When I first heard about the Sicario sequel I was concerned that it would take the realistic elements of the first film and turn it into an overblown action flick.
Thankfully, however, that is not was happened because Sicario: Day of the Soldado sticks to its realism in a gritty and rather disturbing manner.
Directed by Stephano Sollima this time and once again written by Taylor Sheridan, the film follows the sicario Alejandro Gillick (Benicio del Toro) and agent Matt Graver (Josh Brolin) as they try to start a cartel war after these cartels are labeled as terrorist organisations by the United States government.
What follows is a complicated, yet enthralling story that, while not as good as the first, delivers a chilling story that highlights the mortality of what these characters are doing.
The opening scene alone is very disturbing and not for the faint of heart as the film fully displays how innocents are so often caught up in terrorism and acts of war.
Emily Blunt is absent from this film because, according to Cinema Blend, Sollima said he prefers “not to have a moral guidance for the audience.”
This leaves Alejandro as the main character and del Toro once again delivers a fantastic performance as the chilling sicario.
“Adios”, Alejandro declares as he brutally shoots a cartel member multiple times.
Brolin also does a great job as agent Graver, making it three great performances he has given this year including Thanos and Cable.
This film is also brimming with tension and the violence is super realistic, especially in the final moments. Sicario: Day of the Soldado is not completely perfect, however, because the story does change half way through.
I personally did not find this change in story to be that jarring but I can also see how other people would.
Another problem had to do with how the character of Isabela (Isabela Moner) was treated by Alejandro.
Alejandro serves as her protector in this film but, given what I know about him from the first Sicario, I find it highly unlikely that he would want to protect this girl and that he would actually want her dead.
It just felt like a big plot hole to me.
Alejandro wanting to protect Isabela did not make sense to me because of what I knew about both characters.
Overall though, Sicario: Day of the Soldado was still a very good film with great performances and disturbing elements of realism.
Just be be prepared for the switch in story and you will have a good time with it.
I just watched the three part miniseries Attack on Titan: Signal of the Counterattack, which is a part of the Attack on Titan Japanese live action movies.
When I started watching these episodes I thought they would be bad but I had no idea they would be worse than the live action films.
They were terribly acted, boring and one of the episodes was the worst adaptation I have ever seen and made me feel insulted as an Attack on Titan fan.
So I will now take you through each episode and why I found them to be so atrocious.
Episode 1: The Strike Back Begins
When I read the synopsis for this episode, I thought it might actually be good because it starred Hans (Satomi Ishihara), the adaptation’s version of Hange, who was one of the few good things about the live action films.
Yet, somehow, this episode managed to ruin her character for me.
Just because something works in anime does not mean it will work in live action and the portrayal of Hans in this episode is a testament to that.
I found Ishihara’s performance here to be laughably terrible, which unfortunately goes the same for the other actors in this episode.
This episode is also terribly shot with time lapse shots that may work for a documentary but not a fictional TV series.
On top of this, there is a moment that blatantly contradicts the continuity of the live action films.
Hans shows that the Titans cannot move at night but we saw them move at night in the first film.
While this change is more in line with the anime if you set something up in your version you have to continue with it because otherwise it destroys all continuity.
This episode is a mess, with the only enjoyment coming out of its laughably bad performances.
Episode 2: The Arrow of Hope
With the most cringe worthy title of all three episodes, if I could describe The Arrow of Hope in one word it would be “boring”.
This episode focuses on the character of Sasha’s (Nanami Sakuraba) backstory and at no point did I even remotely care about what was happening.
I did not care about Sasha’s dog, I did not care about her catching the food thieves, I did not care about Han’s involvement.
The story telling was that bad.
Along with this, Sasha’s character is, just like in the films, butchered in comparison with the manga and anime.
Her only character traits in this is that she is obsessed with food and is an expert with the bow and arrow.
Sasha’s character was so much more than this in the source material and the jokes they use surrounding her character here do not work at all, once again unlike the source material.
