I was excited for the Season Two finale of House of the Dragon.
The previous episode, “The Red Sowing”, was one of my favorites of the series, so I was anticipating the season would likewise end on a great note.
Unfortunately, House of the Dragon followed up one of its best episodes with easily its worst for me.
Directed by Geeta Vasant Patel, “The Queen Who Ever Was” not only ends Season Two on an anticlimactic note but also has plenty of poorly integrated scenes, scenes that go nowhere and, worst of all, two cases of extreme character assassination.
The episode begins with Tyland Lannister negotiating with the Triarchy.
Over the course of the episode, we see him struggle, having to engage in a mud fight with Admiral Lohar to win the Triarchy’s support.
These scenes all feel very rushed, considering they are just shoved into the season finale.
If this storyline had been stretched out over previous episodes, maybe it would have been better.
A counter point to this is that Tyland and the newly introduced Lohar are just not interesting enough to carry their own storyline.
Sadly, this is not the only story with scenes spread across the episode which lacks intrigue.
Throughout “The Queen Who Ever Was”, we get brief scenes of Rhaena running through the Vale, looking for a wild dragon.
Not only is Rhaena unlikeable here because she abandoned her half-siblings, but the storyline also makes little sense because somehow no one noticed she was gone.
The episode ends with her finding the dragon, which has a cool design, but that is the last we see of Rhaena this season, making all of the buildup she got seem like a waste of time.
The Tyland and Rhaena scenes feel like they could have been removed in favor of focusing on more interesting events, like Aemond burning down a city that is loyal to the Blacks.
We only see the aftermath of this attack, removing a lot of its impact.
If we had seen Aemond actually burn the city, driven by his anger of the Blacks recruiting new dragon riders last episode, it could have been a big moment for his character.
Instead, it feels kind of hollow.
Speaking of those new dragon riders, Ulf is already letting the power get to his head, being disrespectful towards Jace.
This only furthers Jace’s fear that these Dragonseeds could prove to be more of a threat than allies.
Rhaenyra is not likely to listen to his protests, however.
She is, thankfully, finally listening to Corlys.
He was named Hand of the Queen in Episode Five, but he has bizarrely never been seen advising Rhaenyra until now.
It honestly felt like Mysaria was Hand of the Queen rather than him.
Now, we finally get to see him advising Rhaenyra to take the war to the Greens, while also unveiling his new ship, dubbing it “The Queen Who Ever Was” after Rhaenys, which is a nice touch.
Corlys is also in the best scene of the episode, when he tries to offer Alyn help, only for his illegitimate son to confront him with all of the pain he put him and Addam through by neglecting them.
Abubakar Salim gives a powerful performance here, and it makes me more excited to see him in Season Three.
Hopefully, we will see Corlys advising Rhaenyra more next season, as well.
She is certainly going to need all of the advice she can get, given that one of her plans failed so badly this episode.
The Lord she sent to access Daemon ends up betraying her, wanting to support Daemon’s claim instead.
Rhaenyra is just lucky Daemon had a vision about how terrible Season Eight was and now wants to stop it from happening.
That joke brings me to Daemon’s part of the story, as he finally makes his choice regarding his place in the world, deciding to stay loyal to Rhaenyra after his vision of the coming Whiter Walker threat.
While this was a big moment from Daemon, I do feel like House of the Dragon leans way too heavily on the events of Game of Thrones at times.
I wish it could just be its own show, especially how a lot of us do not want to be reminded of Season Eight.
Along with this, Daemon and Rhaenyra reconciling makes me wonder just what the point was of that bizarre make out scene between Rhaenyra and Mysaria in Episode Six?
That scene has never been addressed since and it probably never will now that Rhaenyra and Daemon are back on the same page.
However, Daemon’s storyline has an even worse problem, which is the complete character assassination of Helaena.
Helaena appears in Daemon’s vision, revealing herself to have powers similar to Bran’s in Game of Thrones.
She then gives him some advice.
“This is all a story. And you’re but one part in it. You know your part. You know what you must do.”
I hated this.
Daemon is responsible for the brutal murder of Helaena’s son, and I am supposed to believe that she is willing to help him after that?
Why?
She should hate his guts.
In episode two, we saw how traumatizing the death of her son was for her and this scene lessens that impact.
This is the first character assassination of the episode but there is still one more and it is far worse.
I am getting ahead of myself, though.
While, yes, the scene with Daemon and Helaena is bad, at least there are a couple of good scenes to balance the episode out a little.
The first of these is the already mentioned Alyn scene, but there is also one of Criston, where Gwayne confronts him over his relationship with Alicent.
The scene is a bit weird since Gwayne confronts Criston out in the open, practically telling everyone who did not already know that the King’s widow is having an affair.
That being said, the scene does have the best dialogue of the episode, as Criston shows how nihilistic he has become.
“Perhaps all men are corrupt and true honor is a mist that melts in the morning.”
Criston may be a complete and utter jerk, but damn did that line feel like something George R.R Martin would write.
Criston is faithful to Alicent… it is just a shame that she is currently willing to sell him and every single person in her family besides Helaena up the river.
After learning Aemond wants to force Helaena to fight, Alicent goes to Rhaenyra in secret to negotiate, being willing to surrender King’s Landing to her once Aemond leaves.
At first, Alicent attempts to claim she can convince Aegon to bend the knee, but Rhaenyra refuses, saying Aegon has to die for her claim to the Iron Throne to succeed.
So, obviously, Alicent says no, right?
I mean, this is the woman who threw herself in front of a dragon to defend her son in Season One, Episode Nine.
She would never sacrifice her children after being so afraid for their safety previously, right?
Nope, she agrees to sacrifice Aegon and, by extension, Aemond, Otto and Daeron, the latter of whom she wanted to know about just a few episodes ago.
This completely destroys Alicent’s character.
She was the one who turned her children against Rhaenyra in the first place and now she is willing to have them executed?
Not that it will happen though, because Aegon flees the city with Larys this episode, which will probably cause yet another misunderstanding between Rhaenyra and Alicent in Season Three.
As for Aegon himself, Tom-Glynn Carney did a fantastic job this season.
I somehow both sympathize with his character and despise him.
This is what the show should have been going for with Alicent.
Instead of the ruthless, power-hungry woman who loved her children from the book, we get the complete opposite, someone who wants peace even if it means her own children have to die.
Seeing what it led to, I now really don’t like the switch in Alicent’s character in “Lord of the Tides.”
If she had crowned Aegon because she wanted to, rather than because she misheard Viserys, it would have made her a lot more interesting.
Honestly, Rhaenyra suffers a lot from these kinds of issues as well.
In the Season One finale, Rhaenyra’s face after she learned of Luke’s death promised vengeance.
In Season Two, however, apart from Episode One, this desire for revenge because of her son’s death has completely disappeared.
She has been so pro-peace this season, even when it is absolutely obvious that the other side is not going to surrender.
I wish the show had just kept at what it was initially building up between Rhaenyra and Alicent, a friendship turned bitter and hateful rivalry.
Their children have literally been killing each other and they are still somehow friends.
Alicent even wants Rhaenyra to come with her which is just bizarre.
Where exactly would you two go where you would not be noticed?
At least the cinematography and Ramin Djawadi’s score are excellent, as this final, awful scene brings the season to an end on an incredibly anticlimactic note.
Overall, “The Queen Who Ever Was” is a bad finale.
Sure, it has some great scenes, like Alyn and Criston’s, but the rest of the scenes either feel shoved in, pointless, or have blatant character assassination.
As for the season as a whole, I have mixed feelings.
There have been amazing episodes, specifically Episodes Two, Four and Seven, but a lot of the other ones have been slow.
This would have been forgivable if they had built up to a good finale but, instead, we got the worst episode of the show.
I sincerely hope the writing quality will improve for Season Three, otherwise this show could be in trouble.
That being said, the writing for “The Queen Who Ever Was” is not as bad as Season Eight of Game of Thrones. So, at least there is that.
Book Spoilers Section:
You know, it’s funny.
I spent the past few episodes planning a rant for when Rhaena claimed Sheepstealer but the writers cut the scene before it happened.
A part of me wonders if the writers are just waiting to see fan reception for Rhaena before they commit to abandoning Nettles entirely but that is probably not it.
I mean, why would they commit to having Sheepstealer in the Vale if they were not going to have Rhaena claim it?
And if Nettles does show up next season, then her storyline will probably be considerably weaker than the book, since the show spent so much time building up to another character getting her dragon.
At least Sheepstealer’s design looks cool.
Speaking of new dragons, we also got to see Tessarion briefly at the end of the episode.
I hope the show does Daeron justice.
Another interesting thing is Otto being in prison at the end.
This is completely book original, and I wonder where the show is going with it.
Perhaps it will be a way to tie him into Daeron’s storyline, like I speculated in prior reviews.
Along with Daeron, next season we also have the fall of King’s Landing and the Battle of the Gullett to look forward to.
The latter is what was being built up to with those Tyland and Lohar scenes.
However, that really does not justify those scenes’ existence, in my opinion.
All it really would have required is a simple message from Tyland saying he had got the Triarchy’s support, not a weird scene of mud fighting.
Oh, well, hopefully the battle will be good, along with the writing.
As you can see, the poor quality of this episode’s writing has me concerned for Season Three.
I really hope we don’t get Aemond hallucinating at Harrenhal with Alys Rivers when he eventually takes the castle.
Could you imagine?
I, unfortunately, can.
As for Season Two itself, I would still say it is good overall, but the writing is a definite step down from Season One.
The first two Deadpool movies are a lot of fun. The self-aware adventures of the titular merc with the mouth can always be counted on for a lot of fun violence and fourth wall breaking comedy. Although, going into the latest film, Deadpool & Wolverine, I was a bit concerned because I knew this movie would be a follow up to Logan, my favorite movie of all time. I was wondering how they would bring back Hugh Jackman’s Wolverine, while staying respectful to that movie. Well, Ryan Reynolds’ Wade Wilson explains how they plan to do it right from the film’s opening narration. “We’re not.” Yeah, see, Deadpool & Wolverine begins by literally desecrating Logan’s grave. Had this been any other movie, I would have probably been enraged by this insult. But… well, this is a Deadpool movie, and so the way they went about this desecration was somehow inventive, fun, and hilarious.
The opening of this movie would have most likely angered me had this had not been a Deadpool film.
Directed by Shawn Levy, Deadpool & Wolverine sees Wade Wilson kidnap a disgraced version of Wolverine to help him save his universe. The story is honestly pretty bland but that is okay because it is merely used as a vehicle to get Deadpool and Wolverine on screen together, which definitely does not disappoint. Ryan Reynolds and Hugh Jackman have a lot of chemistry, making every dialogue exchange and fight scene they have comedic gold.
“I waited a long time for this team up,” Deadpool says in the movie. As have we all, Wade. As have we all.
Another highlight of this film is the cameos. Oh, boy, does Deadpool & Wolverine have a lot of cameos. I was expecting to see some since the film deals with the multiverse, but I was surprised by the sheer number of them. With so many, it would have been easy to make these cameos feel cheap and unearned. I would argue this has been the case with many of the MCU’s multiverse stories. I mean, they even just announced that Robert Downey Jr. is returning to play Dr Doom, which reeks of desperation, in my opinion. However, the cameos of Deadpool & Wolverine are often unique and unexpected, and I am glad I did not get spoiled about most of them.
You are bound to recognize some of the superhero and super villain cameos in this film, even if you only have a minor understanding of superhero movies.
