Attack on Titan Season Four, Episode Sixteen, Above and Below Review: Part One Ending as it Began.

Well, that’s a wrap people, at least for now.
Part One of the Final Season of Attack on Titan has concluded with its sixteenth episode, “Above and Below”, with Part Two airing either later this year or in early 2022.
What a place to end Part One on as well, considering that what many people, including myself, consider to be the best part of the Manga is set to be adapted next.
At least the wait will be worth it.
I just hope that the Mappa animators don’t have to deal with such a hellish schedule this time around but, given what they’re going to have to animate, I unfortunately doubt it.
As for the episode itself, “Above and Below” does a very good job of getting viewers excited for this second half.
Directed by Teruyuki Ōmine, Tomoko Hiramuki, and Jun Shishido, the episode begins with a brief showcase of the aftermath of Zeke setting off the thunderspear at the end of “Sole Salvation.”
With his lower half completley gone, he lies dying in a field of flowers, when he recieves a brief and mysterious vision of a young girl with shaded eyes, who is carrying a bucket.
Before this can be explained, one of Zeke’s Titans, who survived Levi’s purge last episode, crawls up to Zeke, rips open its stomach, and stuffs him inside, no doubt confusing many anime only viewers.
This is the last time we see Zeke in the episode and Part One, creating a slight disappointment in me that a scene I expected to be adapted in “Above and Below” wasn’t.
The scene that was cut is quite an amazing one from the manga, so I’m sad that we’re going to have to wait a while to get it but, hey, it’s not the end of the world.
I know I’ll get to see this moment eventually, along with the plenty of other mind blowing moments from the manga that have yet to be adapted.
Once this scene with Zeke is over, the episode cuts to Shiganshina, where Yelena is having her self prophecized dinner with Commander Pyxis, who notices that the Volunteers and the Yeagerists are using Marleyan tactics to take over the military, identifying people with armband.
White means they’re a Jeagerist, red means they were blackmailed into working with them through the tainted wine, and black is for those who continued to drink the poisoned wine without realizing, like Pyxis.
His bleak situation does not erase his sharpness, though, as he quickly picks up on Yelena commenting about a plan to “save the world.”
This confuses Pyxis because he and many others thought the plan was to save just the island with a partial Rumbling, completly unaware of Zeke’s Euthanization Plan, which Yelena then brings to the locked up 104th.
Yet, before she explains this plan to them, we get the fallout from Eren’s disastrous meeting with Armin and Mikasa, which ended with him telling Mikasa that he hated her and beating up Armin.
Mikasa just seems dead inside about the whole thing and Armin appears to be more conflicted than ever.
That leaves Jean to reassure them, unexpectedly saying Eren must have had a reason for what he did.
This is some great development for Jean because, at the beginning of the story, he would never have spoken in Eren’s favour, yet here he actually does so, showing true growth.
As for another character who gets more entertaining as the show goes on, we then get one of Yelena’s best scenes, as she enters to tell the 104th about the Euthanization Plan.
With her are Onyankopon, who seems to have betrayed them, and probably now one of the most hated characters Greiz.
I say this because he dared to mock and degrade Sasha in front of her possible boyfriend and family, long after she died.
Seeing Yelena put a bullet in his head after he called her the W word pleased a lot of fans, I’m sure.
It also shows just how enjoyably nuts Yelena is.
You never know if she’s just going to have a conversation with someone or stab them in the neck.
Speaking of stabbing people in the neck, we then get Pieck’s epic entrance with the adaptation of one of her best scenes from the manga, as she manages to corner Eren when he goes to try and blackmail Gabi into helping him by using Falco.
Marching into the room and stabbing Eren’s guard, Pieck seems to have the advantage, until Eren clearly points out she’s in no position to kill him, being under orders to capture the Founding Titan.
It’s here that we end up seeing why Pieck is one of the smartest characters because she actually manages to fool Eren into thinking she wants to defect to save her father, or at least make him think that trusting her is worth the risk.
Although, one criticism I do have that carries over from the manga about this scene is that I do feel that Pieck’s backstory is a little too similar to Annie’s but it’s not a massive problem.
Also, the rest of the scene is pretty great, with Pieck ripping away the last shreds of Gabi’s indoctrination, explaining to her that the Marleyans will never free her, no matter how hard she tries.
Pieck then offers to prove herself to Eren by taking him up to the roof where she can point out her comrades.
The scene then cuts to the reveal of another character who is a pretty great liar, that being Armin.
As Yelena fanatically explains the Euthanization Plan, Armin appears to laugh but covers it up with tears, or maybe cries for a very different reason to what he claims to Yelena.
Either way, he’s certainly fooled Yelena into thinking that he is on board with the Euthanization Plan.
Any way he can take this further is quickly interrupted by news of Pieck’s apparent defection, though, as Eren leads her to the top of the roof.
It looks like many of the Yeagerists are ready to become Pieck simps when she smiles and waves at them.
Unfortunately for them, they are not long for this world, as you can see Porco hiding amongst the crowd, having seen the handcuffs that Eren had placed on Pieck and Gabi to prevent her from transforming.
What follows is pretty much a full minute of Pieck basically rubbing it in Eren’s face about how smart she is and trying to worm any additional information out of him before the inevitable ambush happens.
What an ambush it is too, as Eren is prepared to transform but completley unprepared for Porco’s attack from below and Marley’s attack from above.
The build up to this moment is great with the lack of music up until Pieck points the finger at Eren when he asks where the enemy is, and her well animated smile of reassurance at Gabi.
Once the tables turn and Porco attacks, biting off Eren’s legs, we get a great transformation scene of Eren, in which his Titan is 2D, most likely pleasing those who had a problem with the CGI this season.
However, I do think some of the animation was lacking in this scene and also in a few others.
For example, the shot of the airships coming down to assault Shiganshina does look quite a bit off.
So, I suppose it’s a good thing that Mappa’s getting more time to animate Part Two.
Again, though, I hope the animators get treated way better than they did this time around with the really bad production schedule and tonnes of crunch.
Aside from the couple of animation issues, this final scene is still incredibly hype, ending Part One of the season exactly as it began, with Reiner in an airship ready to attack.
This parralel makes it a fitting place to end Part One of the Final Season.
There was certainly a different part they could have ended it on, which would have frustrated anime only viewers even more, so it’s probably a good thing they ended it where they did.
Overall, “Above and Below” is a pretty good episode, with a hype ending.
It might not be the best episode of the season so far but it was a fitting way to end the first half.
And, even though we may have to wait a while for Part Two, us manga readers still have the final chapter of the story to look forward to, which is supposed to be dropping on the ninth.
It’ll be interesting to see how this story will end and how Mappa with adapt it when the next half of the Final Season starts, either in late 2021 or early 2022.

Attack on Titan, Season Four, Episode Fifteen, Sole Salvation Review: A Cautionary Tale.