They basically made her a Katniss Everdeen wannabe in this version.
Much like the previous episode, this one is also terribly shot with a point of view shot from Sasha’s dog being particularly atrocious.
Then there is the cringe factor, with so many scenes that made me groan.
The way Sasha’s bow and arrow skills completely defy physics and her literally making heart eyes at someone were the worst moments of the episode.
There is just nothing enjoyable in this episode.
It is completely boring from start to finish.
Episode 3: The Departure of Freedom
Coming into this episode I expected it to be bad.
What I did not expect was for it to be one of the most torturous experiences I have ever had watching any form of media. The Departure of Freedom is not just a terrible episode but the worst adaptation I have had the displeasure of seeing.
It is so atrocious that it makes The Last Airbender and Dragonball Evolution look like cinematic gold.
This episode basically focuses on the budding romance between Fukushi (Shu Watanabe) and Lil (Rina Takeda), two characters from the first film.
They are based off Hanna and Franz from the source material, who were minor characters and did not need an entire episode like this focused on them.
You remember the saying, “still a better love story than Twilight”?
Well, this love story actually manages to succeed in being worse than Twilight, and that is saying a lot.
There entire relationship starts with Lin almost beating Fukushi to death, how is that for romantic?
Them falling in love is so unbelievable and stupid.
It goes from them trying to kill each other to them being head over heels in love in seconds.
For the third time, this episode is shot terribly as there is way too much slow motion.
This is a 41 minute episode and if you were to remove all the slow motion scenes then the episode would be cut by at least 20 minutes.
This shows the people who made this had no idea what they were doing and were trying to just fill in time by using slow motion.
CGI is also used in this film and it is atrocious and completely unnecessary.
However, the reason why I consider this to be the worst adaptation ever is the comedy.
About half way through this episode I realised it was not meant to be taken seriously but that does not excuse the fact that adapting Attack on Titan as a comedy with incredibly unfunny cringe humor is completely insulting to any fan of the source material.
There are two women in this film who for some dumb reason are dressed in skimpy outfits while in the military who provide the worst joke in the entire episode.
When one of the soldiers insults their superior officer one of these women glares at her with the the most over the top frown and kissing face and her eyes rolling into the back of her head.
I laughed so hard at this, and not because it was funny but, because I could not believe they were actually doing this.
The final fifteen minutes of the episode delves into a complete cringe fest with some of the most juvenile humor I have ever seen and I hated every minute of it.
This episode was absolute agony to watch.
They took the dark and compelling story of Attack on Titan and changed it into a cringe fueled comedy with no humor whatsoever.
Avoid this episode like the plague.
I don’t know how they managed it but somehow this live action miniseries was 1000 times worse than the live action Attack on Titan movies.
The episodes were laughably bad, cringe worthy, boring and had one of the most insulting adaptions of an original work ever.
I am only thankful that I have finished watching these adaptations and therefore never have to see them again.
The Incredibles is probably my favourite animated movie of all time because of its fantastic appeal for both kids and adults, presenting a superhero story that had a great family drama at its heart.
Now, 14 years later, the sequel has finally been released.
Once again directed by Brad Bird, The Incredibles 2 picks right up from where the first film left off with the superhero Parr family attempting to stop on an attack by the super villain The Underminer.
However, this gets them into trouble because superheroes are still illegal but then a billionaire named Winston Deavor (Bob Odenkirk) provides a way to make superheroes legal with the help of Helen/Elastigirl (Holly Hunter).
I was a little concerned coming into The Incredibles 2 that, after the 14 year hiatus, the film would struggle to capture the feeling of the first film but, thankfully, this was not the case.
Although I do think the original is better, The Incredibles 2 is still a great follow up that blends the family drama excellently with its super hero story.
The standouts of this movie were by far Elastigirl and her son Jack-Jack (Eli Fucile) who had many great scenes, with Elastigirl taking part in a very inventive action sequence involving a train.
Elastigirl was one of the standout characters of the film with great action sequences to boot.
