Lycoris Recoil Review: Season Two, Please?

There are two anime that I have enjoyed above all others this season.
The first of those is CyberPunk: Edgerunners, which I reviewed a few days ago.
The second of these is Lycoris Recoil.
To be honest, I had no idea this anime existed until I heard all of the praise it was getting and decided to check it out, only to become hooked right from the first episode.
Created by Spider Lily and Asaura, and directed by Shingo Adachi, Lycoris Recoil is set in a Japan where the peace is kept by a secret organization known as the DA, which recruits teenage girl assassins known as the Lycoris.
One of these Lycoris is Takina Inoue (Shion Wakayama), a deadpan girl who very rarely lets her emotions out.
While on a mission with her squad, Takina makes a choice which results in one of her colleagues being saved but also ends up allowing the cash of illegal guns they were trying to capture get away.
Although, in my opinion, Takina certainly made the right call, she still takes the fall for the mission’s failure and is relocated to a cafe known as LycoReco.
This punishment is not all bad, however, because she gets to work with the greatest Lycoris agent, Chisato Nishikigi (Chika Anzai), who can literally dodge bullets.
Chisato is Takina’s exact opposite: cheerful, loud and insistent on using non-lethal bullets to incapacitate her foes.
The anime then follows the two girls’ adventures as they go on missions and hang out, with Chisato promising to help Takina get back into the DA, while also bringing the emotionally stunted girl out of her shell.

*Lycoris Recoil* follows the adventures of Chisato, Takina, and the rest of the cafe staff.

The bond that grows between Chisato and Takina is great, with plenty of wholesome, funny and emotional moments between the two, whether they be just spending time together or fighting on missions.
It is not just them, however, as the rest of the cast is just as great.
There is the main antagonist, Majima (Yoshitsugi Matsuoka), who has an interesting motivation and compelling interactions with Chisato.
Then there is Chisato’s mentor Mika (Kosuke Sakaki).
His bond with her is heart-warming, and this ultimately results in one of his final scenes presenting what is probably the most tragic moment in the entire show.

This scene is definitley the saddest in the anime.

The last character I want to talk about is Shinji Yoshimatsu (Yoji Ueda), another character with an intriguing connection to Chisato, and his manipulative nature made him my most hated character in the show by far.
The good kind of hate, though, not the unintentionally bad character type.
Basically, there are a lot of great characters, and this makes things very tense in the last five or so episodes, where the stakes are so high.
These high stakes are accompanied by great action, which is present throughout the entire show, really.

The action scenes during the final episodes are especially great.

I could watch Chisasto and Takina take out a room of armed goons like they are John Wick for a while, if there was more of it.
Speaking of which, please let there be more of it.
There has been a lot of speculation about a second season of Lycoris Recoil and there are two things which I think make this a distinct possibility.
The first of these is that the anime has done really well financially, obviously.
The second is that the ending left a few teases for future storylines that were not wrapped up.
This is not to say that the ending of Lycoris Recoil leaves dangling plot points, creating an unsatisfying ending; far from it.
The ending ties up most of its loose plot threads exceptionally well, while also hinting at a few more, just in case a second season gets the green light.

This scene in particular contains something which could be hinting at season two content.

I think that most of us who have seen this show are hoping for that green light because Lycoris Recoil is a great anime.
It has fun action and animation, plenty of wholesome and funny moments, and a well done emotional connection between its two lead characters.
Bring on season two, please.

Cyberpunk: Edgerunners Review: An Amazing Videogame Anime Adaptation.

Like many people, I was highly anticipating Cyberpunk 2077 before it was released.
I think it is fair to say that it was one of the most anticipated video games of all time, what with how hyped up the marketing was.
This made it all the more crushing when the game released practically broken at launch, especially on consoles.
I reviewed Cyberpunk 2077 shortly after release and I gave it a positive review, despite admitting that it caused my PlayStation to crash five times on my first play through.
Looking back, I think I was too lenient.
However, at the same time, I can also see why I gave the game a positive review because of how much the story, characters and world building gripped me.
Such features made me excited when it was announced that Studio Trigger would be releasing their own anime set in the Cyberpunk 2077 universe, Cyberpunk: Edgerunners.

Despite the game’s many many faults, the anime had the chance to be something special.

You may have heard the buzz surrounding this anime as one of the best of the year and, after watching all ten episodes, I can add my voice to this buzz.
Directed by Hiroyuki Imaishi, Cyberpunk: Edgerunners is set in Night City, a corporation-run hell hole, where the only way to make a name for yourself is to cybernetically enhance your body, often to the point of cyberpsychosis.
It is this bleak city where we meet our main character David Martinez (Kenn) who, after a tragic turn of events, decides to have a military grade piece of technology, known as the Sandevistan, implanted into his body.
This leads to David meeting a netrunner named Lucy (Aoi Yuki), introducing him to the world of Edgerunners, which he excels in, due to his new implant.
The growing bond between David and Lucy is great to see play out as they have such excellent chemistry.

David and Lucy work well togethor right from the start.

It is not only them, though, because the other wacky characters among the Edgerunners are also very compelling.
There is the tough as nails leader Maine (Hiroki Toshi), his also tough as nails girlfriend Dorio (Michiki Kaiden), experienced netrunner Kiwi (Takako Honda), getaway driver Falco (Yasuyuki Kase), and, of course, Rebecca (Tomoyo Kurosawa).
I saved Rebecca for last because she was definitely my favourite character in the show.
She is crazy and wild but also extremely loyal to those she cares for, creating a complex character who was entertaining to watch.