Much like Chapters 112 and 113, Chapter 114 of Attack on Titan is one that I have slowly come to appreciate more in the years since it came out.
So, I was pretty excited to see it adapted in Episode 15 of the Final Season, “Sole Salvation”, which aired right alongside the delayed episode, “Savagery.”
I mention that episode here because while I think that “Savagery” could have been adapted a little better, I think that “Sole Salvation” is a perfect adaptation of its corresponding chapter that mostly improves on the source material, with its fantastic animation, voice acting, and soundtrack.
Directed by Mitsue Yamazaki, the episode is entirely devoted to Zeke’s backstory and explains his relationship with the mysterious man teased at the end of Episode 14, why he decided to turn on his parents, how he came to his ideology and what this ideology is.
That last point is foreshadowed right at the beginning of “Sole Salvation”, where it is shown how Grisha and Dina tried to indoctrinate Zeke in their cause to restart the Eldian Empire by taking Zeke to a tower and showing him the poor conditions Eldians are forced to live in compared with the rest of the world.
It is at this moment that a seemingly kind, old janitor walks in and apologises for interrupting, saying he can come back later.
Any niceties disappear, though, when he sees the armband on Grisha’s arm and throws his bucket full of dirty water at them in disgust, blaming them for the murder of millions of innocents, even though this happened centuries ago and none of them could possibly be responsible.
The old man even goes as far to scold them for “pumping out kids”, in reference to Zeke, an important line that will affect Zeke’s ideology going forward.
Grisha again uses this situation to try and instill a drive in Zeke to change the world, telling him that he will save everyone, however, this is clearly not helping Zeke, considering the poor kid is doing the worst at training because his heart is not set on being a Warrior.
Can you really blame Zeke, though?
The kid just wants to live with his parents and be seen as their son, not as their tool for reviving Eldia.
It is here that we get our first look at Zeke’s father figure, Tom Ksaver, the former Beast Titan who seems to take an immediate interest in Zeke.
Along with him, Zeke also has his grandparents who do actually care about him and what he wants, yet still try to indoctrinate him with Marleyan propaganda about how the Eldian Empire was pure evil and committed countless sins.
One interesting thing to note about this scene is how the illustrations in Mr and Mr Jaeger’s book on the different atrocities the Eldian Empire supposedly committed against Marley actually link back to the ED of the Second Season.
That ED was just full of spoilers and foreshadowing for future events, wasn’t it?
Back to the episode, we then get the opposite side of the indoctrination Zeke suffers, as Grisha attempts to teach him the exact opposite of what his grandparents said, that Eldia never committed the atrocities Marley claims because Ymir would never allow it.
As for the truth?
Well, it’s probably somewhere down the middle.
The Eldian Empire certainly did a lot of evil things but they also did some good.
It just depends on where you’re perspective falls, I suppose.
Once we see both of these scenes showing how Zeke’s parents and grandparents are trying to indoctrinate him, we then get his introduction to the one person who never tried to, Ksaver.
The two offically meet when Ksaver’s baseball rolls into Zeke’s path, seemingly by chance, although it is pretty clear by the end that Ksaver did this on purpose because Zeke reminded him of his dead son.
The two form an instant friendship, as Ksaver praises Zeke ernestly and not based on what he expects him to be, like Grisha and Dina do.
Speaking of which, we then get yet another showcase of how the two were not the best parents, as Zeke returns to find them arguing with Falco’s uncle, Grice, about Zeke’s low scores, which most likely means he won’t inherit a Titan.
Again, Grisha makes it clear what is expected of Zeke as his and Dina’s son and a child of royal blood but, again, Zeke just cannot live up to these expectations.
He still can’t keep up with the other kids and is horrified when Grisha storms off in disappointment.
Clearly not father of the year material.
At least Dina is kind enough to understand that Zeke is trying, attempting to tell a screaming Grisha this, while Zeke cries in the other room.
I also really have to give props to Grisha’s voice actor, Hiroshi Tsuchida, who did an absolutley amazing job this episode, especially with his screaming.
Again, in Zeke’s darkest moment, Ksaver is there to help him, lifting his spirts by telling him how it’s a good thing he won’t inherit a Titan and that they are both decent people.
However, Zeke’s newly lifted spirt is dashed upon the rocks when he hears Marleyan officers talking about how they are close to locating the Eldia Restorationists and their leaders.
Distraught, Zeke attempts to warn his parents, without explicitly telling them that they are close to being found out.
It is right before this moment that Grisha gives him such a look of disappointment that I’m sure it made all of us want to kick him.
If we didn’t know his own traumatic past then Grisha would be completley unlikeable here.
This past is hinted at in this scene because Grisha only explodes into anger when Zeke brings up his aunt Faye, who was feed to dogs, not wanting to end up like her.
Grisha’s angry reaction results in Zeke breaking down to Ksaver and telling him everything about his parents.
He comforts his father figure, though, telling Ksaver that because of all the fun times they had togethor, he will remember him, even if he is turned into a Titan.
Clearly seeing Zeke as a son now, Ksaver begs Zeke to turn his parents in to save himself and his grandparents, stating that his parents used him as a tool and never loved him, something that is, for the most part, unfortunately true.
And so Zeke turns his parents in at the behest of Ksaver and many years pass, during which Zeke and Ksaver grow closer to being like an actual father and son.
Soon, Ksaver’s term is close to its end, meaning he will have to pass his Titan on.
However, he is thankful that he managed to finish his research, discovering that every single Subject of Ymir is connected to the Founding Titan, meaning that it could change their bodies at any moment, and it is here that Zeke’s ideology finally comes to its full fruition.
Remembering what the old janitor yelled at him and his parents all those years ago, Zeke wonders aloud if the Founding Titan could sterilize all Eldians so that no more Subjects of Ymir will be born, and the power of the Titans will eventually vanish entirely from the world.
In Zeke’s mind, this would also mean no Eldian would have to suffer.
This explains much of Zeke’s apathy when he murdered countless Scouts before.
He believes that he is saving them from the cruel world.
When this genocide by sterlization plan was revealed in the manga, a few people decided this was proof that Attack on Titan was facist propaganda but I think it’s obvious that this is not that at all but a cautionary tale.
Subjected to brainwashing attempts and racism all his life, Zeke came to the conclusion that it would be better if his entire race didn’t exist so seeks to commit genocide by sterilization with his Euthanization Plan, which he sees as saving the world.
It’s screwed up and shows what dangers can be created from such despicable things, like prejudice and indoctrination.
These two things have clearly affected Ksaver as well because his own experiences causes him to align with Zeke’s plan.
When he was young, Ksaver took off his armband and married a woman, who he had a child with.
However, when she found out that he was an Eldian, she killed their son and then herself in disgust.
This goes to show just how strong the hatred for Subjects of Ymir is in the outside world, because it both destroys the Eldians and those who hate them.
In this scene, there also appear to be a few hints through the toys of Ksaver’s son to future plot points but I won’t say what in case any anime only viewers happen to read this review.
Following the formation of Zeke and Ksaver’s Euthanization plan, Ksaver reveals to Zeke how he will need to find someone he can trust to give the Founding Titan to.
Not long after that, Zeke finally inherits Ksaver’s Titan and truly acknowledges him as his father.
Low and behold, who should Zeke learn about many years later who he thinks would be perfect for joining him in his plan to sterilize all Eldians?
Why, his half-brother Eren of course.
The two finally meet in Marley and Eren seems to quickly accept Zeke’s plan, claiming that there is no greater gift than to not be born into this world, warping his own catch phrase into something much more sinister.
Zeke tears up from Eren calling him brother, showing just how much he was longing for this familial love.
Even though Zeke has done monstrous things, you just can’t help but feel sorry for the guy.
Levi, however, is understandably not so sympathetic, as he continues to taunt Zeke in the present about how he will be feed to a Titan.
This was clearly not the best call, along with impailing a thunderspear in Zeke’s stomach because a delirious Zeke rips the pin off with a scream for Mr Ksaver to keep watching him.
Takehito Koyasu also does an excellent job voicing Zeke here, in all his delirious desperation.
Just as excellent is the animation, with the close up on the characters’ eyes and the rain drops falling in slow motion, right before the big bang of the Thunderspear exploding, blowing both Levi and Zeke away, leaving their fates uncertain.
A frusrating cliffhanger for the anime only viewers that is pure Attack on Titan.
“Sole Salvation” is pretty much a perfect adaptation of its chapter counterpart.
With its amazing animation, voice acting, and soundtrack, it easily tops the manga in plenty of areas.
Now there’s just one more episode of Attack on Titan for me to review before we have to wait for the rest of the final season begins airing at the end of the year or in early 2022.