However, this does lead into my one problem with the film, which is its portrayal of some of the Incredibles.
In the first film it felt like every member of the Parr family had a chance to shine but unfortunately, due to the focus on Elastigirl and Jack-Jack, it felt like some of the other family members did not have much to do, especially Dash (Huck Milner).
Even though I did have a problem with this, the characters who the film did focus on were done very well.
The comedy of the film was also well delivered but even more so the action.
Along with the train sequence there were many other well choreographed action sequences that actually greatly improved on the original.
There is a new character in this film named Voyd (Sophia Bush) whose superpower Bird really had fun with by creating various ways for her to use it in the action sequences.
The family drama moments with Bob/Mr Incredible (Craig T. Nelson) staying home to watch the kids also led to some funny scenes like how he tried to fix his daughter Violet’s (Sarah Vowell) relationship with her boyfriend.
Both the action and family drama scenes were done very well and blended together seamlessly. One thing I have heard people criticizing about The Incredibles 2 was that its villain, The Screenslaver, was one dimensional but I honestly did not find this to be the case.
While not as great of a villain as Syndrome from the last movie, The Screenslaver was an interesting one due to the motivation for what they were doing and their inventive way of committing crimes.
Some say that Screenslaver was one dimensional but I disagree as I did find them to be a good villain.
Overall, The Incredibles 2 is a very fun film with a seamless blend of action and family drama that offers even better action sequences than the first and some great character focus.
I would not be opposed to seeing a third one but if there is let’s just hope it does not take another 14 years to come out.
The second season of Westworld aired on Monday bringing to an end a season full of twists, action and character moments.
I had been eagerly anticipating Westworld season two since I saw the first one in 2016.
This first season was fantastic and I was hooked right from the first to the last episode so I was very excited to see it return this year.
But could this season recapture the magic of that first one?
Well if you looked at my weekly reviews of the show you will already know that I thought this season was excellent.
This is clear through the fact that I never gave an episode anything lower than four stars, with four of them getting the perfect five stars.
Was this season as good as the first, well that is debatable but it is at least on par with it and, since I loved the first season so much, this is not a problem. Westworld delivered some truly excellent episodes in its ten episode run this season with my five star rated episodes Riddle of the Sphinx, Akane No Mai, Kiksuya and The Passenger being particular standouts.
Each of these episodes were absolutely fantastic with episode eight Kiksuya being what I believe to be the best episode of Westworld.
Season two delivered the best episode of Westworld so far with Kiksuya.
I loved how this episode focused on the new character of Akecheta (Zahn McClarnon) and how much they made me care about him with just one episode.
Watching his emotional journey to find his wife and then setting out to lead all of the hosts to the Door was one of the most emotional moments of the entire series.
But Akecheta was not the only stand out character of the season.
Dolores Abernathy (Evan Rachel Wood) and Maeve Millay (Thandie Newton) were both great this season with me constantly switching which one was my favourite character.
The actresses who play these two really deserve awards for their performances.
Both Evan Rachel Wood and Thandie Newton gave fantastic performances and should at least be in the running for awards.
Even characters I thought of as one note last season really surprised me in this one as I come to like Ashley Stubbs (Luke Hemsworth) a lot more and Lee Sizemore (Simon Quarterman) had one of the best arcs of the season, going from an unlikable narcissist to a redeemed hero.
One flaw I do have with the characters though is that a few of them were underwritten, most notably Sylvester (Ptolemy Slocum) who went from disliking hosts in season one to apparently willingly helping them in season two with no character arc.
However, I will not mark this as a point against season two because Sylvester is just a minor character and had literally no impact on the story this season so can be seen as a nit pick.
Along with the amazing characters and story there was also amazing plot twists, like the one seen in the season finale The Passenger, incredible music and cinematography.
Season two of Westworld was amazing.
Even the weaker episodes of the season like Journey into Night and Phase Space were still really good episodes.
I cannot wait for season three but it will probably be a while before we get it and I do not know how on earth they will pick up from the season finale.
