The Last of Us HBO Review: When Change is Best.

The Last of Us is my favourite video game of all time.
However, in recent years my opinion of its continuation has been rather rocky.
First there was The Last of Us Part 2 which, while I loved the gameplay, I thought the story was so poor that it made me lose interest in playing it again all togethor.
Then there was The Last of Us “Remake”, which seemed like an overpriced remaster to me than anything else.
Because of these issue I was having, I was a bit skeptical of how The Last of Us’ HBO adaptation would turn out.
Granted, there were plenty of signs that it would turn out great.
Not only was the creator of Chernobyl, Craig Mazin, behind the project but The Last of Us is also a video game that lends itself really well to be adapted into a cinematic format.
After watching the entire first season, I can say that I should have had more faith because the show is a fantastic adaptation of the video game, with plenty of excellent changes.

The best part of The Last of Us adaptation is undoubtedly how it diverges from the original game in interesting ways.

Created by both Mazin and Neil Druckmann, the director of both Part One and Two, the story is almost the same as the original game.
Twenty years after the Cordyceps fungal infection jumped to humans and brought about the apocalypse, ruthless survivor Joel Miller (Pedro Pascal) is working as a smuggler, alongside his partner Tess (Anna Torv).
Wanting to get a car to search for his missing brother Tommy (Gabriel Luna), Joel accepts a deal with Marlene (Merle Dandridge), the leader of a revolutionary group known as the Fireflies.
The deal is to escort a spunky, foul-mouted teenager named Ellie (Bella Ramsey) through the infected landscape to safety. 

So begins the characters’ journey across a desolate America.

However, when this plan goes awry, and Ellie’s immunity to the Cordyceps Infection is revealed, Joel has to escort her across the country.
As they journey, the two fight off infected, likewise ruthless survivors, and slowly begin to grow closer as a father and daughter.
This father and daughter bond is the heart of The Last of Us so the creators of the show had to get it absolutely right when casting Joel and Ellie.
Thankfully, they did an excellent job with the casting, as Pedro Pascal and Bella Ramsey bring new depth to the characters.
I will say that I was a bit unsure of Ramsey when starting the show.
I knew from seeing her in Game of Thrones that she could act but the prior performances of hers I had seen never screamed Ellie to me.
Then I saw her first scene in the show and I felt like a fool because she absolutely nails her portrayal of the character. 

Ramsey’s first scene was enough to convince me that she was the perfect choice to play Ellie.

These great portrayals of the characters are very faithful to the original game, for the most part.
Oddly enough though, this show is at its best not when it is following the source material but when it is doing something different.
In fact, I would say that the best episodes of the show are the ones where this is the case.
Episode Five, “Endure and Survive”, gives the characters of Henry (Lamar Johnson) and Sam (Keivonn Montreal) a completely new and interesting backstory, while also concluding on a much more explosive fight.
Episode Nine, “When We Are in Need”, expands on David’s (Scott Shepherd) character through showing how he runs his group as a manipulative cult leader, while hinting at his sickening past, making him a much more disturbing character than in the game.
Best of all though is Episode Three, “Long, Long Time,” which gives Bill (Nick Offerman) and Frank (Murray Bartlett) a completely different, much more emotionally engaging story, which actually rivals Joel and Ellie’s story across the season. 

I did not expect Bill and Frank’s story to be this good before watching it.

Honestly, it was when the show actually recreated the game beat-for-beat that we got less interesting episodes.
Take Episode Seven, for example, “Left Behind”, where everything is pretty much the same as the game, except for a downgraded final attack, resulting in an episode that I felt like I had seen before because, well, I had, and was thus less interested.
This is not the only issue with the season because the final episode, “Look for the Light”, goes by so fast that it feels a little short.

I feel like the finale would have had more impact if certain scenes had more time to breath.

Not only this but there is a bit of cognitive dissonance with the ending, in my experience.
One thing that I appreciated about the show was how realistic it was.
Joel kills hundreds of people across the game but that is just not realistic to the real world, so they scaled it down for the show.
But Joel’s final decision requires him to become that killing machine so, when it happens in the last episode, it does feel slightly at odds to what came before.
Speaking of being at odds with what came before, it is really weird to watch those terrifying cold opens in the first few episodes, which expand on the nature of the Cordyceps Infection, only for that infection to barely feature in the latter half of the season.

The cold open of Episode One was a fantastic and terrifying addition to the show but it feels weird given the lack of infected later on in the show.

