the manga.
If used wrong by Horikoshi, this power up could completley break the power scaling of the series.
Again, though, I do think that the way it is used in the future of the story is well done, so I advise those of you who have doubts to continue watching, before making your own judgements on this.
Maybe you will come to like this twist and its impact on the story, like I do.
Anyway, following this reveal, Deku awakens from Shinso’s brainwashing and the fight continues, with Deku and Uraraka having each other’s back and Aizawa deciding to allow the match to continue, bringing the episode to a close.
All in all, “That Which is Inherited” is the best episode of Season Five so far.
It adapts the twist of One For All’s upgrade really well and portrays the initial horror of Black Whip activating greatly.
There are even some good comedic moments, like one good gag with Jiro.
The twist may be controversial for some but I hope they come to like this twist and its impact on the story as the anime goes on.

The Promised Neverland, Season Two, Episode Ten Review: I Can’t Stop Laughing!

This is hilarious.
Seriously, Season Two of The Promised Neverland is basically a comedy at this point.
I haven’t been this disappointed in a season since the final one for Game of Thrones and that is saying a lot.
If Episode Nine’s convient scene where Vylk somehow provided a pen that magically solved all of the characters’ problems had me laughing my head off, then the entirety of Episode Ten had me rolling on the floor.
Directed by Ayako Kurata, Ryō Kodama and Shigeru Fukase, Episode Ten is just one rushed, convenient, unintentionally hilarious scene after the next.
First, we get the instant reveal that Vincent was just acting like he was betraying Norman to trap Peter Ratri, rendering the cliffhanger scene as instantly pointless.
Then, the children somehow build mutliple hot air balloons in mere hours with no prior knowledge on how to do so and launch an all out assault on a heavily guarded farm.
Next, Vincent and Norman are somehow hacking into the system, despite it never being established that they had these skills beforehand.
It’s just convenience after convenience, in rushed scene after rushed scene that ruins various parts from the manga.
The manga may have had its issues, but there were still moments that had me tearing up, like Emma’s reunion with Phil.
Here, I felt literally nothing because of how rushed everything had been to get to that point.
But, oh no, Isabella, the other mothers, and Peter Ratri have now surrounded and captured the children!
The horror!
Oh, wait, no, Isabella and the mothers have betrayed Ratri, even though there’s been little to no build up for this happening.
But, oh no, now trained demon soldiers are about to storm the farm and overpower everyone!
Our heroes are doomed!
Oh, wait, no, turns out they have been taken out by a completley random and untrained army of demon civilians that just suddenly decided to rebel against the system.
Say it with me, “How freaking convenient!”
And then, the stupidest scene that brought the biggest laugh.
Emma literally gives the guy who wanted to feed them all to demons a helping hand and offers him a chance to be free with them.
This was a really dumb moment in the manga and, like everything else, it is 1000 times worse here because Emma coming to this mindset where she becomes so dedicated to helping everyone was skipped over, along with some very important story arcs.
Heck, this episode somehow even screwed up Sonju’s arc, since now he’s helping Emma and the other kids when this should go directly against his plan of eating their descendants.
Episode Ten is a joke.
It’s nothing more than an unintentionally funny series of convenient twists and turns that had me face palming when I wasn’t laughing at how god awful everything was.
Even the animation can’t save it, with weird looking shots all around.
At least there’s only one more episode left and then this misery can end.

Attack on Titan Season Four, Episode Ten, A Sound Argument Review: Historia’s Sacrifice.