With so many great characters, it is made all the more tragic when some of them bite the dust.
This is Night City, after all, where happy endings are rare and bloody endings are all too common.
Speaking of blood, wow, was this show gory.
Studio Trigger really committed to the violence of the game.

People explode into bloody messes a lot in this anime.

Along with this, the animation for the action scenes and the soundtrack in these moments are stellar.
Such features all come together to create a spectacular anime that has convinced many people to replay Cyberpunk 2077, or play it for the first time.
For these new players, they will see a few familiar faces from Edgerunners, as some characters from the game are incorporated here, mostly as cameos.
However, there is one character from the game who has a big role.
I will not spoil who it is but, in my opinion, this character was portrayed much better in Edgerunners than in Cyberpunk 2077.
I would be open to see more characters from the game pop up in the Cyberpunk Universe, if Studio Trigger wants to continue this series, maybe as an anthology where we focus on different Night City characters each season.

We can see how new characters from Night City are “remembered” if this show continues.

This is how much I enjoyed this anime.
I liked it so much that I am now wishing for a second season that we probably will not get.
If Cyberpunk: Edgerunners is a one time thing, however, then it is certainly worth it.
Studio Trigger delivered a fantastic anime here.
Along with other amazing video game adaptations, like Arcane, Cyberpunk: Edgerunners makes it seem like animated series are the way to go for such adaptations.

Chainsaw Man Trailer 2 Reaction: Gore Galore.

Chainsaw Man fans are really eating good right now.
Not only has Part Two of Tatsuki Fujimoto’s manga been great so far but Mappa also recently released a second trailer for the upcoming Chainsaw Man anime adaptation.
This trailer does a great job of hyping up the anime, gifting us with a good look at the animation we can expect, and revealing the voice actors and release date.
Releasing in October of 2022, the adaptation has Kikunosuke Toya as Denji, Tomori Kusunoki as Makima, Fairouz Ai as Power, and Shogo Sakata as Aki.
I cannot claim to to be familiar with many of these voice actors, with Tomori Kusunoki being the only one I remember, having voiced Neiru in Wonder Egg Priority.
Despite my lack of knowledge about them, I would say that, from the brief look we get of their performances in the trailer, they look to be the right choices.
Fairouz Ai, in particular, sounds like a perfect match for Power.
I am particularly interested in the choice to cast Kikunosuke Toya as Denji, since it appears that the only prior voice acting roles he has are background ones.
So, Denji will be his first time voicing a main character and this will come with added pressure since Chainsaw Man is so popular.
Still, it shows how much faith Mappa must have in him, to cast him as Denji, despite having only prior minor roles, and he sounds great in the trailer.
This could very well be his break out role.
Along with the voice acting, the trailer also provides us with a look at the quality of animation we can expect from the anime.
Once more, it looks like Mappa has knocked it out of the park, animating even small details, like how the blood stays on Denji’s chainsaw head after it bursts out of his skull.
Speaking of, wow, was this trailer gory.
I had heard that the Chainsaw Man adaptation would not be censored, like other anime such as Attack on Titan, but I still had my doubts.
Well, this trailer killed those doubts, with various brutal shots, like the already mentioned moment when the chainsaw bursts out from Denji’s head, followed by him eviserating the Bat and Leech Devils, along with the opening shot of the countless dead zombies Denji killed.
And all of these are just shots from the first ten chapters, so you have to wonder what amazing shots Mappa has in store for us going forward with the anime?
I am curious to see how far they will actually adapt the manga.
Will they adapt all 97 chapters of Part One in a single long season, or will they split it up into multiple seasons?
If they do decide to do all 97 chapters in one go, however, they would need a lot of episodes to do so, at least 30, I would think.
Then, there’s the matter of the opening.
I think it would be awesome if Mappa could get SiM to do it, just like they did “Rumbling” for Attack on Titan.
They already have a perfect song for it, with “Devil in Your Heart”, after all.
Although, this song being the opening is not a necessity.
It’s just something I’m hoping for but will probably not happen.
In the end, no matter what opening we get and no matter how far Mappa decides pace their adaptation, this trailer made me even more excited for the Chainsaw Man anime.
The animation looks stellar, the voice acting seems great, and there will be gore galore with apparently much less censorship than seen in other manga adaptations.
I am eagerly anticipating seeing the final product in October.

Spy x Family, Episode Nine, Show Off How in Love You Are Review: Don’t Encourage the Creepy Brother, Yor.