Along with the cameos, there are also plenty of new characters, like the antagonist Cassandra Nova (Emma Corrin), Charles Xavier’s evil twin sister. Her character is pretty fun, with her gleeful villainy creating a fun yet threatening antagonist, who is pretty unpredictable.
Corrin clearly had a lot of fun playing this villain.
As for my criticisms of the film, as I said the overall story is pretty meh. Along with this, I feel like one of the cameo characters honestly deserved a bit more to do. Otherwise, Deadpool & Wolverine is an enjoyable film. The cameos are well executed, the comedy is top notch, Ryan Reynolds and Hugh Jackman are expectedly fantastic as their characters and have great interactions. Last, but certainly not least, the film serves as a love letter to the Fox era of Marvel, which has now ended. Check it out just to see how many cameos you can recognize.
In my review for Chapter 171 of Chainsaw Man, I predicted that Pochita would instantly kill the titular Special Division 5 at the beginning of the following chapter.
I was so confident about this that I literally titled the review, “They’re All Going to Die.”
Well, surprise, surprise, Chapter 172 begins with Pochita immediately slaughtering all of the newly introduced Fiends and their handler.
One of the Fiends seems to have successfully avoided the attack, only for them to immediately lose their head in a moment which had me laughing at the darkly comedic timing.
With Special Division 5 dead, the Devil Hunters of course throw Special Division 6 at Pochita.
Because that totally had a chance of working!
The 6th Division gets wiped out quicker than the first and I have to wonder what exactly Public Safety’s plan is?
Are they just going to throw Divisions 7 through 100 at Pochita individually and hope that they eventually kill him?
Well, whatever plan they do have is going to be next to impossible to communicate now that all of the characters have no ears.
In a disturbing panel, Pochita seems to be lining up the heads of the various Fiends he killed to eat, and he starts with the Ear Devil.
This removes the very concept of ears from the world so now people can’t hear each other.
It is pretty funny to think that Public Safety thought having the Ear Devil fight Chainsaw Man was a good idea.
Seriously, who’s afraid of ears?
Now they have only made their jobs harder, since they can no longer communicate using sound.
Did all of the competent people at Public Safety die, leaving only the idiots?
We’ll just have to see as the story progresses if their plan is as idiotic as it seems or if there is something more to it.
I doubt ears will stay gone forever, though.
Having the characters unable to communicate through sound for the rest of the story would be difficult to pull off.
So, how will ears return?
Well, Pochita will probably throw the devil representing it up again.
And who better to accomplish this task than Yoru?
She did promise to make Chainsaw Man throw up nuclear weapons at the beginning of Part One.
The chapter ends with her realizing Chainsaw Man has taken a concept away, her expression angered.
Looks like the long-awaited fight between the War Devil and Chainsaw Man is about to begin.
Yoru and Asa may be the only ones who can stand up to Pochita, since they were empowered by the growing fear of war.
I am really looking forward to this fight, which has been built up since Asa rescued Denji from Public Safety.
Let’s see how Fujimoto pulls it off.
Chapter 171 is yet another solid Chainsaw Man chapter, which shows off the power of Pochita, while hyping up the fight between him and Yoru.
My favorite part of Fire and Blood was the sowing of the seeds.
I just loved the concept of having Targaryen and Valyrian bastards from the smallfolk claim dragons.
So, obviously, this was the part of the story I was most excited to see in House of the Dragon.
Well, this storyline finally got adapted in Episode Seven of Season Two, “The Red Sowing”, and it did not disappoint.
In fact, I would say that in some ways the show actually did better than the book.
Directed by Loni Peristere, the episode begins with the first of many cinematic shots, as we get a brilliant extreme wide shot of Syrax and Seasmoke facing off, Rhanerya having chased Addam down.
She confronts him about claiming Seasmoke, understandably suspicious, but Addam asserts Seasmoke claimed him, voicing his wish to learn the way of dragon riders and serve her.
Noticeably, he does not admit to Corlys being his father.
Word of Addam claiming Seasmoke soon gets back to Larys through Iron Rod.
Larys, however, chooses not to bring this to Aemond, which is unusual, even if the information is currently unreliable.
That is unless you consider the fact that Aemond clearly despises Larys, who is now trying to get on Aegon’s good side.
He may have deliberately withheld the information to weaken Aemond’s position.
We see later on in the episode that he is continuing to aid Aegon, although through indelicate means, as he has Orwyle helping the king walk, despite the agonizing pain.
Meanwhile, back with the Blacks, Mysaria convinces Rhanerya to use the Smallfolk to fill her ranks of dragon riders, while Corlys meets with Addam.
The conversation between the two is understandably awkward, given that they both know their relation but refuse to acknowledge it.
Corlys ends the conversation by telling Addam “Well done,” probably the first bit or praise he has ever given his son, based on the emotional look upon Addam’s face.
Following this, we get one of the best scenes of the episode, as the Harrenhal plot finally goes somewhere.
Oscar Tully (Archie Barnes) arrives to meet with Daemon after his grandfather’s death.
He swears his allegiance to the Blacks but maintains it will be difficult to control the riverlords because of how much they hate Daemon, due to him encouraging Willem Blackwood’s war crimes.
All of the lords and ladies meet outside before the Weirwood Tree to discuss the matter, and it is here that it becomes perfectly clear just how good of a lord Oscar Tully will be.
Although young, he manages to expertly play Daemon, forcing him to execute Willem to make amends, ensuring the riverlords’ loyalty.
Archie Barnes is absolutely fantastic in this scene.
I honestly did not pay that much attention to him when we first met his character in Episode Four, but now I really want to see more of him.
Daemon’s storyline this episode ends with him having yet another vision about Viserys, who confronts Daemon over whether he really wants the crown.
Viserys is disfigured and, apparently, it was Paddy Considine who decided he should look that way for the scene.
It was a good thing he was listened to because his disfigured state perfectly shows Daemon the effect the crown can have on someone.
It took a while but Daemon’s storyline this season finally seems to be taking off.
Better late than never.
Daemon’s storyline is the second best of the episode, but my absolute favorite is, as I already stated, the sowing of the seeds.
This story continues with Jace confronting Rhaenyra over allowing Targaryen bastards to claim dragons.
I will admit, I was a bit disappointed to see that Jace did not have as big of a role in the sowing as he did in the book, where it was his entire idea.
That being said, the show did a great job of explaining why this makes Jace so scared.
He himself is a bastard, and the whole world knows it, so what is to stop another Targaryen bastard, this one with more Targaryen features, from asserting their claim to the throne over his?
In the end, though, Rhaenyra is not to be deterred and has her handmaiden spread word throughout King’s Landing that she is looking for bastards to claim dragons.
When Ulf hears of this, he acts as though he has an injured leg, not wanting to go until his friends peer pressure him into it in a humorous scene.
Hugh’s scene is much more emotional, as it is revealed that his daughter tragically died.
He reveals his past to his wife and states his intent to claim a dragon, despite her pleas.
That night, Hugh, Ulf and dozens of other Targaryen bastards are snuck out of King’s Landing for Dragonstone, where Rhaenyra is waiting.
However, it is not only Jace she is receiving resistance from.
The dragon keepers are also incensed with her decision, believing it desecrates the ways of old Valyria.
They force Rhaenyra to do her task alone, and she introduces the potential Dragonseeds to the dragon Vermithor.
Called the “Bronze Fury”, he is the largest dragon besides Vhagar, and the shot of him appearing behind Rhaenyra is especially threatening.
Just imagine how the Smallfolk felt when Rhaenyra left them all alone with him.
The potential dragon claiming quickly turns into a massacre, as Vermithor roasts Dragonseed after Dragonseed.
Although I do wonder why Rhaenyra did not just send the candidates in one at a time, it makes for quite the horrifying spectacle.
The CGI for the dragon is stunning, especially in an excellent one-take shot in which we see Hugh attempting to flee Vermithor, before standing up to him to save a woman.
I wonder if he was reminded of his daughter in this moment and this is what motivated him to make his move.
Hugh standing his ground against one of the mightiest dragons in the world and screaming “Come on!” is now one of my favorite moments in the series.
It bumped Hugh up to my top five characters of the show in a single moment.
His taming of Vermithor is also incredibly ironic because it is heavily implied that he is the son of Princess Saera Targaryen, who was disowned by her father Jaehaerys, Vermithor’s previous rider.
As for Ulf, his taming of a dragon is far easier than Hugh’s.
He just happens to stumble into Silverwing’s resting place, and she accepts him.
It is left vague why she claims him.
Ulf does step in one of her egg sacks before she sees him, so maybe she smelled him and thought he was one of her children?
Either that or she is just lonely.
Also, I have got to say that Silverwing is by far the most beautiful dragon of the series so far.
Her horns give her a really unique look, as does the color of her scales.
It is kind of funny that Rhaenyra sent the Dragonseeds to tame one of the most violent dragons first instead of the most chill one.
After the taming scenes, we get the final scene of the episode, as Aemond’s Small Council is interrupted by the arrival of Silverwing, Ulf on her back, cheering and laughing as he flies over the city.
I absolutely love the way the show has handled Hugh and Ulf.
To be honest, in the book they were fairly generic characters.
But in the show they have fleshed out personalities and motivations that make them all the more compelling and relatable.
There is something about seeing Ulf laughing with joy as he flies over the city that brings a smile to my face.
It definitely does not bring a smile to Aemond’s though, as he rides out to reach Vhagar.
They chase Ulf and Silverwing all the way back to Dragonstone, where Aemond realizes it is a trap and has just enough time to turn a reluctant Vhagar around before the two of them can be swarmed by the combined might of Syrax, Vermithor and Silverwing.
The episode then ends on yet another fantastic shot of Rhaenyra watching Aemond flee, a determined glare on her face, as the dragons roar behind her.
“The Red Sowing” is a fantastic episode.
There is not a bad scene in it.
The weakest is definitely the Alicent stuff, where she pretty much just goes on vacation, but that was not bad, and it could be building to something she will do in the finale for all I know.
Speaking of which, the next episode is the last of the season, and I hope they can end it on a banger.
As for “The Red Sowing” it is currently my favorite episode of the season.
Is that bias because of how much I loved this storyline in the book?
Maybe, but I personally do not care.
Book Spoilers Section: I loved the show’s portrayal of the Dragonseeds this episode.
The only thing that would have made it better for me is if we also got to see Nettles claiming Sheepstealer.
However, as I have constantly mentioned, they have almost definitely given that role to Rhaena.
It is a shame we probably will not see Nettles because, as I said earlier, I loved the portrayal of Ulf and Hugh this episode.
If the writers had Nettles in the show, I know they could do her justice.
Well, at least we will see Sheepstealer next episode, so I have that to look forward to.
As for what the season will end on, I would have to guess the Blacks taking King’s Landing.
The show has not built up enough to the Battle of the Gullett yet.
So, Rhaenyra will probably take King’s Landing in the finale, and then go on a darker path next season.
The writers seem to be alluding to this based on Rhaenyra having her guards prevent the Dragonseeds from leaving the sowing, resulting in many of their deaths and the deaths of some of her guards.
She is becoming increasingly willing to sacrifice others for her aims.
Even the Dragonseeds will not be safe from this darker path, as some will most likely go power hungry.
This could cause a lot of tragedy as, before he leaves, Hugh’s wife suggests going to Tumbleton where her brother is.
Tumbleton is the sight of a massacre in the books, caused when Hugh and Ulf switch sides to the Greens.
I can see a tragic end for Hugh’s wife where she dies because of his actions, driving him over the edge.