These problems are relatively minor to the show’s successes, however.
They adapted events from the game well and made some incredible changes to the original story.
You want to know how much I liked the changes?
I liked them so much that I am actually now open to seeing how they will adapt Part Two.
Who knows, they might actually make some changes that make me like the story.
As for the adaptation of the first game, though, it is mostly fantastic, being good enough to rank high up with other good video game adaptations, like Arcane and Cyberpunk: Edgerunners.
It will be interesting to see what is in for The Last of Us franchise going forward.    

Chernobyl Review. Deserves All of the Awards.

5 stars
When I started watching Chernobyl, I had not heard the amount of praise it was getting, especially not that it had become the number one rated show on IMDB.
However, after watching the five episode miniseries, I can honestly say I am not surprised it achieved this.
Chernobyl is nothing short of an absolute masterpiece that is incredibly crafted from start to finish.
Covering the aftermath of the Chernobyl disaster, the miniseries is directed by Johan Renck, and written by Craig Mazin.
Mazin is surprising because because he has written some of the Scary Movie films, both The Hangover sequels, and The Huntsman: Winter’s War, to name a few, and these are not very good in my opinion.
So, it is great to see him go from writing films that I do not like to writing this incredible miniseries.
I felt so many different emotions across all five episodes from horror, to anger, to sadness, to flat out disbelief at what was happening.

two leads 2.jpg
Chernobyl evoked many emotions in me as its characters desperately tried to stop the disaster from escalating further.

I remember watching a documentary about the Chernobyl accident a while back, so I did know a bit of the story going in but I was still not prepared.
The first episode, “1:23:45”, details the immediate aftermath of the explosion at the power plant and the beginning of Soviet attempts to suppress what was happening while even they do not know the full scale of the event.
The next three episoes, “Please Remain Calm”, “Open Wide, O Earth” and “The Happiness of All Mankind” showcase the struggles of officials Valery Legasov (Jared Harris) and Boris Shcherbina (Stellan Skarsgård), and nuclear physicist Ulana Khomyuk (Emily Watson) to prevent further catastrophe.
The final episode, “Vichnaya Pamyat” is a court case about the causes of the disaster and the push to expose the truth.
All of these episodes are thrilling, with every actor giving a fantastic performance.
Everything about Chernobyl just comes together, including the cinematography, the music, the CGI and the make-up effects.
Speaking of, boy, are those make-up effects horrifying, with them detailing the extent and extreme agony the victims of radiation poisoning go through in excrutiating detail.

radiation.jpg
Watching the effects of the radiation on the human body in episode three was nothing short of horrifying. 

If I had to sum up Chernobyl in one word it would be terrifying.
The way the miniseries shows the effects of radiation poisoning is terrifying.
The absolutely nail biting sequences where people work in extremely radioactive conditions, with only the sound of their Geiger Counter’s exploding with noise to be heard, are terrifying.
The mistakes and incompetent decisions, not just before the disaster but also in the aftermath, causing further tragedy, are terrifying.
The scene that will inevitably stick with me the most, though, is at the end of episode one when the deputy chief operational engineer of Chernobyl, Anatoly Sitnikov (Jamie Sives), is sent to look at the reactor from the roof.
I will not say what happens during to this scene, or to Sitnikov, but it is such a gut punch of a moment with Sives’ expression selling the tragedy of the scene perfectly.

sitnikov.jpg
The scene where Sitnikov is sent to look at the reactor is haunting and will stick with me for  a while. 

As for whether Chernobyl adapts the whole truth of the disaster, there obviously had to be some liberties taken, and things cut out, to adapt the story in this format.
Khomyuk’s character, for example, is completely fictional but used as a representation of all the scientists who helped after the accident, which is nice.
I also doubt that one of the main contributors to the disaster Anatoly Dyatlov (Paul Ritter) was as cruel as he was made out to be here.
Then there are the accents, with no attempt to sound Russian or Ukranian being made.
However, the explanation for this is definitely valid because it was better for the accents not to be addressed rather than risking getting terrible fake sounding ones.
As for Dyatlov, his unlikable nature does not affect the miniseries in a negative way, even though I wish they had made him a bit more relatable.
So, overall, the changes to history are well done with the magnitude of the event and those affected by it being treated with respect.
Chernobyl is an absolutely fantastic miniseries.
It will make you feel sad, angry, and often horrified, with you being left on the edge of your seat throughout.
It is easily deserving of all the awards once the time comes.
If you have not seen Chernobyl yet then I must ask you “where have you been?” before advising you to go and watch it.