The Westworld season two finale, Passenger, aired two days ago and ever since then I have been in a state of shock.
This 90 minute finale was absolutely incredible with emotional deaths and moments, mind boggling twists and more than a few intense cliffhangers.
The episode started off as a fairly standard episode of Westworld but by the half-way point it had hopped on board a train of absolute insanity and stayed on board all the way through to the post-credit scene.
Even before this half-way point though, the episode had plenty of typical fantastic Westworld moments, like the heroic death of Lee Sizemore.
I was very surprised by Sizemore’s character arc this season.
In season one he seemed like an irredeemable jerk who would only cause trouble, however, this season they actually redeemed him giving him many emotional moments like his breakdown in front of Maeve in Kiksuya. They even gave him a great way to go out with him holding off Delos security to give Maeve and the others time to escape while he shouted the speech he had written for Hector.
It was a sad and yet oddly triumphant end for Sizemore.
Sizemore, Hector, Armistice and the others attempt to rescue Maeve right before Sizemore’s heroic death.
However, Sizemore was not the only character to die this episode as we got multiple characters deaths with Maeve, Charlotte, Elsie, Hector and Armistice all dying.
One tiny problem I have with this though is, once again, I am not sure if Maeve, Hector and Armistice are actually dead for good, due to them being hosts.
The finale seems to hint that Felix and Sylvester will bring Maeve back but we will have to wait and see.
Speaking of which, Maeve’s death was very tragic as, much like Sizemore, she sacrificed herself to save her daughter.
What was not tragic, however, was the death of Charlotte Hale, which led to the explosive twist that Bernard had replaced her with a host version of her with Dolores’ mind inside.
So the entire time we were seeing Charlotte in the future timeline it was actually Dolores in a host Charlotte’s body.
I knew something was off about Charlotte when she reappeared in the future timeline but I thought it was because she knew Bernard was a host.
I never expected this huge twist and it was excellently done.
More revelations soon followed with Ashley Stubbs (Luke Hemsworth) hinting that he may be a host to Charlotte/Dolores and, in a post-credit scene, William going through a fidelity test run by a host version of his daughter years in the future.
Is Stubbs a host? Or is he just following Ford’s orders? I guess we will have to wait until season three to find out.
Honestly, with all these plot twists, it feels like the show will be completely different when season three airs, whenever that will be.
What makes the wait for season three more exciting though is the questions the finale left us with.
I genuinely do not know if certain characters will be returning.
I have no idea if Akecheta is returning, for example, and honestly I both want and do want him to come back.
I want him to come back because he is such a great character and it would be really good to see him again, but I do not want him to come back because he got a happy ending this episode and I want him to stay happy with Kohana.
Akecheta, Maeve’s daughter and her new mother escape to The Valley Beyond.
In considering who among the hosts who died will be returning, I think Maeve is probably coming back, along with Hector and Armistice, but other than them I have generally no idea.
The final big take away from this episode was that Dolores and Bernard are now enemies, with Dolores acknowledging they are both important to the hosts’ survival but that they cannot work together because of their differences.
Personally, I am on team Bernard because Dolores has certainly become a villain this season and, as Bernard puts it, she will kill “every man, women and child” on the planet if she could.
I have heard more of a mixed response from people when they talk about Passenger but I for one think it was an incredible finale with many shocking moments.
I am not sure if it is as good as the season one finale The Bicameral Mind but it is still a fantastic way to end season two.
I have no idea what is going to happen in season three but I cannot wait.
After watching part one of the Attack on Titan live action movie I was not looking forward to seeing the second part.
And, I am to sorry to say, my concerns were correct because part two is, not only terrible but somehow worse than the first pat. Attack on Titan: End of the World is an absolute mess from start to finish.
Directed once again by Shinji Higuchi, the film picks up with a ten minute recap of part one, which goes on for way too long.
After this, the movie opens up with Eren (Haruma Miura) having a flashback to his father giving him an injection that supposedly gives him the ability to turn into a Titan.