But that is at least another season away.
For now, we will have to see how Episode Eight chooses to end the season.
Will it be the fall of King’s Landing, or something else?
We shall see.
Elden Ring is one of my favorite video games of all time. Created by Hidetaka Miyazaki and George R.R Martin, the game is notoriously punishing yet is somehow also one of the most rewarding games I have ever had the pleasure of playing. FromSoftware is a studio that is notorious for making games with extremely difficult but also incredible bosses, and Elden Ring is no different. With nearly 300 hours spent playing this masterpiece, consisting of three playthroughs of the original game and two of the recently released Shadow of the Erdtree DLC, I decided to rank my favorite of the bosses. This was no easy task, since the bosses of Elden Ring are so amazing that I had to increase this list from a Top 10 to a Top 15 just to talk about every boss I wanted to. After much debate with myself, and an unhealthy amount of screaming as I died in-game over and over, I finally managed to settle on my Top 15 bosses in Elden Ring. I will be ranking these bosses based off lore, soundtrack, challenge, fairness and, of course, fun. So, without further ado, let’s start this list with number 15, which is…
15. Radahn, Consort of Miquella.
The most difficult boss in all of Elden Ring, Shadow of the Erdtree’s final boss is also its most controversial. Many were unhappy with Radahn coming back, saying it came out of nowhere, but I disagree with this. If you followed Ansbach and Freyja’s questlines, the story perfectly built-up Miquella reviving his brother using Mohg’s corpse so he could marry him… yep, this was definitely something George R.R Martin came up with. I do have an issue with the lore surrounding Radahn’s return but I will save that for when I talk about another boss further down the list. As for the fight itself, Radahn’s first phase is brutal, yet mostly fair. The arena of the Divine Gate is excellent and makes for the perfect place to fight him. Radahn will usually start the battle by launching himself at you with gravity magic, which is easy to dodge and punish. He follows this up with various sword slashes and gravity attacks, almost all of which have a way to dodge, and it is fun to establish a rhythm when doing so. Notice I said, “almost all.” There is one cross-slash Radahn does that is almost impossible to dodge. I have managed to dodge it a few times, but I cannot tell you how I did it, other than blind luck. Besides this attack, Radahn’s first phase is a lot of fun, even though it is brutal. Then Miquella gets involved in the second phase, and the fight devolves into complete insanity. Radahn maintains many of his attacks from the first phase, but now they come with Holy AOE attacks which often blind the player. This, and the fact that Miquella’s absurdly long hair covers up a lot of Radahn’s massive body, makes telling what is going on in this fight an extreme challenge. It felt like half of my many deaths in the second phase were because I could not see what was happening, rather than through any fault of my own. Still, there are some good new moves in the second phase, like Miquella charming the player, and Radahn using a new version of his iconic meteor strike. However, the unfairness of the second phase is still difficult to get past. The only way I could even beat Radahn in my two playthroughs of the DLC was to use a shield to block most of his attacks, and to also throw two Hefty Rot Pots at him as soon as the second phase started. That whittled down his health enough for me to kill him. Sure, I could have summoned Ansbach and Thiollier, but their presence only makes the fight harder through boosting Radahn’s health and making his movements more sporadic. At least the soundtrack for his fight is one of the best in the DLC. In the end, I would say that Radahn is a good boss fight. He ended up on the list, after all. But he could have been a lot higher were it not for the unfairness of his second phase.
14. Godrick the Grafted.
We go from the hardest boss in all of Elden Ring, to the easiest demigod of them all. Godrick the Grafted is a complete pushover compared to the rest of the game’s main bosses, but I would have it no other way. Even in the lore he is a joke because he needs Margit to protect him so Tarnished will not kill him for his Great Rune. We encounter Godrick at the end of Stormveil Castle, one of the greatest areas in both the original game and the DLC. He makes for a disturbing sight, having grafted multiple body parts onto himself in an effort to make himself stronger. Using his numerous limbs, Godrick strikes at the player with his axes, and ground slams. My first death to him was from a ground slam but a lot of his other attacks are especially easy to dodge. Easiest of all is the one where he launches himself up in the air. All you need to do to dodge that is simply walk behind him when he jumps up. I have never once been hit by that attack. The fight does get a bit harder when he reaches second phase, as he amputates his own arm and then stuffs a decapitated dragon head onto it. “Forefathers, one and all,” he cries, throwing his new dragon head-hand up in the air to spew fire, “Bare witness!” It is one of the most iconic cutscenes in the whole game, and the dragon does add a slight challenge increase, especially with his grab attack, which killed me twice. That brought my death count against Godrick to three before I killed him on my first playthrough, a miniscule amount compared to other bosses. You can also summon Nepheli Loux to join the fight, making him even easier. Godrick is Elden Ring’s easiest main boss by a large margin, but this adds to his charm, along with his excellent phase two cutscene, fun move set, and chaotic soundtrack.
13. Rellana, Twin Moon Knight.
Excluding Radahn, Rellana was without question the hardest boss for me in Shadow of the Erdtree. Even now, I still have not mastered her move set 100%. Found in Castle Ensis, Rellana was Carian Royalty until she abandoned her nobility to side with Messmer in his crusade against the Hornsent. Known as the Sword of Messmer, this title is definitely earned as her fight was brutally challenging for me. Honestly, Malenia’s movements were easier to predict than Rellana’s. That’s right, I said it. Her combos seem never ending and with inconsistent endings. I am not saying this as a complaint, however, because, unlike Radahn, I do not think this fight is unfair. No, I just suck at it. Her magic sword swipes and slashes are easy enough for me to dodge most of the time but, when it comes to her combos, I am getting hit at least once nine times out of ten. This skill issue forced me to use summons to beat her in my first playthrough but, even then, it was not easy, especially when she reaches her second phase. It is then that Rellana illuminates her swords with magic and fire, like Pontiff Sulyvahn from Dark Souls 3. Her strikes are crushing, with one combo being capable of killing the player in just two hits. And then there is her moon strike, where she slams the ground three times, forcing the player to jump over the blasts. If the player gets hit by the first blast, it is basically game over, since you will be hit by the other two. Despite all of this difficulty, though, I still find Rellana to be an incredibly fun fight. The only thing holding her back is her lack of a cutscene. Shadow of the Erdtree as a whole could have used more cutscenes and Rellana is the prime example of this. She felt like she had so little fanfare for such a fun fight. This holds her back from a higher spot on the list.
12. Rykard, Lord of Blasphemy.
Rykard is one of the bosses I feel pretty guilty about not putting in my top ten. You can encounter him in one of two ways: Either complete the Volcano Manor questline, or traverse the Manor itself, which is also one of the best dungeons in Elden Ring. Once you reach the boss, his fight is horrifying. The arena is covered in corpses, and the bit of fire surrounding the God Devouring Serpent means you cannot attack it with your regular weapons. Thus, the game forces you to use the Serpent Hunter sword to fight. Again, this is not a criticism, because the sword’s effects make for quite the spectacle. The first phase of the boss is simple enough, with the serpent’s attacks being easy to dodge once you understand its patterns. The exception to this is when it slams its head into the ground to launch a ground explosion at you. This move is even more unfair than Radahn’s cross slash, as I have never been able to dodge it. Aside from this, the first phase is enjoyable, but it is the second phase that steals the show. Once the serpent is defeated, Rykard reveals himself in one of the most memorable cutscenes in the game. Seeing his monstrous face emerge from the back of the serpent, only to pull a sword made from corpses out of its mouth, is absolutely gruesome. His goofy exclamation, “Together we will devour the very gods!” somehow only adds to the appeal. From here, the second phase begins, with Rykard using various sword swipes and stabs. His ultimate move is sending a bunch of flaming skulls after the player, forcing them to run away, which can be a bit frustrating. Almost as frustrating is when the serpent temporarily revives itself to attack. I swear I died more times to that than the constant flaming skulls. While frustrating, all of this adds to Rykard’s demonic villainy, with his operatic score being perfect for one of Elden Ring’s most evil characters. Rykard is a horrifying boss, who does not make the top ten through no fault of his own. I just like the other bosses more.
11. Radagon of the Golden Order/ Elden Beast.
The final boss of the original game, Radagon and Elden Beast are the other fight I felt guilty for not putting in the top ten. On my first playthrough, I loved this fight, especially Radagon’s phase. His introduction is fantastic, with the twist reveal that he and Marika share a body, along with the main theme of Elden Ring kicking in. Radagon excels in delayed attacks, and these are extremely difficult to get a handle of, at first. Whether it be his hammer strikes or holy attacks, Radagon is only beaten out by Mohg in how difficult his delayed moves are to dodge. Still, once you begin to understand the pattern, you begin to feel like a god dodging him… only for him to suddenly teleport to the middle of the arena and wreck you with three ground slams. The second part of his fight is much harder, as he often teleports right in front of you, forcing you to dodge holy attacks. Worse, if you are two slow to kill him, he will pull out the ground slam move again. Radagon is definitely a top ten fight. The only reason he is not that high is because of phase two with the Elden Beast. Like I said, I enjoyed fighting the Elden Beast on my first playthrough. However, I think this was because I got lucky. It only took me three attempts to kill the Elden Beast, as opposed to the somewhere around 50 attempts I had with Radagon, so I had a lot more favorable view of the fight. This view diminished somewhat in my second playthrough where I began to feel more frustrated with the Elden Beast, due to it constantly moving around, and the obnoxious move that is Elden Stars. The developers listened to player feedback, however, for they added Torrent for the player to ride into the fight. This was the entire reason I began my third playthrough: To see if this made the fight with Elden Beast any better. Having fought using Torrent to close distance with the Beast, I can say it certainly does improve the experience. Dodging Elden Stars has never been easier. That being said, if the Elden Beast starts flinging holy attacks at you, for the love of God, get off Torrent. You will die if you try to jump over those attacks. Rolling through them is the way to do it. So, adding Torrent to the fight did improve my experience with Elden Beast, but I would still say he drags Radagon down a bit to keep them just out of the top ten. But with a cool first phase, great music, and an amazing arena for Elden Beast, this was certainly a worthy way to end the base game of Elden Ring.
10. Starscourge Radahn.
Of the two Radahn boss fights in Elden Ring, the first is definitely the best. In my first playthrough, I ended up getting transported to Caelid by a chest and dying repeatedly. Wanting to return when I was stronger, I did not go back until I had completed Leyndell and Volcano Manor. So, when I finally got around to fighting Starscourge Radahn, I was over leveled and it only took me a few attempts. Even so, I found him to be one of the best bosses in the base game. His buildup is masterful, whether you stumble across Redmane Castle or find it through Ranni’s questline. Jerren hypes up the epic fight to follow with his speech, as do the other NPCs talking about Radahn. Upon entering the arena, Radahn will start shooting arrows at you using gravity magic. While dodging, you have the option to summon the NPCs to aid you in the battle. It is incredibly cinematic to charge up to Radahn with other warriors like Blaidd, Alexander and Patches (okay, maybe not Patches). Once you reach Radahn, he will take out his blades and strike at you while constantly moving around on his emaciated horse, Leonard. It makes for quite the visual, and the fight only gets more intense with his second phase. He shoots up into the air, the music fades, and the player is left wondering if Radahn ran away, only for him to crash down upon them like a meteor. This will kill you if you are not prepared, and it was this attack that resulted in one of my few deaths fighting him on my first playthrough. From here, Radahn has a slew of gravity magic attacks, the most difficult to dodge being these meteors he spawns beside him to throw at you. Killing him is both satisfying but also reflective, as you are giving this warrior cursed with Scarlet Rot an honorable death. This lore is one of the issues I had with Radahn’s fight in Shadow of the Erdtree. As I said, the whole point of this fight is giving Radahn an honorable death but the impact of that is taken away slightly when he returns as the final boss of the DLC. Another issue I have is that, when I fought Radahn at a weaker level on my second playthrough, I realized it can be kind of tedious to run around the arena summoning all of your allies every time you die. These problems took Radahn from a top five placement to the number ten spot. Still, easily the best of the two Radahn fights.
