Beneath the Trees Where Nobody Sees, Halloween Special Review: Campfire Tales About Everyone’s Favorite Murderous Bear.

In between the first two volumes of Beneath the Trees Where Nobody Sees, writer and illustrator Patrick Horvath released a brief prologue revealing Sam’s first murder. 
Now, in between volume two and the upcoming final volume, he has released the Halloween Special, where a group of Woodbrook teenagers gather around a campfire to tell scary stories about Samantha Strong. 
Each of these stories are written and illustrated by other notable horror comic creators, creating a creepy anthology that shows how Sam has become mythologized since her explosive escape from Woodbrook. 
Our four teenagers are Fiona, Riley, Sean and his older brother Nate, who take turns scaring each other throughout the story. 
Although, this mostly light-hearted mockery means they quickly dismiss it when Riley hears a twig snap, something which will have grim consequences by the end. 
The first to tell their story is Riley, and he spins a tale about his cousin’s friend Teeny, who learned that Sam was still in Woodbrook, skinning animals alive and wearing those skins to commit more grisly murders.
Yeah, this story is clearly fake since it is so far removed from Sam’s usual modus operandi.  

It does make a disturbing image, though.

The next to tell their story is Sean, and I especially liked how his tale connected with the wild animal motif seen in the first two volumes.
Here, Sam is portrayed as a literal wild bear, rather than an anthropomorphic one, growling and roaring as she cuts through her victims with a chainsaw. 
Once again, we know this story is not true because it violates one of Sam’s key rules; that being not to kill anyone in Woodbrook. 
She only broke this rule when she was discovered. 
Of the four stories, I would say this is my second favorite because of the way it ties into the themes of the original story.
That and the artwork is especially great, although that does make certain horrifying panels difficult to look at.

If Sam roared at me like this, I’d run a mile… not that it would do me any good.

Of the four scary stories, Nate’s is the most outlandish. 
In his version of events, Sam did not kill for her own twisted reasons but because she was serving an evil cult. 
Being overly complicated while reducing Sam’s role in the story, Nate’s tale is definitely my least favorite.
That being said, there are a few interesting cameos, like Chip appearing as an undead fox being controlled by the cult, so there is that. 
Following his story, Nate storms off after being scared by Fiona, giving her the time to tell my favorite story of the Halloween Special… and the only true one. 
Fiona’s father is revealed to be a mortician, who prepared the bodies of Nigel’s victims for their funerals. 
In a stunning case of parental negligence, he left the door to his mortuary open, allowing Fiona to sneak in and see the horrific remains of Cherry Gherkins. 

Riley and Sean’s horrified expressions after Fiona’s story mirrored my own at the disturbing imagery throughout the Halloween Special.

Sean declares Fiona the winner of the group and tells her she is lucky to not be a “freako killer” after seeing such a gruesome sight as a kid. 
This leads to a flashback, where we see that Fiona actually talked once with Sam, probably shortly before she firebombed the town and escaped. 
Fiona had been attempting to draw Cherry’s body in her journal but could not find the right kind of red until Sam helped her. 
There are eerie similarities between the two, with Fiona seeing her disturbing drawings as a form of therapy, which is exactly how Sam views her own murders. 
We can see Sam feels some kind of rare connection with Fiona, based on how she tells her, “I’m glad to help a fellow artist.” 
All of this makes me wonder if Sam might have tried to groom Fiona into a protege?
If she had not fled Woodbrook that is.
Sure, she reacted badly to Nigel, but moulding someone into a killer is the kind of despicable act I would expect from Sam. 
None of this means Fiona is doomed to become a murderer, though. 
The drawings could legitimately just be a way for her to deal with the trauma. 

And yet a part of me does wonder if Fiona could be one of the “fans” Sam mentioned at the end of Right of Spring.

Speaking of killers inspired by Sam, we potentially see one at the end of the Special. 
Nate turns back up, but he is wearing his Halloween mask and is eerily silent. 
As Sean and his “brother” walk home, it is revealed Nate has been murdered and had his costume stolen by whoever stepped on the twig earlier.
With this ominous twist spelling death for Sean and his family, we then get a teaser for the third and final volume before the Special concludes. 
In this teaser, we see another decade has passed, with America now focused on the War on Terror. 
Sam is still a fugitive and in her sixties. 
She certainly looks her age, as her narration states that the past always sticks its head out of the dirt, ending both the teaser and the Halloween Special. 

Sam seems to be doing well for herself, considering she is a serial killer in hiding.