The Promised Neverland, Season Two, Episode 11 Review: An Absolute Insult.

Coming into the Season Two finale, and most likely series finale, of The Promised Neverland, I was not expecting it to be good.
The prior episodes had been of such low quality that the bar was almost floor level.
Well, the final episode was so much worse than I could have possibly feared, not just lowering the bar to the floor but right down to the damn basement.
This episode was directed by Yukiko Imai, Yoshiki Kitai, and Hiroki Itai, and written by… oh, wait, that’s right, the people who wrote the last couple of episodes, including this one, don’t actually want credit for it.
It’s almost like they know how absolutley insulting this episode is, crazy right?
Also, yes, I did just say insulting because that is exactly what Episode 11 is.
I suppose the most accurate way I can describe it is that it’s like a person dangling a delicious ice cream in a child’s face and then, while the child is distracted, they take the opportunity to punch them in the face.
But, before I get to the insulting scene that inspired this analogy, I have to talk about the expectedly bad opening to the episode, which sees the conclusion to Peter Ratri’s storyline.
This followed from the terrible cliffhanger in last week’s episode of Emma actually offering a chance for Peter to come and be free with them.
Again, this bad scene was in the manga so Cloverworks admittedly did not have much to work with here but, somehow, they managed to make it even worse than the manga counterpart.
The animation of this scene is absolutley abysmal, with constant still frames used during Peter’s backstory scene, where its revealed that he betrayed his brother and had him executed because he became William Minerva and tried to help the farm children.
It’s clear they had very little budget from this scene, otherwise this was a really incompetant way of animating it.
Almost as incompetant as animating Peter’s knife with absolutley no blood on it, despite the fact that he slit his own throat with it.
I mean, seriously, they want us to be shocked by Peter’s suicide but they just ruin it with this glaring error that draws you out of the moment.
Not that it was an intense or interesting moment to begin with.
Then, there’s the Isabella scene, where the children all just immediately forgive her for planning to send them to their deaths.
So, Isabella doesn’t end up sacrificing herself for them in this verion, no, instead she concludes her story by going with them all to the human world.
This was pretty disappointing to me because Isabella’s death is one of the most emotional moments of the manga, especially how she calls out to Ray in her final moments.
Here, there was very little acknowledgement that Ray was actually her son.
Come to think of it, why the heck was there that anime only scene in Episode Four that hyped Isabella up as a big bad villain if they were just going to give Isabella the exact same storyline she had in the manga, only for her not to die?
This all renders that new scene completley pointless.
Just like how Sonju’s scene, where he reveals in Episode Three that he wants to eat humans one day, is rendered pointless by it never being brought up in this episode.
Why add that if you’re just not going to follow up on it later?
It’s honestly laughable that a character like Vylk had more importance in these final episodes than freaking Sonju and Mujika.
Not only that, but Cloverworks actively teases us with things we are never going to get now.
They show the Goldy Pond door and the Queen and her nobles but these things will most likely never be explored because this is definitley the final episode.
Way to tease us with things we won’t be getting, Cloverworks.
But now, we get into the really insulting part.
The scenes that made me simultaneously laugh and yell at the screen in outrage.
First, we get the moment when the characters are walking through the door to the human world.
Only, what’s this? Emma, Ray, Norman, and the Lambda escapees are planning on staying behind with Sonju and Mujika to change the demon world?
Oh, okay, so this means that we are going to get a season three and they are going to adapt the Goldy Pond and the Queen arcs in the third season.
Well, I’m not sure how I feel about this, considering that the character development is compromised because of how things were swapped around and rushed in the second season, but I’m willing to see where this goes.
And now we’re getting some kind of montage to build into this next season, alright, interesting, and is that Emma with The One, okay… wait, what?
Is that Emma and the others about to launch an attack on the demon capital?
Is that Mujika being crowned queen?
Is that Emma saying goodbye to Mujika?
Is that Emma reuinting with Phil and the others, making that scene where it looked like we were going to get a season three nothing more than build up for a slideshow?
What?
A slideshow?
You’re kidding!
This is how you end the series?
You tease us with a potential season three and then you hit us with a slideshow montage of what we could have got in this potential season three before ending the story entirely?
Who thought this would be a good idea?
No, they had to have known it was a bad idea because why else would no one be claiming responsibility for writing it?
This is what I meant when I said that the final episode is like a person dangling an ice cream in front of a child’s face before punching them while they’re distracted.
The child is us, the ice cream is the teasing of a third season, and the person punching the child is Cloverworks giving us a freaking slideshow montage instead.
This was insulting.
The absolute audactity of this moment left me wondering what the hell the writers were thinking.
I mean, why didn’t they just have Emma and the others go to the human world in the first place?
Why get us excited for a potential season three where they would adapt the missing arcs, only to pull the rug out from under us and show the scenes we all wanted to see in a slideshow?
What a terrible episode, no, a terrible adaptation.
You know what?
I’m going to say it.
This is worse than Tokyo Ghoul‘s adaptation.
That’s right, I said it.
At least Studio Pierrot didn’t have the audacity to unjustly tease us with the missing stuff.
This episode is the equivalent of how it would have been if Tokyo Ghoul √A’s ending had been a montage of all the events in Tokyo Ghoul: Re, which they then refused to show us.
An absolute insult to any fan of the manga and anime.
What a joke.
I now feel comfortable saying that Season Two of The Promised Neverland is one of the worst adaptations of all time.
Thank god this miserable experience is over.

Attack on Titan, Season Four, Episode Fourteen, Savagery Review: It’s Time for Round Two.