9. Dragonlord Placidusax.
Placidusax is a boss who, while already being a great fight, was improved by the context given in Shadow of the Erdtree. In the DLC, we learn that, as the Elden Lord of the dragons, Placidusax was betrayed by Bayle the Dread. The dragons wounded each other grievously, before they both retreated, with Placidusax freezing himself in time at Farum Azula. This explains why Placidusax is missing two heads when we find him… or, at least, when we find him thanks to online guides telling us where to go. Placidusax is probably the most difficult boss to find in the original game, being quite off the beaten path, but he is more than worth it when you find him. His arena is also one of the best in the entire game, with the player having to pass through the pillars at the center before he awakens. From there, Placidusax attacks with lightening, claw strikes, and fire breath but stays mostly stationary. This changes in the second phase, when he floats up into the air, before disappearing. Much like Radahn, the player is left to wonder where he went, until they see a storm cloud forming in the sky, which Placidusax flies down from in a ferocious lightning strike that is always fun to dodge. Placidusax then begins teleporting in between claw strikes, which would be disorientating if the player could not stay locked on but, thankfully, we can. The fight is significantly more difficult in the second phase, but it gets even harder when Placidusax starts firing off lasers that will kill you on quite a few attempts if you do not pay close attention or start panic rolling. My only criticisms of Placidusax are that I think the runback can be a bit annoying, and I think that his nuke blast should be a one-shot if it hits you. I know it is probably weird that I am complaining about a boss not being harder but, to be fair, this attack gives you plenty of warning to avoid it, so I think it could stand to be more punishing. Overall, Placidusax is an already excellent boss who is improved even further by the lore of the DLC.
8. Morgott, the Omen King.
One of Elden Ring’s biggest problem is its repeat of bosses. Amazing fights like Mohg and Godfrey suffer somewhat when you have already fought weaker versions of them. The one repeat boss where I would say fighting him again is not an issue is Morgott. First encountered as Margit at Stormveil Castle, he serves as an excellent roadblock to teach the player that exploring before they return stronger is the best strategy. The player can then encounter Margit again on the way to Leyndell, where he will ambush the Tarnished while disguised as a basic enemy. His third encounter in Leyndell is definitely the best, though, as he reveals himself to be the King Morgott. Born an Omen, Morgott was thrown away a baby to live in the sewers by his mother, Marika. He has every reason to hate the Golden Order for how it has treated him, and yet he still valiantly defends it in this final epic fight with him. Morgott’s first phase is similar to his time as Margit, only he is much more aggressive, with quite a few new attacks like dropping a rain of holy swords and shooting a javelin at you. Once you take him down to half health, he staggers, and this can trick the player into running in to get some hits. It is actually a trick, as Morgott enters second phase, unleashing the true power of his curse. As the arena fills with what can only be described as some form of vomit, Morgott admits his shame and self-hatred for unleashing his curse, all the while he launches old and new attacks at you. He even has a few new blood attacks, including a grab one with his sword which is awesome. In the end, though, I would not say that Morgott is a difficult fight, if you explored a lot before you fight him that is. On my first playthrough, it only took me a couple of attempts. You can also summon Melina to fight with you which, not only makes the fight even easier, but also enhances the experience to fight alongside someone who has been with you across your entire journey. I would say that Morgott’s potential ease is warranted, as it can serve as a rewarding experience, showing the player just how far they have come since fighting Margit. Morgott’s lore is also some of Elden Ring’s saddest. He dies defending an order which despised him, which gets even more tragic when you play Shadow of the Erdtree and learn his mother hated Omen because of what the Hornsent did to her people. Morgott is one of Elden Ring’s most tragic characters and his final fight is great.
7. Malenia, Blade of Miquella.
“I am Malenia, Blade of Miquella.” That is a saying I am sure we all got tired of hearing after dying for the thousandth time to the Waterfowl Dance. Before we got Radahn in Shadow of the Erdtree,Malenia was the hardest boss FromSoftware had ever created. Tucked away in the hidden area of Miquella’s Haligtree, Malenia awaits her brother’s return, only to be confronted by the Tarnished, drawing her sword and kindly informing us that she has never known defeat. Any feeling of confidence the player may have had about this fight are then instantly humbled as Malenia leaps forward and most likely kills them in two hits. Returning for another attempt, the player quickly discovers a little trick Malenia has up her sleeve: She heals every time she hits the player. This is not too big of an issue considering that a lot of her moves are easy to read. The issue comes, of course, with the Waterfowl Dance. The most infamous move in all of Elden Ring, the Dance feels nigh undodgeable. On my first playthrough, I certainly thought so. The fact that every time I got hit by Waterfowl caused her to heal more proved to be an especially frustrating lesson. Eventually, I got tired of constantly dying to that move so I left and came back with a fully leveled up Mimic Tear, which managed to power me through not just the first phase but the second, after a few attempts. On my second playthrough, however, I vowed that I would defeat her without the Mimic Tear. It was a grueling experience, but I did it. The only way I could find to dodge Waterfowl which worked for me was to equip the Bloodhound Step Ash of War. When Malenia leaps into the air, run or Bloodhound Step away from her to avoid the first strike, Bloodhound Step through the second strike, and then simply walk under the third strike. This strategy should get you through to second phase, which is a whole different beast. Malenia always begins this second phase with a Scarlet Rot slam attack, which is easy enough to dodge, but she is much more aggressive and a lot of her attacks inflict Rot, including Waterfowl. Her most difficult move in this phase, however, is her clone attack, which killed me nearly as much as Waterfowl did. The best advice I can give to avoiding this attack is to either be far enough back that you can run away from it or dodge it and hope to God your timing and placement is right. Beating Malenia without a summon provided me with one of the biggest rushes of the game. If you want Malenia to be easier, though, I suggest fighting her after playing through Shadow of the Erdtree. This is what I did in my third playthrough of the original game and, with the experience I gained from the DLC, she was significantly weaker. I did not even have to Bloodhound Step though Waterfowl, as I could simply dodge through the strikes, taking some hits, and then deal so much damage that I negated whatever health she had stolen back. The one thing that holds Malenia back from being higher on this list is the unfairness of the Waterfowl Dance. While I have learned how to dodge it, that only really came about because I looked up how to. Had I not, I probably never would have beaten her alone, much less got her to second phase. Still, Malenia is a great boss, and certainly the hardest boss of the original game.
6. Bayle the Dread.
CURSE YOU, BAYLE!!!
Enough said… Okay, in all seriousness, Bayle is definitely the best dragon fight in Elden Ring. I remember thinking how awesome he looked when I first saw him in the Shadow of the Erdtree launch trailer. Then I fought him in the DLC, and he did not leave me disappointed. Located on the Jagged Peak, Bayle’s buildup is so great that he did not even need a cutscene. You first hear of him from Igon, who vows vengeance against him, despite being cripped. The second time the player hears about him is from the dragon priestess, who informs us that Bayle was the one who betrayed and wounded Placidusax, not only hyping up Bayle’s eventual fight but also improving Placidusax’s. Scaling the Jagged Peak, you fight numerous dragons (who are among the weakest fights in the DLC, unfortunately), and pass many dragon corpses, all building up to the arena where Bayle crashes into the ground to face the Tarnished. Sporting ruined wings, a missing leg, and having two of Placidusax’s decapitated heads biting into his body, Bayle is still no pushover. He has a mixture of fire and lightening attacks, combined with swipes from the serrated bones sticking out of his mutilated wings, tail swipes, a ground slam, and a grab attack, all of which are extremely punishing. Your best bet is to keep hitting either his head or the stump where his leg once was. When he enters second phase, however, Bayle gets an awe-inspiring transition, as he forms a set of magical wings in a fiery explosion. Taking off into the air, multiple fireballs shoot at the Tarnished in his wake, leading to Bayle doing another ground slam, followed by an AOE. Many of his attacks now have follow-up AOEs but they do not make the fight difficult to follow, like with Radahn. His most cinematic attack, though, is easily the one where he forms his wings again and flies up into the air, before blasting the arena with two lines of fire. Bayle is just an awesome boss fight, made only more awesome by his summon. Bringing Igon into the fight is a must during one of your playthroughs, as Richard Lintern gives his all to the performance, providing the perfect hype man and the best summon in all of Elden Ring. For my first playthrough of Shadow of the Erdtree, I fought Bayle with Igon and for my second I fought him without. Sure, it was sad not to hear Igon hyping up my fighting skills, but it made the fight against Bayle much more challenging, in a good way. The only minor issues I have with Bayle, which keeps him from being higher, is that sometimes the camera can work against you in the fight. You can also get stuck inside Bayle, often leading to death. Otherwise, Bayle is a glorious boss, who serves as not only Elden Ring’s best dragon, but also provides the best summon through Igon. In the end, the only thing that can be said about this fight is, say it with me…
CURSE YOU, BAYLE!!!
5. Maliketh, the Black Blade.
On my first playthrough, Maliketh was my favorite boss. While he has been overtaken by other bosses now, he is still an excellent fight, especially his second phase. As for his first, players who followed D’s questline will automatically recognize him as Gurranq, the Beast Clergymen in Caelid who we fed Deathroot to. During this questline, Gurranq will lose his mind and attack the player. This assault is very similar to the first phase of the Maliketh fight. Found at the end of Farum Azula, the Beast Clergyman will rush the player, attacking with various swipes, which you always have to be careful of at close range. At long range, the Clergyman will often resort to throwing rocks at you, which are usually easy to dodge. Less easy is the attack where he slams the ground and then sends waves of slashes at you. Once he hits 50% health, he will enter second phase. “Oh, death,’ he says in one of the most metal cutscenes in the game. “Become my blade once more.” Stabbing the Rune of Death on his hand, Gurranq pulls forth his Black Blade while his cloak disintegrates, revealing himself to be Maliketh, Marika’s shadow who Ranni stole a fragment of the Rune of Death from. This cutscene is followed by one of the most difficult fights in Elden Ring’s base game. Maliketh is incredibly mobile, often jumping onto pillars around the arena and using them as vantage points to attack the player. However, these pillars can also be used to the player’s advantage, creating distance between them and Maliketh. What makes things more difficult, though, is that many of Maliketh’s attacks are powered by the Rune of Death so come with a status effect that not only continues to drain health after attacks, but also temporarily cuts a chunk off the Tarnished’s vigor. Still, all of these attacks can be dodged, and it is a rush to avoid his four hit combo where he flings slashes at you and then rushes in for a final strike. You can actually parry this final part of the move if you have the Blasphemous Claw, making it even more fun. The only move of his I am not sure how to dodge is his slam which creates status effect causing slashes. That move just seems to hit me every time. The rest of his moves are completely fair, if challenging, and what makes Maliketh even more interesting is that you can experience different dialogue from him, depending on if you fed him all of the Deathroot. If you did so, Maliketh will recognize the player upon entering the arena and call out to Marika with his final words. Maliketh is one of the base game’s best bosses, with his fun but incredibly challenging second phase.