This really should have been set up in the first movie so Eren transforming into a Titan did not come completely out of the blue.
Worst of all, however, Eren’s mother shows up in this scene.
If she was a part of the story then why did the director not just have her die in the first film?
This would have given Eren the motivation to fight the Titans instead of the weak reasoning we got in the first film.
Anyway, this scene sets up multiple questions for the film to answer.
Why was Eren’s father testing the Titan ability on his son, how did he create this ability, what happened to Eren’s mother and father, who is Eren’s older brother they are talking about?
These are just some of the many questions that are set up in this scene and the movie answers none of them.
If this had been in the anime it would have been acceptable because we know the answers are coming but this movie does not look like it is getting a sequel, even though it has an incredibly confusing end credit sequence.
So if we are not going to get answers what was the point of setting these questions up?
Sadly, the movie does not get better from here.
The story comes across as very contrived and also extremely rushed.
The first part definitely moved through the story at a very fast pace but in this film they took it a step further by giving the story no time to breath.
The story of Attack on Titan: End of the World moved so fast that it was hard to get invested in what was happening.
Even the individual scenes were bad.
This movie “tried” to explain the truth behind the Titans and Titan Shifters but failed miserably.
I really hope this is not the explanation we get in the manga and anime because it made absolutely no sense.
The entire scene where they explained the Titans origins was the worst in the entire movie because of how confusing it was.
In one shot Eren and Captain Shikishima (Hiroki Hasegawa) are watching footage of Titans being created and then the shot cuts back to them and they are suddenly sitting on beach chairs in the sand with no explanation as to where the chairs or sand came from.
And why was The End of the World song by Skeeter Davis playing during this scene?
Was it just so they could put End of the World in the title?
I have no idea what was going through the writer’s head when he wrote this scene.
What made this situation worse was the acting, which was once again terrible.
Just like in part one, Miura gives a terrible performance as Eren.
Someone just as bad as him though is Hasegawa, as Captain Shikashima, who laughed way too much in this film.
It felt like he laughed after every line of dialogue.
Hiroki Hasegawa turns in a cringe worthy performance as Shikashima with his constant unneeded laughter.
The other characters were also very badly handled again.
Armin (Kanata Hongo) is completely useless, just like he was in part one, and Mikasa (Kiko Mizuhara) is made to be a victim who does not care about Eren at all.
Then there were the characters created solely for the films, who are just as bad, with one character Sannagani (Satoru Matsuo) having amazingly stupid levels of strength in both parts.
The color palette was also pretty bad in this movie, although not as bad as the first one so that was something.
What was worse in this part, however, was the special effects, which are some of the worst I have ever seen put to film.
The Microsoft Paint blood effects are back and the scenes where characters turn into Titans are laughably atrocious.
I know Japanese film companies do not have the big budgets of Hollywood blockbusters when it comes to CGI but this was just embarrassing.
Blood splatters onto the camera with effects that looks like they were completed using Microsoft Paint.
Speaking of the Titans, they are a non-existent threat in this movie.
One of the few things the first film got right was the Titans who were very creepy, with the first shot of them giving me goosebumps.
Here though, with the exception of the Titan Shifters, the Titans felt like a complete afterthought.
The one redeeming factor of this film was once again Satomi Ishihara, as Hans, who is a joy to watch.
She brought a smile to my face every time she appeared on screen.
Other than her though, this film was absolutely awful.
Incredibly rushed story, terrible acting and characters, atrocious effects and a complete lack of suspense.
This movie really encompasses why so many adaptations of anime go wrong.
The reason so many people connect with Attack on Titan so much is because it was written by Hajime Isayama.
He has a clear vision in writing the manga series, which you can see when reading it.
His vision works perfectly with this story and if any other person had come up with Attack on Titan, it probably would not have worked.
So when adapting something to live action, if it is going to work, you need to adhere to the creator’s original vision because, if you do not, nine times out of ten the film will completely fall apart.