Picking up from the cliffhanger of the previous episode, which teased a kiss between Twilight and Yor, Episode Nine of Spy x Family, “Show Off How in Love You Are,” pays that cliffhanger off but not with a kiss.
Directed by Takashi Katagiri, the episode begins with Yor getting herself drunk so she can kiss Twilight.
Not exactly flattering for the spy but it was probably the nerves that made Yor do this.
Unfortunately for Yuri, this leads to him being mortified when Yor’s drunkenness makes her act rather lewd when she goes to kiss Twilight.
Unfortunately for us, this builds into another flashback from Yor and Yuri’s past.
The reason this is unfortunate for us is because it shows just how deep Yuri’s obsession for his sister goes.
Yor kisses Yuri on the cheek for scoring a 100 on his test, and Yuri responds by saying he will marry her when he grows up.
Yor’s response to this is to sit Yuri down and tell him that they cannot get married because they are siblings, although she still loves him as family.
Nah, just kidding.
What Yor actually does is say that she will wait paitiently for him.
Thankfully, Yor is clearly humoring Yuri in this flashback.
It did no favors for Yuri, though, as this memory leads to him lunging to stop the kiss between Yor and Twilight, only for the pay-off for the teased kiss to arrive.
Not with an actual kiss, however, but with a slap, because the pay-off for last episode’s cliffhanger is humor.
Too embarrassed to kiss Twilight, Yor appears to try and slap him, only to accidentally slap Yuri into the wall instead, causing him to sprout blood from various parts of his head.
The crashing sound also wakes Anya up who, still half asleep, comedically thinks it’s the end of the world, before falling back into bed.
Back with Twilight, Yor and Yuri, Yor goes from unintentionally slapping Yuri to intentionally slapping him, when he tearfully gives Twilight his permission to kiss his sister, before he storms from the house, all the while Twilight is trying to convince him to go to the hostpital.
This gag goes on for a good while too, with Yuri eventually asking two strangers about the station’s location, only for them to scream at him to go the hostpital first.
Afterwards, we get my favourite scene of the episode, which is Anya’s reaction to the previous night when she reads her parents’ minds.
First, she stumbles from her room, still half asleep, mistaking a plant for Twilight.
Both him and Yor are surprised to hear that Anya does not even remember how excited she was to meet Yuri, before she fell asleep.
Anya only remembers this when she reads Twilight’s mind and learns Yuri is a member of the Secret Police, meaning she was denied her daily excitement that comes with having a spy and an assassin as parents.
Her outraged reaction to this left me chuckling.
After this point, the episode moves into its main plot, as Twilight becomes suspicious of Yor, wondering if she knows Yuri works for the Secret Police, leading to him bugging her.
Meanwhile, Yor is worried that Twilight sees her as a disappointing wife.
Anya picks up on both of these things with her mind reading and tells them they need to get along, before hopping on the school bus, leaving her parents to go about their activities, Yor at work, and Twilight spying on his wife.
Before the episode goes further into this plotline, however, we get the conclusion to this part of Yuri’s story, as his boss further pushes him towards eventually finding and capturing Twilight, Yuri not realising that Loid Forger is the spy himself.
We also get a look inside Yuri’s locker during this scene and surprise, surprise, it’s full of pictures of Yor.
You have to wonder what his colleagues think of his creepy obsession?
Well, he’s clearly a good agent, so they probably don’t care too much so long as he gets the job done.
Cutting back to the main storyline of the episode with Twilight and Yor, Twilight listens in to Yor’s conversations at work and hears her fretting over her lack of cooking skills, worried that this makes her a bad wife.
However, Twilight is still not completley satisfied that this clears her, so he concocts a scheme with Franky, disguising themselves as Yuri’s bosses to interrogate Yor, thinking she will name Yuri as a member of the Secret Police to help herself, proving to Twilight that she knew about him.
Instead, Yor proves herself to Twilight as both innocent and strong, figuratively and literally on the latter, as she is figuratively strong by speaking up for her family, and literally strong with how she easily beats Franky when he tries to take her with them.
This leads to Twilight calling the scheme off, allowing Yor to go and rightly feeling quite guilty for his actions, which Franky calls him out on, saying he should not develop feelings for Yor because it could endanger his mission.
Twilight retaliates by ripping off Franky’s mask, ruining his chances of picking up women with it.
As Franky mourns the lost oppurtunities, Twilight tells him that it is a terrible idea to date a woman while deceiving her, a hilariously hypocritical statement from him.
Twilight then meets up with Yor and removes the bug, before cheering her up, saying she should be confident with herself.
He then suggests they get a cake for their one-year wedding anniversary.
Time sure has flown for them, huh?
The episode then ends when Anya arrives home and is overjoyed to learn her parents are getting along again after reading their minds.
All in all, “Show Off How in Love You Are” is another really good episode of Spy x Family.
Once again, my only criticism of it is how deep Yuri’s obsession goes for Yor.
Otherwise, it’s quite an enjoyable episode, with some wholesome moments and good humor, mostly with Anya’s reactions and the slap pay-off to the kiss cliffhanger.

Spy x Family, Episode Eight, The Counter-Secret Police Cover Operation, Review: Will They or Won’t They?