I was very excited for Episode Fourteen of Attack on Titan‘s Final Season, “Savagery”, because it would be adapting two very great chapters that I may have not graded too high upon initial viewing but have become more fond of over time.
However, then an earthquake happened and the episode was delayed a full week, now premiering alongside Episode 15, “Solve Salvation.”
While not getting “Savagery” last week was disappointing, it is understandable why they would delay it.
I mean, this came not ten years after the devestating earthquake and tsunami that killed thousands.
Yet, once again, some of the fandom showed its toxic side, demanding the episode be aired and saying they did not care about the reason for the delay.
In any case, we eventually got “Savagery”, directed by Jun Shishido, and was it the potential top ten episode that I said it could be?
Well, not really, but it’s still a great episode.
Picking up from where “Children of the Forest” left off, Episode Fourteen kicks off with Eren’s confrontation with Mikasa and Armin, where he tells them some very hard truths(?).
Leaning back in his chair, Eren tells Armin that because he has been going to see Annie so much this means that Bertholdt has taken over his brain, which is honestly a very hypocritical thing for someone who has eaten three Titan Shifters to say.
But Eren doesn’t stop there, oh no, because then comes the tragic scene that fans have memed ever since it happened.
The “Mmgh” scene.
Dubbed this because of the sound effect Mikasa makes in the manga, in this moment, Eren claims that Zeke told him that members of the Ackerman family only awaken their power after they recognize a host to protect.
So, when Eren saved Mikasa all those years ago in the cabin, she saw him as a host, which is why she has been so desperate to protect Eren over the years, not because she truly loves him but because she is essentially a slave to her Ackerman instincts, or so Eren claims.
He backs this up with the constant headaches Mikasa has been suffering, which is apparently the true self trying to break free from its Ackerman programming.
As if this was not bad enough, Eren follows this up with the cruelest thing he could possibly say, “Mikasa, I’ve always hated you.”
Rightfully, Armin goes to try and teach Eren a lesson, only for Mikasa to slam him into the table, again seemingly proving Eren’s point.
This doesn’t stop Armin, though, as he continues to try and beat up Eren.
Note my repeated use of the word “try” because Armin does not stand a chance.
Eren’s brutal beating to Armin here was much worse than in the manga, where he only hit him once or twice.
Here, Eren launches a barage of fists, reducing Armin to a bloody pulp.
But if Armin doesn’t get to Eren with his fists then he definitley gets to him with his words, calling him a slave and, given Eren’s angered reaction, you have to wonder exactly how free he really is.
This whole scene was a great adaptation of Eren practically trying to destroy his friendship with Mikasa and Armin, although I do wish more lines from the manga had been kept in.
I was pretty sad to see Eren’s line of, “There’s nothing further removed from freedom than ignorance” go.
Following the intense scene between Eren, Mikasa and Armin (oh, and Gabi too, I guess) we get the action segment of the episode with the long awaited round two between Zeke and Levi.
Seeing Zeke run away from Levi before transforming Levi’s men was way funnier than in the manga and the part where he actually transformed them was particularily horrifying.
Then we get the fight, which is really good but admittedly could have been done better.
For starters, I do think some of the shots of the Titans were a bit too static and also some iconic shots from the manga should have been given a few more seconds to linger to make the scene more epic.
Then there’s the OST.
I know I harked on about people complaining about the OST in “Declaration of War” but that’s because I personally think some of them let their expectations get in the way of things, which is understandable because I’ve experienced that too.
In the case of this OST use, I actually like that they used Kenny’s theme because, with him now gone, it feels like it belongs to Levi.
However, I do think that they should have used the lyricless version because the lyrics of this theme speak directly to Kenny’s motivations.
So, it’s a bit weird listening to a song about why Kenny wanted to steal the Founding Titan that is playing in a Levi vs Zeke fight scene.
This is something I picked up on a rewatch, though, and I don’t think a lot of people will be too bothered by it.
Again, I did really enjoy the Levi vs Zeke scene, I just wish that Mappa had more time to animate certain sections of it better and maybe went with the lyricless version of K21, so the lyrics didn’t jar with what is actually happening in the scene.
Back to the actual fight, if we can even call it that because it’s more of a slaughter, Levi comes out on top once more because Zeke underestimates him yet again.
Zeke may be one of the smartest characters in Attack on Titan but his ego always gets the better of him, and in spectacular fashion here.
Levi not only manages to kill all of the Titans Zeke transformed, willingly killing his own comrades, but also blows Zeke out of his hardened nape with the Thunder Spears, leaving Zeke a gruesome mess that looks brutal, even with the censorship.
This leaves him at Levi’s mercy, stuck in a cart, looking like a piece of overcooked pizza, and with a thunderspear stabbed in his abdomen to keep him from escaping.
Not to mention Levi torturing him by cutting his feet off so he won’t transform into a Titan, and probably also for personal satisfaction but who can blame Levi for that after all the cruel things Zeke has done.
Well, if you thought that Zeke was a completley irredeemable monster, then the cliffhanger for the episode may have hinted otherwise to you, as we see Zeke as a child playing catch with a mysterious man named Mr Ksaver, preparing us all for the Zeke flashback we would see next episode, which more than lived up to expectations.
As for the rest of “Savagery” that comes before this cliffhanger, it is just as great, with Floch’s ambushing of Shadis done very well.
You can really see how drunk on power Floch has become, as he pursues nationalism even further by punishing those who do not align with his thought process, having Shadis be beaten up by a bunch of recruits he trained before demanding Hange lead them to Zeke.
Given that it was implied that Hange once had a crush on Shadis, the moment she looks at him, beaten to a bloody pulp, like Armin was previously, is really sad.
Not as sad as the next episode, though, “Sole Salvation”, which, as I have said, is a fantastic episode that I look forward to reviewing.
Overall, even if I think certain moments of “Savagery” could have been done better, the episode is still fantastic with its tragic scene between Eren, Mikasa and Armin, and epic second showdown between Levi and Zeke.

The Promised Neverland, Season Two, Episode Ten Review: I Can’t Stop Laughing!

This is hilarious.
Seriously, Season Two of The Promised Neverland is basically a comedy at this point.
I haven’t been this disappointed in a season since the final one for Game of Thrones and that is saying a lot.
If Episode Nine’s convient scene where Vylk somehow provided a pen that magically solved all of the characters’ problems had me laughing my head off, then the entirety of Episode Ten had me rolling on the floor.
Directed by Ayako Kurata, Ryō Kodama and Shigeru Fukase, Episode Ten is just one rushed, convenient, unintentionally hilarious scene after the next.
First, we get the instant reveal that Vincent was just acting like he was betraying Norman to trap Peter Ratri, rendering the cliffhanger scene as instantly pointless.
Then, the children somehow build mutliple hot air balloons in mere hours with no prior knowledge on how to do so and launch an all out assault on a heavily guarded farm.
Next, Vincent and Norman are somehow hacking into the system, despite it never being established that they had these skills beforehand.
It’s just convenience after convenience, in rushed scene after rushed scene that ruins various parts from the manga.
The manga may have had its issues, but there were still moments that had me tearing up, like Emma’s reunion with Phil.
Here, I felt literally nothing because of how rushed everything had been to get to that point.
But, oh no, Isabella, the other mothers, and Peter Ratri have now surrounded and captured the children!
The horror!
Oh, wait, no, Isabella and the mothers have betrayed Ratri, even though there’s been little to no build up for this happening.
But, oh no, now trained demon soldiers are about to storm the farm and overpower everyone!
Our heroes are doomed!
Oh, wait, no, turns out they have been taken out by a completley random and untrained army of demon civilians that just suddenly decided to rebel against the system.
Say it with me, “How freaking convenient!”
And then, the stupidest scene that brought the biggest laugh.
Emma literally gives the guy who wanted to feed them all to demons a helping hand and offers him a chance to be free with them.
This was a really dumb moment in the manga and, like everything else, it is 1000 times worse here because Emma coming to this mindset where she becomes so dedicated to helping everyone was skipped over, along with some very important story arcs.
Heck, this episode somehow even screwed up Sonju’s arc, since now he’s helping Emma and the other kids when this should go directly against his plan of eating their descendants.
Episode Ten is a joke.
It’s nothing more than an unintentionally funny series of convenient twists and turns that had me face palming when I wasn’t laughing at how god awful everything was.
Even the animation can’t save it, with weird looking shots all around.
At least there’s only one more episode left and then this misery can end.