This is the case with films like the Attack on Titan live action adaptations where the director kept the story but threw out the creator’s vision for their own and this new vision combined with Isayama’s story just did not mix.
If the Attack on Titan movies had stuck to Isayama’s vision then they would have been a lot better and connected with more people just like the manga and anime.
Instead they will just be remembered as entries in a long line of horrible live action anime adaptations.
I have heard mixed responses to Jurassic World: Fallen Kingdom, some like it and some hate it so I did not really know what to expect when I went in.
Overall though, I feel that Jurassic World: Fallen Kingdom is a fun movie to pass the time, that is if you have not watched the trailers.
If you have, then there is pretty much no reason to go see this movie because the trailers spoil 95% of it and the 5% that is not spoiled is nothing special.
The movie will be a good time though, for people who have not watched these trailers because the action set pieces and tension of he film is really well done.
Directed by J.A Bayona, Jurassic World: Fallen Kingdom centers on Owen Grady (Chris Pratt) and Claire Dearing (Bryce Dallas Howard) from the previous film, who go back to the island to rescue the dinosaurs from a volcanic eruption.
The plot of the first half of the movie is to save the dinosaurs from an erupting volcano.
This storyline is interesting but then the story turns on its head and becomes a completely different movie.
This tonal shift was not exactly bad as both the first and second half were entertaining but it felt like I was watching two different movies.
The characters are fairly average as well.
Pratt and Howard are likeable in their rolls but do not have any substantial growth.
The same can be said for the side characters with Justice Smith’s character, Franklin Webb, being on the verge of downright annoying.
There is also a twist near the end of the movie surrounding one of these characters, which, while an interesting concept, is not explored well and has no meaningful impact on the movie.
Then there are the decisions these characters make, some of which were on an Alien: Covenant level of stupid.
These flaws, however, do not stop the movie from being entertaining.
The action sequences with the dinosaurs are very well done and engaging and there is one moment of the film that is very reflective and actually heart breaking to watch.
The action of the film is very well done and helps makes the film more entertaining.
If I were to gauge this movie though, I would say it was better than the previous film in the series, Jurassic World. Fallen Kingdom does have the weird subplot of weaponizing dinosaurs from the previous film but it was handled a lot better and made more sense sense to me here.
Unfortunately though, this film ultimately fails to capture the magic of the original Jurassic Park.
It is a solid film but nothing to write home about.
I can least say you will find it entertaining… if you have not seen the trailers that is.
It is at least a month until the third season of Attack on Titan airs and I cannot wait.
I have been dying to see more of it so I decided to watch the live actions adaptations to pass the time.
Now, I had not heard good things about the films so coming into the first one I was expecting something on the scale of The Last Airbender or Dragonball: Evolution in levels of terrible.
While, thankfully, the first live adaptation is nowhere as bad as those films, it is still a colossal mess (pun intended) that not only fails to capture the greatness of the source material but as a standalone movie as well.
Directed by Shinji Higuchi and “based” off the manga by Hajime Isayama, Attack on Titan is set 100 years after humanity hid behind three large walls to escape giants known as Titans that have driven humanity to the brink of extinction.
The movie follows friends Eren (Haruma Miura), Mikasa (Kiki Mizuhara) and Armin (Kanata Hongo) who witness a massive Colossal Titan destroy the outer wall allowing the Titans inside.
The film then follows their efforts, and that of the Survey Corps, to eliminate the Titans.
This plot synopsis does seem to encapsulate the story of the manga and anime, however, Higuchi makes many additions and changes to this story that severely undermine it.
For one, Eren’s mother is not in this film so her death cannot motivate Eren to fight the Titans, completely removing a large part of his character.
The worst change to the film story wise though is the addition that the Titans attacked in modern day so humanity have trucks and guns at their disposal.
This eliminates much of the tension that was seen in the original source material, due to the limited technology.
Even worse than the story changes, however, are the character changes.
I may have hated Eren in season one of Attack on Titan but at least he was memorable.