4. Mohg, Lord of Blood.
Mohg is a boss who has slowly climbed higher on my ranking with each playthrough. Discovered either through completing Varre’s questline or by exploring the Consecrated Snowfield, his location at Mohgwyn Palace is fun to traverse and perfectly paints the picture of the madman running it. Mohg has probably the creepiest cutscene in Elden Ring, emerging from a pool of blood, seemingly dismayed that his kidnapped brother still does not want to be his consort… once again, I have to say George R.R Martin definitely wrote that part. Upon noticing you, Mohg welcomes you to the birthplace of his dynasty. This welcome includes bloodflame attacks which build bleed, and the most delayed attacks in all of Elden Ring. Mohg may call himself the Lord of Blood but I would say the Lord of Delayed Attacks is much more fitting. You will die many times in his first phase trying to figure out the timing of his strikes but, once you do, you can establish a satisfying rhythm with his combos. Throughout this first phase, Mohg will begin to count down for his Nihil attack in second phase, where he quickly drains the player’s health to reform his own. Not only does this drain at least three flasks from your inventory, it also gives Mohg wings and makes every attack come with bloodflame. Now, you not only have to watch out for Mohg, but the bloodflame as well, which will slowly build bleed and can kill you quickly if you are not careful. This makes Mohg’s second phase chaotic and honestly the hardest fight in Elden Ring’s base game, excluding Malenia. There are ways to get around Mohg’s lethality, though. For example, you can use Mohg’s Shackle to hold him in place for a bit to get a few hits in. You can also drink a Wonderous Physick to completely negate his Nihil attack. Most ironic of all, the Lord of Blood is especially weak to bleed damage, so applying it to whatever weapon you have can help end the fight quicker. There are just so many ways you can defeat Mohg and that makes him such a great fight. Much like Placidusax, the DLC also improves him through his lore. In the original game, Mohg seemed liked a creepy psychopath, kidnapping his young-looking brother in the hopes of making him his consort. In Shadow of the Erdtree, however, we learn that Miquella charmed Mohg into doing this, so he could eventually use his corpse to revive Radahn. This raises the question if Mohg really was always as evil as he seemed? A lot of especially gruesome stuff he does was to revive Miquella, who charmed him, and there had to be some good aspects of Mohg’s character to get a legend like Ansbach’s loyalty. On the other hand, Mohg did also attract the loyalty of freaks like Varre so there is that counterpoint. Mohg is just a really ambiguous character, which I like a lot. The only downside to his boss fight, is that you can fight a weaker version of him in the Subterranean Shunning Ground, which kind of takes away a bit from this fight if you battle that weaker version of him first. Otherwise, Mohg is an excellent boss with a lot of fun ways to combat him.
3. Midra, Lord of Frenzied Flame.
When I watched the first trailer for Shadow of the Erdtree, one of the bosses I was the most interested in was Midra. I had so many questions about the guy pulling a sword out of his head, and the answers did not disappoint. Midra was one of the last bosses I fought in the DLC because of how out of the way the path to finding him is. The build up for him on this path is excellent, however, as the player arrives at the Abyssal Woods, one of the creepiest areas in all of Elden Ring. Exploring the woods, leads you to Midra’s Manse, where you are welcomed outside by a line of decapitated corpses with swords sticking out of their necks, preparing you for the horror to come. Searching the manse eventually leads you to Midra who, at first, appears surprisingly pathetic. He is a weak enemy, with his only skill coming in applying madness. Then, upon defeating him, we get the most gruesome cutscene in the game. Midra declares he has had enough before he pulls the sword out of his head, decapitating himself. His headless body then turns around to face us, and the Frenzied Flame appears above his head. The operatic score that follows is both absolutely haunting and the best theme of the entire game, in my opinion. The fact that I was about to fight a Lord of Frenzied Flame made me tense up for what would certainly be one of the hardest fights in the game. Surprisingly, Midra is actually on the easier end of bosses in Shadow of the Erdtree. Don’t get me wrong, it still took me an hour or so to kill him, but I do wish he posed more of a challenge. That being said, that hour I spent fighting him was one of the best in the entire game. For being possessed by a god which embodies chaos, Midra is surprisingly refined and graceful in his fighting style, with his elegant sword swipes being easy to dodge once you get the timing down. It is the madness attacks you have to watch out the most for, though, as they can easily cause a death if you allow the status effect to build up, like with Mohg. Once Mirda hits second phase, he will cause an explosion which I am sure the only way to dodge is to run like hell. From there, the fight escalates, as even Midra’s once simple sword strikes carry frenzy. He can cause madness explosions, and has a grab sword strike, which lures the player into a false sense of security before spikes emerge from the ground to hit them. All of this is happening while the (as already stated) incredible operatic score is playing in the background. Beating Midra was an exhilarating experience that literally made me cheer once I had done it. Another thing I like about Midra is that he is definitely the most lenient boss when it comes to recollecting your runes. Instead of the fight beginning during his Lord of Frenzied Flame phase when you die, it begins in his weaker form, allowing the player plenty of time to pick their runes up. Midra’s lore is also quite tragic, as everyone in his manse was massacred by the Hornsent for being affected by the Frenzied Flame. As for Midra he was left to live on in agonizing pain, with the only reason he did not allow the Frenzied Flame to take hold being because Nanaya asked him to endure. There is a lot of mystery around Nanaya, causing many to believe she was a maiden of the Frenzied Flame, hoping to corrupt Midra. If true, this makes his story even more tragic because Nanaya was clearly very important to him. Midra is a fantastic boss with tragic and horrifying lore, whose fight is both elegant and chaotic, and, in my opinion, has the best score in the entire game. I just wish the fight was a little harder.
2. Godfrey, First Elden Lord.
In my opinion the best boss in Elden Ring’s base game, Godfrey, First Elden Lord is the penultimate fight before the final battle with Radagon and the Elden Beast. The father of Morgott, the Tarnished encounters him upon returning to the Erdtree after burning it, where they see Godfrey cradling his fallen son, a spectral lion named Serosh on his back. The lion roars as Morgott fades away, showing Godfrey’s inner rage over his son’s death. What makes Godfrey unique compared to other bosses is that he is a Tarnished, like us. This is apparent through his own grace of gold pointing us. Throughout the game, this grace led us to important bosses and now this grace points Godfrey to us, his own boss. It certainly does not feel that way though because Godfrey hits like a truck with his great axe, the most difficult attack to dodge being one where he uses it to cause an eruption of rock from the ground. Otherwise, this first part of the fight is easy to get a handle on, until you reach the second part of his first phase, where he will constantly rush you and slam the ground, creating an arena-wide AOE. While this makes Godfrey more challenging, once you get the hang of it, the fight quickly establishes one of the best rhythm fights in the game. Then you get to the second phase and, predictably, all semblance of confidence goes out the window. Serosh begins to materialize into exitance, making the player think they are going to have to fight them, only for Godfrey to murder the lion, which is revealed to have been holding back his barbarian side. Now shirtless and covered in blood, Godfrey roars in rage before revealing himself to be Horah Loux, the barbarian warrior from the intro. The fight then changes from an honorable duel with the first Elden Lord to a WWE match. Horah Loux is one of the most aggressive bosses in the game, constantly rushing the player and launching them up into the air to body slam them into the ground. This attack knocks off a great deal of health and you will likely die to it a lot. Horah Loux’s ground slams are more brutal, his firsts and kicks are somehow more brutal than his great axe. If I could use one word to describe this part of the fight it would be, you guessed it, brutal. The fight somehow gets even more challenging when Horah Loux brings back the area wide AOE attacks. Despite his brutality, Horah Loux clearly has a lot of respect for the Tarnished, as he declares that our strength befits a crown upon defeat. Thus, I always return the respect by using the bow emote when I finally fell him. Along with being one of the best bosses, the reason Godfrey is so high is because he also has the story of my funniest Elden Ring defeat. On my first playthrough, both Horah Loux and I were one hit away from death. I had no flasks left, so I decided to risk everything on one last Ash of War strike. I ran in, used the Ash of War, and watched his health deplete to what looked like zero. I set my controller down, satisfied to have finally defeated such a hard boss, only for horror to fill me as I realized that Horah Loux was somehow not dead. I desperately grabbed for my controller, but it was too late because Horah Loux had hit and killed me. All I could do was laugh at how my overconfidence got me killed and it took me another ten attempts to finally beat him. The only reason Godfrey is not number one is because there is a mandatory fight with a spectral version of his first phase earlier is the game, which dilutes the true fight somewhat. Otherwise, Godfrey is a fantastic boss, who changes from an honorable duel to a chaotic struggle. I have fond memories of him punishing my overconfidence.
1. Messmer the Impaler.
Right from my first attempt, I knew I was going to love Messmer the Impaler. Out of all the bosses in Shadow of the Erdtree, FromSoftware highlighted him the most in their trailers and, after fighting him, it was immediately apparent why. From the moment you enter the DLC, Messmer’s presence is apparent, from the ghosts speaking of his atrocities, to the cities he burned. This all builds to our fight with him at the Shadow Keep, Shadow of the Erdtree’s best legacy dungeon. Messmer is surprised to see the Tarnished, wondering if his mother Marika would truly sanction our lordship, yet he brushes this concern aside, stating his purpose. “Those stripped of the grace of gold shall all meet death, in the embrace of Messmer’s flame.” This is a line which, much like “I am Malenia, Blade of Miquella,” you will become very familiar with, as Messmer kills you over and over. However, unlike Malenia, Messmer sounds tired when he says this, as if he has had to repeat the mantra Marika gave him over and over. The reason for this becomes clear once you know his lore. Before that, though, I will get into his challenging but incredibly fun fight. Just like Radahn, Messmer will almost always launch himself at the player at the beginning of the fight. This first attack is extremely easy to dodge once you know how it works and provides a good opportunity to get a strike in once he finishes it. From there, you have the fun job of trying to figure out Messmer’s move set. I am not being sarcastic there, either, as I had more fun learning how to dodge Messmer’s attacks than any other boss. Messmer is fast but every move he makes is avoidable, from his spear launch, to his flame strikes, to his delayed grab which is a death sentence if he grabs you on lower vigor levels. By far my favorite attack was his combo ending with the flaming spears shooting up from the ground to hit the player. The first time I completely avoided that combo without getting hit was an exhilarating experience. With a lot of trial and error, you will figure out Messmer’s move set enough to get him to second phase. In the gruesome cutscene that follows, Messmer, like many Elden Ring bosses, is forced to reveal the inner strength he despises. Messmer removes his eye, which is revealed to be a seal Marika used to trap the abyssal serpent her son was cursed with at birth. With this power now revealed, Messmer attacks the player with a variety of snake attacks which, surprisingly, make the fight easier. You will almost certainly be killed by the snakes on your first few attempts of the second phase, but you will also quickly realize that the end of these attacks leave Messmer wide open for punishment. Get the timing right on dodging the snake strikes and you will pretty much have him beat. When you land the final blow, Messmer delivers his last words, “Mother… Marika… a curse upon thee.” Messmer did everything for his mother. At her direction he committed genocide against the Horsent for what they did to her people, he had a medical ward established to treat those who were jarred by the Hornsent, and he even made sure his mother’s own deserted village was protected. Despite Messmer’s devotion to her, Marika still abandoned him in the Land of Shadow, leaving him only with the mantra he has repeated ad nauseum to the point of being tired of it. “Those stripped of the grace of gold shall all meet death, in the embrace of Messmer’s flame.” In the end, Messmer is able to realize how he was treated by his mother and uses his final breath to curse her. It is honestly tragic because Messmer could have been so much better as a demigod. He had many loyal followers like Relanna and Gaius, and he clearly cared somewhat for the suffering of others, as shown by the medical ward he established. But Marika asked him to commit an evil deed and then repaid this by abandoning him when he did so. Messmer not only has some of Elden Ring’s most tragic lore, but he is also the most fun boss fight. No death is unfair and his move set is a joy to learn with its fast-paced action. FromSoftware was definitely right to put him at the forefront of the DLC’s marketing. In my opinion, Messmer the Impaler is not only the best boss of Shadow of the Erdtree, but also the best boss in all of Elden Ring.