The Promised Neverland, Season Two, Episode Nine Review: How Convenient!

In my review for Episode Six of The Promised Neverland Season Two, I said that Norman’s exposition scene was one of the worst instances of telling instead of showing that I have ever had the displeasure of seeing.
Well, after seeing Episode Nine, I can say that Season Two has done it again, this time providing one of the worst elements of convenience that I have ever seen.
Directed by Kakushi Ifuku, Sumito Sasaki and Tsuyoshi Tomita, everything about this episode is so freaking convenient.
Think about it.
The old demon, Vylk, just so happens to have found a dying human 15 years ago, who just so happened to have the pen part that Emma and the others needed, which just so happened to have a map into Grace Field, and also just so happened to have the cure for Norman and the other Lambda escapees’ illness.
Not to mention how ridiculous it is that all this informaiton is somehow up to date 15 years later.
The scene where this is revealed was so terrible that I was honestly laughing my head off at it.
I could not get over how absolutley nonsenically convenient everything was, and this isn’t even the end of it because we still have to talk about the beginning of the episode, where Norman and his squad all give up on killing demons easily.
This was rushed in the manga too but it is a thousand times worse here.
You’re telling me that Barbara, the person who was all gung ho on slaughtering and eating demons, now hesitates and gives in?
I don’t buy it one bit.
Also, was that dying human Vylk met supposed to be Yuugo?
I hope not because if it was then that is probably one of the most insulting things about this season.
And then there’s the cheap cliffhanger where Vincent is suddenly a traitor.
I’ll get into the reason for this being cheap in my review for Episode Ten, which, oh boy, is just as laughably bad.
There is absolutley no hope for The Promised Neverland now.
It’s a train wreck and Episode Nine is easily one of its worst episodes, full of characters who just magically change their minds on a dime and one of the most laughably awful cases of convenience I’ve seen.
The voice acting and animation are the only redeeming qualities at this point.

Tales of Berseria Review: Best Tales Game I’ve Played So Far.

Coming into Tales of Berseria, I was optimistic yet cautious about how my experience would be.
I had heard good things about the game, however, I knew that Berseria was a loose prequel to Zestiria and I found that game to be a bit of a mess with its mostly bland cast and story, and needlessly complicated system.
So, imagine my relief when I was in the first few hours of Berseria and was already ten times more invested in the characters, story and gameplay than I ever was with Zestiria.
In fact, I would go as far to say that this is my favourite Tales game that I have played so far, even beating out Vesperia.
Developed once again by Bandai Namco, and directed by Yoshimasa Tanaka, Tales of Berseria follows the story of Velvet Crowe (Cristina Vee, English Dub), a Daemon on a mission of revenge to take out the man who took everything from her.
Velvet’s quest for vengeance is a gripping one that sees her go through quite the character arc.
Many say her character arc stagnates until the last ten hours of the game and, while I can see what they’re saying, I personally liked a lot of the subtle moments we got from her before this point.

Even when her character isn’t developing, Velvet has a lot of subtle moments that kept me engaged with her character.

Velvet being like this also gives the game time to get you acquainted with the likeable party members.
There’s the sweet as a button Malik, Laphicet (Amber Conner), the virtuous Exorcist, Eleanor (Erica Mendez), the fighting addicted Daemon, Rokurou (Benjamin Diskin), the wise yet cursed Malik, Eizen (Taliesin Jaffe), and the sly and eccentric witch, Magilou (Erica Lindbeck).
All of these party members are great to be around and fun to watch grow, with my favourites probably being Velvet, Laphicet and Eleanor.
It’s also cool how, unlike with pretty much every Tales game, you could be considered to be playing as the villains here.
Overall, would I say I enjoy the main cast as much as I do Vesperia’s?
No, I still like that cast a little more but it’s still close, and given how much I love the main party of Vesperia that is saying a lot.
Two things that Berseria definitely has over Vesperia in terms of characters, though, is its antagonists and supporting characters.
In Vesperia, with the exception of Duke, all of the villains were one dimensional and boring, along with most of the side characters.
This is not the case with Berseria where every single villain is great, especially the main antagonist Artorius (Ray Chase), and many of the side characters, like Dyle and Kurogane, are very memorable.

Artorius is a fantastic antagonist who perfectly encapsulates the themes of the game.

The story surrounding these characters is also amazing and suits them and their arcs well, with the theme of emotion vs reason.
Heck, I think the story was so good that it actually made me appreciate Zestiria a lot more.
Seriously, even though I find Zestiria to have a lot of flaws, I would actually recommend playing it before Berseria because, if I had played Bersiria first, then a lot of the fantastic twists and connections with Zestiria would have meant nothing to me.
Speaking of which, I also enjoyed how Berseria expanded on some characters from Zestiria, most notably Zaveid (Ian Sinclair).
I liked him in Zesitiria, but he had no development there.
Berseria, on the other hand, gives him that development, showing how he got to be the way he was at the beginning of the other game and how his pact with Eizen was forged.

Zaveid is a standout side character in *Berseria* with his dynamic with Eizen being particularly greart.

The final thing I will praise about Berseria’s story is how it was able to bring so much emotion out of me.
I was shocked at certain points, excited at others, laughed with the characters, and even teared up during one incredibly emotional moment between Velvet and Laphicet.
The story and characters of Berseria are just amazing but what about the gameplay?
Well, I am glad to say that you can finally read what I have to say about Tales’ gameplay without a pinch of salt because I finally figured out how to play one.
I was new to the series with Vesperia, so was naturally pretty bad at the gameplay there and Zestiria’s was way too complicated for me, but I actually managed to get a good handle of Berseria’s.
I figured out how to power up the characters and their weapons, how to cook, send scout ships, and what play style suited me best.
All in all, I can say that the gameplay for Berseria is a lot of fun.
Each character is unique in their own way and it is fun to rotate which one you are playing.
I mostly found myself playing as Velvet and Eleanor because I found that their play styles worked the best for me.

Close range, long distance, a mixture of both, each of the characters offer one of these play styles.