The movie version of Eren is an incredibly forgettable character and Miura gives the worst performance of the entire movie that sometime becomes laughably bad.
Haruma Miura gives the worst performance of the film with various cringe inducing scenes.
Armin is just as forgettable, with no depth or character growth whatsoever.
The only change he got was that he was turned into an inventor in this version but this was pointless because it never came into the story in a significant way.
Then there is Mikasa, who is by far the worst offender.
Her main purpose in this movie is to serve as the love interest for a creepy love triangle between Eren and a watered down version of Levi known as Captain Shikishima (Hiriko Hasegawa).
The worst change about Mikasa though, is how she got her scarf.
I know this may seem like a fanboy nit-picking but it is really not because how Mikasa got the scarf in the manga and anime is integral to her character.
Mikasa saw her parents get murdered right in front of her.
After this, she felt completely lost and alone in the world until Eren wrapped his scarf around her and assured her she was welcome to come home and live with his family.
Thus Mikasa came to associate this scarf with Eren and her strong feelings for him, which is a big part of her motivation in both the manga and anime.
So, how was this translated to the film?
Eren gives Mikasa the scarf because she has a cold… Seriously?
This basically takes away Mikasa’s entire motivation and character development in this part of the story.
Mikasa is reduced to the love interest of the movie with almost no motivation.
Another big problem with the film is the music. Attack on Titan has my favourite soundtrack of any show I have watched.
It is absolutely incredible and gives a perfect vibe for the series.
In comparison, the music of the film is incredibly cheesy with over the top whimsical music playing in the beginning scene.
Then there is the color palette.
Another great thing about the anime is how beautiful and colorful the environments are.
This makes for a very stark and disturbing contrast when we see characters getting horrifically killed in these beautiful environments, which improves the impact these scenes have.
The movie’s color palette, on the other hand, was incredibly bland and dull throughout.
In one particularly awful shot, the Titans are the same dull grey color as the environment, failing to make them stand out.
The Titan’s completely fail to stand out because they are the same color as the environment.
Finally, there is the CGI, which goes from good, to passable, to atrocious throughout the movie.
Whenever the characters are using their ODM gear everything looks so incredibly fake that it draws you out of the moment.
I am not kidding when I say that some of these effects were I would expect to see in a Sharknado movie.
There is also a scene where blood splatters on the camera and it looks like the effects were done by Microsoft Paint, the effects are that bad.
All that being said though, was this film completely terrible?
No.
There were some things I did enjoy.
The character of Hans (Satomi Ishihara), who was the movie’s version of Hange Zoe, was spot on in both casting and performance.
The actor did a really great job and I wish she had been give more scenes.
Hans was a great interpretation of Hange from the manga and anime.
The final thing I liked was the 20 minute scene where the Titan’s attack Eren’s hometown.
This was a genuinely good scene with a lot of great horror moments and tension.
It also featured my favourite shot in the entire movie when, after the Colossal Titan has kicked in the wall, we see numerous Titans, illuminated by the sunlight, moaning as they make their way through the wall.
This shot was genuinely creepy and gave me goosebumps.
However, other than that, this movie was a failure in every way.
The story changes were ridiculous, the characters were terribly adapted, the soundtrack was cheesy and the color palette and effects were atrocious.
This was another bad adaptation of an anime and am I not looking forward to watching the sequel.
And the worst father of the year award goes to William, from Westworld.
In all seriousness, the latest episode of Westworld, Vanishing Point, delivered plenty of shocking moments and deaths.
Chief among those was the death of Emily at the hands of her own father.
I realised this was going to happen a full ten seconds before it did and spent those seconds literally screaming at the television for William not to kill his daughter.
Sure enough though, he did because he thought she was secretly a host being controlled by Ford.
However, sadly for William and Emily, she was not a host created by Ford and William really just killed his own daughter.
William realizes that Emily was not a host so he killed his real daughter.
I think it is fairly safe to say now that William is irredeemable at this point.