I remember reading Chapter 107 of Attack on Titan and feeling quite disappointed with the direction Hajime Isayama took Historia’s character.
To me, the idea of her sacrificing herself and any children she would have went against everything that her character development in the Uprising Arc was about, so to see her pregnant for this sacrifice plan really did not sit well with me.
Thankfully, with the benefit of hindsight as a manga reader, I now look on this scene, and the potential it has for the end of the story, a lot more favourably.
Historia’s sidelining after this point, though?
Well, I am pretty sure that I will always believe that was a mistake.
In any case, Episode Ten of Attack on Titan‘s final season, “A Sound Argument”, adapts both Chapter 107 and 108 well, albeit with a few hiccups.
Directed by Kaori Makita, the episode follows up on the serious cliffhanger from “Brave Volunteers”, which featured Eren standing in front of a mirror in his jail cell and proclaiming that he has to fight.
This is continued in the episode with a not so serious beginning, as Hange interrupts Eren’s talk with himself and humorously comments on it.
I had honesty forgotten how funny Hange could be but seeing her scenes adapted in the anime really drove it home for me, especially with this scene.
Just take a shot everytime she says “fight” during this conversation.
You will pass out in a matter of seconds.
It’s not all humorous, though, as Hange switches to serious, reminiscing on her talk with Eren about Titans, all the way back in Season One, and how he let her ramble on and on about pointless things.
However, these happy times are no more, unfortunately showcased by Hange’s next line about how she believed Eren would never sacrifice Historia.
From there, the episode delves into the flashback that puts Zeke’s supposed plan to save Eldia into motion.
This comes from a flashback of the Volunteers introducing Paradis to an ally, Kiyomi Azumabito from the nation of Hizuru.
It is through this flashback of her meeting those on Paradis that we learn not only the effect Zeke’s plan will have on Historia but also of Mikasa’s “importance” to Hizuru as well.
It is revealed that Mikasa in actually the descendant of a lost Shogun from Hizuru and thus essential to the nation.
This is proven through a tattoo Mikasa has on her hand.
Now, while my opinion about Historia’s pregnancy in the manga has gone from negative to more mixed over the years, my opinion on this scene has not, and the anime makes its reveal a little more problematic.
Mikasa being the descendant of a long lost Shogun always felt a little too convient to me, what with five Titan Shifters and the heir to the throne all coincidentally coming from the same training corps.
Not only this but Mikasa being important to Hizuru has so far amounted to absolutley nothing in the manga.
The anime makes this reveal even weaker with how its revealed, although that is not entirely Mappa’s fault.
You see, Mikasa having this tattoo should have been set up all the way back in Season One but, for whatever reason, Wit decided to remove it.
So, now that the tattoo is revealed in this episode, it has absolutley no buildup and feels like a retcon.
Following this reveal, we get a brief happy scene with Historia, where she is excited for Mikasa being important because it means she has someone to relate to.
Eren then comments that Historia looks happy, to which she replies that she is.
You know, just to drive the knife deeper into her hearts when she looks so unhappy with her pregnancy later in the episode.
The plan for this pregnancy is revealed in the flashback by Kiyomi, who reveals that Zeke gained her trust by gifting her with ODM Gear, which he got from Mike, who he gruesomely murdered all the way back in Season Two.
With the Ice Burst fuel as a resource, Zeke gives Hizuru a reason to get in bed with Paradis: profit.
This causes Mikasa to realize she is a pretext pretty easily and it is following this that Kiyomi reveals Zeke’s plan to save Eldia but also sacrifice Historia and her descendants.
Paradis will need 50 years to catch up with the rest of the world’s military technology and, in order for the island not to be attacked during that time, the threat of the Rumbling must be maintained.
Therefore, the Founding Titan and a Titan of royal blood must be passed down, meaning that Historia must have children who will then be sacrificed to the same fatal cycle that her family subjected themselves to for centuries, which, again, goes completley against all of Historia’s character development.
Historia agrees to this nonetheless and this is where Eren steps in, furiously proclaiming that Zeke can take his plan and shove it.
Eren’s reaction is a lot more volitle than it was in the manga here and I am personally all for that.
This violence is then continued when the episode cuts back to the present and Eren angrily attacks Hange, after telling her that since he has the Warhammer Titan, he can escape anytime he wants.
Eren furiously demands to know if Hange has some kind of backup plan, as Titan marks and sparks briefly flash up his face.
Hange backs off, playing off Eren’s lunge as a perverted move, before showing the audience how she feels depressed about the state of things, as she tells herself that Erwin made a terrible choice making her Commander.
After this scene, we get the big reveal of Historia’s pregnancy, with her looking dead inside, and a mysterious farmer telling her she needs to take better care of herself.
This farmer is apparently the father, according to members of the Military Police, including Nile, who are shown enjoying some wine togethor, before one drunk guy starts committing blasphemy by degrading Historia.
In all seriousness, this part of the episode was another problem I had with Historia’s pregnancy in the manga.
Historia just gets togethor with a random farmer who we have never seen and have no reason to care about, and also bullied her as a child, contributing to her suicidal ideology when we first met her in the story?
If the farmer is the father then, in my own opinion, this reveal was pretty poorly done.
However, notice that I said “if” because there are a lot of signs for this being a red herring.
Some of these signs, like Historia being said to have never married the farmer and also a panel of a mysterious, hooded figure watching Historia talk to the farmer, were cut in the actual episode.
Still, there are enough signs to make anime only viewers question it, just like us manga readers did.
Only time will tell if I am reading too much into these supposed signs or not.
One thing that is made explicitly obvious rather than just a sign, though, is Niccolo with the wine.
In the manga, this moment was subtle and some people did not pick up on it.
In the episode, however, Niccolo giving the Military Police officers the wine is highlighted by dark lighting and threatening music.
It makes it very obvious that something is up with the wine and I do wish it had been kept more subtle.
After this obvious scene, we get yet another flashback, to one of the last times Eren and his friends were truly happy, as they built a railway togethor, accompanied by a humorous background moment of Armin trying to stop Sasha from drinking all their water.
Levi and Hange show up, giving us another funny moment when levi is offended by how much taller the 104th has become, before Hange delivers the bad news that Hizuru is not willing to help Paradis negotiate with other nations because it wants their resources.
This most likely means they will have to sacrifice Historia, something that is already happening in the present time of the episode.
Yet, Hange has not given up hope and suggests sneaking into Marley to try and make connections because surveying is what the Scouts are all about.
This excites many of the 104th as they ride back on the train, which leads into a heart warming scene of them all discussing who should get Eren’s Titan when his 13 years are up.
Mikasa volunteers first but Jean counters this because she is still important to Hizuru and they don’t know if the Ackermans can become Titans.
Jean then says he would be best but Connie also counters this by saying he is too important and offers to take on the burden himself.
Next comes Sasha, who tells Connie that he is too much of an idiot to handle the responsibility, so she will do it, even though she doesn’t want to.
Connie fires back, declaring that she is just as much of an idiot as he is.
This leads to them both proving themselves idiots, as they comedically state, “Eh?” to each other in confusion.
Eren breaks this comedy by deciding he will not give the Titan to any of them because he wants them all to live long lives, leading to a whole lot of embarrassed blushing among the 104th, to which Armin blames on the sun after Jean yells at Eren about it.
Following this happy, heart warming flashback, it cuts back to the darker times where Mikasa, Armin, Connie and Jean are all reflecting on Eren’s actions, which lead to Sasha’s death.
Connie is particularly angered about this because of Eren laughing when he got the news, not aware that this is how he handles grief, and says they may have to cut Eren down if it comes down to it, which horrifies Mikasa.
Armin also says that the military may be planning to give Eren’s Founding Titan to someone they can trust, as the episode ends with shots of a suspicious looking Eren in his jail cell and even more suspicious Zeke at his “hotel”, still under careful watch from Levi.
Overall, “A Sound Argument” is a decent episode of Attack on Titan.
There are some great moments, like Eren and Hange’s scene and the flashback between the 104th.
However, some things I personally didn’t really like from the manga, like Mikasa’s convient importance that is actually not all that important, are kept and sometimes made weaker.
There are also a few animation issues here and there, like Pyxis’ bulbous head, which had a lot of people comparing him to Megamind.
Still, all in all, “A Sound Argument” is an enjoyable episode.