Following the last episode’s cliffhanger of Yor’s brother Yuri learning of his sister’s marriage, Episode Eight of Spy x Family, “The Counter-Secret Police Cover Operation” depicts the humorous fallout.
Directed by Yukiko Imai, the episode begins with a brief look at Anya’s schooling, which predictably is not going all that well, as she bombs the answer to a question so hard it leaves everyone staring at her.
Naturally, we then cut to Twilight lying to his Handler about how long it should take Anya to be an Imperial Scholar, something the Handler picks up on pretty quickly.
This all leads to her telling him that one on their agents at Yor’s work, Jim Hayward, has been captured by the State Security Service, which is then shown happening.
These three scenes all flow togethor nicely, going from Anya failing at school, to Twilight lying about her grades, to Hayward being captured after the Handler talks about him.
It gets even better with Yor’s introduction this episode as, after witnessing Hayward being taken away, she and her colleagues talk about Yuri, who plans to drop by the Forger household, while also introducing his quite frankly weird obsession with his sister, before cutting to Hayward being interrogated.
This all builds to the reveal of Yuri as a State Security Service agent, with him interrogating Hayward after his superiors get nothing out of him.
How does Yuri begin this expert interrogation?
Why, by talking about his sister, of course!
It’s a running theme with him and an honestly uncomfortable one.
Although, it’s thankfully mostly played for humor rather than completley serious, at least in this episode.
This interrogation also goes to show Yuri’s darker side, with him appearing to be cheerful when it begins, only for him to turn violent when he proves Hayward’s guilt and states his devotion to protecting the country his sister lives in.
Cue another great cut, as the scene transitions from Yuri pretty much saying that he will resort to any torture to meet his goal, to Anya watching her favourite cartoon, where Bondman refuses to submit to torture.
This leads to Twilight realising Anya can learn how to study when she views it through the lens of her cartoons, before Yor runs in to warn them of Yuri’s eventual visit.
Thankfully, Twilight is able to make the room look more lovey-dovey before Yuri’s arrival, leading to a repeat of Anya assuming they are flirting, which both of her parents vehemently deny again.
Yuri arrives not long after Anya falls asleep, carrying a ridiculously large bouquet of flowers, ready to test if Twilight is good enough for his sister.
What follows is various comedic moments as Twilight and Yuri act as though they are getting along around Yor, while their inner monologues highlight their suspicions of one another, with Twilight eventually deducing that Yuri is with the Secret Police.
Before this moment, however, Yuri understandably asks for an explanation as to why Yor would not tell him about her marriage for an entire year.
So, what with Yor being an expert assassin, she surely has a great lie ready to go, right?
Well, not exactly because her explanation is that she forgot to tell Yuri and then she forgot that she forgot to.
Twilight is understandably baffled by explanation but even more baffled that Yuri beleives it.
The narrator then notes that when it comes to his sister, Yuri’s “sense of logic goes out the window.”
Is this funny?
Yes.
Is this creepy?
Also yes!
Thankfully, as I said earlier, Yuri’s obsession with Yor is treated comedically rather than seriously so that does help somewhat.
This also does lead into the funniest moment of the episode, when we see a flashback of a young Yor returning to take care of a child Yuri, sometime after their parents’ deaths.
The reason this is the funniest scene in the episode is because Yor is covered in blood when she does this, definitley having killed someone as part of her assasination job, and does not even bother to clean up when going to take care of her kid brother.
Cutting back to the present, Yuri’s expanation of why he cares for Yor so much leads to him getting more and more agitated, to the point that he actually knocks over a glass.
When Yor and Twilight attempt to clean it up, their hands touch, causing them to flinch back, naturally tipping off Yuri’s investigative skills, as he becomes suspicious, since any married couple would not be afraid to touch hands.
Therefore, in order to prove their marriage, he demands that they kiss in front of him.
And so, Twilight leans in to kiss a mortified Yor, ending the episode on the cliffhanger of whether our main couple will actually kiss.
Overall, “The Counter-Secret Police Cover Operation” is another good episode of Spy x Family.
My only criticism of it is that I wish Yuri was merely overprotective of Yor and not have this obsession he clearly has with her, since it is quite creepy.
Otherwise, the episode is pretty good, with the way scenes flow togethor being especially well done.

Vampire in the Garden Review: Unfortunately Short.

I still remember searching for upcoming anime a few months ago and being interested by the description for Vampire in the Garden.
Developed by Wit Studio, released on Netflix and directed by Ryōtarō Makihara, the story is set in a winter wasteland where vampires and humans have been at war for an unknown period of time.
Some of the remaining remnants of humanity have fled to a city, protected by a tower that generates UV Light to ward off the vampires.
Living inside this city is a young girl named Momo (Megumi Han), the daughter of one of the city’s generals.
She is tired of the fighting and wants to learn music, something which was outlawed because of its connection to the vampires.
Then, during an attack on the city, Momo has a chance encounter with the Vampire Queen Fine (Yu Kobayashi), someone who is also tired of the fighting and treasures music.
Together, the two decide to try and find a supposed paradise where humans and vampires live in harmony and make music together.

Momo and Fine’s chance encounter begins their journey.

This premise intrigued me when I first read it and I decided to give the anime a shot, thinking that it would probably have a similar episode count to Vivy: Fluorite Eye’s Song, another anime that Wit Studio produced which I loved.
So, I was quite surprised when I saw that there were only five episodes released by Netflix.
At first, I thought it must be some kind of error and that Netflix would release the other episodes once they realized the mistake.
But, no, Vampire in the Garden really is only five episodes long and this is its biggest fault.
Now, I still really enjoyed my time with this anime but I feel like it had the potential for so much more, if only it had been given more episodes.

I wish Wit Studio had given *Vampire in the Garden* the ten to thirteen episode treatment.

There are just too many characters and ideas here for the vision of this anime to be fully realized in such a short amount of time.
That said, I do think that Vampire in the Garden did the best it could have done with only five episodes, which is a testament to the writing quality.
For one thing, I liked all of the characters in this anime.
Momo and Fine’s growing bond is interesting throughout, I quite enjoyed the resolution to Momo’s relationship with her mother (Rika Fukami), and the vague way that the anime filled in the backstory of Kubo (Hiroki Toshi), giving us just enough information to put the pieces together, felt like the writers were respecting the audience.
Another feature of the anime I have to give props to is the world building.
Momo and Fine visit various different kinds of communities, all of which have different ways that humans and vampires interact with each other, which are interesting to compare.

The exploration of the different dynamics between humans and vampires in various dystopian cities was excellent world building.