He looked to be on a redemption arc in the fourth episode Riddle of the Sphinx but, what with the whole murdering his own daughter thing, I do not see that really working out.
This shocking scene does lead to a very interesting one though, as William digs into his arm with a knife to see if he is a host to absolve at least some of the blame for Emily’s death.
While the episode does leave you hanging about whether or not William is a host, I think it is safe to say he is not.
One because the Delos security officers tested him right before he killed them and their tech said William was human, secondly because making him a host would remove most of the impact of him killing Emily.
Speaking of which, Emily and the Delos security team’s deaths were not the only ones William caused this episode as in a flashback it goes into the death of his wife Juliette, played in a brilliant cameo by Sela Ward.
Sela Ward was great in her small role as William’s wife Juliette
Watching her death play out and how it inadvertently led to the death of Emily as well was tragic to see.
The death of Juliette and Emily are not the only tragic deaths this episode though because Teddy dies too, or at least I think he does.
This is one of the few problems I have with Westworld because when a host dies you never know if it is going to be for good or if they will be brought back to life later.
Yes the hosts destroyed their backups by blowing up The Cradle, but Charlotte just brought Clementine back this episode and we still do not know if Lawrence is dead for good.
That being said, Teddy’s death was still very emotional.
At first I thought he was going to attack Dolores for changing him, before he said he would never hurt her and shoots himself.
Dolores reaction at the end is painful to watch, although this may led to something interesting in the finale because it looks like she and William will be teaming up to get to The Valley Beyond, due to both their tragic losses.
Dolores tragic reaction to losing Teddy, possibly for good.
While having tragedy, this episode also had hope and dread for the finale.
Ford gave Maeve some new ability to help her escape her confinement saying he thought of her like his own child, which was very emotional.
Then there is Bernard who banished Ford from his mind, but for how long I wonder?
Finally, there is Clementine who, in a terrifying foreshadowing of things to come, was brought back to life by Charlotte and given Maeve’s admin powers.
Charlotte plans to use her to get all the hosts to kill each other, thus eliminating the threat.
We can see this plan coming to fruition in the season finale promo but Maeve is also there so hopefully she will be able to stop Clementine.
Another interesting thing in the promo is its connection to Logan, who looks to be playing a central role in the season finale because we can see Dolores and Bernard investigating his memories through the Forge.
Overall Vanishing Point was a tragic episodes with the deaths of Emily and Teddy, which will probably bring Dolores and William back together again.
It looks to be an intense season finale next week.
When I first heard about Tag I was skeptical.
A movie about a group of friends who play tag once a month every year, how could that be good?
Then I saw the trailer and I thought it might actually make a fun movie, not fantastic but fun.
Oh, how wrong I was.
I will admit Tag could have been good, what with its really good message about friendship.
All they had to do was throw in some good comedy and it would worked for a fun film to pass the time.
However, this was all ruined by immature a childish gags, which you could argue was the point since the characters themselves are immature and childish but that still does not make it work.
The only joke in the film I can remember was a Sherlock Holmes style gag where you hear the characters’ thoughts.
Other than that, I cannot remember a single joke from Tag, they were that forgettable.
Directed by Jeff Tomsic, the basic plot is that Ed Helms, Jon Hamm, Jake Johnson and Hannibal Buress play a group of friends trying to tag their friend Jerry, played by Jeremy Renner, who has never been tagged in his life, before his wedding.
The story that follows can only be described as incredibly predictable.
The characters think of a way to tag Jerry, they try, it fails, rinse and repeat.
It gets old very fast.
Another thing about the way the story is told is how pointless some its sublots are.
There is a love triangle sublot in this film that literally goes nowhere and had no reason to be in the film.
If I were to describe Tag in one word it would be forgettable.
The only redeeming quality about it is that it had a good message about friendship but it was difficult to latch onto that message since the story and comedy had no substance. Tag is a forgettable experience that you should probably skip.
I will wait for the hide and seek movie to come out, thank you very much.
THE REVIEW MONSTER 