One criticism I can give, though, is that Velvet’s demon claw attacks are pretty over powered and it is very easy to constantly spam it if you have the right amount of souls to attack.
Speaking of the souls system, I have heard some criticize it but I personally enjoyed it because it made me have to think tactfully about how I would tackle different enemies.
As for those enemies, a lot of them were pretty fun to fight and some even offered a unique challenge, like one ridiculously funny level 100 boss, who is thankfully optional.
About the final boss, I actually found them to be pretty easy but that is only because I was enjoying the game so much that I finished most of the side quests before I went and fought him.
The gameplay isn’t completely perfect, though, because dungeons in this game are pretty bland and empty, with the exception of the final one.
That said, this didn’t affect my own, personal enjoyment because I was loving the rest of the gameplay, characters and story too much.
If you like JRPG dungeons, though, you will most likely be disappointed with Berseria’s.
I, however, felt that the game’s few negatives were easily overpowered by its many positives.
I can definitely see myself returning to this game and replaying it again and again in the future.

Attack on Titan, Season Four, Episode Thirteen, Children of the Forest Review: An Intense Adaptation for an Underated Chapter.

I really loved Chapter 111 of Attack on Titan when I first read it and I think it is one of the most underated chapters in the entire manga.
So, imagine my excitement to see it so well adapted in the thirteenth episode of the final season, “Children of the Forest.”
Directed by Yasuhiro Geshi and Kōnosuke Uda, the episode picks up first with a scene from Chapter 110, which many feared was cut, that being Zeke’s flashback revealing what he did to Ragako village.
The scene opens with the village being consumed by gas, fanned in by Marleyan soldiers, with Zeke and Pieck in attendance.
Once the smoke hits them, all of the villagers, Connie’s family among them, collapse and are unable to move.
Zeke then Titanizes them with his roar, just like he did back in the first episode of this final season.
However, Zeke’s explanation of these events and how he supposedly did it to save Eldia clearly does not satisfy Levi, understandably.
Levi believes Zeke to have not a shred of guilt over his actions, which is not helped by Zeke’s good mood.
This does lead to a pretty humorous scene, though, where Zeke assumes Levi must not be very popular with the ladies.
Oh, Zeke, if only you knew the extent to which Levi fangirls will go.
This comedic and on the nose moment is quickly interrupted, though, as soldiers arrive to inform Levi of Zachary’s assasination at the hands of the Yeagerists.
With that, the episode transitions into the adaption of Chapter 111, as Gabi, Falco, Kaya, and the Braus family arrive to taste Niccolo’s excellent cooking in remembrance of Sasha.
It is here that Gabi and Falco plan to make contact with Niccolo based on Kaya’s advice, all of them still unaware that the woman Gabi killed was Sasha herself.
The tension of this reveal slowly builds as Falco begins to realize something is amiss, and Hange and the 104th arrive to question Niccolo.
However, the impending reveal to those characters close to Sasha that Gabi was the one who killed her is not the only case of growing tension here, because now the wine is coming into play.
I did criticize how easy it was to guess that there was something up with the wine in Episode Ten, when it was more subtle in the manga, but now I would like to rescind this criticism.
It being made fairly obvious that the wine was poisoned with something made the scene where Jean and Connie almost take a sip very nerve-racking.
Thank goodness Niccolo had the foresight, and the added kindness thanks to Sasha, to stop them from doing so, although he did end up using Marleyan racism to cover it up.
This leads to the big conflict of the episode, as Gabi and Falco follow Niccolo when he retreats with the wine and confront him, telling them that they are Warriors candidates who snuck aboard the airship when it was fleeing Marley.
This, of course, tips Niccolo off and he asks the big question: “Did you kill someone? A female soldier.”
Well, any smart person would find this question odd, considering Niccolo is a Marleyan, who have pretty much all been brainwashed into hating Eldians.
This is why Falco picks up on it.
Gabi, on the other hand, oh boy, her brainwashed brain cannot take a hint.
With every word out of her mouth she keeps digging her metaphorical grave deeper and deeper.
You can really see how indoctrinated Gabi is, as she almost seems to be seeking praise from Niccolo, a Marleyan, for killing Sasha.
However, praise is certainly what Niccolo has in mind.
No, he’d much rahter perfer a wine bottle smash to the skull for her.
It’s Falco who takes the blow, though, jumping in front of Gabi and taking the hit but also ingesting the wine.
The soundtrack during this scene is also straight up fire.
Niccolo is much more focused on Gabi than the injured Falco, delivering her a beating off screen, before throwing her before the Braus family and exposing her as Sasha’s killer.
It’s here that the best voice acting of the episode is showcased.
Ayane Sakura again does a magnificent job as Gabi but Eji Hanawa steals the show as Niccolo, who mournfully and furiously explains how Sasha saved him from this war and taught him that he was supposed to make people happy with his food.
Gabi hits back by telling him of the people Sasha killed, claiming that it is actually she who brainwashed him, ironic coming from her.
Mr Braus understandably looks sickened to hear such a despicable thing about his daughter and requests the knife from Niccolo.
The terrified eye movements of Gabi and Mr Braus’ contemplative face here, almost as if he is considering actually killing Gabi in an act of revenge, are animated incredibly well.
However, revenge is not what Mr Braus ultimately wants, as he shows exceptional maturity for a mere side character, giving one of the best speeches of the series about how, as adults, it is their burden to carry and move on from their sins to get the children out of the forest.
The forest, in this instance, being a metaphor for the cruel world and cycle of violence that our characters struggle with daily.
With this, Mr and Mrs Braus convince Niccolo to let Falco go, followed by Mr Braus asking if Gabi is alright.
This shocks Gabi right to the core of her being, as she sees these supposed devils concerned for the very person who killed their daughter.
Well, not all of them are concerned because Kaya is already moving head first into the forest, as she attempts to stab Gabi with a knife for the death of Sasha.
Only Mikasa’s Ackerman insticts save Gabi from a knife to the head.
The animation of Kaya being tackled to the ground and comforted by Mr and Mrs Braus is just great, as well.
Mappa did a really good job with the animation this episode.
With Mikasa and Armin moving Gabi to a safer place, we then get the big reveal of the episode from Niccolo.
Zeke’s spinal fluid is in the wine, and potentially hundreds of military officers among the Military Police and Garrison are currently infected.
Zeke lied at the beginning of the episode when he said that Eldians freeze when they ingest his spinal fluid, and this lie has caused those infected to be entirely unaware of their dangerous position.
The Scouts have absolutley no time to warn everyone, though, because who else should show up but Eren and the Yeagerists, and in a much more abrupt way than in the manga.
Rather than seeing Eren enter the room that Mikasa and Armin are talking to Gabi in, like in the manga, we just hear the door close and see him casually walk up to them, bloodly hand raised in a threatening manner.
It honestly reminded me of the abrupt Reiner and Bertholdt reveal from Season Two, it’s that great.
Just as entertaining is Floch’s arrival with the Yeagerists and Hange’s slow realization that they all knew about the poisoned wine.
Floch grinning at Hange and shushing her is a real improvement on the manga, making Floch look much more sinister than he does in the original source material.
Following this, we get the naturally frustrating cliffhanger of Eren saying he wants to talk to Armin and Mikasa, only for the episode to cut off there.
Well, at least the wait might just be more than worth it because tomorrow’s episodes is about to adapt two fantastic chapters which, with time, I have come to look incredibly favourably on.
If done right, the next episode could easily be in the top ten best episodes of the series.
As for “Children of the Forest”, in my opinion, it is a near perfect adaptation.
Great shots, animation, voice acting and music, it has it all.
I do wish a couple of manga panels, like a particular flashback shot of Sasha, had been included but these are not major things and did not decrease my enjoyment of the episode.
“Children of the Forest” is a fantastic episode and I have my fingers crossed that “Savagery” can be adapted to near perfection as well.