The animation and music are also quite good, something to be expected of an anime made by Wit Studio.
I will also admit that, despite me being critical of there only being five episodes, this short run time does mean you can finish Vampire in the Garden rather quickly, as if it were a movie rather than a show, so that is an advantage it has.
As for other criticisms, there are a few moments in the anime that broke my suspension of disbelief temporarily by being too convenient or having a character survive something that should have been impossible to.

It’s strange moments like this one that temporarily broke my immersion.

Also, I did find the story to be a bit predictable at times, especially with one character’s ending, although it being predictable did not make it bad.
These are just minor criticisms.
The only major one I have is, again, the episode count.
The anime had the potential to be fantastic but the short runtime limits it.
I’m actually hoping we get a manga adaptation at some point because that could extend the story, thus expanding upon the characters, world and themes, allowing Vampire in the Garden to reach its potential.
As it stands, though, I would still recommend the show.
It’s a short watch and delivers some pretty interesting character work and world building.

Spy x Family, Episode Four, The Prestigious School’s Interview Review: An Elegant Episode.

After the previous episode of Spy x Family dabbled in some anime original moments, the series is back to solely adapting the manga in its fourth episode, “The Prestigious School’s Interview.”
Directed by Kento Matsui, this episode begins with a characteristically humorous moment of the Forger family preparing for the interview at Eden College, with Twilight acting like a military general prepping his soldiers.
Although funny, this also turns out to be necessary because the College instructors are monitering all of the child applicants and their parents as they enter the grounds, failing any potential student for so little as lacking refinement.
The architect of this passing requirement seems to be one of the House Masters named Henry Henderson, a man obsessed with elegance.
Thankfully for Twilight, he apprears to have taught Yor and Anya well in elegance, as they all pay respect to the college’s founder, although Yor has no idea who the man is and Anya just thinks of him as a bald man.
Although impressed by this display, Henderson is suspicious of Anya’s low test score and her appalling handwriting, wondering if the Forgers could be an impromptu family, deciding to test them futher.
This first test comes in the form of a student faking being stuck in a gutter, to which Twilight responds by pulling him out, getting his clothing dirty.
Henderson is unimpressed, until Twilight reveals he brought spare clothing in preperation for such an event.
However, further testing is interrupted by an actual accident, when the farm animals escape, causing Yor to leap forward and pacify the leader of the stampeding herd, stunning Twilight, Anya, and especially Henderson, who seems to be having an elegance hemorrhage.
He runs out to thank the Forgers for their efforts, seeming to have grown a little as well, since he now gives them the time to go and change their clothes, only to be a little frightened when Twilight reveals they brought a third pair of clothing with them in preperation.
Then comes the actual interview with the House Masters, Henderson, the kind Malcolm Hall, and the vile Murdoch Swan, a man who berates the child applicants and their parents because of his own family troubles.
Despite Swan’s efforts to undermine the family, the Forgers do well, quite hilariously at times, like the moment when Twilight thinks Anya has screwed up only for Henderson to be blown away by what he views as her dedication.
The interview even turns wholesome when Anya scores her new parents a perfect 100 points, declaring she wants to be with them forever.
Of course, Swan has to ruin this moment by trying to force Anya to compare Yor to her previous mother, causing Anya to cry and Twilight to almost blow the interview by leaping at Swan in a rage, covering this up by smashing a mosquito… along with the table.
Twilight then leaves with his family, stating the perfect insult to Swan, “If making light of a child’s feelings is part of you establishment’s educational policies, then I’m afraid we have chosen the wrong school.”
This also strikes a cord with Henderson, who elegantly decks Swan for his actions.
It is nice to see how Henderson grew throughout his introduction, initially seeming to be as cruel as Swan, only for the Forgers to make him realize what being an educator is about.
Back at the Forger household, things are looking grim, as Twilight believes they have little hope of passing the interview and Anya is distraught at the thought of losing her new family.
However, the family quickly put these bad thoughts aside to focus on the positives, like Henderson and Hall looking out for them, with Twilight also growing as a person, since trusting in someone else is not something he would do in his regular line of work as a spy.
Yet, their family photo does fall at the end, so that’s a bad sign.
Overall, “The Prestigous School’s Interview” is another great episode of Spy x Family, delivering many wholesome moments between the family, plenty of funny gags, and good development for its characters, old and new.
It is truly an elegant episode.

Spy x Family, Episode Three, Prepare for the Interview Review: A Family Ooting.