Episode Six of House of the Dragon may focus on the plights of the titular “Smallfolk”, but it begins with the nobility.
Directed by Andrij Parekh, the episode begins by showing Jason Lannister, who we have not seen since Season One.
He is marching to war, bringing a lion of all things with him, but delaying because he wants Aemond to protect them with Vhagar.
Naturally, this does not please Aemond, who has taken to his new job as Prince Regent with a vindictive stride.
He begins making some bold moves by attempting to set up an alliance with the Triarchy, and even dismisses his mother, Alicent.
“Have the indignities of your childhood not yet sufficiently been avenged?” Alicent asks, showing that, no matter how strong he may act, there is still a part of that scared bullied child inside Aemond.
Unfortunately, the dangerous and vindictive side of him is winning out.
Meanwhile, with the Blacks, Corlys takes his new role as Hand of the Queen, but unfortunately we do not see him really do anything with it this episode.
Maybe he will in the next one, considering what later happens to a certain bastard of his?
As for Rhaenyra, she begins enacting her and Jace’s plan to find those with Valyrian ancestry to ride dragons.
It turns out that one of her Queensguard, Ser Steffon Darklyn, is one of these people, so she asks him to attempt taming Seasmoke, Laenor’s dragon.
Steffon accepts the task but it ends poorly, to say the least.
At first, it seems as if he has succeeded, but he then gets overconfident and Seasmoke burns him and a dragon keeper alive.
The dragon keeper pulls out a knife and slits his own throat, showing just how bad of a job it is.
They have to constantly be ready to kill themselves because that is better than burning to death.
The ending to this scene was horrifying, and it leads to Rhaenyra slapping one of her lords when he questions her.
“It is my fault, I think, that you have forgotten to fear me,” she says.
To be honest, though, I do not know if the lords ever feared Rhaenyra.
She has not really done anything in the show that would make anyone scared of her, unlike in the book.
Daemon, however, has given plenty of reasons for people to be scared of him.
Simon Strong knows this better than anyone after this episode, as a paranoid Daemon accuses him of poisoning him, holding him at knifepoint the whole time.
Although, it is kind of weird that Daemon would think Simon is the one influencing him instead of, you know, Alys, the creepy witch lady.
Speaking of which, we get even more Daemon hallucinations this episode.
Yay.
Yeah, not going to lie, the constant hallucinations have become a bit tiresome, at this point.
Don’t get me wrong, it was great to see Paddy Considine back as Viserys.
His first scene is meh since he is just repeating lines from the first season, but his second one is great because it shows Daemon comforting Viserys for Aemma’s death like he should have done.
I do at least like how these hallucinations are being used to show Daemon feels guilt for some of his prior actions.
And to be fair to the writers, Daemon spent a long time doing very little at Harrenhal in the book too, so they had to find some way to make his storyline interesting, hence the constant hallucinations.
But Daemon’s story at Harrenhal is definitely about to pick up because he learns that the old Tully lord has died, most likely poisoned by Alys.
I am pretty curious about what Alys’ motives are.
She might be poisoning Daemon or setting a spell on him, and yet she helps him by convincing him to stay at Harrenhal and then likely poisoning the old Tully.
What is her end goal?
While Daemon will soon be making moves at Harrenhal, Rhaenyra and Mysaria put their plan into action this episode.
We see Mysaria’s agents spread tales of the high life those in the Red Keep experience, while the smallfolk suffer.
Rhaenyra then sends loads of supplies to these smallfolk.
It is a brilliant piece of propaganda to turn them to her side and it works wonders.
It honestly works a little too well because it almost ends with Alicent and Helaena being murdered by an angry mob.
In the end, they are saved but the same cannot be said for the frat boy friends of Aegon’s who he let into the Kingsguard.
Aegon really is lucky that he did not have those guys defending him when things went bad.
Unfortunately for him, he is stuck with a vindictive man like Aemond for a brother.
When Aegon awakens, Aemond pays him a visit.
Aegon claims to remember nothing, while Aemond pretty much tortures him by pressing into his burn wounds.
It is clear that he is lying to save himself, though, but who could blame him?
In the end, Aegon’s only friend here might be Larys, of all people.
After being hilariously shot down for Hand of the King by Aemond, Larys turns to Aegon and, in the best scene of the episode, relates to him by explaining the circumstances of his birth.
Through comparing his club foot with Aegon’s horrible wounds, it seems like Larys is able to bring himself to actually sympathize with Aegon’s situation, giving him some advice.
That being said, he is still definitely manipulating him, and his withholding of Milk of the Poppy was cruel, even if it was to keep Aegon level-headed.
As for my second favorite scene of the episode, this sees Alicent saying her goodbye to Gwayne.
They discuss Daeron and Gwayne begins a series of flatteries to describe him, before ending simply with, “He’s kind.”
I really liked the delivery of this line, and it made me even more excited for when Daeron eventually shows up.
This scene also did a great job of highlighting Alicent and Gwayne’s relationship, and the tension that exists between them due to their father’s attention.
What is way more intense than that, though, is what Seasmoke does after roasting Ser Steffon.
The dragon chases down and corners Addam in a moment that had the man understandably scared for his life.
However, while this scene was undoubtedly terrifying for Addam, it was hilarious for me.
Seasmoke really wanted Addam to be his rider and he was not taking no for an answer.
As for why he chose Addam, I wonder if it was because he reminded him of Laenor?
News of Addam riding Seasmoke eventually reaches Rhaenyra but, before that, we get the most controversial scene of the episode.
It begins with Mysaria reporting to Rhaenyra about the success of their plan, but Rhaenyra is still unsure, having doubts.
Mysaria then pays off the question about the scar on her neck, which Rhaenyra asked about a few episodes ago.
She reveals a horrifying story about the abuse she suffered from her father, and how she survived it, before relating it to meeting Rhaenyra, who is the first person to treat her like an equal.
Rhaenyra embraces her, and the two end up kissing.
I heard leaks about this scene and, when I did, I wondered if it was a troll because it sounded out of nowhere.
No prior scene in any episode seemed to hint at a Rhaenyra and Mysaria pairing.
Having seen the scene now, I still hold true to that belief.
I get the reason for it happening, but it still feels a little fast.
Not only that, but it feels pretty tone death, as well.
The scene goes from Mysaria telling the horrifying truth of the abuse she suffered to the two of them making out.
Maybe future episodes will improve my opinion of this pairing but, for now, this is one I don’t really like.
In the end, the two are interrupted with the news of someone being seen riding Seasmoke, and Rhaenyra goes to confront them, ending the episode.
Overall, “Smallfolk” is a good House of the Dragon episode.
It has plenty of great scenes, like Larys giving Aegon advice, Gwayne talking about Daeron, and Seasmoke claiming Addam.
On the other hand, there are some things which hold it back, most notably the odd pairing between Rhaenyra and Mysaria.
Only two episodes left before the season ends now.
Book Spoilers Section:
Going into this episode, I was excited to see the Dragonseeds plotline play out, but they seem to be saving that for next episode.
Addam has now claimed Seasmoke, and this will serve as motivation for Rhaenyra to call for more Dragonseeds, eventually resulting in Hugh and Ulf joining the Blacks.
Rhaenyra may also slowly become more like her book counterpart, if her telling the lord “It is my fault, I think, that you have forgotten to fear me,” is accurate.
As for Rhaenyra and Mysaria’s make out session, I was wondering why the writers decided to pair them up from a story perspective.
Their sudden make out feels like something Mushroom would write about, rather than something that actually happened.
So, what purpose will this serve in the plot?
Well, I think it could be used to drive a further wedge between Daemon and Rhaenyra.
We know Nettles has been cut, so instead of Rhaenyra being jealous of her, Daemon might be jealous of Mysaria?
Speaking of, this episode officially killed any hope I may have had of Nettles not being replaced by Rhaena.
Rhaena finds a bunch of burned sheep in the Vale and Jeyne Arryn confirms there is a wild dragon there.
I said in an earlier review that I thought it made sense for a sheep eating dragon to turn up in the Vale.
While I stand by this claim, it still kills me that one of my favorite characters from Fire and Blood is going to be replaced by a character who is so at odds with what her entire story was about.
I mean, not including Nettles felt like a major missed opportunity this episode.
The episode is literally called “Smallfolk.”
It focuses on their plight, and it would have been perfect to see Nettles begin the difficult process of claiming Sheepstealer this episode.
Instead, we get Rhaena who is a noble and thus completely ignorant to the struggles of the smallfolk.
Again, though, I am going to save the rest of my complaints for the episode where Rhaena actually claims Sheepstealer.
So, if you like rants, you have that to look forward to.
I want to end this review on a more positive note, so I will end it by talking about more positive directions for future storylines.
One such direction is that of the Shepard.
We see a man get his hand cut off by the incompetent Kingsguard this episode, and that man could be the Shepard, the one who leads the smallfolk to kill all the dragons.
Otto is also hinted to be returning.
Aemond sends for him this episode, and it would be great to see him again.
That being said, I hope he does not return to King’s Landing because, if he does, that means he will most likely meet his book fate and die in the season finale.
Rhys Ifans is one of the best actors in this show and I would like him to stick around longer than his book counterpart.
I theorized in an earlier review that he could take part in Daeron’s storyline next season, so I hope that is the case.
We will just have to wait and see what Otto’s fate will be in the final two episodes of the season.
Following the devastating reveal of Chainsaw Man Chapter 170, we all knew Denji’s world had been destroyed.
The opening panels of Chapter 171, “Special Division 5” are haunting.
Denji’s horrified face takes up half a page, with the environment around him being entirely blacked out, forcing us to focus on his emotion.
To make matters worse, Barem continues to taunt Denji.
“This is downright cruel of me, isn’t it?”
Understatement of the century there, Barem.
We then get the most satisfying moment of the chapter, as Pochita begins to take over, as predicted, and brutally rips Barem’s head from his shoulders.
I liked the detail of Barem attempting to take one last bite of sushi, like he wanted to get some last little enjoyment before his painful demise.
Unfortunately, this demise will not be permanent for Barem.
He is a hybrid, after all.
The only way for him to die for good would be if Pochita ate him.
Denji’s transformation into his old friend is just as gruesome as it was in Part One.
Asa and Yoru’s horrified reactions definitely show they are regretting wanting to fight Pochita.
They spent most of this arc trying to convince Denji to fight them this way but now they are seeing the true horror of it.
Be careful what you wish for, indeed.
Pochita’s design has even been updated, since he has even more horns now.
But don’t worry, there is someone there to stop Pochita now that he has been unleashed.
No, not Asa, Yoru and Katana Man.
I am, of course, talking about Special Division 5, Special Division 4’s successor.
The chapter ends with Fujimoto introducing these new fiend characters in various panels, showing off various interesting designs.
So, these new characters will definitely be capable of taking on Pochita, right?