Sam may not be in hiding for long, however, because I think her narration hints at a future confrontation between her and another character.
Sam states the past always sticks its head out of the dirt.
What animal also does this?
Moles.
Lewis is a mole.
Considering his unfinished business with Sam, concerning the gruesome fate of his father, I would not be surprised if he pursued a career in law enforcement and dedicated himself to hunting Sam down. 
He could serve as the Monica of Volume Three, going head-to-head against Sam.
If that is the direction Patrick Horvath decides to take, though, I hope things end better for Lewis than they did Monica. 
Someone needs to take Sam down for all she has done. 
Either way, the Halloween Special and brief teaser for volume three are welcome additions to the Beneath the Trees Where Nobody Sees story.
They provide interesting tales, along with potentially hinting at Sam’s ending. 
I am now even more excited for The Summer and the Fall.
Fingers crossed that Patrick Horvath can end his grim story on a satisfying note.  

Beneath the Trees Where Nobody Sees Review: This is No Disney Fairytale.

I am sure we all have childhood memories of watching shows or movies about anthropomorphic animals.
I doubt you could find someone who has not at least heard of iconic Disney characters like Mickey Mouse or Winnie the Pooh.
Well, just imagine for a moment that, instead of being obsessed with honey, Pooh was obsessed with murder (and no, I am not referring to that god awful
Blood and Honey movie).
It is this imagination I suggest having when beginning Patrick Horvath’s
Beneath the Trees Where Nobody Sees.
With the title taken from the classic Teddy Bear’s Picnic lyrics, Horvath’s graphic novel twists both this line and the trope of anthropomorphic animals, transforming them from something wholesome into something deathly morbid.

With the water colour style of a children’s book, Beneath the Trees makes something which should be charming horrifying.

Beneath the Trees is set in the small town of Woodbrook, where we follow the cuddly looking bear Samantha Strong, a hardware store owner.
To the citizens of Woodbrook, Sam is a beloved member of the community, who is always ready to lend a hand, along with a kind word, whenever she is not going on a trip to the city, that is.
What they do not know, and would be horrified to learn, is that on these trips Sam indulges her hobby of abducting and murdering people, before dissecting them and burying their remains in the woods; “Beneath the trees where nobody sees,” if you will.
Sam only has a few rules, and one of the most important is that she cannot kill anyone in Woodbrook.
If someone was murdered there, it would be all the town talked about for years.
So, when another serial killer emerges in Woodbrick, brutally killing residents and posing their bodies in gruesome fashion, Sam is none too happy.
The first volume follows her investigation to find who among the citizens of Woodbrick is the murderer.

Woodbrook only has room for one serial killer, in Sam’s opinion.

This is only the first part of Samantha’s story, however, for there is also a sequel volume, Rite of Spring, along with a brief prequel, Praludium.
There has also been a third volume announced, so we can expect more murder mayhem in the future.
Speaking of that mayhem though, I would definitely only recommend
Beneath the Trees to those with a strong stomach.
The comic is especially disturbing with its numerous dismembered victims shown in full display.
This is somehow made even creepier with these murdered characters looking like animals you would expect to see in a Disney film. 

Seeing what look like children’s book characters be dissected will never not be gruesome.

That makes Sam all the more despicable for her crimes.
Make no mistake, Sam is
not an anti-hero.
She does not only kill bad people, like Dexter.
She does not have a traumatic backstory to explain why she is the way she is.
No, Sam is a born psychopath.
In the nature vs nurture debate, she lands squarely in nature, with her every action being taken to further her killing spree.
While this does make the reader constantly root for her downfall, I will hand it to Patrick Horvath, he has crafted a fascinating character in Samantha Strong. 

Not to mention a horrifying character.

Her opponents are just as interesting, with the killer she hunts in the first volume, and the sister of one of her victims in the second making for compelling adversaries.
As for the quality of the two volumes, I would definitely say I prefer the first one.
Although, this is mostly down to the ending.
Not that I think there is anything wrong with the second conclusion.
It is just that the ending to Volume One felt pretty standalone, while the ending to Volume Two relies on the series’ eventual continuation.
I will have to see how Horvath delivers Volume Three before I have a full opinion on the current end point.
That being said, I have seen that a fair amount of people think Horvath went a bit over the top with the ending of Rite of Spring, with some even saying he jumped the shark.
So maybe my opinion is in the minority on that. 

Rite of Spring‘s ending is certainly divisive among readers.

Overall, though, I absolutely love Beneath the Trees.
It is gruesome, compelling, and its main character somehow remains fascinating, while also being completely deplorable.
I could easily see this story being adapted into a movie or show in the future, and I would definitely watch that on the day of release.
Until that possible day, however, I will continue to recommend the comics.
So go and read Beneath the Trees Where Nobody Sees… if you think you can stomach its brutal violence and gore, that is.