I was quite interested to see how the third episode of Spy x Family would turn out, since the preview showed there would be some anime original scenes.
Directed by Takashi Kataragi, Episode Three, “Prepare for the Interview” begins with such a scene, as Yor is welcomed to her new home by Twilight and Anya.
This is then followed up by another wholesome anime original section, as Anya shows Yor around the place, including adorable moments, like when Anya pretends to be her toy greeting Yor, and great gags, like when Yor stops Anya from touching her stash of poison.
The funniest anime original gag of the scene, though, is the two moments when Anya claims to have helped, looking for approval, only for Twilight to reveal how Anya failed to help both times, causing Anya to give some of her classic mortified faces.
Afterwards, we get back to the adaptation of the manga, with Twilight running a practice interview for Yor and Anya, which goes about as poorly as expected, especially for Yor, who equates passing the interview with the passing of her victims, much to Anya’s comedic horror.
Hoping to give the two an experience of what it is like to be a cultured family, Twilight then takes them out on what Anya calls “an ooting.”
The adorable telepath then attempts to get closer to her new mama, offering to hold Yor’s hand, only for her to read Yor’s mind and hear how she accidentally broke her brother’s ribs once because she hugged him too hard.
Cue yet another humorous horrified expression from Anya as she runs to hide, before Twilight takes them all to various cultured places.
There’s the opera, where Anya falls asleep and Yor looks rather distressed, and an art museum, where Anya yells out that she can see a woman’s boobies in a painting and Yor is excited by a painting of an execution, much to Twilight’s dismay.
The Forgers’ next two stops are the tailor and a photography shop where they get an awkward family photo, before eventually stopping at a restaurant, where Anya eats with her hands and Yor is fascinated by a knife, once again scaring Twilight into thinking he may have picked the wrong family.
Wanting to cheer Twilight up, Yor takes him and Anya to a spot overlooking the city with a great view.
This has a much more melancholic effect on Twilight, however, as he looks at a group of children playing with a sad expression on his face, a moment that may not mean much to anime only watchers but, for the readers of the most recent manga chapter, takes on a much more unfortunate meaning.
Twilight does not have time to dwell on this, however, because down below a thief steals an elderly woman’s purse and the newfound family work togethor to catch him, because what family ooting is complete without bringing a criminal to justice, am I right?
While Yor initially gives chase and then helps the elderly woman, Anya manages to find the thief by reading his mind and pointing him out to Twilight without the spy realizing it.
Twilight then takes down the thief and retrieves the elderly woman’s purse, who thanks him and Yor by agressively shaking their hands, a display which makes Twilight happy, as it is probably the first moment he has ever been thanked for his efforts, since spying is naturally a mostly thankless task.
Twilight then goes on to thank Yor for changing the pace of the day, causing the two to blush and Anya to speculate that the two are flirting, earning a shocked display from both would-be parents, who deny this wholeheartedly.
Upon arriving home, Twilight again tests Anya, which goes well at first, until Anya recalls Twilight beating up the thief he caught.
However, Twilight takes some comfort in the fact that the elderly woman they helped clearly saw him, Yor and Anya as a happy family, which is key to his mission, bringing an end to the episode with the start of the ED.
This ED is “Comedy” by Gen Hoshino, and it is just as good as the OP, presenting a pleasant feel-good vibe.
“Prepare for the Interview” is another enjoyable Spy x Family episode, with some great anime only additions, which do not feel out of place at all.
This episode also does a good job of building into the next one, with the actual interview and the introduction of a certain elegant character.

Eighty-Six Review: Fantastic Commentary on Child Soldiers.

There are many anime out there that deal with teenagers being sent to the front lines of battle.
To name a few of the ones I have seen, there is obviously Attack on Titan, and also Mobile Suit Gundamn: Iron Blooded Orphans.
However, despite there being many anime that depict this issue of child soldiers, I would argue that few handle this topic as well as Eighty-Six.

*Eighty-Six* deals with the ethics of teens being sent to war better than any anime I have seen.

Developed by A-1 Pictures and based off the light novel by Asato Asato, the Toshimasa Ishii directed anime begins in the Republic of San Magnolia, a country that has been at war with the Empire of Giad’s AI army, known as the Legion, for nine years.
Despite many years of war, the Republic claims to have lost none of their soldiers, due to their own mechanized, remote controlled forces.
Thing is, this is all just propaganda.
The Republic’s mechanized forces are far from remote controlled.
Their Juggernauts are actually controlled by the Colorata minority, a diverse group of people who have been stripped of all human rights by the dominant race of the Alba and forced by to fight for them, along with being forced to relocate all to the 86th District, hence the title of Eighty-Six.
With all of the Eighty-Six’s parents having been killed in the fighting, the Albans are now forcing their children to pilot their Juggernauts to fight the Legion, with Alban handlers directing them.
One of these handlers is Vladilena “Lena” Milize (Ikumi Hasegawa), who hates what has been done to the Eighty-Six, and is put in charge of the Spearhead Squadron, lead by Shinei Nouzen (Shōya Chiba), nicknamed The Undertaker.
From this point, the story unfolds, as Lena is quickly faced with the horrors the Eighty-Six have to go through on a daily basis and her own hypocrisy in how she treats them, all the while Shinei and his fellow 86 learn to deal with a handler who actually sympathizes with their plight.

Just because Lena sympathizes with Shinei and his friends, does not mean she doesn’t dehumanizes them in their initial intercations, which is called out perfectly and creates great development for her character.

This results in numerous hard hitting moments, both on the battlefield and off, helped by the amazing animation and soundtrack by Hiroyuki Sawano and Kohta Yamamoto, all coming togethor to bring the story’s commentary on the horrors of war, nationalism, racism and child soldiers to the forefront.
Yet, there is also hopeful themes among the dark ones, which is especially apparent in the last few episodes, which were delayed due to production issues.
Despite these issues, these final few episodes were incredible, making me tear up in the penultimate episode.
Heck, even Asato Asato apparently cried at the adaptation so you know the anime did something right.

The penultimate episode has my favourite moment of the entire series so far, making me tear up along with the characters. Everything from the animaton, to the soundtrack, to the cinematography, came togethor to create a masterpiece of a scene.

Given the quality of these last few episodes, I really have to praise A-1 Pictures because clearly everyone involved, from the animators to the director, were passionate about this story, as proven by how they delivered the last few episode with the same quality as the rest of the anime, while having production problems.
The quality was so good that now I am even more excited for a follow up, which I hope we get.
With how amazing this anime’s story, characters, themes, direction animation and score are, if it gets a follow up, it could be up there with some of the greats.