Nope, they’re all dead.
Seriously, if Makima could not kill Pochita with the Weapons on her side then these random fiends do not stand a chance in hell, even if they are just trying to hold Pochita off.
Reading this chapter instantly reminded me of the Yuko arc where Fujimoto introduced the Devil Hunter Club, only to kill off the majority of its members immediately afterwards.
The same fate is almost certainly going to befall these new characters.
The only characters who may stand an actual chance are Yoru and Asa, since they have been powered up due to the world’s fear of war.
Everyone else is screwed.
Overall, “Special Division 5” is a short chapter but one with yet another impactful moment as Pochita returns to wreck everything following the loss of Nayuta.
My only criticism of the chapter is that the final panel is drawn a bit weird.
I honestly cannot tell if Pochita already appeared behind Special Division 5, if they are walking away from him for some reason, or if this is a separate panel.
Aside from the confusing final panel, though, “Special Division 5” is a great if short read.
Get ready to see all these new unnamed characters die horrible deaths next chapter.
After one of the best episodes of House of the Dragon, the subsequent one, “Regent,” is a much calmer affair.
Despite this, it has, without question, the most cursed moment of the entire series so far.
Directed by Claire Kilner, the episode begins by showing Corlys’ reaction to the death of Rhaenys.
While his tearful moment is tragic, I will admit I was a bit disappointed we did not get the scene from the book, which I feel could have made Corlys’ grief more palpable.
Steve Toussaint’s performance still gets the job done, though.
From here, the episode transitions to King’s Landing where we see the Greens milking Rhaenys and Meleys’ defeat for all it is worth.
Meleys’ head is paraded through the streets to show the Small Folk of the victory at Rooks’ Rest.
If the Greens were hoping for a propaganda win then they definitely underestimated the element of superstition, as much of the Small Folk view the death of a dragon as a bad omen.
Also, it’s probably not a good idea to show the oppressed people that the dragons they fear can be killed.
Hugh spells this out perfectly when he states that the dragons are, “just meat.”
But the parade has another purpose besides propaganda.
It is also being used to smuggle the injured Aegon back into King’s Landing.
I was curious to see how far they would go with Aegon’s injuries.
The book’s description was pretty gnarly, and I wondered if the show would go all the way with it, or just apply a little makeup.
Well, of course House of the Dragon did not cheap out because Aegon’s wounds are gruesome.
Aemond, however, is more concerned with taking power in Aegon’s place, and Cole is willing to stay silent about what really happened, even to Alicent.
Back with the Blacks, the loss of Rhaenys and Meleys is causing Rhaenyra to have trouble with her lords again.
One of them takes the sexist approach again, telling Rhaenyra that the “gentler sex” has no place in planning battles, only for Rhaenyra to correctly point out that he has about as much battle experience as her.
It is good to see these troublesome lords get called out, although Rhaenys’ presence is missed because she was especially good at this.
Meanwhile, in the Riverlands, Daemon is attempting to threaten the Brackens into bending the knee with the help of Caraxes.
Admirably, however, the Brackens are steadfast in the face of being burned alive, and bravely turn their backs on the dragon.
Daemon’s following statement, “I did not think they would be so eager to die” makes him almost seems impressed with them.
This does not stop him from tasking Willem Blackwood (Jack Parry-Jones) with terrorizing their lands to threaten the Brackens into bending the knee.
If you will recall, Willem was the young man who vied for Rhaenyra’s hand back in Season One and killed his Bracken tormentor.
He is just as eager to take on the Brackens now, escalating it to war crimes with Daemon’s encouragement.
As for Daemon’s children, Rhaena has arrived in the Eyrie with the dragon eggs and Rhaenyra’s sons.
Jeyne Arryn is understandably none too pleased with receiving dragon eggs rather than a dragon rider to protect the Eeyrie.
As for Baela, her storyline this episode is more interesting, as we see her interact with Corlys, bringing him Rhaenyra’s offer to make him Hand of the Queen.
Corlys is initially incensed by this offer, probably seeing it as a means to placate him after Rhaenys’ death but Baela delivers an impassioned speech about Rhaenys and how she died as she would have wished.
Before Baela departs, Corlys offers to name her heir to Driftmark but she refuses in the best line of the episode, “I am blood and fire. Driftmark must pass to salt and sea.”
To be honest, I think House of the Dragon did a poor job of establishing Baela and Rhaena as characters in Season One.
With the exception of the fight with Aemond, they were pretty much just background characters, standing around while more important characters talked.
Season Two is attempting to fix this and they are succeeding, at least with Baela.
It remains to be seen if they will do so with Rhaena but I do have concerns about that, due to certain leaks which I will not get into here.
Getting back to their father, Daemon is still experiencing hallucinations at Harrenhal, with his most recent one being incredibly messed up.
Remember how I said at the beginning of this review that this episode had the most cursed moment of the whole series so far?
Well, this hallucination is that scene.
Daemon hallucinates having sex with a Targaryen woman and, for most of the scene, it is a mystery who she is.
That is, until she looks up at Daemon and says, “my favorite son.”
Just like that, all as one, the entire fandom recoiled in collective disgust.
We all know Targaryens love their incest but your own mother?
Really, Daemon?
When Viserys said that mother loved you best this was not what he meant!
Joking aside, I do struggle to see the point of this scene other than sheer shock value.
It just feels like the writers wanted to gross us out here.
Or maybe they saw it as a way to hint that Alys is possibly behind Daemon’s hallucinations, since she brings up his mother in a later scene?
Still, they could have gone about it in a less disturbing way.
To be fair to Daemon, though, this hallucination plays out more like a nightmare, so it is not like he actually wanted to have sex with his mother… at least I hope not.
Well, typing all of this is up has left me feeling pretty dirty so I am going to move on to the Greens again now.
With Aegon in a coma, the Green Council sets about naming the titular “Regent” of the episode.
Alicent nominates herself but, come on, they were never going to elect a woman when their whole justification for making Aegon king is that a woman cannot rule.
With Cole siding against Alicent, Aemond is named regent but, rather than focus on him and his council’s tactics, the shot stays firmly focused on Alicent, who is having a breakdown as she slowly realizes what she has helped unleash.
Olivia Cooke does a fantastic job in this scene.
She really brings Alicent’s horror to life.
This is a horror much of King’s Landing is experiencing, as many are attempting to flee the city because of food shortages and the fear of retribution for Meleys’ death.
Among those who attempt to flee are Hugh and his family, including his sick daughter, but Aemond orders the gates closed.
The last scenes with the Greens see Helaena confronting Aemond over what he did to Aegon without saying it, and a wounded Aegon calling out to his mother in his sleep… let’s just hope is dream of her is more innocent than Daemon’s.
Relax, I’m kidding.
Aemond is not the only prince making moves because, with Baela’s encouragement, Jace begins negotiating with the Freys, who are just as conniving as their descendants in Game of Thrones, hundreds of years later.
The Freys want Harrenhal, and Jace seems more than willing to meet this demand.
Although, since Simon Strong currently holds Harrenhal, I imagine he will have a few problems with this.
Yet, he does not command a strong force so, if he does turn traitor because of it, I do not imagine it will have that big of an impact for the Blacks.
What will have a big impact, however, is Daemon’s encouragement of war crimes.
His story this episode ends with him being confronted by a bunch of lords and ladies about the atrocities committed by the Blackwoods at his direction.
Despite Daemon building himself up as a King the whole episode, the results of his actions really prove how terrible he would be as one.
Unless the lord Rhaenyra sent to access Daemon can help somehow, I really do not see how Daemon can spin this whole mess in a positive way.
Speaking of Rhaenyra, she is enacting plans of her own, as she sends one of her handmaidens into King’s Landing to meet with Dyana for a currently unknown purpose.
The episode then ends with her and Jace deciding to find the descendants of Targaryens and Valyrians, and enlist them to their cause as dragon riders.
This storyline is my favorite part of the entire Dance so I am excited to see it finally being adapted.
I hope the show does it justice.
As for “Regent” it is another good episode.
Some of it is questionable, namely the whole Daemon sleeping with his mother hallucination but, otherwise, it does a decent job of building up to future storylines.
Book Spoilers Section: Going into this episode, I was excited to see Corlys’ reaction to Rhaenys’ death.
In the book, he blames Rhaenyra, lashing out in his grief.
Unfortunately, we did not get this scene, as we just see him mourning alone.
As I said, Steve Toussaint does a great job portraying this grief, but it was a bit disappointing to not see this scene from the book.
That being said, the show already seems to be building to one of the most impactful moments of Fire and Blood, which is the storming of the Dragon Pit.
The Small Folk realizing that the godlike dragons are “just meat” will undoubtedly lead to this dark event in future seasons.
Another bit from the book which was built up this episode was the meeting between Alys and Aemond.
Daemon tells Alys she should pray she never meets him because he will kill her.
It is kind of funny to know, as a book reader, how wrong Daemon is because Aemond will actually take her as a lover.
In the next few episodes, we will definitely be seeing the Dragon Seed storyline play out.
Addam will claim Seasmoke, as foreshadowed by him seeing the dragon fly overhead a few episodes ago.
I wonder what will motivate to do so, and I am also curious to see if him claiming Sheepstealer will confirm Laenor has died?
As for the other two Dragon Seeds, Hugh and Ulf, I have a pretty good idea of their reasoning for becoming dragon riders.
Ulf has already revealed himself to be a Black loyalist with his boasting in Episode Three.
As for Hugh, his reason for joining is probably going to be way more tragic.
His daughter appears to be on the brink of death when he and his family try to flee King’s Landing.
She will most likely die, and Hugh will want revenge, blaming the Greens for aid not arriving as promised and for locking them in the city.
So that is three out of four Dragon Seeds but, as I have probably repeated ad nauseam in these reviews, Nettles has most likely been cut for Rhaena who will claim Sheepstealer in the next few episodes, to my displeasure.
However, Rhaena claiming Sheepstealer may not be the only issue I have with the next few episodes because there is another weird leak going around.
This leak claims that Rhaenyra and Mysaria will kiss.
If this happens, it will be absolutely bizarre because, while the scenes between the two are good, I have not felt a single hint of romantic or sexual tension.
Although, given that this leak is so bizarre, there is always the possibility that it is a troll.
Or, who knows, maybe the kiss will make sense in context, if it does happen?
In any case, I am still excited to see Addam, Hugh and Ulf claim their dragons so there is that to look forward to.
In my review for Chapter 168 of Chainsaw Man, I said the sushi place Denji and the group going to being called “Death by Sushi” was ominous.
Well, after reading Chapters 169 and 170, I can say that I hate being right.
Chapter 170, “How to Eat Sushi” is right up there with Chapters 79 and 81 in terms of the sheer trauma unloaded upon Denji.
But I am getting ahead of myself.
Chapter 169, “Hands and Adaptation” builds up to this devastating moment well, with Denji still reeling from his and Yoru’s intimate moment in the alleyway.
He wonders if he is “happy or unhappy now” which is pretty sad to see that he still does not know.
Unfortunately, I doubt he will be happy ever again after what is revealed later.
While some of the group seem unsure about eating, Fami, of course, digs right in.
Asa, however, does not, seeing as she does not like sushi.
Fami has said that she can control people who are starving, so maybe this is a strategy to control Asa?
If Fami is pulling Asa’s strings, then Barem is definitely pulling Denji’s.
The Flamethrower Hybrid once again proves himself to be a master of stealth, as he just slides on into the conversation as he has done plenty of times before.