My Hero Academia Season Four Episode Ten, Temp Squad Review: One, Big, Unhappy Villain Family.

One of the reasons I like the League of Villains from My Hero Academia so much is because of how much they feel like an actual dysfunctional family.
Well, the tenth episode of the fourth season, “Temp Squad”, adapts the first time I actually began to see the villains this way perfectly, with the character growth of Twice, Toga and Shigaraki.
In a flashback, we are gifted with the sight of Twice struggling with his guilt over Big Sis Magne’s death in a great character moment for him.
“I may be a villain but I’m still human. We all are, man”, Twice states in a heartbreaking moment after Shigaraki announces he wants Twice and Toga to go work for Overhaul.
As for Toga, her reaction to Shigaraki’s order is much colder, as she threatens him with a knife.
Her family-like moment comes when she covers Twice’s mask up with a cloth to keep his personalities from splitting.
Back to the flashback scene, Shigaraki shocks both her and Twice by removing the hand from his face, for what I think is the first time in front of them, and tells them this is for all of them because he wants the two to infiltrate Overhaul’s group and gain their trust.
He goes on to say that he will trust them to know what to do.
This is the moment Shigaraki’s growth from the man child to the confident leader was cemented for me when I read the manga and it is wonderfully adapted here.
Just as wonderful is the visual of Toga and Twice spinning in the air before dancing over their trust in Shigaraki and being able to do what they want.
This leads to them insulting Mimic in an impromptu moment that leads to the cliffhanger of him trying to crush both them and the heroes.
However, not every moment with Twice and Toga is all family-like because they cause plenty of mayhem.
This mainly applies to Toga, who manages to successfully stab Rock Lock thanks to a diversion from one of Twice’s clones.
Taking on Rock Lock’s appearance, Toga attacks Deku and would have cut him for sure if Aizawa had not been there.
As for Twice, he was much less successful, with his clone of Rappa being easily defeated by Nighteye with the help of his support items.
Nighteye then attacks him, leading to the moment where Twice almost splits but Toga arrives to help him.
So, all in all, this in an almost entirely villain centric episode.
The plot may have not progressed that much overall but the character growth for the villains Twice, Toga and Shigaraki is fantastic.
Another solid episode.
I am incredibly excited for the next episode, though, because it will give Mirio his chance to shine.
The previous episode showed why I love Kirishima so much as a character and the next episode will do the same for Mirio.