Of all of these great features, I have to end this review by once again praising its themes.
Of all the anime I have seen with child soldiers, Eighty-Six delivers the best commentary on that.
It even trumps Attack on Titan in this regard, since Eighty-Six actually deals with the deplorable ethics of using children in war, despite their insistance to fight.
It is a theme I hope to see expanded upon whenever we get a follow up, which should happen because there is apparently enough source material to create more.
Fingers crossed that this is what happens.

Attack on Titan, the Final Season, Episode 27, Retrospective Review: Animation Budget Well Spent.

In my review for Episode 25 of Attack on Titan‘s Final Season, “Night of the End”, I heavily criticized the animation issues, where it was obvious Mappa was trying to save the budget by constantly focusing on walls and trees, rather than the characters’ faces.
However, through this criticism, I pointed out that this could ultimately result in future episodes looking much better, especially episodes 27 and 28.
Well, after watching Episode 27, “Retrospective”, I am happy to see that this suspision was proven correct.
Directed by Jun Shishido, this episode is a phenominal adaption of Chapter 129, delivering some of the best animation Mappa has gifted us with in Attack on Titan so far.
It begins with the aftermath of Connie having to shoot Samuel and Daz to protect both Armin and the flying boat.
The two are clearly traumatised from this but have little time to focus on it because the fight with the Jeagerists is still ongoing, as Reiner and Annie continue to do battle in their Titan forms.
Meanwhile, on the basement steps in one of the buildings, Hange, Jean, and Magath are informed by the flying boat’s engineers that it will take half a day to service it for flight, time they do not have because Jeagerist reinforcements will be arriving soon.
More than that, Hange realizes that even by the time the flying boat is ready, Liberio will have been destroyed, with millions probably already dead.
Jean, in particular, is horrified by this, remembering himself and Connie getting drunk togethor with an old man in a flashback the anime has not revealed yet but hopefully will soon.
It is at this moment of hopelessness, that Kiyomi suggests using a ship to take the flying boat to the port city of Odiha, where they might just have enough time to service the flying boat before the Rumbling arrives.
Kiyomi admits that this is a gamble but this seems to spur Hange on, potentially reminding her of Erwin, and she goes to warn Mikasa who then warns Annie.
There is a moment of internal dialogue from Annie that is cut here, where she wonders if she will still be able to find her father, but this is not too important of a cut considering what happens at the end of the episode.
As the fight continues, Magath leads Kiyomi and the flying boats’ engineers towards the ship that will take them out of the port, leading to Reiner and Annie having to defend them from Jaegerist bullets and thunder spears, with Reiner even taking some of the hits for Annie.
Realizing that the alliance is trying to take the flying boat away on a ship to stop Eren, Floch rallies his troops, telling them that if they don’t stop the alliance then the world will take revenge on Paradis, killing all of them and their families.
This logic is hard to argue with, even though the Rumbling is a morally horrible thing, making it understandable why the Jeagerists are fighting so hard.
After Floch’s speech, we cut to Pieck carrying Levi, Gabi, Falco, Yelena and Onyankopon to the ship.
Seeing how battered Annie and Reiner are getting by the thunder spears, Falco runs in, deciding to transform into the Jaw Titan, since if Galliard were alive then he would not just sit on the sidelines.
Before Pieck can reach the ship, Magath gets there first and orders the engineers to get the ship running, before carrying an injured Armin onboard, allowing Connie to go and fight.
The alliance’s efforts may have been for nothing, however, if a train carrying Jeagerist reinforcements had arrived.
Luckily for them, it is destroyed before it can reach the port, most likely by a thunder spear.
We then get the first excellent tracking shot of the episode, as Connie flies in to save Annie and Reiner, taking out multiple Jaegerists, with Mikasa and Jean aiding him.
It is here that we get another change from the manga, with the changing of Mikasa and Jean’s internal monologue.
In the manga, their line was, “hesitate and your comrades die.”
In the anime, it’s, “hesitate and we’ll never stop the Rumbling.”
Personally, I like this change because they are killing former comrades in this battle, even if it is to save the world, so I think the “stop the Rumbling” line works better.
The fight only gets worse for the Jeagerists as Pieck and Falco get involved, with Falco transforming into the Jaw Titan for the first time, looking absolutley incredible.
I think his Jaw Titan looked a little off at times in the manga, with it seemingly changing appearance between panels, but in this episode his design is consistant and excellently animated.
As someone who likes freckled Ymir’s character, I also quite enjoyed how Falco’s first transformation in the anime seems to mirror hers all the way back in Season Two.
With the Jeagerists now breaking formation, we get our second excellent tracking shot of the episode, with Floch fighting through Falco, Hange and Pieck to get in range to shoot the ship.
Along with looking incredible, this moment is once again different from the manga where Floch actually looks quite pathetic as he screams when Pieck lunges at him.
In the anime, however, he looks nothing but determined to complete his goal.
Say what you will about Floch as a person but he has had quite the character arc going from a cowardly soldier to one willing to take on multiple Titan Shifters to protect Paradis Island.
Unfortunately for him, it does not end well, as Gabi shoots him in the shoulder, causing him to miss the ship and fall into the sea.
As the Jeagerists’ react to Floch’s fall, they notice something horrifying: Mikasa cutting through multiple people, brutally decapitating one of them and stabbing another through an already dead body.
This is another anime only moment but, unlike the others, it is not one I like, specifically because of what Mikasa does after she kills these Jeagerists.
Does she fly off to continue the fight?
Well, yes, but before that she makes sure to activate an already dead Jeagerist’s thunder spear, exploding their corpses and showering her in their blood.
Is this brutal visual cool?
Yep.
Does it make Mikasa look unnecessarily sadistic in this moment?
Also yep.
Seriously, these soldiers were no threat to her, already being dead, and, more than that, they used to be her comrades, before Mikasa had to fight them to save the world.
It’s even more jarring when you look at the previous episode and see how reluctant Mikasa was to kill her former allies.
How did she go from that to being all gung-ho about blowing up their bodies for no reason?
Much like the Louise scene from “Pride”, it just makes her seem uncharacteristically cruel.
It would have been really easy to fix this as well.
Just have the Jeagerists be about to attack her when she activates the thunder spear, which then kills these attacking Jeagerists.
That way, her activating the thunder spear is an act of self defence, rather than unnecessary brutaility.
While I’m on the subject of issues, I will mention one more that I had, this being plot armour.
This was not a complaint I had when reading the manga because I thought not many of the alliance dying in the port battle made sense, since they have numerous Titan Shifters and some of the most skilled Scouts on their side.
Watching the anime, though, did make the plot armour quite noticable.
There are a few times where bullets and thunder spears should have logically hit characters and the ship.
Still, if that did happen then we would not have a means to get to Eren so it is acceptable.
Back to praising the episode, the Jeagerists all flee upon seeing how many of their comrades are being killed, only for Falco to attack the alliance, being crazed from his first transformation, just like Eren was in Season One.
This leads Magath to cut him free from his Titan, the process of which we actually see him do, unlike in the manga which just cuts to him freeing Falco, so this is a good change.
The alliance then lead their injured members to the ship, which departs for Odiha.
However, Magath stays behind to blow up a Marleyan ship that the Jeagerists could use to follow them.
He is ambushed by two Jeagerists, who are then taken out by none other Keith Shadis, wearing his old Survey Corps uniform.
It was he who Annie saw watching over them in “Pride”.
Moved by his students’ goal to save the world, he has decided to aid them, blowing up the train of Jeagerist reinforcements.
He and Magath then run into the ship, preparing to blow it up with themselves as the Jeagerists board.
Magath says that because of Shadis’ actions he will be remembered as a hero who helped save the world, showing that Shadis was no longer a bystander in the end.
What is truly tragic, though, is that the rest of the world may not actually know this, since no one was there to see Shadis help Magath.
In turn, Shadis says Magath will also be revered as hero for his sacrifice, however the Marleyan general refuses to feel proud of himself, acknowledging his own crimes and stating how he wishes he had allowed the Eldian children he trained to live normal lives.
Shadis consoles him, saying those children would be proud of his actions now, handing him the rifle to blow up the gunpowder while the Jeagerists converge on their location.
The two share names, becoming friends in their final moments as they blow up the ship, sacrificing themselves to ensure the Jeagerists cannot follow the Alliance in a scene that is silent, except for the sombre music.
Shadis and Magath’s sacrifice is one of my favourite deaths in all of Attack on Titan and I think the anime adapted it flawlessly.
The episode is not over yet, however, because we also get an after credits scene, which is the opening scene of Chapter 130, where Annie learns that the alliance cannot save Liberio from the Rumbling, meaning that her father is most likely dead.
Hange tries to convince Annie to continue with them to save billions of people they will probably never know but Annie refuses, no longer having any will to fight without her father and confessing to Mikasa that she doesn’t want to have to fight them or Eren.
This brings an end to “Retrospective”, one of the best episodes of the final season’s second half.
Aside from a few gripes, this is a flawless adaptation of Chapter 129, in my opinion, delivering the sacrifice of Shadis and Magath excellently.
With how well animated this episode was, I am even more excited for the final episode of Season Four Part 2, which will air in the next few weeks.
However, this will certainly not be the end for the Attack on Titan anime because there is a lot more story to give.
So, it will be interesting to see if a movie or Final Season Part 3 will be announced after Episode 28.