Denji attempts to attack him, only to stop immediately when Barem brings up Nayuta, promising to let Denji see her if he does what he says.
His first request?
“Eat this egg sushi.”
The chapter ends on this line, and my immediate thought was, please don’t let Nayuta be the sushi.
After thinking about it for a bit, though, I reasoned that there was no way Fujimoto would kill Nayuta off screen.
I had been telling myself that ever since she disappeared, and I told myself that right until the devastating reveal of Chapter 170.
“How to Eat Sushi” begins with Denji initially refusing Barem’s demand, only to relent when he brings up Nayuta again.
Denji begins to resentfully stuff his face, to which Barem says, “Good boy.”
Once again, I cannot help but be reminded of Makima, which makes sense considering how key she is to Barem’s motivations, which are still mysterious.
He says he wants the Chainsaw Man with the ability to erase names from existence but Denji protests, saying that chainsaws don’t have that power and they are just for cutting down trees.
Barem then raises the interesting possibility that chainsaws had other uses, which Chainsaw Man removed knowledge of.
There is a theory going around that Chainsaw Man is the Life Devil or Birth Devil, since the original purpose of chainsaws was to help during childbirth.
If Chainsaw Man is the Life Devil, it would make sense that it could remove names from existence.
If it can bring concepts into the world then it can also take them out.
Chainsaw Man being the Life Devil would also make it the direct opposite of the Death Devil, which raises interesting implications, since Yoshida asked Denji at the aquarium if he thought he could eat the Death Devil.
Back to the chapter itself, Barem then tells Denji that two things are needed for Chainsaw Man to return.
The first of these is for people to fear Chainsaw Man, which has already been achieved through the Chainsaw Men transformations.
The second of these is Denji’s unhappiness.
This reminded me so much of Makima orchestrating Aki’s death and killing Power to make Denji miserable, and the parallel is clear because of what happens next.
Barem orders another round of sushi and, as it goes down the conveyer belt, we see each customer’s disgusted reaction, from Asa to Katana Man, as Fujimoto slowly builds to the full page spread reveal of Nayuta’s head on a plate.
Nayuta is dead, and Barem has most likely been feeding Denji pieces of her, just like Denji ate Makima.
I screamed “NO!” when I saw Nayuta’s head on the plate.
This moment is just as horrifying as when Denji was forced to kill Aki.
It is just as crushing as when Makima killed Power.
Denji went through a lot of suffering in Chainsaw Man Part One, but his ending was hopeful.
He had Meowy, Makima’s dogs and, of course, Nayuta, a little sister who he was raising to be a good person, despite all that her past life had put him through.
Now, he has had everything taken away from him again.
Meowy and the dogs likely burned to death in the apartment fire and now Denji has lost the person who meant the most to him.
The chapter ends with a close up of Nayuta’s decapitated head, while Barem watches Denji’s horrified reaction with a smug smile.
To that, I say can someone please kill this monster?
Barem Bridge is one of the biggest psychos in the series and he has probably just surpassed Makima in terms of emotional trauma inflicted upon Denji.
I cannot deny that he is a great villain, though.
The bastard is probably going to get his wish too, as Denji will transform into Pochita, and a fight between him Asa will then ensue.
As for Nayuta, I hope there is some way that she can be revived.
Power stated at the end of Part One that she could be brought back, so maybe Denji could do the same for Nayuta?
Hopefully?
I just want Denji to be happy.
Sadly, this probably will not happen.
Hell, I would not be surprised if Denji stops trying to find happiness altogether after this.
I would too if everyone I loved was taken from me in the most tragic and cruel ways imaginable.
Chapter 170 is one of Chainsaw Man‘s most gut-wrenching chapters, and Chapter 169 is a tense build up to it.
Knowing Fujimoto, the fallout of this in the next chapter is probably going to be just as traumatizing.
In my review for the previous episode of House of the Dragon, I said that Episode Four could be one of the best episodes of the series so far.
Having seen it, I can confidently say that this prediction was absolutely correct.
A slight correction, though.
In that review, I said this episode was called “A Dance with Dragons” but it is actually called “The Red Dragon and the Gold.”
A much better name, in my opinion.
Directed again by Alan Taylor, “The Red Dragon and the Gold” begins at Harrenhal, where Daemon is experiencing more nightmares about his past.
Milly Alcock returns again as the younger Rhaenyra who does a good job calling Daemon out for his past actions.
Daemon responds in typical Daemon fashion by decapitating her, before being awakened with blood on his hands.
I kind of figured Daemon’s nightmare would be a one-time thing last episode, but the show really seems to be running with it.
While Daemon attempts to gain allies through the Tullys and Blackwoods, he loses time and experiences flashbacks to his past, including seeing his dead wife, Laena.
In one bizarre moment, he even sees himself as Aemond.
I am unsure how I feel about this storyline at the moment, but the show seems to be pretty ambiguous on the cause of all this for the time being.
It could be the curse of Harrenhal, Alys Rivers using some kind of magic on Daemon, or simply Daemon’s guilt messing with his mind.
Maybe all three.
In any case, I think it would be a missed opportunity if the show did not have Daemon experience a hallucination of Rhea Royce.
Her murder is definitely Daemon’s worst crime and, even if he does not feel about it, it would be strange if he was not confronted with it.
Overall, I am still interested to see where Daemon’s storyline goes at Harrenhal.
The highlight of the episode, though, is definitely Rhaenys, who begins the episode meeting Alyn to thank him for saving her husband.
Her interaction with him, and Corlys’ subsequent reaction, basically confirm that he is Corlys’ bastard, but Rhaenys proves her morality for not judging Alyn on the basis of his birth.
Rhaenys and Corlys then travel to Dragonstone to help Jace and Baela set their conflicting lords straight.
Corlys’ line, “is there naught to be done in the absence of the Queen but to grouse and claw for power” shows how far he has come from Season One, where he started off as extremely power hungry.
Had the old Corlys been in this room, he would have been just as combative as the other lords.
To be fair to these lords, though, Rhaenyra certainly has not helped matters by disappearing and, when she finally does come back, everyone is shocked to learn she went to King’s Landing to meet with Alicent, especially Jace.
Rhaenyra’s reasoning for meeting Alicent really bothered me in Episode Three, due to how shortsighted it was, but it was made retroactively better in this episode through the other characters calling her out on it.
She is at least ready for war now, although it may be too late because the Greens are already attacking her allies.
We see the sacking of one castle, where Criston kills the lord and assimilates his forces into his own army.
The lord does have some awesome last words though, telling Criston that his death will come in kind.
Despite the war progressing well for the Greens due to Criston’s actions, Aegon is displeased to hear of Daemon taking Harrenhal.
His insecurities only grow when Aemond embarrasses him by showing just how bad his Valyrian is, while Aemond’s is impeccable.
Aegon then does what any insecure son would do when he is feeling inadequate, seek the comfort of his mother.
Unfortunately, his mother is Alicent, who is also reeling from the revelations of her conversation with Rhaenyra.
She deals with Aegon’s insecurities with the subtleness of a brick wall, offering him no comfort, and telling him to do nothing, as if she had no hand in this situation.
She had literal years to train Aegon to be a king, and yet she clearly taught him nothing and now expects him to do nothing.
Did she really expect him to be content with that?
This is not a complaint, though, as I love how complicated Alicent is.
Rhaenyra proves herself to be both much more caring, and to also be better at preparing her son for kingship by telling him about the Song of Ice and Fire.
From here, the episode transitions to a scene I have been waiting to see adapted ever since I first read Fire and Blood: Rook’s Rest.
The battle did not disappoint.
Not only are the effects, both CGI and practical great, but so is the cinematography and the brilliant score by Ramin Djawadi playing throughout.
Cole lays siege to Rook’s Rest, resulting in Rhaenys volunteering to take her dragon Meleys and aid the Blacks.
Meanwhile, Aegon, drunk and eager to prove himself, takes his dragon Sunfyre to the battlefield.
And so, the red dragon and the gold head for conflict.
However, both are unaware of the third, old dragon.
Cole and Aemond planned an ambush and are ready to meet Rhaenys with Vhagar.
They are not ready for Aegon to interfere, however, and he nearly gets himself killed fighting Rhaenys.
Thankfully for him, help is on the way… unfortunately for him, that help is Aemond.
As I predicted, Aemond was not quick to forget Aegon’s humiliation of him in the brothel, along with the years of humiliation he was subjected to as a child.
Aemond orders Vhagar to shoot fire at the two dragons, seemingly not caring if his own brother is killed.
Aegon and Sunfyre plummet into the forest below, leaving Meleys and Vhagar as the only dragons left in the fight.
Rather than flee, Rhaenys valiantly fights against Aemond and Vhagar.
What follows shows exactly why this conflict came to be known as the Dance of the Dragons as, locked together in battle, the two dragons do almost look like they are dancing.
In the end, however, Aemond and Vhagar are able to get a sneak attack on Rhaenys and Meleys, ending the fight.
As Meleys dies, the look on Rhaenys’s face as she falls is tragic, knowing that imminent death is getting closer, until she and her dragon crash into the castle below, resulting in a fireball.
In the aftermath of the battle, Criston finds Aemond standing over Aegon, sword drawn, leaving it implied if he was really going to kill his brother or not.
In the end, Aemond takes the Valyrian Steel dagger and leaves Criston with Aegon, whose fate currently remains unknown.
This whole final scene at Rook’s Rest makes “The Red Dragon and the Gold” one of the best House of the Dragon episodes, but the rest of the episode is nothing to sleep about.
We have Daemon being confronted by his past, Rhaenyra finally accepting that war is inevitable, and the buildup to Rhaenys’ death, with her sharing her last scenes with Corlys.
Speaking of Corlys it will be tragic to see him learn of his wife’s death next episode.
As for Rhaenys herself, Eve Best did a fantastic job with the character.
While I felt like the writing for her could be a little bit iffy at times, like when she killed loads of civilians in the Dragon Pit, when the writing for her was good it was really good.
We see that this episode during her interaction with Alyn, and it is a shame we will not be getting more Rhaenys scenes like this, due to her death.
RIP the Queen Who Never Was.
Book Spoilers Section: The episode ends keeping Aegon’s fate up in the air, but he does survive his injuries.
I am curious how far the show will go as to the extent of those injuries.
Will his scars be super prominent or more subtle?
As for Aegon himself, I don’t expect we will see much more of him this season, due to his wounds, which is a shame because Tom Glynn-Carney has been doing an excellent job this season.
Speaking of a character’s screen time being reduced, I am unsure if we will see Otto again this season, since he left to meet up with Daeron and he has not been cast yet.
I am, however, now wondering if Otto’s fate will be changed from Fire and Blood.
When Rhaenyra takes King’s Landing in the book, Otto is among those executed.
But if this season ends with the taking of King’s Landing, like I think it will, Otto will not be there to meet that fate.
Instead, Otto will most likely be mentoring Daeron next season.
If that is the case, then he could end up meeting the fate of another book character where, after Daeron’s death, he poisons himself to ensure the death of Ulf the White.
This would be a cooler way for Otto to go out and Rhys Ifans could definitely pull it off.
With Rook’s Rest now concluded, I expect the next few episodes will finally get into my favorite storyline from the Dance, which is the Dragonseeds.
I have mentioned in previous reviews that I am concerned about this storyline in the show, due to the potential cutting of Nettles, however the show has done a good job of setting up the characters of Addam, Hugh and Ulf, so I am excited to see them tame their dragons, at least.
We will see how that storyline turns out in the next few episodes.