The Promised Neverland, Season Two, Episode Eight Review: WHY DID YOU SAY THAT NAME!?

Episode Seven of Season Two of The Promised Neverland was such a boring episode that I honestly forgot what happened in it not long after.
It wasn’t even so bad that I just had to talk about it, like with Episode Six, it was just extemely forgettable.
Therefore, I never really saw a point in reviewing it, since I could not remember anything about it.
Episode Eight, on the other hand, is definitley worth reviewing since it’s one of the better episodes of the season.
Definitley not quite as good as Episodes One and Two but certainly a lot better than Episodes Five, Six and that extremely pointless recap episode.
Directed by Hiroki Itai, the episode picks up with what should have happened in Episode Six, a flashback to Norman’s time in Lambda.
This is what we should have got instead of that god awful exposition scene, which was one of the worst instances of telling instead of showing that I have ever seen.
I still think that we could have used an entire episode laying out Norman’s time at the facility but it was still decent.
We also got to meet the main villain of the story here, Peter Ratri, who, as an antagonist, is servicable enough.
He’s nowhere near as interesting as Isabella, or the character who would have been the main antagonist of the season if the Goldy Pond Arc hadn’t been cut, but he’s still servicable.
All in all, this flashback is good but could have been more fleshed out.
I wish the anime had expanded on Smee a bit because he’s essentially a plot device to randomly justify Norman’s escape.
Despite these problems, it was still interesting to finally see how Norman escaped Lambda and formed his own little Suicide Squad.
From here, the episode cuts to the present where Emma, Ray and the others are searching for Mujika and Sonju, while Norman and his cronies are preparing to initiate their attack early.
It’s all fairly standard stuff to move the plot along and, as a manga reader, I was disappointed with how one intense shot of Norman was extremely simplified.
In any case, Emma and the others finally locate Mujika and Sonju, only for Norman to attack the demon village early and, just like that, the episode gets way better.
Watching the effects of Norman’s drug on the demons is a pretty big gut punch and the music is straight up fire.
But then my excitement is slightly ruined by yet another contrived scene, when Norman hesitates to kill a demon girl all because the grandpa demon shouts Martha– I mean Emma!
Jokes aside, this had to be a Batman vs Superman: Dawn of Justice refrence right?
It’s just too similar and just as convenient.
But hey, at least it leads into the final shots of the episode, where Emma arrives just in time and sees Norman as a scared child, which gave me literal goosebumps.
So, overall, there’s a lot of good and a lot of bad about the episode.
However, despite the episode’s problems, it just edges out into the good territory because of the Norman flashbacks and the intense final scene, even if there is a lot of convience there.
In my opinion, Episode Eight in the best one this season, since Episode Two.
However, you will definitley not see me being as kind about Episode Nine, oh no.
I just watched that episode and rather than just being just forgettable, like Episode Seven, it’s just plain bad, like Episodes Five and Six.
Expect a full on rant when I review that one.
Oh well, at least we got one good episode before the show descended into train wreck territory again.

Attack on Titan Chapter 138, A Long Dream Review: A Tragic What Could Have Been.