Manga Spoilers:
One thing that intrigued me about this episode was how the opening scene of Chapter 130 was adapted at the end.
For the past six episodes, Mappa has mostly been adapting a single chapter per episode and it looks like this will continue with the next episode titled, “The Dawn of Humanity.”
However, given how short Chapter 130 actually is, due to the paneling, it makes me wonder if there will be enough content to adapt it all into a single episode without a lot of extra time.
Granted, I did suspect this would happen with Chapter 128’s adaptation and I was wrong about that, so I could also be wrong about this.
If I am not, though, that leaves the question of what Mappa will use to fill in that extra runtime?
It could add some parts of the following chapter “Rumbling” but I don’t think that would work since that is the chapter that features Ramzi’s brutal death and we have not seen the flashback introducing him yet.
This is why I think the next episode may start off by having that so far missing flashback where the scouts infiltrate Marley and party with Ramzi’s family, having their last moment of happiness togethor.
Not only would this be a good way to begin the final episode of Part Two for the Final Season but it would also be good to include because the Eremika scene from Chapter 123 would go nicely with the one from Chapter 130, where Zeke explains Mikasa’s feelings to Eren.
This moment appears to be shown in the preview for the next episode.
Since I think Eren’s feelings for Mikasa were considerably rushed in the manga, having the Chapter 123 flashback and Zeke’s talks with Eren scenes togethor would make the reveal of his feelings for her a lot better, I think.
No matter what we get, though, I am excited to see the adaptation of Chapter 130 and how exactly this story will continue.