138 chapters, all building to this moment.
We finally got the penultimate chapter of Attack on Titan, “A Long Dream”, and, boy, is it a big one.
It’s funny looking back on my predictions posts because I can see how right or wrong about certain things I was and wow was I wrong about some certain character fates this chapter.
While thankfully not seeming as divisive as Chapter 137 was for The Attack on Titan fandom, “A Long Dream” has still made a substantial splash in the pool of various different opinions on the endgame’s quality, which is no surprise given the end of the chapter.
Some predicted it, and this chapter we seemingly got it, Mikasa just killed Eren.
Decapitated him and then spends the final chapter making out with the head.
Leave it to Isayama to make Eremika happen in the most messed up way possible.
Okay, okay, I know I’m clearly overexagerating on how far Mikasa goes in that final panel.
In all seriousness, I actually really like the scene and think that it makes a lot of sense.
Heck, it even got me tearing up at the moment when it paid off a scene from all the way back in Chapter One.
However, before we get to that, I first have to start at the beginning.
“A Long Dream” opens with the baby that was seen in one of my favourite panels in the manga, from Chapter 134, who is revealed to have survived the Rumbling at the cliff face, since the Wall Titans stopped when Levi killed Zeke last chapter.
Although, I would argue that the baby isn’t the luckiest among the group of survivors there.
No, that title goes to the random guy at the back getting pulled up by two other survivors just as the Rumbling stops.
If the Wall Titans had stopped just a second later, then this guy would be toast.
Literally the luckiest guy on earth.
From here, the chapter cuts to the aftermath of Armin going nuclear Colossal at the end of “Titans”, as Falco lands the Alliance atop Fort Salta and the Warriors are reunited with their parents.
Falco, Gabi and Pieck all reunite with their loved ones and Annie learns that her father is alive and goes to meet him.
But, this is Isayama we’re talking about, so of course this was never going to end in anything other than tragedy.
It would seem that the force of Armin’s explosion has launched the Hallucigenia into the bottom of Fort Salta, and Reiner and Armin arise from the destruction to destroy it once and for all.
However, Eren then transforms again, having survived Armin going nuclear as we all predicted, only this time he is in Colossal Titan form.
At the same time, Annie’s father and Muller have decided to work togethor, as it is predictably revealed that Muller fired into the air to calm the situation down.
Annie then shows up and their happy reunion is cut oh, so cruely short by the Hallucigenia, which Reiner sees releasing Titan smoke that will turn any Eldian who is not already a Shifter or has Ackerman blood into Titans.
This means that Jean, Connie, Gabi and all of the Warriors families are now infected.
Thinking quickly, Levi orders Mikasa and Pieck to get onto Falco so they can go and put an end to Eren.
Left behind at the Fort to Titanize, Jean and Connie embrace and reflect on their times in the Survey Corps, with Jean having adopted the mindset of leaving their legacy to those who live on for them.
Connie also jokingly tells Jean that it is his fault they got stuck with the job of saving the world, before they and all the other Eldians transform.
While this goodbye to two Survey Corps veterans is very emtional, I can’t help but wish we got an extra page of them saying their goodbyes to Mikasa and Levi, and Falco saying his goodbyes to Gabi.
I mean, I know that there wasn’t much time because they were all about to turn but we saw pretty much no reaction from Mikasa about her long-time friends being Titanized.
The scene is still great but I just wish it had a little more time spent on it to deliver a more emotional gut punch.
Another slight criticism I have is the paneling of this scene, specifically where Falco is concerned.
When they are flying away from Fort Salta, Falco screams in anguish at the loss of Gabi and his parents and this has caused many to jump to the conclusion that Falco turned everyone into a Titan with the Beast Titan’s power, which he may have recieved from Zeke’s spinal fluid.
However, this doesn’t make any sense to me.
Falco would never turn his parents or Gabi into Titans, and it also couldn’t have been by accident because he does not have the means to use Zeke’s technique, lacking royal blood.
So, it seems like this is just a case of mistaken intent and Isayama definitely should have structured this scene differently to make it clear that Falco’s scream didn’t Titanize everyone.
There is another complaint about this scene, which I have been hearing, that it is out of character for Eren to turn Jean and Connie into Titans because he wanted them to “live long lives.”
However, I believe this does make sense because it is not Eren transforming them, it is the Hallucigenia.
In Chapter 137, Zeke described the Hallucigenia as Life itself, stating that it had the sole purpose of surviving and multiplying.
Armin and Reiner had backed the Hallucigenia into a corner so it did the only thing it could to survive: turning everyone atop Fort Salta into Titans, so that they could lead it safely to Eren, where it could connect with him again.
So, this scene does work because it is not Eren doing this but the Hallucigenia.
As for Jean, Connie and Gabi, can they turn back into humans?
Well, I think Isayama could go either way in the final chapter.
Jean and Connie’s goodbye feels pretty final but it doesn’t seem to fit into Gabi’s character arc for her to just stay a Titan forever or be killed as one.
Guess we’ll just have to see what happens in Chapter 139.
I’ll admit, a part of me wants them all to stay gone for emotional impact, while the part of me that loves their characters just wants them to come back and live long lives.
Like Bertholdt, though, I feel like I can accept any outcome for them.
Annie, however, cannot accept the ending she got with her father which, in predictable Isayama fashion, seems to conclude with her father being Titanized right in front of her.
The cruel world strikes once again with Isayama as its puppet master.
That leaves Reiner, Pieck and Annie to deal with the Hallucigenia and its Titan army, and Mikasa, Levi, Armin and Falco to bring the fight to Eren at long last.
Beginning with an epic moment, where Armin accuses Eren of loving this hell and saying he will stick it out with him until the very end,the two engage in a Colossal Titan beatdown.
I can’t remember where but I’m sure that I mentioned wanting a Colossal Titan fight somewhere in an earlier predictions post and I’m so glad we finally got one near the end of the story.
As Armin and Eren duke it out and Reiner, Pieck and Annie slowly begin to be consumed as they struggle to hold the Hallucigenia back from its master, another headache hits Mikasa full swing, somehow launching her into some kind of dream world or alternate universe.
In this world, Mikasa confessed her feelings for Eren in Chapter 123 and the two ran off togethor and abandoned everyone, deciding to spend Eren’s remaining years togethor.
There has been a lot of debate online about whether this is an alternate universe or just a dream world.
Honestly, I think it’s most likely the latter because it being an alternate timeline doesn’t really make sense considering that if Eren had run off with Mikasa then he never would have convinced his father to eat the Reiss family, essentialy undoing his Titan powers all togethor.
I should note, though, that someone suggested to me that both timelines could coexist at the same time and, if this is the case, then it would allow for Eren to have manipulated Grisha into stealing the Founding Titan, while in the seperate timeline Eren ran away with Mikasa.
Still, I’m leaning towards the dream theory, mostly because of a leaked storyboard that appears to state that this is solely Mikasa’s “ideal” world and Eren.
I could entirely be wrong about this, though.
Yet, even if this is a dream, there is no denying that it is a shared one between Eren and Mikasa.
Eren’s true self seems to show up part way through the dream and tell Mikasa to throw away the scarf when he dies so she can forget about him.
This is most likely why Eren told Louise to throw away the scarf all the way back in Chapter 126.
However, this is not something Mikasa can do because, even though she now accepts what must be done, she will never let go of the memory of the man she loves.
Mikasa resolves to kill Eren, somehow knowing that Eren is in the mouth of his Colossal Titan, most likely because Eren telepathically told her through the shared dream.
With Armin holding Eren’s head in place, Levi is able to blow a hole in his Colossal teeth with a Thunder Spear, allowing Mikasa to dash in.
Eren’s head is dangling from his extended spine, as seen at the end of Chapter 131.
As Eren opens his eyes, he seems to smile at Mikasa, most likely showing how sadly happy he is that Mikasa will never forget him, despite his insistance.
Mikasa shares the smile and swings her sword.
Then, we get the big moment.
“See you later, Eren.”
We now finally know what Eren’s dream at the beginning of the story means, 138 chapters later.
He was experiencing a memory from the Attack Titan of his goodbye to Mikasa in their dream world, when Mikasa was forced to kill him.
Just like that, I tear up and move onto the final panel… only to be shaken out of any potential tears with the image of Mikasa kissing Eren’s decapitated head and Ymir looking on smiling.
Jokes aside, I see some people trying to paint Mikasa as a necrophile here but it’s pretty clear to me that she was experiencing the dream world when she kissed Eren here and this was her way of saying goodbye to him.
This also seems to all imply that Eren felt similarily towards Mikasa, as it wasn’t really clear before.
Well, this makes the chances of Eren being the father of Historia’s child significantly lower but fingers crossed that Isayama can still make this happen because I think it really works for Eren’s character.
Back to the final panel of the chapter, let’s talk about Ymir watching Mikasa kiss Eren.
I believe this is important for two reasons.
The first reason is that it shows how Ymir desires love.
We saw this all the way back in Chapter 122, when she stopped to stare at two of her enslavers getting married.
The second reason it is important is that, in my opinion, it shows that Ymir is finally, truly free.
We have only seen Ymir’s eyes twice before this point and both of these times are when she is experincing freedom.
She chose to side with Eren in Chapter 122 and we saw her choose to release the pigs in Chapter 135.
Now her eyes are uncovered yet again in the last panel of “A Long Dream.”
Whatever Eren has achieved by getting Mikasa to kill him, (I do believe that was his goal given how much he tried to get her to move on from him, like by lying to her that he hated her) it has resulted in Ymir’s freedom, which may very well end with her being reborn as Historia’s child in the final panel.
As for Eren, I believe this is it for him.
His conciousness may survive in Paths, like what with happened to Ymir but, as far as the physical world is concerned, he is definitley dead there.
The final chapter will most likely cover his and Ymir’s true motivations and what they will result in for Paradis and the world.
This last chapter is rumoured to only be 45 pages, though, so I hope Isayma can wrap up his story in so little pages in a satisfying way without it feeling rushed.
Overall, “A Long Dream” is a truly fantastic chapter for Attack on Titan, and a great prelude to the final one.
I do think some things could have been better, like rearranging or removing Falco’s scream, so some readers would not be confused, and adding an extra page to give Jean, Connie and Gabi’s potential goodbyes more of an impact.
Yet, these criticisms do not change my mind that this is a fantastic chapter and I cannot wait to see how my favourite story will end next month.